AGAIN!? KENDRICK LAMAR NOT LIKE US REACTION - HOW IS THIS EVEN POSSIBLE? GET THE WHITE FLAG READY!?

JayBlac
4 May 202421:12

Summary

TLDREl guión proporcionado parece ser una transcripción de una discusión o análisis sobre la música y las tácticas de lanzamiento de Kendrick Lamar y Drake en el ámbito del rap. Se menciona la sorpresa y la incredulidad ante la velocidad y la calidad de las pistas lanzadas por Kendrick, sugiriendo que su productoividad es asombrosa y su táctica de lanzamiento inusual en la industria. La conversación también toca el tema de la competencia y los desafíos entre los artistas, y cómo las respuestas de Kendrick a las canciones de Drake podrían ser interpretadas como una forma de afirmar su superioridad en el género. La transcripción está llena de emociones y comentarios entusiastas que destacan la energía y el talento de Kendrick Lamar en el rap.

Takeaways

  • 🎤 La transcripción parece ser una reacción a la música de Kendrick Lamar, destacando su capacidad para lanzar varias pistas en poco tiempo.
  • 🚀 Se menciona la sorpresa y el escepticismo de los fanáticos ante la prolífica actividad de Kendrick, quien ha soltado varias pistas en un corto período.
  • 🤔 Se discute sobre la naturaleza de la competencia entre Kendrick y otros artistas, sugiriendo que su música es una respuesta a las acciones de sus colegas.
  • 🎶 Se destaca la diversidad de estilos en las pistas de Kendrick, desde lo más energético hasta lo más melódico y reflexivo.
  • 🔥 La transcripción incluye referencias a la presión y la intensidad en la escena del rap, con Kendrick desafiando a sus oponentes con su habilidad y rapidez.
  • 🤘 Se hace notar el impacto emocional de las letras de Kendrick, que abordan temas personales y provocan una respuesta fuerte en los oyentes.
  • 👥 Se sugiere que la rivalidad entre Kendrick y otros artistas como Drake podría haber alcanzado un punto crítico, con Kendrick respondiendo rápidamente a las provocaciones.
  • 📈 Se discute la estrategia de lanzamiento de Kendrick y cómo su enfoque espontáneo y ágil en el estudio puede darle ventaja en la competencia.
  • 🏆 Se insinúa que Kendrick podría estar ganando en términos de influencia y relevancia en la actual escena del rap.
  • 🤔 Se cuestiona si otros artistas, como J.Cole, han optado por no entrar en una competencia directa con Kendrick, dado su estado actual.
  • 🌐 Se destaca la importancia de la comunidad de fans y la forma en que las respuestas de Kendrick afectan el diálogo y la energía en la cultura hip-hop.

Q & A

  • ¿Quién es Kendrick y qué está haciendo en el script?

    -Kendrick es Kendrick Lamar, un destacado rapero y músico estadounidense. En el script, parece que está en medio de una serie de lanzamientos de música, posiblemente en respuesta a otras canciones o eventos en la industria de la música rap.

  • ¿Por qué la persona está implorando a Kendrick que pare?

    -La persona en el script está implorando a Kendrick que pare porque ha estado lanzando varias canciones en un corto período de tiempo, lo que ha creado una situación sobrecogedora y agotadora para los oyentes y posiblemente para él mismo.

  • ¿Qué evento se menciona como having 'struck a cord'?

    -El evento que se menciona como having 'struck a cord', o aludiendo a una reacción emocional significativa, es cuando se menciona a Tupac Shakur, un ícono del rap, lo que parece haber provocado una respuesta fuerte en Kendrick.

  • ¿Qué tipo de música se está discutiendo en el script?

    -El script hace referencia a varios géneros de música, incluyendo rap y hip-hop, y habla sobre la diversidad en el estilo de Kendrick, desde canciones melódicas como 'Euphoria' hasta piezas más energéticas y agresivas.

  • ¿Por qué la persona dice que Drake 'caught Kendrick at the wrong time'?

