Reacting to Kendrick Lamar's "Not Like Us" & Drake's "The Heart Part 6" | Rap Life Review

Apple Music
8 May 202442:24

Summary

TLDRThe video script is a dynamic discussion from the 'Rap Life Review' show, focusing on the rap battle between Kendrick Lamar and Drake. The panelists analyze the momentum, cultural impact, and strategic moves made by both artists throughout their lyrical feud. They delve into the importance of regional ties in hip-hop, the significance of facts and allegations within the context of rap battles, and the power dynamics at play. The conversation also touches on the broader implications of the feud, including the unification of the West Coast hip-hop scene by Kendrick and the potential missteps made by Drake in his responses. The panelists express their views on the current state of the battle, the cultural significance of the artists' actions, and the potential future outcomes for both rappers.

Takeaways

  • 🎤 The discussion revolves around the rap battle between Kendrick Lamar and Drake, focusing on the impact of their recent releases on the hip-hop community.
  • 📊 Kendrick Lamar is perceived to have the momentum in the battle, with his releases being well-received and strategically dropping multiple tracks.
  • 🔥 Drake's response to Kendrick's allegations, including the claim about pedophilia and other serious accusations, is a significant part of the discourse.
  • 🤔 The panelists question the importance of facts in the battle, debating whether substantiated claims or the impact of the allegations matters more.
  • 😮 There's an acknowledgement of Drake's missteps, particularly his line about freeing slaves, which was seen as tone-deaf and a significant error in the battle.
  • 🏆 The conversation highlights the regional aspects of hip-hop, with Kendrick's ties to Compton and the West Coast being a point of strength against Drake's more global appeal.
  • 👑 The debate touches on the concept of 'crown' in hip-hop, where artists vie for the title of the greatest, and how this battle fits into the larger narrative of hip-hop hierarchy.
  • 💯 The strategic release of music and the thoughtfulness behind the lyrics are emphasized as key elements that future artists will need to consider to be considered among the greats.
  • 🚨 There's a mention of the changing rules of engagement in rap battles, with Kendrick's approach setting a new precedent for the level of strategy and preparation.
  • 🌐 The global impact of the battle is discussed, noting that while the core hip-hop fans are deeply invested, the wider audience may have different perspectives on the significance of regional sounds and identities.
  • 📉 Despite the intense competition, there's a consensus that Drake's commercial success and popularity will likely remain unaffected, even if he's perceived as losing the battle in the court of public opinion.

Q & A

  • What is the significance of the past tense used by the speaker in the transcript?

    -The use of past tense by the speaker suggests that the fun exercise is over and implies a readiness to address more serious matters, possibly indicating a shift in the dynamic of the ongoing discussion or 'beef'.

  • Why is the panel discussion considered balanced in this context?

    -The panel is considered balanced because it includes individuals from different regions of the United States, including the West Coast, East Coast, and a participant currently living on the West Coast, which provides a variety of perspectives on the situation involving Kendrick and Drake.

  • What is the importance of facts in the context of a rap battle?

    -Facts in a rap battle can add credibility and impact to the lyrics. If an artist can substantiate their claims, their allegations carry more weight and can be seen as more effective in the battle.

  • Why does the speaker believe that Drake may have underestimated Kendrick's readiness for the battle?

    -The speaker suggests that Drake may have thought Kendrick would take longer to respond, as it took Drake nearly a month to drop his first track. This could imply that Drake did not anticipate Kendrick's preparedness and the number of tracks he had ready to release.

  • What is the significance of the speaker's mention of 'heart part six'?

    -The mention of 'heart part six' refers to Drake's recent release, which is a part of his discography. The speaker uses this to discuss Drake's strategy and the public's reaction to his music in the context of the ongoing rap battle.

  • How does the speaker view the role of regional identity in hip-hop?

    -The speaker views regional identity as crucial in hip-hop, emphasizing the importance of an artist's connection to their home base and how that can influence their credibility and the perception of their music within the broader culture.

  • What is the speaker's opinion on Drake's use of the line about 'freeing the slaves'?

    -The speaker believes that Drake's use of the line was a significant misstep, as it seems to suggest a lack of genuine connection to the issues and history it references, which can be seen as insensitive or inappropriate.

  • Why does the speaker believe that Drake's actions have unified the West Coast?

    -The speaker suggests that Kendrick's actions in the rap battle, including his music releases and strategic moves, have resonated strongly with the West Coast community, creating a sense of unity and regional pride.

  • What does the speaker imply about the future of Drake's career after this rap battle?

    -While acknowledging the current momentum and challenges Drake is facing, the speaker implies that Drake's popularity and ability to create chart-topping music will likely continue to secure his success, despite any potential backlash.

  • How does the speaker view the role of cultural authenticity in hip-hop?

    -The speaker views cultural authenticity as a critical aspect of hip-hop, suggesting that artists who are not perceived as being authentic or in touch with their cultural roots may face criticism and challenges within the community.

  • What is the speaker's stance on the use of the n-word in hip-hop?

    -The speaker acknowledges that the use of the n-word in hip-hop is a complex issue and that not all black people feel the same way about its use. They suggest that respect for individual preferences and understanding the cultural context is important.

Outlines

00:00

🎤 The Battle of Allegations and Facts in Rap Beefs

The panel discusses the importance of factual allegations in rap feuds, noting that while facts can add weight to claims, the veracity of allegations is not always the deciding factor in the public's perception of a rap battle. They emphasize the need to consider both the facts presented and the momentum each artist has in the ongoing feud between Kendrick and Drake.

05:01

🏆 Kendrick's Strategy and Drake's Missteps

The conversation delves into Kendrick's strategic approach to the rap battle, highlighting his readiness with multiple tracks and the impact of his regional ties to Compton and California. Drake's missteps are examined, including his perceived overconfidence and the strategic error of underestimating Kendrick's preparedness.

10:02

🌴 Regionalism in Hip Hop and Its Impact on Battles

The panelists explore the significance of regionalism in hip hop, discussing how artists like Kendrick and Drake leverage their geographical and cultural identities in their music. They also touch on the idea that Drake may need to strengthen his connection with his hip hop base in Toronto.

15:04

🚨 The Power of Strategy and Thoughtfulness in Rap

The discussion focuses on the strategic depth of Kendrick's moves in the rap battle, contrasting them with Drake's more straightforward approach. The panelists commend Kendrick's ability to create a unified response that resonates with his home region and addresses broader cultural issues.

20:06

🔥 Drake's Resilience and the Changing Landscape of Rap Beefs

Despite the challenges Drake faces in the rap battle, the panelists acknowledge his resilience and the likelihood that he will continue to be successful, even if his current strategies are met with criticism. They also discuss the evolving nature of rap feuds and the high stakes for artists involved.

25:07

🤔 The Cultural Relevance and Learning Opportunities in Hip Hop

The conversation concludes with a reflection on the cultural significance of the rap battle between Kendrick and Drake. The panelists consider the learning opportunities presented by the feud and the importance of understanding the heritage and community roots of hip hop.

