EP-096 严歌苓:人人都丑的时刻,要想不丑,必须勇敢 | 米拉蒂 | 审查 | 中国文学 | 华语文学 | 封杀 | 张艺谋 | 电影审查 |
Summary
TLDR大家好,欢迎来到Bumingbai播客,我是主持人袁丽。此次节目介绍了中国当代著名作家严歌苓的生平和作品,她在文化大革命期间成为军队舞蹈演员,后作为战地记者经历中越战争。严歌苓创作了近30部小说,多部作品被改编为影视剧并获国际奖项。她与著名导演合作,批评政府掩盖疫情,因而受到审查。她的小说《女侯》描绘了中国知识分子的追求自由过程。节目深入探讨了她对自由的追求、创作挑战和对知识分子的独特见解。
Takeaways
- 😊 Yan Geling是一位在当代中国文坛上最成功的作家之一。
- 🌟 她在文化大革命期间在成都军区担任舞蹈演员,并在中越战争前线担任战地记者。
- 📚 她撰写了近30部小说,其中许多被改编成电影和电视剧并获得国际奖项。
- 🎥 她长期与中国著名导演如李安、陈冲、张艺谋、陈凯歌和冯小刚合作。
- 😷 2020年新冠疫情初期,她发表文章批评武汉疫情的掩盖,引发了审查风波。
- 🔗 2022年,她在视频连线中讨论中国的人口贩卖和收养问题,引发了公众舆论,导致她的微博账号被封,书籍被下架。
- 💔 她在大陆面临巨大经济损失和困境,但也因此获得了另一种自由。
- 📖 她与丈夫成立的辛格媒体公司出版了她的小说《米拉蒂》,并计划出版其他中国作家的作品。
- 🎨 她的作品《米拉蒂》描绘了1980年代的一群中国知识分子,涉及文化大革命、知识青年上山下乡、六四事件等历史事件。
- 🌍 她表达了对自由创作的追求,并认为真正的艺术应该摆脱政治约束。
Q & A
杨格林在文中提到的第一个职业是什么?
-杨格林最初在成都军区担任文工团舞蹈演员,期间工作了8年。
杨格林在30岁时担任了什么职位?
-在30岁时,杨格林成为了一名前线战地记者,报道中越战争。
杨格林的哪些小说被改编成了电影和电视剧?
-她的小说如《少女小鱼天雨》《金陵十三钗》《陆犯焉识》和《一个女人的史诗》等都被改编成了电影和电视剧。
在2020年新冠疫情初期,杨格林发表了什么文章,产生了什么影响?
-杨格林发表了一篇批评武汉疫情掩盖的文章,结果导致电影审查部门要求张艺谋导演删除电影中对原作者杨格林的致谢,进而引发了一系列对她的封杀措施。
在2022年,杨格林因何事再次引起了公众讨论?
-2022年2月,杨格林在一段视频连线中评论中国政府的人口贩卖政策,导致她的微博账号被封,书籍下架,相关电影重新上映被禁。
《密拉达》这本书的主要内容是什么?
-《密拉达》讲述了一群80年代的中国知识分子,他们在新尝试和旧束缚之间不断拉扯和争论,表现了他们对未来的想象以及追求自由的过程。
杨格林在书中使用了什么概念来描述系统的结果?
-杨格林在书中使用了“丑陋”这个概念来描述系统的结果,认为系统的专制和独裁导致了人们言行不一致,内外不一致,形成了一种扭曲和自我厌恶。
杨格林对80年代的知识分子的主要看法是什么?
-杨格林认为80年代的中国知识分子对国家和人民充满了关怀,但同时也非常脆弱和怯懦,面对巨大风险时往往选择不作为。
杨格林如何看待知识分子在80年代的思想解放?
-杨格林认为80年代是中国的文艺复兴时期,知识分子在这个时期经历了一种从束缚到解放的过程,尽管这种解放最终被天安门事件终结。
杨格林对未来的看法是什么?
