EP-096 严歌苓:人人都丑的时刻,要想不丑,必须勇敢 | 米拉蒂 | 审查 | 中国文学 | 华语文学 | 封杀 | 张艺谋 | 电影审查 |

不明白播客列表
18 May 202457:17

Summary

TLDR大家好,欢迎来到Bumingbai播客,我是主持人袁丽。此次节目介绍了中国当代著名作家严歌苓的生平和作品,她在文化大革命期间成为军队舞蹈演员,后作为战地记者经历中越战争。严歌苓创作了近30部小说,多部作品被改编为影视剧并获国际奖项。她与著名导演合作,批评政府掩盖疫情,因而受到审查。她的小说《女侯》描绘了中国知识分子的追求自由过程。节目深入探讨了她对自由的追求、创作挑战和对知识分子的独特见解。

Takeaways

  • 😊 Yan Geling是一位在当代中国文坛上最成功的作家之一。
  • 🌟 她在文化大革命期间在成都军区担任舞蹈演员,并在中越战争前线担任战地记者。
  • 📚 她撰写了近30部小说,其中许多被改编成电影和电视剧并获得国际奖项。
  • 🎥 她长期与中国著名导演如李安、陈冲、张艺谋、陈凯歌和冯小刚合作。
  • 😷 2020年新冠疫情初期,她发表文章批评武汉疫情的掩盖,引发了审查风波。
  • 🔗 2022年,她在视频连线中讨论中国的人口贩卖和收养问题,引发了公众舆论,导致她的微博账号被封,书籍被下架。
  • 💔 她在大陆面临巨大经济损失和困境,但也因此获得了另一种自由。
  • 📖 她与丈夫成立的辛格媒体公司出版了她的小说《米拉蒂》,并计划出版其他中国作家的作品。
  • 🎨 她的作品《米拉蒂》描绘了1980年代的一群中国知识分子,涉及文化大革命、知识青年上山下乡、六四事件等历史事件。
  • 🌍 她表达了对自由创作的追求,并认为真正的艺术应该摆脱政治约束。

Q & A

  • 杨格林在文中提到的第一个职业是什么?

    -杨格林最初在成都军区担任文工团舞蹈演员,期间工作了8年。

  • 杨格林在30岁时担任了什么职位?

    -在30岁时,杨格林成为了一名前线战地记者,报道中越战争。

  • 杨格林的哪些小说被改编成了电影和电视剧?

    -她的小说如《少女小鱼天雨》《金陵十三钗》《陆犯焉识》和《一个女人的史诗》等都被改编成了电影和电视剧。

  • 在2020年新冠疫情初期,杨格林发表了什么文章,产生了什么影响?

    -杨格林发表了一篇批评武汉疫情掩盖的文章,结果导致电影审查部门要求张艺谋导演删除电影中对原作者杨格林的致谢,进而引发了一系列对她的封杀措施。

  • 在2022年,杨格林因何事再次引起了公众讨论?

    -2022年2月,杨格林在一段视频连线中评论中国政府的人口贩卖政策,导致她的微博账号被封,书籍下架,相关电影重新上映被禁。

  • 《密拉达》这本书的主要内容是什么?

    -《密拉达》讲述了一群80年代的中国知识分子,他们在新尝试和旧束缚之间不断拉扯和争论,表现了他们对未来的想象以及追求自由的过程。

  • 杨格林在书中使用了什么概念来描述系统的结果?

    -杨格林在书中使用了“丑陋”这个概念来描述系统的结果,认为系统的专制和独裁导致了人们言行不一致,内外不一致,形成了一种扭曲和自我厌恶。

  • 杨格林对80年代的知识分子的主要看法是什么?

    -杨格林认为80年代的中国知识分子对国家和人民充满了关怀,但同时也非常脆弱和怯懦,面对巨大风险时往往选择不作为。

  • 杨格林如何看待知识分子在80年代的思想解放?