    -La persona sugiere que Drake desafió a Kendrick en un momento inoportuno, cuando Kendrick estaba posiblemente con tiempo libre y en forma de crear música, lo que ha llevado a una serie de respuestas musicales de Kendrick.

  • ¿Qué es lo que hace que la persona en el script se sienta 'trapped'?

    -La sensación de estar 'trapped' o atrapada proviene de la intensidad y la cantidad de música que Kendrick ha estado lanzando, lo que ha creado una atmósfera de inminente expectativa por más música y reacciones.

  • ¿Qué implica la mención de 'Family Matters' en el script?

    -La mención de 'Family Matters' alude a una canción o evento específico que ha tenido un impacto en Kendrick y que posiblemente ha desencadenado su serie de lanzamientos musicales.

  • ¿Por qué la persona en el script insiste en que no se entiende el contexto de '69 God'?

    -La mención de '69 God' en el script parece ser una referencia a una canción o un evento que la persona encuentra confuso o que no entiende completamente, posiblemente porque es parte de una serie de referencias culturales o musicales.

  • ¿Qué sugiere la persona al final del script al decir 'Kendrick please give me a day off'?

    -La petición de un día de descanso refleja la sensación de agotamiento y la necesidad de un respiro después de la intensa serie de eventos y lanzamientos musicales de Kendrick.

  • ¿Cuál es la actitud general de la persona que habla en el script hacia Kendrick?

    -Aunque hay cierto程度 de frustración y agotamiento expresados, la actitud general es de admiración por la productividad y el talento de Kendrick, así como una excitación por los eventos recientes en la industria de la música.

  • ¿Por qué la persona en el script cree que J.Cole podría haber decidido no participar en la rivalidad?

    -La persona sugiere que J.Cole, al ser amigo de Kendrick y consciente de su capacidad para crear música de alta calidad, podría haber decidido no entrar en una rivalidad musical, entendiendo lo que Kendrick estaba dispuesto a hacer.

Outlines

00:00

😀 Reacción a la sorpresiva prolificidad de Kendrick Lamar

Este párrafo abarca la incredulidad y admiración por la capacidad de Kendrick Lamar para lanzar múltiples tracks en poco tiempo, destacando su habilidad para mantener el interés y la calidad en su música. Se menciona su audacia y la sorpresa de los fanáticos por sus lanzamientos frecuentes y la calidad de sus canciones, incluyendo 'Meet the Grams' y 'Euphoria'. Además, se discute la intensidad y el cambio de ritmo en su música, y cómo esto ha afectado la percepción pública y la respuesta de otros artistas.

05:01

😮 Análisis de las tácticas y respuestas en la música de Kendrick

Este segmento se enfoca en la estrategia detrás de las canciones de Kendrick Lamar, sugiriendo que sus canciones no son solo para el entretenimiento, sino también para provocar una respuesta emocional y una reacción en la comunidad del hip-hop. Se explora la idea de que Kendrick utiliza su música para comunicar una narrativa más profunda y para influir en la cultura hip-hop. También se discuten las implicaciones de sus letras y cómo han impactado a otros artistas, incluida la posibilidad de que haya afectado la decisión de J.Cole de no participar en una competencia directa.

10:02

😤 La presunta provocación de Kendrick hacia Drake y otros artistas

Este párrafo discute las tácticas de Kendrick Lamar de desafiar a otros artistas, particularmente a Drake, a través de su música. Se sugiere que Kendrick está utilizando su plataforma para exponer y confrontar a otros en el género, posiblemente en respuesta a comentarios previos. Se menciona la idea de que Kendrick no parará hasta obtener una respuesta o hasta que su oponente 'tenga suficiente'. Se incluyen especulaciones sobre si Drake o otros artistas están preparados para responder a este tipo de provocaciones.

15:02

😲 La habilidad de Kendrick para adaptarse y cambiar de estilo musical

Este segmento destaca la capacidad de Kendrick Lamar para adaptarse y cambiar su estilo musical a voluntad, lo que demuestra su 'rango' como artista. Se describe cómo las canciones 'Euphoria' y '616' muestran diferentes aspectos de su talento y cómo 'Meet the Grams' va más allá de lo esperado para impactar emocionalmente. Además, se discute la posibilidad de que Kendrick esté utilizando su música para desafiar las normas y para hacer que el público lo siga, creando una experiencia única para los oyentes.