-杨格林认为,如果没有天安门事件的发生,中国的知识分子和艺术家们可能会在80年代的文艺复兴基础上继续前行,并创造出更加辉煌的成就。
Outlines
📚 当代中国文学作家颜歌苓简介
大家好,欢迎来到布明拜播客,我是主持人李元。颜歌苓是当代中国文学界最有成就的作家之一,她出生于上海,12岁时在文化大革命期间进入成都军区,担任军队艺术团的舞蹈演员八年。30岁时,她成为中越战争前线的战地记者。过去30年中,颜歌苓创作了近30部小说,其中多部被改编成获国际奖项的影视作品。她与中国电影界最著名的导演如李安、陈冲、张艺谋、陈凯歌和冯小刚长期合作。她在中国是媒体的宠儿,也是市场上非常成功的作家。在2020年新冠疫情初期,颜歌苓发表文章批评武汉疫情的掩盖,引发了电影审查部门要求张艺谋导演删除电影中对颜歌苓的致谢。此后,她持续对时事发表看法,包括2022年2月的铁链女事件。因其言论,颜歌苓在中国大陆遭遇封禁,面临巨大经济损失,但她似乎也进入了另一种自由状态。她与丈夫成立的心格传媒出版了她的小说《米莱迪》,并计划出版其他中国作家的作品。这是她首次无需面对中国共产党的审查制度。
🖋️《米莱迪》:1980年代的知识分子群像
颜歌苓谈及她的新作《米莱迪》,描绘了1980年代的一群中国知识分子,他们在新尝试和旧约束之间不断拉扯和争论。她认为,这部小说主要表达了中国知识分子对自由的无尽追求及其困惑。书中描述了文化大革命结束后的突然自由及其无处不在的束缚,就像剧作家吴可达在书中提到的那样,宣传部的干部要求他改剧本,一个月内他的头发都白了。颜歌苓认为,1980年代是一个神奇的时代,但知识分子最终似乎都没有出路。有人认为,1980年代的知识分子浪费了那个时代,她对此也有自己的看法,认为他们在面对巨大风险时往往选择不去做,因为结果可能很悲惨。
🌹 1980年代女性的思想解放
颜歌苓在她的小说中写到,1980年代男性知识分子的重要解放之一是婚外情。书中描述了一位在婚外怀孕后不得不堕胎的女性,她被男性世界以最残酷的方式伤害,之后她向才子们开放了自己的钱包和卧室。颜歌苓认为,1980年代女性也经历了思想上的解放,许多女性在没有多少经济资源的情况下,可以公开成为某人的情妇,甚至从情妇变为妻子。她回忆起自己小时候父母谈论离婚时的恐惧,但在1980年代,许多男性开始认为爱情是无罪的,这种人性的反弹在文化大革命十年后尤其强烈。
✊ 与读者的关系及出版历程
在谈到与读者的关系时,颜歌苓提到,她并不认为自己与中国共产党决裂,但她认为任何事情都可以批评。她回忆起在旧金山举办签书会时的经历,虽然场地有限,但仍有许多人驱车一两个小时来看她。尽管她的作品在中国大陆被禁,她仍然坚持创作,并在海外发行。颜歌苓指出,她追求的是通过文学留下具有美学价值的历史人物,而不是政治。她强调,文化和艺术具有永恒的价值,她希望通过写作让汉字变得更美。尽管她在中国的销量很高,但她现在在海外也取得了不错的成绩。
📖 与审查制度的斗争
颜歌苓分享了她与审查制度斗争的经历,包括她在《米莱迪》中描写的宣传和审查制度。她认为,审查制度无形中扼杀了创作者的灵魂和精神生活。颜歌苓提到,她的作品常常需要修改以符合审查要求,但她在创作自己的小说时则会更加坚持自己的观点。她还谈到,她对电影的参与也面临更多限制,尤其是电视电影,因为接触面更广。在与电影审查部门的斗争中,她认为自己的作品会被好的作品所替代,而她坚持的合法权益也得到了她丈夫的支持。
🌍 电影创作与审查制度
在电影创作方面,颜歌苓提到,由于审查制度,许多创作者感到非常紧张和不安。她认为,中国电影人比韩国电影人拥有更好的技能和故事,但由于审查制度的存在,中国电影在国际上的认可度较低。她分享了《芳华》电影在路演时被紧急叫停的经历,以及审查对艺术创作的影响。尽管如此,她仍然坚持创作自由,认为真正的艺术应该是无拘无束的。
🎨 自由创作与个人追求
颜歌苓在小说中给了艺术家米晓一个纯粹的选择,最终他选择出国在纽约街头画肖像。她认为,一个人如果没有创作自由,就不能实现真正的艺术。米晓的原型是她父亲的一位朋友,这位朋友选择在国外自由创作,这也影响了颜歌苓对自由的理解。她建议年轻创作者,特别是那些有出国机会的人,要努力适应新的环境,经历艰辛后会发现自己喜欢新的生活。
📝 海外创作的挑战与建议
颜歌苓分享了她在自由环境下的创作经历,包括写剧本、短篇小说和与导演王小帅的合作。她认为,在海外创作需要更多的努力和准备,但也能带来更多自由和满足。她建议年轻创作者要有吃苦耐劳的准备,并且利用业余时间进行创作。她认为,这样的挑战能测试一个人是否真的有创作的激情和冲动。
📚 新的创作方向与作品
颜歌苓提到,她现在正在创作音乐剧《扶桑》,还投资了一些小规模电影,并准备写关于疫情的作品。她觉得在自由的环境下,任何事情都是可能的,并且她写作的短篇小说也取得了不错的成绩。她希望通过简化生活,给创作者更多的自由。尽管面对读者数量的减少和经济损失,她仍然选择坚持创作自由,并对未来充满信心。
👨👩👧 个人经历与对未来的期望