30:07

🎶 The Future of Drake and the Legacy of This Rap Battle

The panelists speculate on the future impact of the rap battle on Drake's career and legacy. They discuss the short-term and long-term effects on public perception and the potential for Drake to recover and continue his success in the music industry.

35:08

📊 The Morality and Impact of Hip Hop Feuds on Fans

The final discussion touches on the moral considerations fans must make when supporting artists involved in contentious rap battles. The panelists share their personal views on separating the art from the artist and the importance of individual judgment in consuming music.

Mindmap

Keywords

💡Rap Battle

A rap battle is a competition where rappers challenge each other through lyrical confrontation and verbal diss tracks. In the context of the video, a rap battle is taking place between Kendrick Lamar and Drake, with each artist releasing songs containing allegations and counterclaims, aiming to assert dominance and win the public's favor.

💡Facts in Rap

In the realm of rap music, 'facts' refer to the truthful or verifiable claims made within lyrics, often used to support an argument or accusation against an opponent. The video discusses the importance of factual accuracy in the ongoing rap battle, questioning whether unverifiable claims still hold weight if they cannot be proven.

💡Cultural Relevance

Cultural relevance pertains to the significance or impact a piece of art or an artist has within a particular culture or community. The video emphasizes the cultural relevance of both Kendrick and Drake, discussing how their music and actions resonate with and influence the hip-hop community and beyond.

💡Regional Hip-Hop

Regional hip-hop refers to the distinct styles, sounds, and themes that are characteristic of a specific geographical area. The video script highlights the importance of regional identity in hip-hop, noting how Kendrick's music is deeply rooted in his Compton origins, while Drake's association with Toronto is questioned.

💡Misstep

A misstep in the context of the video refers to a strategic error or a lyrical line that backfires or fails to resonate positively with the audience. The discussion points out several perceived missteps made by Drake in his responses to Kendrick's diss tracks.

💡Identity in Hip-Hop

Identity in hip-hop encompasses an artist's persona, their connection to their roots, and how they represent themselves and their culture in their music. The video script critiques Drake for allegedly lacking a strong identity and for not being in touch with his black heritage in the same way Kendrick is perceived to be.

💡Beef

In the context of hip-hop, 'beef' refers to a conflict or rivalry between artists, often played out through music and public exchanges. The video revolves around the beef between Kendrick Lamar and Drake, analyzing the strategies, lyrics, and public reactions to their respective tracks.

💡Hip-Hop Sound

A hip-hop sound refers to the characteristic musical style or genre that an artist or a region is known for. The video discusses Drake's lack of a defined hip-hop sound and how it affects his credibility within the rap community, especially when compared to Kendrick's strong association with West Coast hip-hop.

💡Public Perception

Public perception is how the general public views or interprets a particular situation, artist, or event. The video script delves into the public's perception of the rap battle, noting how it shifts in response to each new track released by Kendrick and Drake and the implications for their careers.

💡Artist's Integrity

An artist's integrity refers to their authenticity, honesty, and adherence to their professed values and principles. The discussion in the video touches on the integrity of both artists, questioning whether their actions and lyrics align with their public personas and the expectations of the hip-hop community.

💡Social Media Influence

Social media influence pertains to the power that online platforms have in shaping public opinion and driving cultural conversations. The video acknowledges the role of social media in amplifying the rap battle, as fans dissect lyrics and engage in discussions about the artists' moves and messages.

Highlights

Discussion of the significance of facts in the ongoing rap battle between Kendrick Lamar and Drake, emphasizing the importance of substantiated claims.

Analysis of Kendrick's strategy in the rap battle, including his use of serious allegations and the impact of his responses on public perception.

The panelists debate whether the momentum in the rap battle currently favors Kendrick Lamar, citing his recent releases and their reception.

Eddie, one of the panelists, argues that despite the allegations, the believability of the artists' claims is a key factor in the battle.

The conversation touches on the role of regionalism in hip-hop and how it affects the artists' credibility and the public's reception of their music.

A panelist suggests that Drake may have underestimated Kendrick's preparedness, leading to a strategic disadvantage.

The discussion includes an examination of Drake's lyrical missteps and how they may have impacted the public's view of his involvement in the rap battle.

The panelists consider the cultural significance of the rap battle, including its impact on the hip-hop community and the artists' representations of black culture.

A debate on the role of identity and authenticity in hip-hop, particularly in relation to Drake's cultural connections and representations.

The conversation explores the idea that Drake's approach to the rap battle may have been influenced by a desire to maintain his commercial success.

Panelists discuss the potential long-term effects of the rap battle on Drake's career and public image, despite his current commercial success.

An argument is made that Kendrick's rapid and strategic response to Drake's diss tracks have shifted the expectations and rules of engagement in hip-hop battles.

The panel reflects on the broader implications of the rap battle for the hip-hop genre, suggesting it may lead to a recalibration of what is considered great in hip-hop.

A discussion on the importance of understanding the cultural heritage and community aspects of hip-hop to fully appreciate the rap battle's nuances.

The panelists express their fatigue with the ongoing rap battle, yet acknowledge its significance and the desire for it to reach a conclusion.

Ebro, the host, summarizes the discussion and thanks the panelists for their insights, inviting the audience to engage with the content and share their thoughts.