20:03

😅 Llamado a la tregua y la solicitud de un descanso de Kendrick

En este párrafo, se hace un llamado a la tregua y se pide a Kendrick Lamar que dé un respiro, sugiriendo que su intensa prolificidad y la calidad de su trabajo dejan a los fanáticos y a los colegas sin aliento. Se menciona la posibilidad de que Kendrick esté teniendo un impacto significativo en el género y en la cultura del hip-hop, y se le pide que dé un día de descanso para que otros puedan 'respirar'. Finalmente, se hace un llamado a la reflexión sobre la situación actual en el hip-hop y se invita a los oyentes a disfrutar del momento.

Mindmap

Keywords

💡Kendrick Lamar

Kendrick Lamar es un rapero, cantante y productor musical estadounidense. En el video, se discute su reciente actividad creativa y la intensidad de su trabajo, destacando su capacidad para lanzar varias pistas en un corto período de tiempo, lo que demuestra su dedicación y talento en la industria de la música hip-hop.

💡Hip Hop

Hip Hop es un género musical y cultura urbana que se originó en los Estados Unidos. En el contexto del video, el término se refiere al género musical en el que Kendrick Lamar opera y que es el eje central de la discusión, abarcando temas como la competencia, la creatividad y la influencia cultural.

💡Rap Battle

Un Rap Battle es un enfrentamiento verbal entre rappers que se realiza de manera improvisada y a menudo es una competición. En el video, se hace referencia a la historial de Kendrick Lamar en los rap battles, sugiriendo su habilidad para responder rápidamente y efectivamente a otros artistas en el ámbito del hip hop.

💡Lanzamientos de Música

Se refiere a la publicación de nuevas canciones o álbumes por parte de un artista. En el video, se destaca la frecuencia y rapidez con la que Kendrick Lamar ha estado lanzando nuevas pistas, lo que ha impactado y sorprendido a la comunidad de hip hop.

💡Euphoria

Euphoria es una canción de Kendrick Lamar que se menciona en el video. Se discute cómo esta canción, junto con otros lanzamientos, demuestra la versatilidad y el alcance de su talento para tocar diferentes estilos y temas en su música.

💡The Grams

The Grams es una de las pistas lanzadas por Kendrick Lamar que se debate en el video. Se analiza cómo esta pista, en particular, tiene un propósito y un impacto específicos en la narrativa y la percepción pública de su trabajo discutido en el video.

💡Versatilidad

Versatilidad hace referencia a la capacidad de una persona para ser eficaz en muchas cosas o en muchas situaciones diferentes. En el video, se destaca la versatilidad de Kendrick Lamar al abarcar diferentes estilos musicales y temas en sus lanzamientos, mostrando su rango y complejidad como artista.

💡Competencia

La competencia se refiere a la rivalidad o el enfrentamiento entre individuos o grupos. En el contexto del video, la competencia es un tema recurrente, especialmente en relación con la dinámica entre Kendrick Lamar y otros artistas del hip hop, y cómo esto impulsa la evolución y la innovación en la música.

💡Producción Musical

La producción musical es el proceso de creación de una grabación musical, que incluye la supervisión del registro y la mezcla de las pistas. En el video, se sugiere que Kendrick Lamar no solo es un talentoso rapero sino también un productor musical versátil, capaz de manipular y transformar la música para su beneficio y la sorpresa de sus fanáticos.

💡Influencia Cultural

La influencia cultural se refiere a la capacidad de una persona o un fenómeno para afectar y cambiar las normas y las prácticas culturales. Kendrick Lamar se discute como una figura con una fuerte influencia cultural, no solo en la música hip-hop sino también en la sociedad en general, a través de su arte y sus mensajes.

💡Resiliencia

La resiliencia es la capacidad de recuperarse rápidamente de una adversidad o un impacto negativo. En el video, se puede interpretar la resiliencia como la habilidad de Kendrick Lamar para continuar lanzando música de alta calidad a pesar de las presiones y expectativas, demostrando su fuerza y su compromiso con su carrera artística.

