DJ Akademiks on how Kendrick BEAT Drake in Rap Beef Chess

FLAGRANT CLIPS
8 May 202431:26

Summary

TLDRThe transcript appears to be a discussion about the dynamics of the music industry, particularly focusing on the relationship between two prominent artists, Drake and Kendrick Lamar. The conversation delves into the complexities of their public rivalry, the impact of their actions on fans and the industry, and the strategic moves each artist makes in response to the other. It also touches upon the concept of 'beef' in hip-hop culture, the role of social media and public opinion, and the personal and professional consequences of their feud. The speakers analyze the psychological aspects of competition, the influence of regional loyalties in music, and the potential long-term effects on the artists' careers and reputations.

Takeaways

  • 🎤 The speaker discusses the perception of a music industry figure who has helped many artists but is now viewed as using them for personal gain.
  • 🤔 There's an analysis of fan reactions to disputes between popular artists, suggesting that public opinion often remains divided and unchanged.
  • 👑 The dialogue touches on the idea of 'winning' in the music industry, with a focus on how artists like Kendrick Lamar and Drake are perceived in terms of their success and influence.
  • 📈 The speaker contemplates the impact of an artist's strategy in the music industry, hinting that timing and patience can play a significant role in career trajectory.
  • 👥 There's speculation about the reasons behind the lack of public support for a particular artist amidst controversy, suggesting that past actions may have influenced this silence.
  • 🚫 The script alludes to the potential damage to an artist's reputation if private disputes or allegations were to become public, and the strategic choice to keep such matters private.
  • 🤝 There's an emphasis on the importance of genuine relationships in the music industry, as opposed to those based solely on mutual benefit or convenience.
  • 💰 The discussion highlights the financial disparities between artists and the potential for resentment when perceived inequalities exist.
  • 🎶 The speaker reflects on the power of music to unite or divide, noting how collaborations can boost careers but also create complex dynamics and tensions.
  • 👂 There's an acknowledgement of the role of the media and public opinion in shaping an artist's image and the potential for narratives to be manipulated.
  • 🤔 The dialogue concludes with questions about the future moves of the artist in question, pondering the potential impact of further releases or collaborations on his public standing.

Q & A

  • What is the main issue being discussed in the transcript?

    -The main issue discussed is the perceived exploitation of artists by a prominent figure in the music industry, and the ensuing controversy and public opinion dynamics between fans of Kendrick Lamar and Drake.

  • Why is the person being criticized in the transcript?

    -The person is criticized for allegedly using other artists for his own advantage, despite having helped them achieve success, which is seen as incredibly whack or unfair by some.

  • What is the comparison made between the music industry and politics?

    -The comparison is that in both the music industry and politics, people tend to vote or support based on their pre-existing identities and what validates their feelings, rather than objective merit or change.

  • How does the speaker describe the situation on the West Coast music scene?

    -The speaker describes a sense of excitement and ego satisfaction on the West Coast, as it has been a while since the region dominated the music scene, and there's a renewed sense of being 'back on top'.

  • What is the speaker's opinion on Drake's strategy in the ongoing situation?

    -The speaker believes that Drake's strategy may have been miscalculated, as he may have underestimated the patience and strategy of Kendrick Lamar, leading to a situation where Drake appears to be acting out of insecurity.

  • Why does the speaker think Drake should have handled the situation differently?

    -The speaker suggests that Drake should have released a 'banger' with a few bars addressing Kendrick, rather than engaging in a full-blown feud, which could have forced Kendrick to respond first.

  • What is the significance of the 'Pusha T' reference in the transcript?

    -The 'Pusha T' reference is significant as it highlights a previous feud where Drake was seen to have emerged victorious. The speaker uses this to suggest that Drake may have become overconfident following that win.

  • What does the speaker imply about the nature of the music industry?

    -The speaker implies that the music industry is a highly competitive and adversarial environment, where artists are constantly trying to assert their dominance and outdo each other.

  • How does the speaker view the concept of 'swing voters' in the context of music fandom?