Transcripts

00:00

no he quote said that was fun exercise

00:03

he used past tense that was fun he did

00:06

make it sound like I know you got

00:07

another 10 tracks to drop he made it

00:09

sound like he was getting ready to find

00:10

his ex and then the other part I'm too

00:12

good for this you know oh you wasn't you

00:14

wasn't too good for that when you drop

00:16

push-ups and you was out here whing out

00:19

you wasn't too good but now that old boy

00:21

came back whing you too good all right

00:23

just a question just a question though

00:26

that's not how this works okay it's a

00:28

lot giggling a lot laughing on the SEC

00:30

cuz we about to get into it on rap Life

00:31

review we got someone in La we're here

00:34

in New York we have uh uh two

00:36

individuals on this show I spent 25

00:38

years of my life on the west coast and

00:41

25 years of my life on the East Coast we

00:43

got two people that have only spent time

00:45

on the east coast and we got somebody

00:46

living on the west coast right now grew

00:48

up out there this is probably the most

00:50

balanced panel

00:52

discussing what's going on with Kendrick

00:55

and Drake wait a minute what does the

00:57

East Coast have to do with anything this

00:59

being

01:00

from Toronto that would have actually

01:02

been the

01:02

Bal New York not the same it's not the

01:06

same but we will get to why I said that

01:09

in a

01:10

second first I want to

01:13

establish I want to talk about the facts

01:17

that are in the songs okay right the

01:20

allegations because there's a lot of

01:23

them many of which none of us can

01:26

substantiate is that a important

01:29

measurement to whether or not someone is

01:32

doing a great job in this battle or not

01:35

and I'm going start with you Eddie

01:37

because I want kind of want to get

01:38

consensus on this do the facts matter in

01:40

this battle to a degree if you can come

01:43

with facts the facts stin more if we can

01:45

find out what you're saying is true

01:46

these allegations we're like oh he got

01:48

him is it the end all Beall not

01:50

necessarily because 30 years ago pox

01:53

said started off a song that's why yo

01:55

you fat mother and we still to this day

01:57

don't know if it's true but none of us

01:59

care cuz that's how hit him up started

02:00

and we just rocked with it the thing

02:02

about this battle is there there are

02:05

serious

02:06

allegations being thrown on the table

02:09

let's just let's let's start there when

02:11

we talk about facts you know Kendrick

02:13

has been doubling down on the pedophilia

02:15

allegations which is an internet claim

02:17

that right has been circulating for a

02:19

while Drake um has been doubling down on

02:22

Kendrick being you know an abuser an

02:24

abuser and Dave free being the

02:27

father with those particular nuggets

02:31

facts do matter so we have to figure out

02:33

like are you saying that just to to to

02:35

shake the table are you saying that

02:37

because you have receipts so but the

02:39

reason I wanted to establish this is

02:41

because I wanted us at least to try to

02:43

find some consensus today we don't know

02:46

where the battle's going right now where

02:48

we have this conversation uh the last

02:51

thing we got was Drake's installment

02:52

which is the hard part six and we'll

02:54

talk more about that in a second um but

02:57

either we're saying what we either have

03:00

to take the facts as we know them today

03:02

in the songs the allegations as they

03:05

matter or we're going to remove them and

03:08

say it doesn't matter whether they're

03:09

true or false who who made them the most

03:12

believable is what I'm trying to get to

03:14

okay right cuz we can't prove them today

03:17

while we're having this conversation

03:18

right they will either come out later on

03:21

right and people will be like o ah that

03:23

changes things or they won't so nesca do

03:26

you think facts matter today you know I

03:29

usually L some facts but I feel like in

03:31

this beef is definitely a great area

03:33

especially with Drake then coming out to

03:35

say that he allegedly planted the story

03:37

that Kendrick found and he ran with so

03:40

even if they are facts we don't know

03:42

who's manipulating them and so now it's

03:44

too confusing it's like you said we

03:45

can't substantiate we can't verify

03:47

anything so I feel like we got to take

03:49

everything at face value right right

03:52

right so we take everything at face

03:53

value which then takes us to I think the

03:57

piece of the discussion which is the

03:58

most important which is who has the

04:02

momentum right now and who has captured

04:06

the

04:07

cultures interest and emotion and and

04:12

and eyeballs in this and ear holes in

04:15

this moment they they they both they

04:17

both have like and and you know I give

04:19

Drake a lot of but he he's like we

04:21

were talking about earlier like he's

04:22

rapping like I'm I'm I'm surprised about

04:25

the output I'm surprised about the

04:26

timing I'm surprised about how fast he's

04:28

reacting to all this but when you

04:30

look at Kendrick Kendrick has stepped on

04:32

everything that he's

04:34

dropped right like when we got Family

04:36

Matters saying that's good you're saying

04:38

that's bad I'm saying I mean I'm he's

04:40

out winning and outsmarting Drake okay

04:42

so let's hold that thought it's it's no

04:44

question as Kendrick like if we're just

04:45

G to answer your question and not be all

04:47

political about it it's 100% Kendrick

04:50

because of partially because of what

04:51

Loki's saying every time Drake's had a

04:53

moment and don't get it twisted the

04:54

Drake songs up until the Heart part 6

04:56

have all been really good push-ups

04:59

push-ups oh my God fire but then what

05:01

happens Euphoria well Taylor May comes

05:03

out misstep and we'll talk about misstep

05:06

we to talk about that that was a misstep

05:07

we to talk about that misstep Euphoria

05:09

drops and it's like uh and then 616 and

05:12

they like uh Family Matters were

05:14

supposed to be his like knockout blow he

05:16

gave us a little video with it you're

05:17

like okay and honestly the GRS came

05:21

through and stepped on that this he bro

05:23

didn't even have an hour to sit on it

05:26

and

05:27

regardless regardless of the accus

05:29

ations were true or not in Meet the GRS

05:32

the reality is the conversation was

05:34

taken away from Drake and then the next

05:37

day to dropped not like us not only a

05:39

scathing D scaving disc record but also

05:43

a Club Banger now it doesn't even matter

05:45

what's true because people are in the

05:47

club screaming a minor oh V and and once

05:52

the jokes have turned and that's the

05:54

battle Drake is supposed to win Drake is

05:56

supposed to win the me he's supposed to

05:58

win the funny a little bit too confident

06:00

going into that right cuz when you drop

06:02

was it the tailor made freestyle you had

06:04

that

06:04

whole you better have the quadruple

06:07

Quint Kendrick like oh you want

06:10

octagonal on tandas got you exactly it's

06:15

like he took the Drake Playbook and is

06:18

trying to destroy him with it but I

06:20

wonder if Drake really didn't anticipate

06:22

that Kendrick had that many tracks ready

06:24

that's my question for him no he he

06:25

really thought he was going to like

06:26

spend a month cuz it was almost a month

06:28

he took too long I felt like to drop the

06:29

first one so he must have thought oh man

06:31

he's going to drop one and then I can

06:33

just kill him cuz it's going to take

06:34

weeks to drop another one I'm looking at

06:36

I'm looking at like Taylor Made threw

06:38

him off Taylor Made that misstep kind of

06:41

like gave him a stutter step right

06:44

because talking about Drake through yeah

06:46

yeah well because in Taylor in Taylor

06:49