Highlights

Kendrick Lamar's rapid-fire release of tracks, dropping a fourth track in a short span of time, showcasing his prolific work rate.

The audacity and boldness of Kendrick's lyrics, with him addressing various personal and societal issues.

Kendrick's complex storytelling, with references to 'I see dead people' and the emotional depth it carries.

The energetic and dynamic shifts in the music, with Kendrick demonstrating his versatility in style and flow.

Kendrick's use of subliminals and direct references to other artists, indicating the competitive nature of the rap scene.

The mention of Kendrick's influence and the impact he has on other artists, with some choosing not to engage due to his skill level.

The exploration of Kendrick's multiple personas and the thematic depth in his music, with references to 'Boogey Man' and 'Kung Fu Kenny'.

Kendrick's lyrical dexterity, with the transcript highlighting his ability to switch flows and keep listeners engaged.

The emotional and personal nature of Kendrick's music, with tracks addressing family matters and personal struggles.

The strategic timing of Kendrick's releases, suggesting a carefully planned approach to his music rollout.

Kendrick's ability to address criticism and controversy in his music, with a focus on his response to 'Family Matters'.

The mention of Kendrick's work ethic and how he is always ready with a response, indicating his constant state of preparedness.

The competitive back-and-forth between Kendrick and other artists like Drake, highlighting the rap battle aspect within the industry.

Kendrick's use of storytelling to convey deeper messages, with examples of how he addresses societal issues through his lyrics.

The anticipation and excitement surrounding Kendrick's potential future releases, with fans eagerly awaiting new music.

The impact Kendrick has on the hip hop community, with the transcript suggesting he is currently leading the conversation.

The call for Kendrick to take a break and allow others to catch up, highlighting the intensity and pace at which he releases music.

Transcripts

00:00

Kendrick stop Kendrick please Kendrick

00:04

kend Kendrick Kendrick I'll do it

00:06

Kendrick Kendrick stop Kendrick put the

00:08

gut down it's no way you have another

00:10

track loaded impossible I don't believe

00:14

it I refuse to believe it what is this

00:17

not like us you just

00:20

dropped you dropped this is the fourth

00:22

track in how many hours how many

00:25

days what is going on unbelievable

00:30

sloppy Dusty soft the unmitigated God

00:35

the tarity the audacity of you huh what

00:40

are you doing supposed to be a fight

00:43

it's supposed to be an exhibition I was

00:46

really just trying to keep it

00:48

py we was trying to keep it

00:51

py what are you

00:54

doing Kendrick is back outside

00:57

immediately God you don't even care if

01:00

responds or not you trying to tell your

01:02

Story 4 minutes and 30 seconds not like

01:06

us let's get it let's see Ty of VI what

01:08

what else can you say after dropping

01:11

meet the grams though what else can you

01:13

say what is it like to

01:17

say I see dead people God give me a

01:21

second y'all I got to do it

01:25

with of black p will now be stripped

01:31

away and he saying I see dead people

01:34

let's get

01:36

[Music]

01:41

it must the be ho [ __ ] he a free thr

01:46

man

01:48

tell is he dancing over the body what

01:51

type of Vib and beat is

01:53

this what's going

01:56

on now I'm bobing my head it's how you

02:00

switch like

02:01

that the like what's up with ass [ __ ]