    -The speaker views 'swing voters' or fans as those who switch their allegiance based on who fulfills their identity or expectations at any given time, rather than genuine, unbiased preference.

  • What is the speaker's perspective on the role of personal relationships in the music industry?

    -The speaker suggests that genuine relationships are important and that artists who feel used or slighted by more successful peers may become disgruntled, impacting the dynamics within the industry.

  • Why does the speaker believe that Drake may be facing a lack of public support from other artists?

    -The speaker speculates that Drake's lack of public support could be due to a number of factors, including past actions that may have left some feeling used or undervalued, as well as the competitive nature of the industry.

Outlines

00:00

🎤 Artistic Influence and Public Perception

The first paragraph discusses the impact a certain individual has had on the music industry by helping artists achieve success. It touches on the controversy and public backlash this person faces, despite their contributions. The discourse also explores fan dynamics, comparing the situation to political affiliations and the concept of 'swing voters' in politics. The speaker emphasizes the desire for validation in both the political and music spheres and the excitement on the West Coast regarding a potential shift in musical dominance.

05:02

🤔 Strategy and Perceptions in Artistic Rivalry

The second paragraph delves into the strategic aspects of a rap rivalry, highlighting the anticipation surrounding an artist's potential release and the impact of another artist's perceived inaction. It discusses the idea of counter-punching in rap feuds and the strategic use of disses and references. The narrative also touches upon the personal aspects of the feud, including family and emotional history, and the speaker's speculation about the reasons behind certain actions taken by the artists involved.

10:06

🕵️‍♂️ The Intrigue of Artistic Research and Information Gathering

The third paragraph focuses on the methods artists use to gather information on each other, suggesting a complex web of relationships and the sharing of information through various channels. It also explores the idea of artists befriending individuals who may later be used as sources of inside information. The speaker reflects on past feuds, the role of women in these disputes, and the power dynamics at play, drawing parallels to high school social structures and the insecurities that can drive such behavior.

15:06

🤝 Loyalty and Betrayal in the Music Industry

The fourth paragraph examines the concept of loyalty within the music industry, questioning the authenticity of relationships between artists and the potential for feelings of being used. It discusses the dynamics of collaboration and the benefits that typically accrue to the less established artist. The speaker also ponders the lack of public support for one artist amidst controversy and the implications this might have for that artist's standing within the industry.

20:07

🏆 The Consequences of Artistic Supremacy

The fifth paragraph continues the discussion on the repercussions of being a top artist, addressing the potential for jealousy and resentment from others in the industry. It explores the idea that some artists may feel threatened by another's success and the impact this can have on their public image. The speaker also considers the broader implications of such attitudes on the industry's perception of the artist and the potential for a shift in power dynamics.

25:08

🤬 The Escalation of Artistic Conflicts

The sixth paragraph describes the escalation of a feud between artists, with one artist releasing a song that strongly criticizes another. It discusses the potential damage such a public airing of grievances could cause to an artist's reputation and the fear that the truth behind the accusations could be even more damaging. The speaker reflects on the power of music to expose and critique, and the importance of the authenticity of the claims made in such public disputes.

30:09

📜 The Written Word as a Weapon in Artistic Battles

The seventh and final paragraph imagines a scenario where an artist uses the power of words to expose another artist's flaws, suggesting the potential for devastating consequences if the accusations were true. It emphasizes the impact of an artist's lyrics and the responsibility that comes with wielding such influence. The speaker also considers the hypothetical scenario of an artist being exposed as a negative influence and the lasting effects such a revelation could have.

Mindmap

Keywords

💡Adversarial Sport

Adversarial Sport in this context refers to the competitive and confrontational nature of the hip-hop industry, where artists often engage in rivalries or 'beefs' to assert their dominance or challenge their peers. The transcript discusses how this competitive spirit is akin to a contact sport, where artists like Drake and Kendrick Lamar are seen as players in a game of strategic positioning and public perception.