mate not only did you play with

06:52

something sensitive which was in the AI

06:56

but you also begged

06:59

said it here you brought it on yourself

07:02

you got thirsty like yo where you at fam

07:06

where you at but I feel like that was

07:08

the right energy in that time because it

07:10

was a minute but you also weren't really

07:13

understanding your opponent you weren't

07:15

giving your opponent really the respect

07:19

that probably he deserved because the

07:22

what seems clear to me is the reason why

07:24

it took what 15 days for Kendrick to

07:27

respond he was doing all this was

07:29

because he was setting up a complete

07:33

dismantling of your

07:36

brand your personality your

07:38

personality your team your team and I'm

07:41

going say something that I don't think a

07:43

lot of people have discussed and this is

07:46

important one thing about hip hop is

07:48

it's regional yeah it geography is

07:52

important the map and the areas you own

07:56

when it comes time for somebody to take

07:58

your head off

08:00

is very important in this game it always

08:02

has been what's yours Jay-Z Brooklyn Nas

08:07

Queens Pac West Coast Biggie Brooklyn

08:10

like you think about all Meek Mill

08:12

Phillies mine like these are mine you

08:15

can't even with me in my town when

08:18

Kendrick

08:20

dropped they not like

08:22

us bro is basically saying he I'm from

08:26

Compton like I'm from this I don't even

08:28

make these type record mhm never even

08:31

made one of these

08:33

before B I'm going to own my zone

08:37

literally I'm going to provide my

08:40

backyard where I live where my family's

08:43

cousins where I went to school with a

08:45

soundtrack for this beef right here

08:48

defending my home I'm going to put a

08:50

flag down to defend my home turf and on

08:52

the same song I'm going to ridicule you

08:56

about co-opting Atlanta into your

09:00

that was was the most important part so

09:02

now you can't even go ask them for a

09:04

sound and by the way bro what is your

09:07

sound what is yours what do you own is

09:12

what Kendrick I feel is asking on this

09:14

song because this is what I own can I be

09:15

honest with you I feel like Drake's

09:16

biggest lyrical misstep in his whole

09:18

battle was the line about you always

09:20

acting like we're about to free the

09:22

slaves like knowing I feel like the one

09:26

thing irro says it all the time that you

09:28

feel like he's never stood for anything

09:30

the one thing we could get at Drake for

09:32

for as much music as he's given Black

09:34

Culture he's never stood on anything

09:36

like that for him to have the balls to

09:38

say that was crazy you walk straight

09:41

into that verse being called a colonizer

09:43

that was nuts to me that was his biggest

09:45

fumble in this whole thing the AI

09:47

the poac I know y'all were really

09:48

upset about it I wasn't that press

09:49

That's what I said this was the biggest

09:52

misstep he's made so far well that was

09:53

his firstep he had multiple missteps

09:56

I'll break them all down but I want to I

09:57

want to follow what Ebro was saying and

10:00

and making this Regional and I'm I'm in

10:02

LA and I never want to speak for La like

10:04

don't get it twisted I'm not an LA

10:05

native I live in LA and when I say I

10:07

live in LA I live in a mix I'm not g to

10:09

say where I live but I live in LA and

10:13

what I will say is for the first time in

10:15

a while and I've had conversations with

10:16

other La homegrown people he unified

10:19

this city of course like Kendrick people

10:22

are running bro it's like the Lakers W

10:24

another championship you hear it in

10:25

people's cars you see people doing it in

10:28

the clubs La ain't a been unified to

10:30

this degree in a long time so now

10:32

because to what was happening there was

10:34

a lot of conversations that that were

10:36

going on that seemed real anti laa like

10:39

real anti- California to a degree and

10:41

people took notice and the little little

10:43

thing that that he did also by not only

10:46

having mustard on the beat then now

10:48

Mustard's putting stamp on it like not

10:49

this is West Coast Vince Staples who has

10:51

some other comments now he's coming back

10:53

around like you know what no let's let's

10:55

get shake gilders and Alexander up out

10:57

of here he's taking the the rest in

10:58

peace Draco the ruler the Draco the

11:00

ruler the flow like somebody that was

11:02

really entrenching this La lifestyle you

11:04

know what I'm saying like this is like

11:06

this real California uni even a bar

11:08

where it was like your last show was

11:09

going to be in Oakland this became like

11:11

a California like people are putting

11:13

this on their chest and now Drake you

11:16

playing a dangerous game because like

11:17

you were saying yeah you have Toronto

11:20

Toronto's yours the the rest of the spot

11:23

I don't know bro and I'm going to be

11:24

honest with you and shout out to Toronto

11:27

you need La more than you need Toronto

11:29

fam perod listen I'm not going to get

11:33

you know I see what you're saying listen

11:35

I see what you're saying I I don't I

11:37

just want to say strategically when

11:39

you're playing

11:41

chess in this rap

11:44

if you don't have a home

11:48

base and by the way not even in a battle

11:51

this is for artists out there when when

11:53

you get really really really popular

11:55

Drake has a home base Toronto's his home

11:57

yeah Kendrick has a home base Compton's

12:00

his home California is his home he's got

12:02

a whole region that's his right future

12:05

everybody's got their thing and when you

12:07

get into a battle it becomes even more

12:10

important the thing that never really

12:12

got developed here by the great you know

12:15

Aubrey Drake Graham is what is Toronto's

12:19

hip hop

12:20

sound what is that qu because we know

12:23

New York has one and matter of fact

12:25

we've begged for a long time for Drake

12:27

to make yo why you ain't linked up with

12:30

Primo bro why you ain't Linked UP And

12:33

did like one of these like real rap

12:35

records like I mean we we know why no we

12:38

know why but now it's evident what's

12:42

missing in your back pocket in your tool

12:45

belt because if Drake had really made

12:48

sure he protected his hip-hop base and

12:50

his core which is why I established the

12:53

East Coast West Coast thing been if

12:54

Drake had been like yo the Northeast is

12:57

mine Toronto Detroit New York Philly and

13:02

I'm going to tap in with all of these

13:03

artists and make sure that this is my

13:06

zone he wouldn't have the problem that

13:08

he's presented with now that Kendrick

13:11

has dropped they not like us because

13:13

it's problematic they not like us it's

13:16

problematic for Drake which is why the

13:18

Heart part six sounds the way it does he

13:21

sounds like he has a problem that he

13:24

needs to fix he is basically on the

13:26

record like yo no wait time out he's

13:28

telling lies about me that's not fair

13:31

that's what's happening on the hard part

13:33

6 bro no I don't I I on the hard part 6

13:36

that's not I don't think he's waving the

13:37

White Flag I don't think he sounds

13:39

depressed or upset I think he's just

13:41

saying like until you're going to prove

13:43

something then but that applies to Drake

13:46

too no I I get it but that's what he's

13:48

he's implying that on that record so

13:51

he's not tapping out so so now we're

13:52

saying but he said quote he said he's

13:55

basically done or something no he quote

13:57

said that was fun exercise he used past

14:00

tense that was fun he did make it sound

14:03

like I know you got another 10 tracks to

14:04

drop he made it sound like he was

14:06

getting ready to find his and then the

14:07

other part I'm too good for this you

14:10

know oh you wasn't you wasn't too good

14:11