02:05

trying to see theying me [ __ ] them mama

02:09

how many Ops you really got I mean it's

02:10

too many options I'm pass on this body

02:13

I'm John

02:14

stockt ah to pass on the body of

02:18

CH oh my

02:21

God now he's now he's energetic and now

02:24

he's rapping

02:25

here you should have dropped this and

02:27

then to meet the Gams TSH

02:31

beat your ass and H the Bible if God

02:33

watching sometimes you got to pop out

02:35

and show [ __ ] certify boogie man I'm

02:36

the one that up to score with I said

02:38

he's a boogy man shees oh my God it's

02:40

getting crazy

02:45

already him say I hear you like I'm

02:48

young you better not go to sell black

02:50

one

02:52

a kri come on

02:58

Brother come on

03:00

man oh my

03:10

God he's double and triple down on this

03:13

this is getting

03:17

nasty and the speed the rate of the

03:20

punches he really is IP man what is

03:21

going on here get some help get some

03:26

help stop watching me get some help man

03:29

he not supposed to back to back to back

03:30

to like that get some help

03:36

[ __ ] with his nose now got a weird case

03:40

why is he around certified lover boy

03:42

certified

03:47

pedophiles this [ __ ] we started out not

03:49

saying names and throwing subliminals

03:51

he's saying names in cases and this and

03:54

you this and you that God dang he a't

03:56

even bleep that

03:58

out w

04:00

D [ __ ] him

04:02

up I'mma do my stuff why you trolling

04:04

like a [ __ ] ain't you tired trying to

04:06

strike a cord and it's probably a

04:11

minor struck a cord a minor a minor a

04:18

ah I live here now as you guys can see

04:21

cuz SK are gonna let me leave I

04:23

literally have to stay here we got new

04:25

carpets if you can't tell I live here I

04:27

got pillows by right there I got I got

04:29

to put a bed here I I literally I can't

04:31

go nowhere I I I can't go nowhere I'm

04:34

trapped in

04:35

here damn struck a cord is probably a

04:50

minor they not like us they not like us

04:53

they not like us uh-huh they not like us

04:57

they not like ush they not like us okay

04:59

you think the B going to let you

05:00

disrespect pop [ __ ] I think that Oak

05:02

show be your last St

05:06

[ __ ] no fly

05:09

zone canri get releasing the stats and

05:12

he said you your ass SC fly back over

05:14

here [ __ ] you

05:17

dot cold foul I don't know why you still

05:19

pretending what is the bird [ __ ] and

05:22

bird [ __ ] go the hardi not dumb shape

05:25

the stories how you want hat they're not

05:26

slow rabbit hole is still deep I can go

05:28

further I promise think there what you

05:30

mean you can go further what what are

05:32

you talking

05:34

about what you mean you can go further

05:37

what other buttons do you have to press

05:39

K what what are you talking

05:42

about I thought me the grams was

05:49

it what did he do to piss you off what

05:52

did he what did he do to make these

05:54

[ __ ] that mad oh my God

06:00

I can go further I promise ain't that

06:02

something for bitching you malib most no

06:05

bo you boy F or something 2009 I had

06:08

this [ __ ] jumping you [ __ ] will get a

06:10

wedgie be flipped over your boxes over

06:12

your F the other vaginal

06:14

option other vaginal

06:22

option K you please tomorrow is single

06:25

day May brother I give me the day off I

06:28

back of you Kendrick Kendrick I'm asking

06:30

nicely brother tomorrow has single in my

06:33

I have a celebration planned can you

06:34

please just let me breathe for 10

06:36

seconds God [ __ ] n better straight POS

06:39

got all been cont might write this with

06:40

a do tell popar quit hiding [ __ ] a

06:42

caption w action no accident I'm hands

06:44

on he [ __ ] around get polished [ __ ] on

06:46

Wayne girl he was in jail that's canav

06:48

then get his face tatted like a [ __ ]

06:50

apologizing daddy Rose came home y'

06:52

didn't deserve him neither from down to

06:54

Central [ __ ] better not speak on

06:56

Serena

06:58

go go

07:00

oh let the clip off that go ahead that

07:04

[ __ ] that Ming that name got to be

07:07

registered in place on neighborhood

07:08

watch I lean on you [ __ ] like another

07:10

line of walk yeah all eyes on me and I'm

07:12

send it up the par put the WR label on

07:14

me I'm going get them

07:15

drop and

07:18

I

07:20

I

07:22

2 up hold up hold up unpack it

07:27

ah what is going on

07:30

and you could tell all this is after

07:32

Taylor Made he mentioned Pac

07:34

again you struck a cord and he saying

07:37

it's a Mya but you struck a cord the

07:40

second time Pac is mentioned so this is

07:42

a reaction this is his Action Reaction

07:45

off what you done didn't tell her May

07:48

[ __ ] oh boy

07:50

sheesh I again I told y'all videos back

07:55

then people said and people that I know

07:58

say yo they got multi

07:59

didn't I just say it's going to be seven

08:01

versus

08:04

okay

08:07

okay

08:08

okay is a li 69 god freaky ass [ __ ]