最后,颜歌苓谈到了她的女儿以及对未来中国的期望。她希望女儿这一代人能够看到一个更好的中国,认为一胎化政策对几代人和未来几代人的生活产生了深远影响。她提到自己收养了一个被遗弃的女婴,希望通过书写这种经历,让人们看到政策的荒谬和对家庭的影响。颜歌苓一直坚持创作,并希望通过写作为后代留下具有美学价值的作品。
📚 阅读推荐与创作感悟
在节目最后,颜歌苓推荐了几本书和电影,包括《红楼梦》、《百年孤独》和《1984》。她认为,这些作品对她的创作产生了深远的影响。颜歌苓表示,尽管她现在在海外出版的书籍读者数量有限,但她对自己的成就感到满意,并希望更多的听众能够阅读她的书。她对创作充满热情,并期待未来继续为读者带来更多优秀的作品。
Mindmap
Keywords
💡严歌苓
💡文革
💡战地记者
💡小说改编
💡禁言
💡链女事件
💡自我审查
💡文化自由
💡天安门事件
💡知识分子
Highlights
Yan Geling is one of the most accomplished writers in the contemporary Chinese literary world.
During the Cultural Revolution, she was admitted to the Chengdu Military Region and worked as a dancer in the military art troupe for 8 years.
Yan Geling worked as a war correspondent on the front line of the Sino-Vietnamese War at the age of 30.
Over the past 30 years, Yan Geling has written nearly 30 novels, many of which have been adapted into film and television works that have won international awards.
She has long collaborated with famous Chinese directors such as Ang Lee, Chen Chong, Zhang Yimou, Chen Kaige, and Feng Xiaogang.
During the 2020 COVID-19 pandemic, Yan Geling published an article criticizing the cover-up of the Wuhan epidemic, leading to censorship and banning of her works in mainland China.
In February 2022, Yan Geling commented on the systemic issues of human trafficking and adoption in China, which led to further censorship and banning of her social media accounts and books.
Yan Geling and her husband established Xinge Media Co., Ltd., which published her novel 'Milady' free from the Chinese Communist Party's censorship.
'Milady' depicts a group of Chinese intellectuals in the 1980s, involving themes like the Cultural Revolution, intellectual youths going to the countryside, and the June 4th Tiananmen Massacre.
Yan Geling discusses the persistent pursuit of freedom by Chinese intellectuals and the disillusionment that follows the loss of freedom.
She emphasizes the omnipresence of bondage even after the Cultural Revolution and the creative dilemmas faced by intellectuals and artists in the 1980s.
Yan Geling reflects on the missed opportunities by Chinese intellectuals in the 1980s and the pressures of compromising their safety and peace.