    -杨格林认为80年代是中国的文艺复兴时期,知识分子在这个时期经历了一种从束缚到解放的过程,尽管这种解放最终被天安门事件终结。

  • 杨格林对未来的看法是什么?

    -杨格林认为,如果没有天安门事件的发生,中国的知识分子和艺术家们可能会在80年代的文艺复兴基础上继续前行,并创造出更加辉煌的成就。

Outlines

00:00

📚 当代中国文学作家颜歌苓简介

大家好,欢迎来到布明拜播客,我是主持人李元。颜歌苓是当代中国文学界最有成就的作家之一,她出生于上海,12岁时在文化大革命期间进入成都军区,担任军队艺术团的舞蹈演员八年。30岁时,她成为中越战争前线的战地记者。过去30年中,颜歌苓创作了近30部小说,其中多部被改编成获国际奖项的影视作品。她与中国电影界最著名的导演如李安、陈冲、张艺谋、陈凯歌和冯小刚长期合作。她在中国是媒体的宠儿,也是市场上非常成功的作家。在2020年新冠疫情初期,颜歌苓发表文章批评武汉疫情的掩盖,引发了电影审查部门要求张艺谋导演删除电影中对颜歌苓的致谢。此后,她持续对时事发表看法,包括2022年2月的铁链女事件。因其言论,颜歌苓在中国大陆遭遇封禁,面临巨大经济损失,但她似乎也进入了另一种自由状态。她与丈夫成立的心格传媒出版了她的小说《米莱迪》,并计划出版其他中国作家的作品。这是她首次无需面对中国共产党的审查制度。

05:02

🖋️《米莱迪》:1980年代的知识分子群像

颜歌苓谈及她的新作《米莱迪》,描绘了1980年代的一群中国知识分子,他们在新尝试和旧约束之间不断拉扯和争论。她认为,这部小说主要表达了中国知识分子对自由的无尽追求及其困惑。书中描述了文化大革命结束后的突然自由及其无处不在的束缚,就像剧作家吴可达在书中提到的那样,宣传部的干部要求他改剧本,一个月内他的头发都白了。颜歌苓认为,1980年代是一个神奇的时代,但知识分子最终似乎都没有出路。有人认为,1980年代的知识分子浪费了那个时代,她对此也有自己的看法,认为他们在面对巨大风险时往往选择不去做,因为结果可能很悲惨。

10:03

🌹 1980年代女性的思想解放

颜歌苓在她的小说中写到,1980年代男性知识分子的重要解放之一是婚外情。书中描述了一位在婚外怀孕后不得不堕胎的女性,她被男性世界以最残酷的方式伤害,之后她向才子们开放了自己的钱包和卧室。颜歌苓认为,1980年代女性也经历了思想上的解放,许多女性在没有多少经济资源的情况下,可以公开成为某人的情妇,甚至从情妇变为妻子。她回忆起自己小时候父母谈论离婚时的恐惧,但在1980年代,许多男性开始认为爱情是无罪的,这种人性的反弹在文化大革命十年后尤其强烈。

15:04

✊ 与读者的关系及出版历程

在谈到与读者的关系时,颜歌苓提到,她并不认为自己与中国共产党决裂,但她认为任何事情都可以批评。她回忆起在旧金山举办签书会时的经历,虽然场地有限,但仍有许多人驱车一两个小时来看她。尽管她的作品在中国大陆被禁,她仍然坚持创作,并在海外发行。颜歌苓指出,她追求的是通过文学留下具有美学价值的历史人物,而不是政治。她强调,文化和艺术具有永恒的价值,她希望通过写作让汉字变得更美。尽管她在中国的销量很高,但她现在在海外也取得了不错的成绩。