08:12

need to stay ass inside roll ass up like

08:15

a

08:19

fresh this is

08:20

range this is range this is range [ __ ]

08:24

you understand when you listen to

08:26

Euphoria it's different and he switches

08:28

up in that when you listen to 616 he's

08:31

different he switches up in that when

08:32

you listen to me the grams it's not this

08:35

this is

08:36

range this is

08:39

range I can make you be scared I can

08:41

make you bop I can make you all respect

08:43

his pen this is

08:45

range

08:48

[Music]

08:51

what they not like us they not like us

08:54

they not like

08:56

us they not like us they not like us

08:59

they not like us Once Upon a Time all of

09:02

us was in chain Homies Still Double Down

09:04

calling us some

09:06

slaves wa wa wait wait wait wait wait

09:09

wait he doubled down calling us some

09:12

slaves are you going off what he just

09:14

released last

09:16

night saying you rap like you trying to

09:18

free the slave so what hold on hold on

09:21

let me just let me get unpack try about

09:22

to be over

09:23

anyway how fast is this response did you

09:26

just do this based on what saying the

09:29

did you just do

09:30

this did he drop Family Matters you

09:33

pressed public on your last track and

09:35

then this or did you have this in

09:36

advance cuz there's a mole in the

09:41

camp this is deep in

09:44

rap again if you watch anime I I

09:47

considered uh uh Kendrick Lamar edin Jer

09:50

he's edin

09:52

Jer the mea building railroads and

09:54

trains me for a second let me put yall

09:56

on game was using Town FK to make Rich

10:00

I'm learning I'm learning well not

10:02

really I kind of knew some of this but

10:03

I'm learning you get me2 you got the

10:05

same agenda you to Atlant when you need

10:07

a check balance let me break it down for

10:09

you this the real [ __ ] challenge you

10:11

call future when you didn't see the club

10:14

little baby help you get your lingle

10:17

oh he's playing on the fact that Drake

10:20

collapsed a lot of people and you know

10:22

heat is exchange I think it's F but I

10:23

see what he's trying to do wow wow wow

10:29

what is going on

10:31

how 2

10:35

Street

10:37

head

10:39

from say

10:42

Li Two Chains lied to you

10:45

brother wow wow wow wow wow

10:51

fire what is going on

10:54

fire

10:56

nasty Atlanta when you need a few not a

10:59

colleague you a [ __ ]

11:01

colonizer the Family Matter and the

11:03

truth of the matter here was God's plan

11:05

to show y

11:07

the my glasses on so I can hear this

11:10

better you heard what he just said you

11:13

heard what he just

11:15

said this is nothing for Kendrick this

11:18

is a response to Family Matters he just

11:20

says it what he press public on wasn't

11:24

actually it was a response Family

11:25

Matters meet the grams and he's

11:28

producing this in a

11:30

how a

11:33

liar hold on hold on not a colleague

11:36

you're a [ __ ]

11:37

colonizer the Family Matter and the

11:39

truth of the matter he was God's plan to

11:41

show y the

11:44

liar you know what I blame Cat Williams

11:47

you did this you did this on Shannon

11:48

Sharp's couch [ __ ] you caused this this

11:52

this is what you said you open Pandora's

11:54

Box you did

11:56

something you put something in the air

11:58

and that's why me here it's Cat Williams

12:01

fault it's it's Money Mike's Cat

12:03

Williams fault you hear me that's that's

12:04

what's really going on that's what I

12:05

believe I'm sticking to it that's my

12:06

story I'm sticking to

12:08

[Music]