She highlights the contrast between the renaissance-like atmosphere of the 1980s and the abrupt end brought by the Tiananmen incident in 1989.
Yan Geling believes that true beauty comes from speaking the truth, and that autocracy and dictatorship lead to an ugliness reflected in society's behavior.
She discusses the internal and external conflicts faced by individuals under a dictatorship and the aesthetic impact of such a regime on people.
Yan Geling's book signing in San Francisco attracted significant attention, showing the strong connection between her and her readers, especially after her ban in China.
Despite the financial losses and troubles faced due to the censorship, Yan Geling feels she has entered a new state of freedom in her creative work.
Transcripts
Hello everyone, welcome to the Bumingbai Podcast. I am the host Yuan
Li. Yan Geling is one of the most accomplished writers in the contemporary Chinese literary world.
She was born in Shanghai at the age of 12. During the Cultural Revolution, she was admitted to the Chengdu Military Region
and worked as a dancer in the military art troupe for 8 years.
20 Yan Geling worked as a war correspondent on the front line of the Sino-Vietnamese War at the age of 30. Over the past
30 years, Yan Geling has written nearly 30 novels,
from the early girl Xiao Yu Tianyu
to the recent Jinling Thirteen Beauties, the Land Prisoner Yan Shi Youth
and a Woman's Epic Waiting for
Her Many of her novels have been adapted into film and television works that have won international awards.
She has long collaborated with the most famous directors in the Chinese film industry, Ang Lee, Chen Chong
, Zhang Yimou, Chen Kaige and Feng Xiaogang.
In China, she is the darling of the media
and a very successful writer in the market.
During the 2020 New Crown Epidemic At the beginning,
Yan Geling published
an article criticizing the cover-up of the Wuhan epidemic, using the word "Tang Wan" to conceal it.
This led to the film censorship department asking director Zhang Yimou
to delete one second of the film's acknowledgment to the original author
Yan Geling. As a result, Yan Geling and his wife
began to defend their rights against the international distribution of the film.
Since then, Yan Geling has not stopped commenting on current affairs. In
February 2022, public opinion aroused on Chinese social media over the chained girl incident.
Yan Geling made people talk about the systemic issues of human trafficking and adoption
in a video connection with Zhou Xiaozheng, a scholar in the United States.
Zhou Xiaozheng said that China The government has a policy of human traffickers.
Chinese children adopted overseas must pay high prices.
They also said that Xi Jinping is a human trafficker.
Yan Geling agreed with his opinion.
She did not realize that the video would be broadcast directly.
She also suffered serious consequences because of it.
Her Weibo account was banned and her book was removed from the shelves.
The novel was The publication and re-screening
of the movie were banned and the book fan club's official account, which had tens of thousands of people, was stopped from being
updated. Even her name could not appear in the search results.
Yan Geling, who was banned from mainland China,
faced huge financial losses and troubles
, but she also It seems that she has entered another state of freedom.
The Xinge Media Co., Ltd. established by
her and her husband Lawrence Walker Wang Leren
published her novel Milady.
They also have plans to publish the works of other Chinese writers.
This is the first time that she does not have to face
the censorship system of the Chinese Communist Party. Written in Chinese,
this book depicts a group of Chinese intellectuals in the 1980s.
The content of the novel involves the Cultural Revolution, martial arts,
intellectual youths going to the mountains and countryside, and returning to the city
to reeducate through labor to crack down on spiritual pollution
until the June 4th Anmen Massacre in 1989, which
declared the end of the 1980s
. Yan Geling Hello,
let’s talk about Milady’s novel first.
You wrote about the 1980s through a group of intellectuals. They were
constantly pulling and arguing
between new attempts and old constraints.
Everyone was participating in an imagination about the future
. The future came to an abrupt end.
For you,
what is the main expression of
this novel about the 1980s
? The expression is that
Chinese intellectuals
are always pursuing freedom endlessly
and are always pursuing it. They are always confused and then
confused after gaining freedom.
And I was disillusioned when I lost my freedom
, so it seems that there is such a
process every time . You describe it in your book.
The freedom that suddenly came
at the end of the Cultural Revolution,
this kind of
bondage, is also omnipresent.