💡Validation

Validation is the need for one's views or actions to be confirmed or accepted by others. In the script, it is mentioned that fans of artists like Kendrick and Drake seek validation for their preferences, and the artists themselves may also be driven by a desire to validate their success and talent to their peers and the public.

💡Swing Voters

Swing voters are individuals who do not have a fixed political allegiance and can be influenced to support different sides. The transcript uses this term metaphorically to describe fans who might shift their allegiance between artists based on the dynamics of the 'beef' or the appeal of new music, rather than having a consistent preference.

💡Cultural Equity

Cultural equity refers to the level of acceptance, respect, and value an artist or individual has within a particular culture or community. The script discusses how artists like Drake may collaborate with others to gain cultural equity within different scenes, such as clubs in Atlanta, and how this can be a strategic move in their careers.

💡Beef

In the context of the hip-hop culture, 'beef' refers to an ongoing dispute or rivalry between artists, often involving public exchanges of disses, insults, or competitive releases of music. The transcript explores the nature of such disputes between high-profile artists like Drake and Kendrick Lamar.

💡Dissing

Dissing is the act of disrespecting or insulting someone, often in a public or artistic medium. In the script, it is mentioned how artists may 'diss' each other in their songs as part of their rivalry, using their lyrics to criticize or undermine their opponents.

💡Strategic Release

A strategic release refers to the deliberate timing and planning involved in releasing music or information to maximize impact or to counter a rival. The transcript discusses how artists like Kendrick Lamar may use strategic releases to gain an advantage in their 'beef' with other artists.

💡Collaboration

Collaboration in music is when two or more artists work together on a song or project. The script explores how collaborations can be mutually beneficial, but also how they can be perceived as strategic moves to gain influence or 'cultural equity' within the industry.

💡Insecurity

Insecurity, in this context, refers to the personal doubts and feelings of inadequacy that may drive artists to compete or prove themselves. The transcript suggests that feelings of insecurity can influence an artist's behavior, such as their need to outdo their rivals or to seek constant validation from their success.

💡Industry Politics

Industry politics involves the power dynamics, alliances, and rivalries within the music industry. The script discusses how these politics can influence who supports whom in a public dispute, with artists often having to choose sides based on their own interests and dependencies within the industry.

💡Fame and Ego

Fame and ego are discussed in the context of how they can drive artists' actions and reactions in the industry. The transcript suggests that the pursuit of fame and the need to maintain a strong ego can lead to confrontations and 'beefs' as artists jostle for position and recognition.

Highlights

The individual in question has helped many artists become bigger and achieve their first number ones, but is now viewed as using people for personal advantage.

Drake fans are divided between loving what Drake did or feeling he lied, while Kendrick Lamar fans are satisfied by his actions.

The West Coast, particularly Los Angeles, is excited about a resurgence in the region's dominance in the music scene.

Drake fans are frustrated but remain loyal, believing Drake will maintain his status despite the current situation.

Swing voters in politics and music are influenced more by identity than by substantial change.

If both Drake and Kendrick released albums in the same year, it's speculated that Kendrick could outsell Drake.

Kendrick is seen as having a strategic advantage, potentially waiting for the right moment to release his response.

Drake may have been caught off guard by Kendrick's strategic approach, leading to an eagerness to respond.

The speaker criticizes the tendency to use personal information as a weapon in disputes, as seen in the alleged use of a child-related rumor.

Drake's alleged missteps in handling the situation are discussed, including the timing of his responses.

The importance of having a solid fan base and not being overly dependent on industry connections is emphasized.

The absence of public figures defending Drake suggests a lack of support within the industry.

The situation is likened to high school politics, with power struggles and alliances playing a significant role.

The discussion touches on the role of women in fueling disputes between male artists, suggesting it's more about respect and ego than the women themselves.

The potential fallout for Drake if he doesn't address the situation effectively is considered, including the risk of damaging his reputation and relationships.

The loyalty of fans to both Drake and Kendrick is highlighted, showing the deep divide in the music community.

The potential impact on Drake's career if he is perceived as having used other artists for his own gain is discussed.