12:12

it he a fan he a fan he a fan a here

12:17

freaky ass [ __ ] 69 god freaky ass oh my

12:21

God now he's trolling and

12:23

playing 69 god oh my god dog what is

12:27

going on [ __ ] he a 69 God hey hey hey hey

12:31

run for your life hey hey hey hey run

12:34

for your life freaky ass niggaer he a 69

12:37

god freaky ass [ __ ] he a 69 God hey hey

12:40

hey hey run for your just remind me of

12:42

top of the bed top of the bed top of the

12:44

bed top of the bed to of the bed top of

12:47

the

12:52

bed say o

12:55

ho Kendrick please Kendrick I'm asking

12:58

you now let's let's cut the crap

13:00

Kendrick please you you you shout out to

13:03

Calico you've done

13:12

enough Kendrick

13:17

stop

13:18

Kendrick hold on to this

13:21

brother this is a white flag it's really

13:25

a tissue but it's a white flag [ __ ]

13:27

stop h ho ho V ho

13:31

stop

13:34

Kendrick

13:37

please now you're having

13:42

fun you're having fun while doing this

13:44

you're

13:45

evil you're evil brother come on man

13:49

come on man what you

13:52

doing this way step that way then step

13:55

this way step that way are you my friend

13:59

are we

14:00

likeing then step this way step that way

14:04

then step this way step that

14:07

[Music]

14:09

way what are you doing

14:11

[Music]

14:13

Kendrick I'm getting messages I'm

14:15

already on it I'm getting calls and

14:16

messages I'm already on it I was I was

14:19

on top of this track the second that

14:21

[ __ ] said what I C I came straight here

14:24

I'm already oned y'all you gotta text me

14:26

I'm already

14:27

oned wow Kendrick Lamar again the rate

14:32

of the drops what is going on again I

14:36

said other video so y'all say yo

14:39

Kendrick took 17 days to respond

14:43

no this man

14:45

took 17 days to put together a whole

14:49

sections and segments of [ __ ] to to

14:51

drop even though he probably prepared

14:53

this in one day this is easy for

14:57

him I told y'all we we we did our

14:59

research right we did our research when

15:02

Kendrick was a kid and he was Battle

15:03

rapping on the block or on that pit

15:06

style whatever it was he does

15:09

this this ain't GNA stop till Drake tap

15:12

out [ __ ]

15:14

rounds round one round two round three

15:18

it ain't no rounds to this cuz back in

15:20

them days you rap until you was finished

15:23

so until Drake does this and I don't

15:26

think Drake going to do this CU guess

15:27

you know guess what Drake from Battle

15:29

rap too Drake step outside Drake step

15:32

back I'm throwing this

15:34

away cuz Drake a w right flag I don't

15:36

believe that I don't believe that but I

15:38

tell you what kendri not gonna stop

15:40

until you

15:41

finish K round seven round seven y I

15:45

want put rounds on this round seven he

15:48

not g to stop rapping until this [ __ ] is

15:51

done and he he supposed to have an album

15:55

he's supposed to have an album and like

15:57

this at this point he about to have a

15:59

Drake

16:00

album

16:02

what and this track was

16:06

good let me see if I can put it together

16:08

I feel like meet the grams for the

16:11

purpose that it was for it wasn't meant

16:14

to be like oh [ __ ] it's a lyrical

16:16

spiritual miracle and he's really

16:17

digging deep it was meant to

16:20

hurt talking about daughters you other

16:23

kids you don't have or kids that you

16:25

that you haven't exposed to the world

16:27

you're hiding talking to has a chapter

16:29

for his son his mom is his dad SRA me TT

16:33

to her listen he he telling her Donis

16:34

you're too young to understand play this

16:36

back when you're 18 you're supposed to

16:38

have a man in your life but you don't

16:39

because he's he's not responsive what

16:41

are we talking about here so in terms of

16:44

for me and and the purpose of meet meet

16:47

the grams I think in terms of what what

16:48

Kendrick has dropped already I think

16:49

it's meet the grams

16:52

first I think meet the grams is first I

16:55

think I think meet the grams is first

16:57

again it might not you might not be

16:58

bobing your head oh my but I think in

17:00

terms of bleeding bet like I feel like

17:03

meet the grams is first under that is

17:06

Euphoria under Euphoria I'mma go this I

17:10

like he's just being pettiness he having

17:12

fun and this shit's actually good

17:13

rapping you could Bop your head too then

17:15

everything else wow wow

17:20

how Drake I think you caught this man on

17:22

the time where he had down time he's

17:24

bored I think I D I think you qu him at

17:27

the wrong time Drake Drake I I think you

17:29

caught this man at the wrong [ __ ]