Just like the playwright Wu Keta mentioned in it
. The cadres of the Propaganda Department asked me to change the play
, and my hair turned gray
in about a month .
There was also the creative dilemma of the painter Mi Xiao, etc.
Was the 1980s a magical era?
In the end, why did these intellectual
artists seem to have no way out in the end ? Yes
, but some people will say
that the intellectuals of the 1980s wasted
that era. I don’t know what you would say.
Is there anything they could
have done
to make the end of that era less tragic?
I think
Chinese intellectuals have He has
this kind of concern for the country and the people
, and at the same time he is
very fragile and cowardly.
If he finds out that
this risk is very great
for his own personal safety
, or for
the environment where
he
has just gained a little peace,
he will be so pitiful. Maybe
they have to take a lot of risks to do something that may have no result
or the result may be very tragic.
Many people choose not to do it.
Of course, this is not an
intellectual.
We can see that
Hollywood is doing the same thing,
and
Hollywood is also compromising.
Of course, I think
the 1980s
is a Chinese renaissance for me.
If it continues,
if policies don’t change like this
,
or if the Tiananmen incident of June 4th doesn’t happen,
if it continues It continues to this day.
I think Chinese intellectuals
, whether they are intellectuals or
artists , writers or painters, whatever
, if it is to
make the 1980s
the beginning of a renaissance for us
, it continues to this day.
I think that is What's amazing
is that I woke up and opened my eyes
for a moment
to see how free creation is. It's such
a fascinating
era.
So the reason why I write about this era
is that it is no longer gone.
It just goes by like this
. It's like a dream, yes.
I remember
when I met you
in New York two weeks ago,
I told you that
I thought this was a
very good novel.
Not only because you wrote in the 1980s
, but also because your writing style
was special. The 1980s
was when I
was reading novels as a child and teenager
, but there was definitely censorship,
but it was so free that
you could feel that the soul of the writer
was free,
and they wanted to push all kinds of
taboos. The red line
is that you can feel
that kind of lightness and freedom.
I feel that I haven’t felt it in a long time.
I am still in Milady.
One of the things I particularly like
is the concept of ugliness that you use,
which is the protagonist Mila
. I can’t stand ugliness.
I particularly like this sentence in your book.
You say that at a time when everyone is ugly,
you must be brave if you want to not be ugly.
What I want to ask is
why you use the concept of ugliness.
Throughout the book,
ugliness is the result of the system.
Or is it personal reasons
? Can individuals choose not to be ugly?
Of course
, I think
if you remain silent
when telling lies,
you are not ugly. You are not beautiful.
If you must speak
the truth at this time, you may be beautiful
because you have a kind
of saint. I think this spiritual
style
is beautiful.
So I think the
inconsistency in words and deeds,
external and internal inconsistency
, will cause the kind of twisting in people.
This twisting
is when people are not good-looking,
autocracy and this kind of dictatorship
will arise. It’s an ugly thing
, so everyone speaks in clichés, uses
highly similar language,
and uses highly similar expressions that
mix many, many concepts
with each other .
They are all inverted.
For example, betrayal
.
Why is betrayal good
? In fact, in
the entire development process of human beings
, betrayal is not a good word
. But betraying yourself is different. If
you betray the same kind
, it is not a good word.
Many times, this
concept is used. After turning
concepts upside down,
many of the long-term
beauties and ugliness
in our hearts will be overturned and
shuffled.
I still think of each
person today when he
reaches
out his hand to bribe.
How could the smile on his face when he
stretched out his
hand to accept bribes
be good-looking
? It must be twisted
and self-loathing.
He must feel that what he gives out
is your dignity.
It’s the dignity of the giver.
If there are too many moments like this
, will this kind of ugliness solidify and
become a part of his physiology?
Why do people say that things change with the heart? It ’s because you are always so naughty and always
mean what
you say and what you mean.
Internal and external conflicts
,
while doing this thing,
and at the same time despising
myself,
this kind of person and
this kind of ugliness have changed
from an abstract aesthetic concept
to a real thing
. I think it is impossible to live with
autocracy from an aesthetic point of
view. Let me read another passage from the book that
I also like very much.