Transcripts

00:00

it it's [ __ ] up what they're doing to

00:02

him because he helped so many artists

00:04

like become bigger gave them their first

00:05

number ones gave them careers and now

00:08

incred and now he's looked at like oh he

00:11

just used all these people for his

00:13

Advantage incredibly whack and also this

00:16

is you know they always say like but it

00:18

don't sorry to interrupt you it don't

00:19

matter

00:20

because with

00:23

everything first of all nothing gets

00:24

changed here all the Kendrick

00:26

fans the Drake haters they get satisfied

00:29

by what kendrickson and then all the

00:30

Drake fans they either love what Drake

00:33

did or they go uh he lied so it doesn't

00:36

count nobody moves at all everybody just

00:38

wants whatever they feel to be Val I

00:40

know you say that everybody just wants

00:42

whatever they feel to be validated it's

00:43

no different than politics no different

00:44

we have the feeling already everybody on

00:46

the west coast right now where it's been

00:47

a minute since the West Coast really had

00:49

like a real I don't want to say that

00:51

Kendrick wasn't a top guy but it's been

00:52

a while since the West Coast like

00:54

dominated first time the9 something in

00:56

some sort of way everybody's [ __ ] so

00:58

excited by this they're like we're back

01:00

on top we [ __ ] got this we're the bad

01:02

[ __ ] so their egos are

01:03

satisfied so obviously there's

01:06

frustration I'm sure with Drake fans

01:07

like man we really want just cob him and

01:09

we didn't get this dub but I don't think

01:10

everybody just leaves Drake as a drake

01:12

fan they've built too long I don't think

01:14

everybody but you said it's like

01:15

politics and Swing Swing voters is what

01:18

decides the winner and right now but

01:20

here's the thing that people don't

01:20

realize about politics swing voters

01:23

still only vote based on their identity

01:25

that identity hasn't really been swung

01:28

it's just been moved from side to side

01:30

side so for example the swing voter like

01:33

that Middle America voter that guy if

01:35

the Republican is saying we're open in

01:37

the factory and the Democrat saying

01:38

we're closing the factory they swing

01:40

Republican if the Democrat is saying

01:41

we're opening the factory Republican

01:42

saying we're closing they they go they

01:44

go Democrats what I'm saying is they're

01:46

not real swing nobody's going to change

01:49

sides in this battle you just you just

01:51

go towards whatever your identity wants

01:55

and with those swing voters as they call

01:57

them their identity does not change they

02:00

just go to whoever is going to fulfill

02:01

their identity the same thing happens in

02:03

we're just saying that like now if

02:04

somebody was going for that top spot I'm

02:06

the best so I think Kendrick has swayed

02:09

people to give him that Crown got Crown

02:13

if if if both of them dropped an album

02:15

this year I think Kendrick could out

02:17

that's what's crazy he would outsell for

02:19

but I don't think I don't think it's

02:20

over I don't think it's over consumption

02:22

right now is like people want to see

02:24

Kendrick H and it's going to be

02:26

interesting when he does they want to

02:27

see him have the run with finally having

02:30

the crown right and and Drake fans are

02:34

not leaving like you know what I mean

02:35

like Drake fans like he's still going to

02:37

be the guy and that's why I think Drake

02:39

should just be like he should look at

02:41

this be like wait I [ __ ] up and giving

02:43

this guy his first solo number one and

02:47

so many people are now on his side I

02:50

hate saying [ __ ] and it takes y'all an

02:51

hour to say it I really hate saying [ __ ]

02:54

is that what's happening now I say [ __ ]