20:05

📖 与审查制度的斗争

颜歌苓分享了她与审查制度斗争的经历,包括她在《米莱迪》中描写的宣传和审查制度。她认为,审查制度无形中扼杀了创作者的灵魂和精神生活。颜歌苓提到,她的作品常常需要修改以符合审查要求,但她在创作自己的小说时则会更加坚持自己的观点。她还谈到,她对电影的参与也面临更多限制,尤其是电视电影,因为接触面更广。在与电影审查部门的斗争中,她认为自己的作品会被好的作品所替代,而她坚持的合法权益也得到了她丈夫的支持。

25:07

🌍 电影创作与审查制度

在电影创作方面,颜歌苓提到,由于审查制度,许多创作者感到非常紧张和不安。她认为,中国电影人比韩国电影人拥有更好的技能和故事,但由于审查制度的存在,中国电影在国际上的认可度较低。她分享了《芳华》电影在路演时被紧急叫停的经历,以及审查对艺术创作的影响。尽管如此,她仍然坚持创作自由,认为真正的艺术应该是无拘无束的。

30:09

🎨 自由创作与个人追求

颜歌苓在小说中给了艺术家米晓一个纯粹的选择,最终他选择出国在纽约街头画肖像。她认为,一个人如果没有创作自由,就不能实现真正的艺术。米晓的原型是她父亲的一位朋友,这位朋友选择在国外自由创作,这也影响了颜歌苓对自由的理解。她建议年轻创作者,特别是那些有出国机会的人,要努力适应新的环境,经历艰辛后会发现自己喜欢新的生活。

35:13

📝 海外创作的挑战与建议

颜歌苓分享了她在自由环境下的创作经历,包括写剧本、短篇小说和与导演王小帅的合作。她认为,在海外创作需要更多的努力和准备,但也能带来更多自由和满足。她建议年轻创作者要有吃苦耐劳的准备,并且利用业余时间进行创作。她认为,这样的挑战能测试一个人是否真的有创作的激情和冲动。

40:14

📚 新的创作方向与作品

颜歌苓提到,她现在正在创作音乐剧《扶桑》,还投资了一些小规模电影,并准备写关于疫情的作品。她觉得在自由的环境下,任何事情都是可能的,并且她写作的短篇小说也取得了不错的成绩。她希望通过简化生活,给创作者更多的自由。尽管面对读者数量的减少和经济损失,她仍然选择坚持创作自由,并对未来充满信心。

45:15

👨‍👩‍👧 个人经历与对未来的期望

最后,颜歌苓谈到了她的女儿以及对未来中国的期望。她希望女儿这一代人能够看到一个更好的中国,认为一胎化政策对几代人和未来几代人的生活产生了深远影响。她提到自己收养了一个被遗弃的女婴,希望通过书写这种经历,让人们看到政策的荒谬和对家庭的影响。颜歌苓一直坚持创作,并希望通过写作为后代留下具有美学价值的作品。

50:16

📚 阅读推荐与创作感悟

在节目最后,颜歌苓推荐了几本书和电影,包括《红楼梦》、《百年孤独》和《1984》。她认为,这些作品对她的创作产生了深远的影响。颜歌苓表示,尽管她现在在海外出版的书籍读者数量有限,但她对自己的成就感到满意,并希望更多的听众能够阅读她的书。她对创作充满热情,并期待未来继续为读者带来更多优秀的作品。

Mindmap

Keywords

💡严歌苓

严歌苓是当代中国文学界最著名的作家之一,出生于上海,经历了文革和中越战争,担任过战地记者。她的小说《少女小渔》《金陵十三钗》等多次被改编成影视作品,并获得国际奖项。在视频中,她的作品和她对时事的评论被详细介绍。

💡文革

文革,即文化大革命,是中国在1966年至1976年间发生的一场政治运动,对社会各方面造成了深远的影响。严歌苓在文革期间曾在成都军区工作,这段经历在她的作品中有所反映。