for that when you Dro push-ups and you

14:14

was out here whing out you wasn't too

14:16

good but now that old boy came back

14:18

whing you too good all right just a

14:20

question just a question though that's

14:22

not how this works yo just a question to

14:24

play Devil's

14:26

Advocate we know not like us is hitting

14:28

on the west

14:29

right but for a wider audience like they

14:32

don't give a I guess what like a

14:35

wider audience we're so to do that today

14:38

right right now today it's the number

14:40

it's the number one song in apple music

14:43

as of the theor was still number one

14:46

right now it's number one and Euphoria

14:48

is like number two right so yes people

14:51

can't it ain't just us streaming it I

14:53

didn't just say it's just the West Coast

14:55

that care I'm just saying to everybody

14:57

else globally who's tuning into like I

14:59

have people who have not never heard a

15:00

Drake and a Kendrick song and I get it

15:01

we're talking about core rap fans but

15:04

like you said excellent marketing for

15:05

hip hop and for the culture right

15:07

there's so many people tuning in I'm

15:09

just wondering although that's a big hit

15:11

and it unified the West Coast how that

15:12

plays out in the larger conversation

15:14

that's all I'm saying I'm not trying to

15:15

take anything away from it don't turn up

15:18

on no no no we're not doing that we're

15:20

just saying like we're just saying like

15:22

to to drop a regional specific sounding

15:25

record yeah it's something Drake just

15:27

can't do and you got

15:29

got hold on Eddie that is Kendrick's

15:32

indictment of Drake this whole time is

15:35

that you you don't have identity you

15:37

don't have a sound you don't have a you

15:38

don't have a home base you don't have a

15:39

region where you can collect a sound you

15:41

can cultivate a sound you can

15:43

collaborate with a sound and present it

15:45

to the world and furthermore you're

15:47

black and you're not even in touch with

15:49

what black people are really sensitive

15:52

about you don't stand for which is why

15:53

you brought up the slave or when I

15:55

talked about the PAC I was like yo

15:57

why you playing with Pac bro you not

15:59

you're not from that like I said to I

16:01

was like yo that that could be

16:02

problematic for you bro like don't play

16:05

with Pac like that now you playing with

16:07

the slave that was a lot oh and oh

16:10

by the way this went over a lot of

16:12

people head you got your white mom

16:14

opening up a record saying hey I would I

16:16

think you shouldn't use

16:18

the right after that what bro he's

16:22

because it it goes into there's so many

16:24

missteps in this we already talked about

16:26

the AI thing and we keep saying AI like

16:29

there wasn't an AI Snoop as well so

16:31

that's weird yeah period yeah yeah there

16:34

there's a slave line which is weird and

16:35

then also too don't forget in 2020 all

16:38

right was literally the protest song

16:40

like Kendrick had the protest song of

16:43

2020 so of like knocked that by saying

16:45

you're making slave music then you go in

16:47

um he had the line we talked about uh

16:49

you probably hate pedophiles because you

16:51

were molested or whatever the line was

16:52

and mother I'm sober but that's not even

16:54

what the song's about he's saying he

16:56

wasn't molested so you misconstrued that

16:58

and also so that was weird already on

17:00

its own like let's say that was true

17:02

that's a weird conversation then the

17:04

line if if I was young girls I

17:06

promis I'd be arrested that's Drake's

17:08

quote weird like that's weird and that's

17:11

not how the justice system works and

17:13

then

17:15

also weird the Millie Bobby Brown just

17:18

bringing her into it when no one said

17:20

her name like Drake has a lot of

17:22

missteps in all of this where you're

17:24

like bro what are you doing what are you

17:26

talking about there I I think

17:29

there's there's some good moments in

17:30

this from Drake but I think what's

17:32

happening is we're seeing that he's

17:33

never been a part of a of a of a an

17:37

opponent like this of course there is no

17:40

opponent like this yeah so like there

17:42

are a lot of things that he has to take

17:44

and stri there are a lot of things that

17:45

he has to like really try to calculate

17:47

and because Kendrick is moving at his

17:50

own pace but faster Drake is just like

17:53

kind of fumbling everything he changed

17:55

the rules I want to and and and the

17:57

other thing I think is important to

17:58

establish here

18:00

reestablish Drake dropped fire in this

18:03

that's not the discussion nobody and I I

18:05

want to make acting as if Drake didn't

18:08

drop that is not the discussion that man

18:10

has I'm trying to go a level deeper into

18:13

the actual game that's being play right

18:16

and the other thing I think is important

18:19

for all of us that love this hip-hop

18:22

when in your lifetime of social

18:26

media have you seen

18:29

individuals trying to decipher rap Clues

18:35

and

18:36

lyrics I we've we've never seen this not

18:39

like this not on this level that that is

18:41

a different metric that because of

18:44

Kendrick and you for bro 616 at La

18:48

dropped and people was like yo he's

18:49

talking about Corinthians in the

18:52

Bible this OJ trial started all well

18:56

let's not act like that was not like

18:58

those are coincidences no no no but

19:00

that's the point is because he's the I

19:03

don't know what he called people call

19:04

him the Boogey Man yeah yeah he had

19:06

people going levels to try to figure out

19:09

what he was talking about like that in

19:12

itself is remarkable and and and and yes

19:16

it is inspired by Drake like we have to

19:20

thank Drake we have to thank Drake and

19:22

what he represents that inspired this

19:25

moment for us to even have this

19:27

recalibration hip-hop like this is a

19:30

full reset yeah if you

19:33

rap and think you want to be one of the

19:35

greatest you better you have to study

19:37

this moment yeah because you can't just

19:40

be like a a swag rapper and be throwing

19:43

around like you one of the

19:44

greatest you you will have had to be

19:47

measured against this and this level of

19:50

rhyming and and strategy and

19:53

thoughtfulness to even ever in your life

19:59

be mentioned in this conversation it's

20:00

like if if if this moment presents

20:03

itself to you can you do this or higher

20:06

can you get can you no we're just like

20:08

he's talking about like just like how

20:09

what hip-hop looks like right now and

20:10

how artist can you do this like in 48

20:13

hours can you give me four or five high

20:15

tracks but that's not even that but can

20:17

you give me this level of thoughtfulness

20:19

even if people would say oh the picture

20:21

was planted or the 11-year-old daughter

20:23

was pled fine but the fact that someone

20:26

said you know what I'm going to unveil

20:28

this picture in a series of moments not

20:31

only that I'm going to introduce said

20:34

11year old to her grandmother and

20:37

grandfather in the rest of the world via

20:39

a letter Allah Stan from Eminem Like

20:43

that's what this beef did it changed the

20:46

Rules of Engagement with rat beef

20:48

usually what we had was and it changed

20:50

the rules of expectation of what a great

20:53

is so what usually we have you have song

20:56

then a song comes song then a song comes

20:58

the thing that Drake wins this in any

21:00

other situation like what Drake was

21:02

dropping was was heaters and to be

21:04

perfectly honest I don't know if meet

21:06

the grams was better than family matters

21:09

it was the moment it was the moment it

21:12

wasn't that's what I'm saying like it it

21:14

took all the power away from this song

21:16

because we were like wait a minute 20

21:18