02:55

you go guys go nah and then an hour

02:57

later you just say it and I'm supposed

02:58

to go oh you got a good point no no one

03:00

actually discounted that we're saying

03:02

that wasn't the the what I'm saying

03:04

Drake still gave him a number one it's

03:06

still a feat oh of course it's a feature

03:08

bro no no of course if your number one

03:11

comes off the Dis Battle from the

03:13

biggest guy it's a feature no no I'm

03:15

still I'm still acknowledging that what

03:17

I what I was always saying is that this

03:19

guy was always either one a or two like

03:22

he was he's phenomenal like again that's

03:24

why there's two different conversations

03:26

one is like is this guy like musically

03:28

prolific of course he's amazing making

03:30

music he's amazing at rap like Kendrick

03:32

is I I don't even think Drake would even

03:35

utter the words he's bad at this like I

03:38

think the reason the fact that he's even

03:39

beefing with him is because he goes this

03:40

guy's awesome at this and I want people

03:42

to know that I'm more awesome that's

03:44

what he's yeah no of course but that to

03:46

me that's that insecurity it's like if

03:48

he just knows he's more often awesome

03:50

and he has the validation of the people

03:52

coming out to the shows the fan base the

03:53

ticket sales literally every metric

03:56

except the fans of the other guy which

03:58

she'll never sway anyway the fans of the

04:01

other guy are never going to be swayed

04:02

what I'm saying is it's a it's a misstep

04:04

based on his what what I perceive as and

04:07

we all have this as performers like I

04:09

just want to win everybody over what if

04:10

these people who don't like me I think

04:11

you look at like a comic but that's not

04:13

what like in hip-hop it's a it's a

04:15

really contact adversarial sport what

04:18

I'm saying is you could do it without

04:20

dedicating the whole song which we

04:22

agreed earlier which is you just put out

04:24

a banger that got a little few bars to

04:27

uh Kendrick and then you make him put

04:29

out the whole song first by you putting

04:31

out the whole song first I think it

04:33

gives Kendrick I always thought that I

04:35

always I always thought him going first

04:38

but again here's the thing too Kendrick

04:40

has had the patience of waiting 10 years

04:43

and Drake like you know Drake told me

04:46

something like CU he he um he just went

04:48

on like an 84 City Tour he dropped three

04:50

albums went on 84 like the dude is

04:51

exhausted yeah right before he could go

04:54

on vacation there's a [ __ ]

04:55

dissing him he wants to get this over

04:57

with now he just wants to do it now like

04:58

all right you know what [ __ ] I'm going

04:59

lock it I'm going to get this done and

05:02

Kendrick has the advantage of I could

05:05

just play the whacka old thing and be

05:06

like all right well I'll be back later

05:08

yeah you know and I think Drake cooked

05:10

up something but hoping to hear what

05:13

Kendrick was going to come with and it

05:14

was clear Kendrick wasn't going to drop

05:16

again and he's just like yo what do I

05:19

really got to do to make this guy rap

05:22

like you know he's kind of posting on

05:23

the gram like yo what's up any day now

05:26

and he's like [ __ ] it I guess I have to

05:28

start off however I think that played

05:30

into Kendrick's strategy cuz he was

05:32

counter punching if we're thinking about

05:34

like yo I'm counter punching okay it

05:35

looks thirsty almost it's like okay

05:37

you're trying to hit me with the hit

05:38

song with push-ups okay Bet let me give

05:41

you this layered song about how I'm

05:42

about to just dissect everything you got

05:45

going on then Drake is like okay all

05:48

right let me try to play your game a

05:49

little bit and let me kind of psycho and

05:52

oh you're obsessed with these rumors cuz

05:54

oh you were touched as a child I

05:55

remember you said that on your song and

05:57

and he's now doing that and Kendrick is

05:59

like pych I got a club here too

06:02

[ __ ]

06:03

so strategically kendri Kendrick played

06:06

oh strategically oh yeah he and and

06:09

Drake is a a top tier chess player

06:12

also those little tidbits yo he has I

06:14

have the van that's the replica I guess

06:16

it's a replica of you of that band that

06:18

was on your first album cover um I I

06:22

crushed it in my video oh okay the the

06:25

the place you shout out from my city no

06:27

new ho King I'm in there just chilling

06:29

showing I'm the boss of this [ __ ] you

06:31

know what I mean like he's doing all

06:32

these things that against like I always

06:34

said thank God that Meek Mill was so

06:37

[ __ ] stupid because like that [ __ ]