💡战地记者

战地记者是指在战争前线进行报道的记者。严歌苓在30岁时作为战地记者报道中越战争,这一经历极大地丰富了她的写作素材和视角。

💡小说改编

严歌苓的许多小说被改编成电影和电视剧,并且与中国最著名的导演如李安、陈冲、张艺谋等合作。视频中提到她的作品改编过程及其与导演的合作经历。

💡禁言

因严歌苓在2020年初发表文章批评武汉疫情的掩盖行为,她的社交媒体账号被封,书籍被下架,影视作品的名字被删除。视频中详细讨论了她因言论而遭遇的审查和封禁。

💡链女事件

链女事件指2022年在中国社交媒体上引起公愤的一起人贩子案件,严歌苓通过视频连线表达了对该事件的关注,并批评了人贩子现象。

💡自我审查

自我审查是指作家或创作者在创作过程中主动删除或修改可能引起审查问题的内容,以避免作品被禁。严歌苓在视频中提到,她在创作过程中必须考虑如何避免触碰政治敏感话题。

💡文化自由

文化自由是指创作者在创作时能够自由表达思想,不受政治和社会的限制。严歌苓在视频中多次提到,她在离开中国后才真正体验到文化自由,并希望更多的中国知识分子能够追求和享有这种自由。

💡天安门事件

天安门事件是指1989年6月4日中国政府对天安门广场上的示威者进行武力镇压的事件。严歌苓在小说《舞女》中描写了这一事件对中国知识分子的深远影响。

💡知识分子

知识分子在视频中多次被提及,指的是那些追求思想自由、在文化和学术领域有影响力的人。严歌苓的作品中经常探讨知识分子的困境和他们对自由的追求。

Highlights

Yan Geling is one of the most accomplished writers in the contemporary Chinese literary world.

During the Cultural Revolution, she was admitted to the Chengdu Military Region and worked as a dancer in the military art troupe for 8 years.

Yan Geling worked as a war correspondent on the front line of the Sino-Vietnamese War at the age of 30.

Over the past 30 years, Yan Geling has written nearly 30 novels, many of which have been adapted into film and television works that have won international awards.

She has long collaborated with famous Chinese directors such as Ang Lee, Chen Chong, Zhang Yimou, Chen Kaige, and Feng Xiaogang.

During the 2020 COVID-19 pandemic, Yan Geling published an article criticizing the cover-up of the Wuhan epidemic, leading to censorship and banning of her works in mainland China.

In February 2022, Yan Geling commented on the systemic issues of human trafficking and adoption in China, which led to further censorship and banning of her social media accounts and books.

Yan Geling and her husband established Xinge Media Co., Ltd., which published her novel 'Milady' free from the Chinese Communist Party's censorship.

'Milady' depicts a group of Chinese intellectuals in the 1980s, involving themes like the Cultural Revolution, intellectual youths going to the countryside, and the June 4th Tiananmen Massacre.

Yan Geling discusses the persistent pursuit of freedom by Chinese intellectuals and the disillusionment that follows the loss of freedom.

She emphasizes the omnipresence of bondage even after the Cultural Revolution and the creative dilemmas faced by intellectuals and artists in the 1980s.

Yan Geling reflects on the missed opportunities by Chinese intellectuals in the 1980s and the pressures of compromising their safety and peace.

She highlights the contrast between the renaissance-like atmosphere of the 1980s and the abrupt end brought by the Tiananmen incident in 1989.

Yan Geling believes that true beauty comes from speaking the truth, and that autocracy and dictatorship lead to an ugliness reflected in society's behavior.

She discusses the internal and external conflicts faced by individuals under a dictatorship and the aesthetic impact of such a regime on people.

Yan Geling's book signing in San Francisco attracted significant attention, showing the strong connection between her and her readers, especially after her ban in China.

Despite the financial losses and troubles faced due to the censorship, Yan Geling feels she has entered a new state of freedom in her creative work.

Transcripts

00:00

Hello everyone, welcome to the Bumingbai Podcast. I am the host Yuan

00:05

Li. Yan Geling is one of the most accomplished writers in the contemporary Chinese literary world.