You borrowed this
phrase from Mi Xiao.
In the ten years of the Cultural Revolution, many people, like me,
believed that they had committed bad
behavior, so they became sneaky and
obscene.
This forced the outside world on you. Who can live like a human being
after the ugliness
in the body
has been internalized
? I really like the concept of ugliness.
In the novel, you also wrote that
a very important liberation for
male intellectuals in the 1980s was extramarital affairs.
The woman in the book
"Divorce " had to have an abortion
because she was pregnant out of wedlock
and was maimed by the male world in the cruelest way. After that,
she opened her wallet and bedroom to the talented people.
Was there any ideological liberation for women in the 1980s?
I think there was.
Because many women are
like this when
they don’t have much financial resources.
If he likes this man,
she can blatantly be his mistress, right?
Then maybe she becomes his mistress
, or maybe she changes from mistress to wife and enters the house.
I think this is all because At that time
, in the 1980s,
I first felt that
divorce was not something to be embarrassed about.
I remember that
when my parents
talked about divorce when I was young,
I felt that it was a thunderbolt.
I felt that they were going to kill me. Becoming
a fringe element among children,
someone who
is looked down upon and insulted by,
is an outlier.
I have seen children whose parents have divorced.
They seem to be born short. People
have the feeling that
they are short or short, and they
are always uncomfortable in the group of children.
I'm not very able to hold my head high
, but in the early 1980s,
many uncles and fathers began to divorce
and have extramarital affairs.
They all began to think that love is innocent.
I love it. I
often say it in my mouth.
Some people love it a thousand times.
Every time is true.
Some people love only once in their life.
That one time is not true.
Of course, I think this is a kind of rebound.
Human nature will rebound.
The lower you press
it, the more intense it
will be and the more lethal it will be
. This kind of lethality will kill
their children, families
, or some members of society,
their friends,
there is no way to do it, human nature is what it is, and
you can’t talk about this kind of backlash.
If you don’t let it happen,
you think about the whole kind of thing after 49 years.
The behavior of men and women is always turned into
the most despicable mistake
to criticize.
In the 1980s,
after ten years of the Cultural Revolution, this group of people
had been pressed to
the point where the spring had been pressed to the bottom and
then rebounded like
when their humanity exploded.
That kind of power is that
I think I can completely understand it.
A friend who attended your book
signing and talk at
the San Francisco City Library
said that the originally scheduled venue was full
and had to change the venue.
Is this a situation you have ever thought of
at the venue ? Some people said that it was
because you broke with the CCP
that they drove an hour or two to see you.
I would like to ask how
the relationship between you and readers
has changed since you were banned.
I don’t think I have. Break with it
, break with me,
break with you, and if
you criticize it, it will think that you have broken with it.
I am so untouchable.
I feel that everything can be criticized
. How can there be a correct answer
if I don’t
criticize
? It can counter criticism.
No one will talk to you like this
.
It was actually the
first time
I went to San Francisco that I had an idea.
I was at my mother-in-law's house for the holidays
, and then I thought that
none of my works could be published in mainland China.
It was published in Redwood Forest,
a literary magazine in San Francisco.
Later, I said that I would come to San Francisco soon and
I would come to collect my royalties.
It was just symbolic.
Then they said
that coming to San Francisco would be great.
How about we do one? At the meeting,
I said, let’s do it.
I said, I’ll also sign some books.
For a new book
, I only have about five
or six days to prepare it
and then transport the book from Vancouver
because it’s printed there. The result of the approval
was like this
, so there were only seats for fifty people
and there were no people.
Why couldn't they fit in?
Then they moved to another hall.
I don't know if they
came to see me
because of my breakup
or because they broke up and I was broken up.
I don’t know
because no one told me so
, but I feel that
it is actually someone
who uses writing to express some of
my thoughts.
It is actually impossible for such a person
to shake a political power.
Why are you so
afraid, right?
Why do you want me ?
The whole name needs to
be removed from the Baidu Encyclopedia. I
think this whole approach
is very
pushing me to a place where it seems that
I am a close enemy.
In fact, this is not the case.
But
in fact, my pursuit of the whole life
is more transcendent.