17:30

time bro so unless you're going to end

17:33

up going into a dark room in in your

17:35

mansion and rap all day and write raps

17:36

all day to respond good luck

17:39

brother and now I'm do a whole video on

17:41

this but now it makes sense for jcole

17:42

brother it it does I'm sorry I I don't

17:43

care what nobody say and say this is rap

17:45

that's what you're supposed to do but it

17:46

makes

17:49

sense I think J.Cole went into his

17:51

office and saw the Boogey Man he's like

17:52

I'm good on this I'm all right I already

17:54

know he going to do I'm friends with him

17:55

I know what he going to do then he said

17:56

I'm good no no I'm good on this

17:59

what what what is what how how how now

18:05

brown cow

18:06

what now if I was to ask you at home

18:10

watching and listening huh hold on one

18:13

second now we don't know if I say yo is

18:16

Drake it's Parton me is Kendrick gonna

18:17

drop tomorrow we don't know because

18:18

there's a possibility he

18:21

will like like can can you believe that

18:24

we from we waiting on Kendrick waiting

18:25

on Kendrick Drake is on your biscuit he

18:27

dropped Taylor man he's waiting for a

18:29

track to drop now it it to us right now

18:32

there's a possibility that Kendrick

18:33

might drop again

18:37

tomorrow Kendrick could drop again

18:41

tomorrow this this brother is

18:43

spontaneous in the studio and he had we

18:45

got mused on the beat

18:48

a he got mused on the beat because he

18:50

wants you to catch up wow

19:00

Saar you're welcome you got muscle in

19:03

Theo because he wants you to catch up

19:05

and relish in the moment because he

19:07

thinks that you're buns

19:12

wow you're welcome this [ __ ] has a

19:15

million meanings to it I'm I'm I'm

19:18

breaking it down I got you you're here

19:19

with me you're here with me I got you

19:22

you're safe y'all in the safe space

19:24

right now I got y'all

19:27

wow wow

19:30

I'm officially going to say this I want

19:31

to do a breakdown I really want to do a

19:33

thorough breakdown you know what I'm

19:34

saying from the tippity top to right now

19:36

but with this track and even meet the

19:38

grams I think Kendrick is up I'm not

19:40

team Kendrick I'm not team Drake I'm in

19:43

the middle I'm the referee here all

19:45

right I'm your referee I think Kendrick

19:48

is up right now

19:50

bro Kendrick Lamar is up right now Kung

19:54

Fu Kenny is up right

19:57

now y yall first person should have

19:59

really did a number on this man y'all

20:01

first person should have really pissed

20:03

him off man the way y'all was talking on

20:05

first person it sound good one said he

20:08

was Muhammad Ali and he just said it's

20:09

me it's me and Cole like like sheesh

20:13

that man was when he did like that he

20:16

was fully

20:19

equipped when he recorded like that he

20:21

knew okay if I put this I need this in

20:24

on other side of his coin and he had

20:26

that he had that ready he was equipped

20:28

he was quit

20:31

sheesh but Kendrick please I got things

20:33

to do brother please please give me a

20:36

day off I'm asking you I'm begging you

20:38

Kendrick please give me a day off bro I

20:40

have to leave at some point I can't live

20:42

I can't live in this space

20:46

bro y'all have a good day shake my hand

20:48

hit the like button Kendrick Lamar

20:52

wow wow wow wow

20:56

unbelievable what is happening right now

20:58

in Hip

21:00

Hop

21:01

unbelievable

21:04

unbelievable wow man y'all my gosh

21:07

brothers and S sheesh man y'all have a

21:09

good day I'm out br

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