minutes later he has this whole another

21:19

song wa what's going

21:21

on I I I I do think mether grams is

21:24

better than family matter let me recant

21:26

that let me

21:28

me let me hang on I'm not done but go

21:30

ahead I'm not done you f out finish what

21:32

you doing but what I compare this to is

21:34

like so with the Rules of Engagement

21:36

rules of War like a long long time ago

21:37

at some point like people like in

21:39

ancient Africa and the metaphor is

21:41

better than actual facts but this

21:42

actually happened they used to have like

21:44

Wars by dancing and stuff right like

21:45

they would come to war like all right

21:47

dance and they would have a dance off

21:49

basically well at some point someone

21:50

says Nah this ain't no dance off no more

21:54

we are killing people to win Wars and

21:57

that's what Kendrick implemented it was

21:58

like what what we're supposed to go song

22:00

for song this is how this is engaged and

22:01

kri was like no I have a I have a a

22:04

whole Army of songs ready for you and

22:06

not only do I have an army songs ready

22:08

I'm going to change it because don't get

22:10

it twisted not like us was a direct

22:13

reply to Family Matters he was he said

22:15

Family Matters in the song so you're

22:17

like wait a minute you just made a song

22:19

in a day basically to come back at me

22:22

we've never seen this before on this

22:24

level well I think to to to add to that

22:26

too um and I think this is important it

22:30

also establishes that one of these

22:33

individuals cares more deeply which is

22:36

why he has disdain for the other the

22:39

reason Kendrick doesn't like Drake is

22:41

beyond just I don't like you as a person

22:44

which he he said that too plenty of

22:47

times he doesn't like what Drake

22:49

represents in Hip

22:52

Hop he doesn't like that this individual

22:56

basically is not auth

22:59

doesn't represent anything of value to

23:01

Black Heritage and Black Culture isn't

23:03

in touch with his Blackness enough and

23:06

that is a lot he spent he spent a lot of

23:08

time on that and I think that that is

23:10

also an important detail because hip hop

23:14

as we know it today while yes it is

23:17

about having a good time and and

23:18

enjoying all this hip hop is an

23:21

extension of the black nationalist

23:22

movement make no question about it it

23:25

was it is a tool to share information

23:28

and educate ourselves when the

23:31

establishment doesn't do so and also to

23:34

make sure that we are represented

23:36

towards each other and for each other

23:38

like that's a part of what the hip-hop

23:40

thing is and the basis of it and while

23:42

it's gone much more mainstream than that

23:44

and it's it's become other things and

23:46

offshoots and what tangents Etc Kendrick

23:49

is rooted in that in 2024 MH that's a

23:53

powerful statement that I don't think

23:55

your your your mainstream pop hip hop

23:57

fan will give a or your hookah

23:59

smoking Club you know ass clapping IG th

24:02

gives a about but it's important to

24:04

someone like myself because hip-hop this

24:06

hip-hop saved a lot of our lives

24:09

and actually taught us a lot of not

24:10

only about ourselves but about social

24:13

dynamics uh um the the country and where

24:15

we come from go ahead Ed so I'm G flip

24:19

this a little bit because I think this

24:20

is an important conversation and I

24:21

wholeheartedly agree with everything

24:22

you're saying and then every now and

24:24

then someone will come up online and be

24:25

like well what's the difference between

24:28

and J Cole and both having um mixed

24:31

Heritage both being biracial ebo you are

24:33

someone that is biracial as well there's

24:35

no such thing as biracial that's a

24:37

different conversation for a different

24:38

day I know people throw that word around

24:40

but racial is a race is a social

24:42

construct based on your appearance so

24:44

you can't have two appearances bro you

24:46

have one

24:47

appearance okay so you're mixed can I

24:49

say that word you could be multiethnic

24:52

Multicultural you could be mixed all of

24:54

those things apply okay so you being a

24:57

mixed person what's explain to people

24:59

from your perspective the difference in

25:00

between how Drake does it in this

25:02

hip-hop space as opposed to somebody

25:04

like yourself or Jay Cole just explain

25:06

that to people so they don't come in

25:07

here conversation is not well I think

25:10

you're in this hip hop space but he

25:11

don't rap no I don't rap but I think

25:13

what he's asking is you know j. Cole

25:14

spends his time doing commentary about

25:17

society and about his community and the

25:20

places he comes

25:21

from the black Heritage part of hip-hop

25:24

and so J.Cole is in touch with that and

25:27

understands the importance of that

25:29

one of the the issues that I think even

25:31

the the OVO team has had was the

25:33

Childish Gambino thing when I was up

25:35

here talking about yo bro don't on

25:38

uh this is America bro like I don't like

25:40

that cuz you don't ever have anything to

25:42

say right which is once again the

25:44

indictment of Kendrick Kendrick is not

25:46

saying Drake is not black Kendrick is

25:49

saying you only act black when it's time

25:51

for you to use Blackness to make money

25:54

when it comes to any other black issues

25:56

or black anything we don't see you

25:58

that's all he's saying he's not saying

26:00

Drake ain't black he's calling into

26:02

question the cultural elements of

26:05

Blackness not the racial elements of

26:08

Blackness and a lot of people don't

26:09

understand the difference yeah between

26:11

race and culture and ethnicity and

26:14

nationality you know what I'm saying and

26:17

so that's what that's the the that

26:20

Dynamic and that conversation that's the

26:22

scope that Kendrick is is looking

26:24

through when he when he looks at Dake

26:26

yes yeah which you know that whole and

26:29

it plays itself out even more and we'll

26:32

go back to it you playing with the slave

26:33

Cole would never play with no

26:35

like that not at all also arguing over

26:38

the use of the n-word is not something

26:41

that black people who know Blackness

26:43

argue about it's not something you argue

26:46

about if someone's like yo I don't want

26:47

to hear you say the n-word no more most

26:50

people go shut up or they go I

26:53

understand why that offends you like

26:55

okay cool I got it because that's a word

26:57

that not all black people people and if

26:59

you're not black you may not know this

27:01

not all black people like the N word bro

27:03

if you live in a certain household

27:05

you're not just using the nword in the

27:06

house it's not a thing hip hop is some

27:09

Street thing and people use it as a

27:11

curse word just like they use

27:12

and all type other in

27:14

them records so not being in touch with

27:17

that and feeling like oh I'mma put my

27:19

white mom at the beginning of the record

27:21

saying hey son you probably shouldn't

27:23

put use whatever she says and the first

27:25

word out of his mouth is bro why are you

27:29

doing that and why do you think that's

27:31

something to play with it's

27:35

not and I ain't really with you

27:37

either cuz I didn't want to go here

27:38

today I wanted to focus on the records

27:43

and the

27:44

strategy this is part of the

27:46

conversation it's part of the

27:47

conversation but godamn like why did it

27:49

turn into this like I get it it's a

27:53

there there are conversations that have

27:55

to be had just like e was saying like

27:56

through Hip Hop in the culture

27:59

understanding like where this comes from

28:00

I get it but it's deviating it deviates

28:03

from just the battle just the battle

28:05

like these are two great conversations

28:07

to have but it is to what the reason

28:08