06:39

that [ __ ] was just playing like yo he

06:41

was playing like Bingo like Drake Drake

06:44

was running circles around him but but

06:46

he's going at a guy who's just a master

06:48

chess player that you can't even see his

06:52

moves anywhere else like like someone

06:55

actually said this they said Hey listen

06:57

Drake may have got a little bit of a big

06:59

head no didd he um because of the win

07:02

over Meek and one of those things where

07:05

is just that Meek just madly and badly

07:08

Mis misplayed his apparently he was like

07:09

heavily on drugs at that time yeah yeah

07:11

but think about this

07:14

right if push a t Had Drake fall back

07:17

with a rumor or not rumor a confirmation

07:19

of a child well what's the biggest like

07:23

expose you could have had of a rapper to

07:26

that time it would have been you don't

07:28

write your rhymes except you know how he

07:30

fumbled it the [ __ ] tweeted it out yeah

07:33

3 weeks before he made a song about it

07:35

it's like if he reveal that on a song

07:37

out the blue [ __ ] you don't

07:40

write your Rhymes and we're like huh

07:41

what are you talking about then just

07:42

play the reference tracks we might look

07:44

at that different and the song sucked

07:46

yeah the song

07:48

suck all right that's a prere become a

07:50

little bit better a raer just you got to

07:53

keep this real did Drake feed him that

07:56

information about the the daughter

07:58

because he's claiming that he fed him

08:00

the information I don't think he did I

08:02

think he's just claiming what the

08:04

internet is saying um be objective EG I

08:08

do I do believe the daughter thing I

08:11

don't believe the other things so oh I

08:14

didn't even know that that was up for

08:15

debate I thought it was like fact that

08:16

he that he fed the information no that's

08:21

interesting I think I think the other

08:22

thing picture in the back of some fuzzy

08:25

girl in the video saying oh this happens

08:27

to be the same I I think he did feed

08:29

that because I could tell they were Rec

08:31

I could tell they were trying to

08:32

recently feed like yo the other Street

08:34

dudes that usually hold down ovio in

08:36

Toronto they're getting tired of him he

08:38

hasn't been feeding the wolves and I saw

08:40

him randomly just beefing they're like

08:41

[ __ ] oo he had a TI is change now what's

08:44

up yo you better put some money in the

08:46

books and I'm like okay you're trying to

08:48

get them to feed into an angle and and

08:50

and I think I said to drink I said I

08:52

said that was your boy still man like

08:54

I'm not I'm not buying that [ __ ] the one

08:56

thing I don't think that was on stage

08:58

was I do believe that his father

09:01

probably went on vacation with some girl

09:03

and the suit kid got stolen I do think

09:06

like because that doesn't why would you

09:09

have prescriptions in your name and [ __ ]