00:09

She was born in Shanghai at the age of 12. During the Cultural Revolution, she was admitted to the Chengdu Military Region

00:13

and worked as a dancer in the military art troupe for 8 years.

00:16

20 Yan Geling worked as a war correspondent on the front line of the Sino-Vietnamese War at the age of 30. Over the past

00:20

30 years, Yan Geling has written nearly 30 novels,

00:24

from the early girl Xiao Yu Tianyu

00:27

to the recent Jinling Thirteen Beauties, the Land Prisoner Yan Shi Youth

00:31

and a Woman's Epic Waiting for

00:33

Her Many of her novels have been adapted into film and television works that have won international awards.

00:37

She has long collaborated with the most famous directors in the Chinese film industry, Ang Lee, Chen Chong

00:43

, Zhang Yimou, Chen Kaige and Feng Xiaogang.

00:46

In China, she is the darling of the media

00:48

and a very successful writer in the market.

00:51

During the 2020 New Crown Epidemic At the beginning,

00:53

Yan Geling published

00:56

an article criticizing the cover-up of the Wuhan epidemic, using the word "Tang Wan" to conceal it.

01:00

This led to the film censorship department asking director Zhang Yimou

01:03

to delete one second of the film's acknowledgment to the original author

01:06

Yan Geling. As a result, Yan Geling and his wife

01:10

began to defend their rights against the international distribution of the film.

01:13

Since then, Yan Geling has not stopped commenting on current affairs. In

01:17

February 2022, public opinion aroused on Chinese social media over the chained girl incident.

01:21

Yan Geling made people talk about the systemic issues of human trafficking and adoption

01:26

in a video connection with Zhou Xiaozheng, a scholar in the United States.

01:30

Zhou Xiaozheng said that China The government has a policy of human traffickers.

01:33

Chinese children adopted overseas must pay high prices.

01:36

They also said that Xi Jinping is a human trafficker.

01:39

Yan Geling agreed with his opinion.

01:41

She did not realize that the video would be broadcast directly.

01:44

She also suffered serious consequences because of it.

01:47

Her Weibo account was banned and her book was removed from the shelves.

01:50

The novel was The publication and re-screening

01:52

of the movie were banned and the book fan club's official account, which had tens of thousands of people, was stopped from being

01:57

updated. Even her name could not appear in the search results.

02:01

Yan Geling, who was banned from mainland China,

02:04

faced huge financial losses and troubles

02:07

, but she also It seems that she has entered another state of freedom.

02:10

The Xinge Media Co., Ltd. established by

02:12

her and her husband Lawrence Walker Wang Leren

02:15

published her novel Milady.

02:17

They also have plans to publish the works of other Chinese writers.

02:21

This is the first time that she does not have to face

02:23

the censorship system of the Chinese Communist Party. Written in Chinese,

02:26

this book depicts a group of Chinese intellectuals in the 1980s.

02:29

The content of the novel involves the Cultural Revolution, martial arts,

02:32

intellectual youths going to the mountains and countryside, and returning to the city

02:35

to reeducate through labor to crack down on spiritual pollution

02:38

until the June 4th Anmen Massacre in 1989, which

02:41

declared the end of the 1980s

02:43

. Yan Geling Hello,

02:45

let’s talk about Milady’s novel first.

02:48

You wrote about the 1980s through a group of intellectuals. They were

02:50

constantly pulling and arguing

02:54

between new attempts and old constraints.

02:56

Everyone was participating in an imagination about the future

02:58

. The future came to an abrupt end.

03:00

For you,

03:02

what is the main expression of

03:04

this novel about the 1980s

03:07

? The expression is that

03:10

Chinese intellectuals

03:12

are always pursuing freedom endlessly

03:15

and are always pursuing it. They are always confused and then

03:18

confused after gaining freedom.

03:21

And I was disillusioned when I lost my freedom

03:24

, so it seems that there is such a

03:27

process every time . You describe it in your book.