Eddie's bringing it up because it is a

28:11

learning opportunity for individuals who

28:13

love hiph hop yep and think that they

28:16

really know what this is because

28:17

they listen to it but they aren't it but

28:20

you're not in the community or from the

28:24

community from which this evolved from

28:27

so there's tenant

28:28

and and Heritage that you might not

28:31

quite understand or think you can

28:33

disregard for your own convenience

28:35

because no I'm A hip-hop fan I've been

28:37

listening to rap my whole life it's a

28:39

little different it's a little deeper

28:40

than that it's way different than that

28:41

you know what I'm saying and so I think

28:43

that that Drake has got himself into

28:45

that little uh scenario and maybe you

28:49

know it's it's a learning opportunity

28:51

for him even maybe hopefully maybe we

28:53

see some of his future records he can

28:56

admit that he learned isn't learning

28:58

from any of

29:00

this he's just getting pettier and

29:02

pettier he's not too much

29:06

credit this man Cole came out was like

29:09

yo forgive me you know what I'm saying

29:11

father I have sinned I don't this is not

29:12

who I want to be maybe we see a drake

29:15

verse one day where he's like listen I

29:17

wasn't and thank you kendri for no

29:19

that's s just like this man is not here

29:22

to learn a dam listen when When the

29:24

Smoke Clears Drake is going to be okay

29:27

kendri

29:28

be fine now and what now now I'm glad

29:31

you guys went here now hang on hang on

29:34

now all right hang on are we about to

29:37

take scores NOP no not yet can Drake put

29:40

out a record with an artist from Atlanta

29:41

and people ain't gonna look at it funny

29:43

I think I think whatever move he makes

29:45

people will look at it funny but in

29:50

the no Dr on can Drake yes jump on yes

29:55

the newest hottest artist coming out of

29:57

wherever just jump on it yes and every

29:59

nobody's going to look at it funny

30:01

listen a couple people are going to look

30:02

at it funny but guess what it's probably

30:03

still going to go to number one cuz as I

30:05

was trying to point out there's so many

30:06

people tuned into this who are Drake

30:08

fans who do not give a about the

30:10

like but see but see this chart position

30:12

ain't that's not what's the question you

30:15

said are people going to look at it

30:16

funny I said yes some people will but

30:20

it's not going to really stop him being

30:21

successful that's the thing you know

30:22

where his zone is Drake zone is on the

30:25

charts well that's his Zone and there's

30:27

people that

30:29

that was just the case y'all he wouldn't

30:31

or wouldn't as often make Street records

30:35

just for the streets right he does that

30:37

because the streets in this hip-hop

30:40

means something the streets and the

30:43

community the where this stuff comes

30:46

from the language you're using the slang

30:49

you're using the the the the the the I

30:52

don't know the affiliations to to

30:55

individuals who live a you know a a life

30:58

style that is nefarious those

31:00

affiliations they mean something to your

31:02

credibility and what I'm saying is I

31:05

believe that Drake has to think more

31:08

carefully about making those moves now

31:11

because it's been exposed that's but at

31:14

the end but at the end of the day

31:15

there's a sector in the world there's a

31:18

sector in his head that knows that

31:20

whatever I do moving forward will still

31:23

be accepted even if I lose even if I

31:26

back out even if I get ter even if I get

31:29

everything happens to me I get

31:30

dismantled by this by by Kendrick he

31:33

knows moving forward I can go to Atlanta

31:36

and and pick up this the new street art

31:39

whatever the case is I can go anywhere

31:40

in this country and find another new

31:43

artist and jump on that record and then

31:45

go to number

31:46

one this is not going to this is not

31:48

going to bother his movement did you

31:50

guys notice recently up next artist for

31:52

bats shout out to for bats up next

31:54

artist has a remix with Drake yeah right

31:57

he put out his ep the Drake version's

32:00

not on the EP at some point there's

32:02

people are going to be asking questions

32:04

why did Drake jump on a song an R&B song

32:07

that was bubbling and maybe it was some

32:09

behind the scenes paperwork who knows

32:11

what it was but once again Drake went

32:13

and tried to and from what I understand

32:15

four bats he's from Dallas he's from the

32:18

bottom he's trying to figure out how and

32:19

Drake went and embraced him and took his

32:21

song to higher Heights why is it not on

32:24

the EP that that I don't know you answer

32:26

your own question could behind the

32:28

scenes it could be you know say

32:30

looks funny in the light here here's why

32:31

Drake always is going to be all right

32:33

if hip hop is about as capitalistic is

32:36

is imaginable Right Drake yes to stay

32:39

relevant as you become an older artist a

32:41

lot of they all do this like Jay-Z was

32:42

hopping on remixes when jezy when was

32:44

young like this this is not nothing new

32:47

uh Drake has mastered it in his current

32:49

climate of hip-hop but the young artist

32:51

is always going to be a mutually

32:53

beneficial thing so if you're a

32:54

20-year-old from you know Alabama

32:57

somewhere and Drake says this is

32:58

charting is bubbling and he wants to do

33:00

a remix with you there's not one young

33:02

artist imaginable that's not going to

33:04

get that that Drake battery pack and be

33:07

like hell yeah I'm about to be rich off

33:08

this Drake list listen I hope I hope

33:10

you're right and I think you're right

33:13

but the way Metro booming and these kids

33:15

is making this BBL Drizzy thing fun on

33:17

the internet oh my God that is

33:20

hilarious shout out to Metro for that

33:22

again become when did it when it shifts

33:25

to become

33:26

cool to make fun of a rapper it's always

33:30

been cool to make always been cool like

33:32

it just didn't start with it just didn't

33:34

start with him has it we made fun of J

33:37

Ru we with his career though is what I'm

33:40

asking the catet end up getting made fun

33:43

of publicly and it becomes a reoccurring

33:47

theme as not necessarily good for where

33:52

your brand is it's not great for the

33:54

brand but I feel like Drake's been

33:55

dealing with that for a long time call

33:58

to make you know what I mean like he's

34:00

been made fun of for so long it's a bit

34:02

Amplified now but I still don't think

34:04

that's going to take him down I I don't

34:06

think he's taking down I'm not saying

34:07

that not taking anything away people got

34:08

selective memory too that shortterm

34:11

short shortterm memory right so I

34:13

guarantee you when it's May 6

34:17

2025 this moment will be remembered but

34:20

it's not like

34:21

yo what happened to Drake or we forgot

34:24

about Drake No like he'll probably have

34:26

another album out probably be on tour

34:28

probably have a big single and it's just

34:29

like all right this is a great time in

34:31

hip-hop history because we're seeing two

34:34

gigantic different artists compete at a

34:37

very high level that we've never

34:41

ever ever seen ever so we have to really

34:45

really appreciate both of them despite

34:48

Drake's approach despite whatever is

34:51

true or if it's false or whatever the

34:53

case is this has not been done in this

34:56

short of time and we're not even done

34:59

yet no we're not done be not done yet

35:02

I'd be kind of happy if we was done at

35:03

this

35:04

point I'm tired I'm tired to I'm okay

35:08

with it I'm with you I'm okay with it

35:09

being over I just don't think it is yeah

35:11

yeah like I wouldn't I wouldn't mind if

35:13

they said all right we're done yeah cuz

35:14

we got it everything I wanted I got it

35:16