09:12

like that like you know I mean if you're

09:13

trying to Stage like I think he did a

09:15

good job on Family Matters to to own it

09:18

to be like hey well the main glove was

09:21

in there because of me and blah blah

09:23

that didn't really make sense I didn't

09:24

even ask him about that though so I

09:26

don't know but then why did Kendrick

09:27

remove the cover art

09:30

well there I think it only got removed

09:32

on Apple I think well yeah you can't

09:34

upload to dsps like an actual medical

09:36

script you know what I mean it's like

09:38

yeah like yeah the guy's name and

09:40

address is on it you I still don't

09:42

believe Drake fed him that because he

09:44

would have said it right away yeah right

09:46

away he' have been like hey dummy we fed

09:48

you this information instead of being

09:49

like Oh I got a daughter somebody nobody

09:51

told me no I I believe he did because

09:54

that is so Random if if Kendrick had if

09:58

he said it so L he must have had it from

10:01

some really reliable source that I feel

10:05

that you know what all these guys are

10:07

doing right like they're sending they're

10:10

finding out information like how do they

10:12

find out information on one another this

10:13

is kind of fun well well push a t said

10:15

it push T said everybody thinks that

10:17

Kanye told me no0 40 was pill talking to

10:21

a girl they're all smashing the same

10:22

girls what did I say they alling the

10:24

same girls there's thousand girls just

10:26

get [ __ ] down by all famous people I

10:27

found out that I found out out that

10:30

Metro

10:31

boomman hated Drake before it was like

10:33

universally known I found that out cuz a

10:38

chick he smashed in La I Smash in LA and

10:41

and and you know we're all talking and

10:42

yo nothing a girl always wants impress

10:45

you by flexing the other popping guy

10:47

she's [ __ ] with and then they always

10:49

just tell every detail so I'm like oh

10:51

this is great like yeah he hates the

10:53

[ __ ] out of Drake I'm like oh [ __ ] but

10:55

then the same thing kind of came up

10:56

again where people heard that you find

10:57

out why um I I still don't know why I I

11:01

I just know that he does how do you know

11:02

they're not using you how do you know

11:04

the girls aren't sent to smash you

11:07

pillow talk with you have you ever

11:08

thought that academics working for me no

11:10

no hold on because me and Metro don't

11:12

get along me and Metro don't get along

11:14

something like what I'm saying is you

11:15

could be doing stuff that you don't even

11:16

realize that you're doing oh no no no

11:18

that probably is that probably is like

11:19

this is a really this is a really

11:22

convoluted game which I realize I think

11:24

future and Drake they're beefing over

11:26

women I think that's a really simple

11:28

thing to com why are they beefing over

11:30

women I'm like so like this is such a

11:32

confusing notion that guys would beef

11:35

over women that they're not even trying

11:36

to wife I mean it's not about the women

11:38

it's about the respect that power in ego

11:40

though I think it's they're saying

11:42

things to these women and then the women

11:43

are saying stuff relaying it back to the

11:45

guys so it's like I don't [ __ ] with him

11:47

so it's not that we [ __ ] him girl it's

11:49

like no no no I know you don't like me

11:51

because this girl talk you're like a

11:53

random like a random girl that's I don't

11:55

know if she [ __ ] future but she being

11:57

around it when I was trying to figure

11:58

out I'm like yo why haven't future and

12:01

Drake been around each other like like a

12:03

girl who's like get invited to these

12:04

little parties that they do and you know

12:07

they're around like fly on the wall type

12:09

[ __ ] where some of these conversations

12:10

was like future like future was super

12:13

pissed off that Drake did album with 21

12:15

Savage oh really why cuz they beef like

12:18

crazy that's why I was a little confused

12:20

because like he did an album with you

12:21

but but according to the person who I

12:23

got from they were like hey D he felt

12:25

that Drake used him at that time to have

12:29

that cultural Equity within the clubs in

12:31

Atlanta because and then future used him

12:34

to have the cultural Equity within the

12:36

masses and then everybody mutually

12:38

benefits if anybody future benefited

12:40

more and but for them they feel like

12:42

well if you're going to come back to

12:43

Atlanta and and do it with another

12:46

rapper it should be me that's what I've

12:48

heard but there's probably like a bunch

12:50

of nuances it's like high school I'm

12:53

being honest it's really like high

12:54

school like all this [ __ ] is because

12:55

most people who want to be famous are

12:57

insecure myself included I'm not going

12:58

to like you know most of us try to work