03:31

The freedom that suddenly came

03:33

at the end of the Cultural Revolution,

03:35

this kind of

03:37

bondage, is also omnipresent.

03:39

Just like the playwright Wu Keta mentioned in it

03:41

. The cadres of the Propaganda Department asked me to change the play

03:43

, and my hair turned gray

03:45

in about a month .

03:47

There was also the creative dilemma of the painter Mi Xiao, etc.

03:49

Was the 1980s a magical era?

03:52

In the end, why did these intellectual

03:54

artists seem to have no way out in the end ? Yes

03:57

, but some people will say

03:59

that the intellectuals of the 1980s wasted

04:01

that era. I don’t know what you would say.

04:03

Is there anything they could

04:04

have done

04:05

to make the end of that era less tragic?

04:08

I think

04:11

Chinese intellectuals have He has

04:13

this kind of concern for the country and the people

04:15

, and at the same time he is

04:17

very fragile and cowardly.

04:19

If he finds out that

04:22

this risk is very great

04:24

for his own personal safety

04:26

, or for

04:28

the environment where

04:31

he

04:32

has just gained a little peace,

04:34

he will be so pitiful. Maybe

04:36

they have to take a lot of risks to do something that may have no result

04:40

or the result may be very tragic.

04:44

Many people choose not to do it.

04:47

Of course, this is not an

04:49

intellectual.

04:51

We can see that

04:52

Hollywood is doing the same thing,

04:54

and

04:55

Hollywood is also compromising.

04:57

Of course, I think

04:59

the 1980s

05:02

is a Chinese renaissance for me.

05:05

If it continues,

05:08

if policies don’t change like this

05:10

,

05:11

or if the Tiananmen incident of June 4th doesn’t happen,

05:15

if it continues It continues to this day.

05:17

I think Chinese intellectuals

05:19

, whether they are intellectuals or

05:22

05:24

artists , writers or painters, whatever

05:26

, if it is to

05:28

make the 1980s

05:31

the beginning of a renaissance for us

05:34

, it continues to this day.

05:35

I think that is What's amazing

05:37

is that I woke up and opened my eyes

05:39

for a moment

05:40

to see how free creation is. It's such

05:43

a fascinating

05:45

era.

05:47

So the reason why I write about this era

05:50

is that it is no longer gone.

05:53

It just goes by like this

05:55

. It's like a dream, yes.

05:57

I remember

05:58

when I met you

06:00

in New York two weeks ago,

06:01

I told you that

06:02

I thought this was a

06:03

very good novel.

06:04

Not only because you wrote in the 1980s

06:06

, but also because your writing style

06:07

was special. The 1980s

06:08

was when I

06:10

was reading novels as a child and teenager

06:13

, but there was definitely censorship,

06:14

but it was so free that

06:16

you could feel that the soul of the writer

06:18

was free,

06:19

and they wanted to push all kinds of

06:22

taboos. The red line

06:24

is that you can feel

06:26

that kind of lightness and freedom.

06:28

I feel that I haven’t felt it in a long time.

06:31

I am still in Milady.

06:32

One of the things I particularly like

06:33

is the concept of ugliness that you use,

06:35

which is the protagonist Mila

06:37

. I can’t stand ugliness.

06:38

I particularly like this sentence in your book.

06:40

You say that at a time when everyone is ugly,

06:43

you must be brave if you want to not be ugly.

06:45

What I want to ask is

06:47

why you use the concept of ugliness.

06:49

Throughout the book,

06:52

ugliness is the result of the system.

06:54

Or is it personal reasons

06:55

? Can individuals choose not to be ugly?

06:58

Of course

06:59

, I think

07:00

if you remain silent

07:02

when telling lies,

07:04

you are not ugly. You are not beautiful.

07:07

If you must speak

07:10

the truth at this time, you may be beautiful

07:12

because you have a kind

07:13

of saint. I think this spiritual

07:16

style

07:18

is beautiful.