it it was the movie I needed it was The

35:18

Avengers ingame it was Kong versus uh uh

35:21

goz Godzilla it was Jord versus magic it

35:24

was like it was all of that it was all

35:26

that I'm appreciative but now it's like

35:29

I'm I'm I'm done with the alert it was

35:31

really Jordan Jordan was Jordan versus

35:32

everybody if you think back to

35:36

it Larry

35:39

vers Phoenix Seattle Utah all that all

35:43

of them Detroit damn Nicks so wait

35:47

Jordan had it with everybody so is is

35:48

Drake Jordan it's should be a part of

35:51

the conversation absolutely generation

35:53

of this generation for sure he was Drake

35:56

the reason this is happening is because

35:59

Drake took the the

36:02

ball and controlled it and controlled

36:05

the game and cats was like you're a

36:08

piece of I don't with you no

36:10

more and now I'mma take you out cuz I

36:12

thought we could move together whatever

36:15

together now we can't so then you had

36:17

everybody coming at him and Kendrick

36:20

been had a problem with him

36:21

since they again this is like this is to

36:25

your earlier Point like if you not if

36:26

you don't study this and you don't

36:28

understand this and you don't

36:29

really know why they're going at it then

36:31

sit this out because these have

36:34

been going for 10 to 12 years at each

36:36

other directly at each other and if you

36:38

know their cataloges and if you know how

36:40

they are you know where they're shooting

36:43

at each other well and even even on a

36:45

larger scope than that just removing it

36:47

from these two

36:48

individuals Nas came in with ill mtic

36:52

was on fire one of the greatest hip-hop

36:55

albums ever made on your first joint

36:58

MH was claiming the crown the crown

37:02

holder you had big come and go resting

37:05

peace hve other people start going at

37:10

NAS when it was hov's time to have the

37:12

crown cats was going at

37:15

ho when it was 50 well when it was

37:17

John's time you had 50 there's always in

37:21

this game the counterpart there someone

37:23

who's going to test like this this is

37:26

not nothing new no one's bullying Drake

37:29

No One Is they're not trying to like a

37:31

20 verse one oh no they're bullying

37:33

Drake but the

37:35

difference so you know what you want to

37:37

say is people have been bullied before

37:39

yes okay that's what you want to say the

37:41

difference situation it's not the first

37:43

time somebody's been bul what you want

37:45

to say have y have y'all been wrestling

37:47

with any questions about morality in

37:49

this beef like with regard to yeah I

37:52

like to have high standards for my

37:53

humans yeah right even the ones you it's

37:56

hard it's hard to keep I know I know it

37:58

is I know it is but more and more you

38:01

started taking all these quote unquote

38:02

facts at face value as of now right as

38:05

the layers get peeled

38:07

back I want to feel like damn I don't

38:09

with this person because he sounds

38:10

like an but I just have more and

38:12

more respect for Drake as this goes on

38:14

okay although I'm not picking sides in

38:15

this battle you know what I mean respect

38:17

because he continues to show up yeah for

38:19

like just the way Kendrick is

38:21

on him that he just keeps going like I

38:23

yeah yeah I'm still not picking any

38:25

sides I don't really care who wins this

38:26

but like I yeah

38:30

I yeah I I have the utmost respect for

38:32

Dr like the that he's you know

38:34

that's being you know accused and being

38:36

said to him yeah that would have took me

38:39

out that would have been like all right

38:40

you know what this is going too far this

38:43

man is showing up every time Kendrick

38:45

has something to say right and I don't

38:48

give a what y'all say about the

38:49

last one he don't sound defeated he just

38:50

says all right when you when you're when

38:52

you're when you're going to start saying

38:53

that actually matters I'll return

38:56

the favor well not matters that are

38:57

facts that are fact that are facts but

39:00

yes I do appreciate the facts don't

39:02

matter right now if if we're having

39:04

really having a question about morality

39:06

and music especially in hip-hop that

39:08

always gets murky so here's how I look

39:10

at it right I'm not going to chass

39:12

nobody into listening what they want to

39:13

listen to I have my own bar I have for

39:16

Morality there's some people I've

39:17

checked out on where I'm like oo it gets

39:19

weird with that person I can't listen to

39:20

this music the problem is with the Arts

39:22

if you start digging too deep and you

39:24

want your favorites to be good people

39:26

you're going to start having to Elm a

39:27

lot of folks so for me I just look at it

39:30

like a case bye basis I'm not going to

39:32

stop listening to either one of these

39:33

dudes I'm Len I'm listen to Kendrick

39:36

that's not even on the table what what

39:38

you do with your kids I don't really

39:40

care if you got kids I don't really care

39:43

if you got if you hiding kids I don't

39:45

really care like yeah yeah morality ARS

39:47

gets weird there's some there's some

39:49

people in hip-hop that I don't listen to

39:52

be because of morality but for the most

39:54

part Case by case ask how because K

39:56

present it in the song I forgot what the

39:57

track is about the new Trifecta not just

40:00

being Money Power Respect but he I think

40:01

he throws out like morality which got me

40:03

like thinking about it but anyway no

40:05

listen I think for well cuz he's Mr

40:07

morale you know what I'm saying so but I

40:10

I think um it's not funny stop I mean

40:14

not funny thus throw it out but um I I

40:17

do want to wrap

40:19

today uh and you guys I'm sure we'll be

40:22

leaving comments you know um there's

40:24

fans on both sides oh yeah they coming

40:27

Drake Bots wait

40:29

hey out time out time out time out you

40:31

can't just throw out Drake Bots as if

40:33

it's like a common term when the when

40:36

the song that Drake just released was

40:38

accusing Kendrick of paying bloggers and

40:42

things like that is that a

40:45

fact well he's saying Drake Bots like

40:47

it's some sort of yeah because like that

40:49

that's a thing like you see listen

40:52

bro you're saying that Drake is lying in

40:54

the song that he just put out we just

40:56

said we don't care

40:58

just not mad at so who

41:01

has who has the momentum of the moment

41:04

right now that's where we started I

41:06

don't know if we actually finished Eddie

41:08

you say no questions Kendrick it's not

41:11

even of to I think Kendrick has the

41:13

momentum but Drake is not out of this

41:15

yet en L Kendrick has momentum I would

41:18

agree that Kendrick has the momentum

41:20

Kendrick has

41:21

the% um and and I think thank you to

41:25

Drake is is is is

41:28

here because you have motivated someone

41:30

that we really wanted to have motivated

41:33

which is Kendrick Lamar but you also

41:35

motivated him in the wrong way it's not

41:38

what you want it's not what you want

41:40

however thank you for this we appreciate

41:42

it for this backfired on you

41:44

brother however we are getting uh great

41:47

records from Kendrick Lamar um and so uh

41:50

maybe by the time you see this there'll

41:51

be more music available we don't know

41:53

what the is going out here

41:55

but maybe maybe not it might be on dsps

41:58

it might not be you might be able to

42:00

stream it on Apple we don't know Eddie

42:02

and la lo and nesca I'm Ebro thanks for

42:04

joining rap Life

42:07

review what's good nesa here if you made

42:10

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42:16

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42:19

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42:21

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42:22

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