07:19

So I think the

07:22

inconsistency in words and deeds,

07:24

external and internal inconsistency

07:27

, will cause the kind of twisting in people.

07:29

This twisting

07:31

is when people are not good-looking,

07:33

autocracy and this kind of dictatorship

07:37

will arise. It’s an ugly thing

07:41

, so everyone speaks in clichés, uses

07:44

highly similar language,

07:46

and uses highly similar expressions that

07:49

mix many, many concepts

07:51

with each other .

07:55

They are all inverted.

07:58

For example, betrayal

08:00

.

08:01

Why is betrayal good

08:03

? In fact, in

08:06

the entire development process of human beings

08:09

, betrayal is not a good word

08:11

. But betraying yourself is different. If

08:13

you betray the same kind

08:14

, it is not a good word.

08:15

Many times, this

08:17

concept is used. After turning

08:19

concepts upside down,

08:21

many of the long-term

08:23

beauties and ugliness

08:25

in our hearts will be overturned and

08:29

shuffled.

08:30

I still think of each

08:32

person today when he

08:34

reaches

08:36

out his hand to bribe.

08:39

How could the smile on his face when he

08:43

stretched out his

08:44

hand to accept bribes

08:46

be good-looking

08:48

? It must be twisted

08:50

and self-loathing.

08:52

He must feel that what he gives out

08:54

is your dignity.

08:57

It’s the dignity of the giver.

08:59

If there are too many moments like this

09:03

, will this kind of ugliness solidify and

09:05

become a part of his physiology?

09:09

Why do people say that things change with the heart? It ’s because you are always so naughty and always

09:12

09:14

mean what

09:15

you say and what you mean.

09:17

Internal and external conflicts

09:19

,

09:20

while doing this thing,

09:21

and at the same time despising

09:24

myself,

09:27

this kind of person and

09:29

this kind of ugliness have changed

09:32

from an abstract aesthetic concept

09:35

to a real thing

09:36

. I think it is impossible to live with

09:39

autocracy from an aesthetic point of

09:41

view. Let me read another passage from the book that

09:44

I also like very much.

09:45

You borrowed this

09:46

phrase from Mi Xiao.

09:48

In the ten years of the Cultural Revolution, many people, like me,

09:50

believed that they had committed bad

09:52

behavior, so they became sneaky and

09:54

obscene.

09:55

This forced the outside world on you. Who can live like a human being

09:58

after the ugliness

09:59

in the body

10:00

has been internalized

10:03

? I really like the concept of ugliness.

10:06

In the novel, you also wrote that

10:08

a very important liberation for

10:10

male intellectuals in the 1980s was extramarital affairs.

10:13

The woman in the book

10:14

"Divorce " had to have an abortion

10:16

because she was pregnant out of wedlock

10:17

and was maimed by the male world in the cruelest way. After that,

10:21

she opened her wallet and bedroom to the talented people.

10:25

Was there any ideological liberation for women in the 1980s?

10:28

I think there was.

10:32

Because many women are

10:34

like this when

10:36

they don’t have much financial resources.

10:38

If he likes this man,

10:40

she can blatantly be his mistress, right?

10:42

Then maybe she becomes his mistress

10:45

, or maybe she changes from mistress to wife and enters the house.

10:49

I think this is all because At that time

10:54

, in the 1980s,

10:55

I first felt that

10:57

divorce was not something to be embarrassed about.

11:00

I remember that

11:02

when my parents

11:04

talked about divorce when I was young,

11:06

I felt that it was a thunderbolt.

11:08

I felt that they were going to kill me. Becoming

11:09

a fringe element among children,

11:12

someone who

11:14

is looked down upon and insulted by,

11:19

is an outlier.

11:20

I have seen children whose parents have divorced.

11:23

They seem to be born short. People

11:25

have the feeling that

11:27

they are short or short, and they

11:29

are always uncomfortable in the group of children.

11:32

I'm not very able to hold my head high

11:34

, but in the early 1980s,

11:37

many uncles and fathers began to divorce

11:40

and have extramarital affairs.

11:42

They all began to think that love is innocent.

11:47

I love it. I

11:50

often say it in my mouth.

11:52

Some people love it a thousand times.

11:54

Every time is true.

11:56

Some people love only once in their life.

11:58

That one time is not true.

12:00

Of course, I think this is a kind of rebound.

12:03

Human nature will rebound.

12:06

The lower you press

12:07

it, the more intense it

12:09

will be and the more lethal it will be

12:11

. This kind of lethality will kill

12:13

their children, families

12:15

, or some members of society,

12:17

their friends,

12:19

there is no way to do it, human nature is what it is, and

12:23

you can’t talk about this kind of backlash.

12:25

If you don’t let it happen,

12:28

you think about the whole kind of thing after 49 years.

12:33

The behavior of men and women is always turned into

12:36

the most despicable mistake

12:40

to criticize.

12:42

In the 1980s,

12:44

after ten years of the Cultural Revolution, this group of people

12:47

had been pressed to

12:49

the point where the spring had been pressed to the bottom and

12:53

then rebounded like

12:55

when their humanity exploded.

12:56

That kind of power is that

12:58

I think I can completely understand it.

13:01

A friend who attended your book

13:04

signing and talk at

13:06

the San Francisco City Library

13:08

said that the originally scheduled venue was full

13:10

and had to change the venue.

13:12

Is this a situation you have ever thought of

13:14

at the venue ? Some people said that it was

13:16

because you broke with the CCP

13:18

that they drove an hour or two to see you.

13:20

I would like to ask how

13:23

the relationship between you and readers

13:25

has changed since you were banned.

13:27

I don’t think I have. Break with it

13:30

, break with me,

13:32

break with you, and if

13:34

you criticize it, it will think that you have broken with it.

13:38

I am so untouchable.

13:40

I feel that everything can be criticized

13:41

. How can there be a correct answer

13:43

if I don’t

13:49

criticize

13:50

? It can counter criticism.

13:53

No one will talk to you like this

13:54

.

13:58

It was actually the

14:00

first time

14:02

I went to San Francisco that I had an idea.

14:04

I was at my mother-in-law's house for the holidays

14:07

, and then I thought that

14:10

none of my works could be published in mainland China.

14:13

It was published in Redwood Forest,

14:16

a literary magazine in San Francisco.

14:18

Later, I said that I would come to San Francisco soon and

14:21

I would come to collect my royalties.

14:23

It was just symbolic.

14:25

Then they said

14:27

that coming to San Francisco would be great.

14:29

How about we do one? At the meeting,

14:32

I said, let’s do it.

14:34

I said, I’ll also sign some books.

14:38

For a new book

14:39

, I only have about five

14:42

or six days to prepare it

14:44

and then transport the book from Vancouver

14:46

because it’s printed there. The result of the approval

14:49

was like this

14:51

, so there were only seats for fifty people

14:55

and there were no people.

14:57

Why couldn't they fit in?

14:59

Then they moved to another hall.

15:01

I don't know if they

15:03

came to see me

15:04

because of my breakup

15:06

or because they broke up and I was broken up.

15:09

I don’t know

15:10

because no one told me so

15:13

, but I feel that

15:15

it is actually someone

15:18

who uses writing to express some of

15:21

my thoughts.

15:23

It is actually impossible for such a person

15:26

to shake a political power.

15:28

Why are you so

15:30

afraid, right?

15:31

Why do you want me ?

15:33

The whole name needs to

15:35

be removed from the Baidu Encyclopedia. I

15:37

think this whole approach

15:40

is very

15:44

pushing me to a place where it seems that

15:46

I am a close enemy.

15:47

In fact, this is not the case.

15:49

But

15:50

in fact, my pursuit of the whole life

15:55

is more transcendent.