13:00

on it but some don't and then just

13:02

especially I think if you're famous

13:03

young there's no need to work on

13:05

yourself and and thought that hey some

13:07

people just like the dude [ __ ] flying

13:11

around this [ __ ] with a jumbo jet and

13:12

got a $400 million contract while these

13:14

guys they get 15 million which is by the

13:16

way you know you know it's funny

13:18

watching Drake and and Rick Ross argue

13:20

about money and Drake says to him yo

13:24

your house looks like a slice of cheese

13:26

yeah yeah and he says like keep being

13:27

Brett barish's [ __ ] like basically

13:30

that's the guy who owns the the spirits

13:32

um ah

13:35

that all that and if you look at Ross

13:37

like Ross will be dissing everybody in

13:39

the world with the bottles in his hand

13:40

like oh he's always promoting so he's

13:43

funny dude Rick Rick Ross genuinely

13:45

funny that was one of the times I

13:46

thought Drake was going on script I

13:48

think he was losing what the people

13:49

cared about like we like funny [ __ ] yeah

13:51

you're not going to be rck on funny yeah

13:53

Rick St white boy and BBL dri I'm sorry

13:56

phenomenal and Drake had that misstep

13:58

with the whole texting his mom thing

14:00

like that was coring that was that like

14:02

he show a screenshot say oh Mom Rick is

14:05

being racist or whatever like even

14:07

though it probably wasn't a real Texas's

14:08

mom but the fact that he tried to put it

14:10

out that way real call calling a guy

14:12

racist yeah calling a guy racist that is

14:15

going to use the fact that you're not in

14:17

the culture and you're a white boy

14:19

you're kind of proving it with I hear

14:21

you me huge M white guy was like that is

14:24

kind of

14:25

racist kind of related to that most of

14:27

anything that was the best disc I've

14:28

ever seen

14:29

hey I I think Drake should just you

14:31

know just what's the next move what is

14:35

the next move for Drake hit song is way

14:37

out of this now hit song meaning about

14:40

Kendrick or just about something else

14:41

give him three lines here or there still

14:43

a [ __ ] for a God's plan yeah I'm still

14:46

bigger than you Hey listen you're the

14:49

you're the liar that you know I gave you

14:51

I gave you a couple of weeks but that's

14:53

it yeah now here's the problem you put

14:55

out you try to put out the hit song you

14:58

try TR to do it and then it flops or

15:01

doesn't work that's bad yeah that's bad

15:06

yeah yeah

15:07

but you know what Drake does best just

15:10

do a collab yeah go to one of the guys

15:12

which is by way this is one of the most

15:14

interesting Parts I've been looking at

15:15

who still stands with who Cho and sides

15:18

exactly I've seen people I've seen a lot

15:21

of artists who you could tell and and

15:24

that's what I was saying before uh when

15:25

you cut me off you I was saying with

15:27

every like billionaire they have the

15:28

story you [ __ ] over like 10 people or

15:30

you had to right I think Drake what

15:34

we're watching now especially the

15:36

silence is a lot of people who not

15:39

necessarily [ __ ] over but they might

15:41

feel ever so slighted yo remember when I

15:45

just came in a game and you hopped on my

15:46

song and then I got a little cool and I

15:49

said yo could I could you give me

15:52

another verse and you left me on red

15:53

[ __ ] but he already put you on

15:56

this is where it's like no because

15:59

speculating in music it's it's it's more

16:02

of these genuine relationships not where

16:04

you're only [ __ ] with me when it's

16:06

convenient those people become a little

16:08

bit salty like yeah I'm salty at you

16:11

that you are they feel essentially used

16:14

even though it's really Mutual right

16:16

it's not even Mutual I mean if you're an

16:18

upand cominging artist and then the

16:19

biggest artist alive does a song with

16:21

you the only person that benefits from

16:23

that is the upand cominging artist let

16:25

me let me say this it's like Rody Rich

16:27

Rody Rich has had a song with Drake it

16:30

got late um it's called in the cut the

16:34

real song never came out Rody Rich

16:36

obviously when he dropped the box one of

16:38

the most popping artists on the earth um

16:40

afterwards subsequently his career kind

16:42

of cooled out a bit yeah he just had a

16:44

song rake that it just didn't come out

16:46

though I think he might feel way I think

16:49

he might you know not like salty but

16:51

it's just like you know okay I'm not in

16:54

the same space I was when we cut that

16:56

record and that got leaked it didn't

16:57

come out maybe do another record now

17:00

when I see Kendrick going at you I'm a

17:02

little bit more Pro Kendrick like he's

17:04

now your West Coast Cody you know what I

17:06

mean like he so so I think Drake is

17:08

watching and we can't really see any

17:10

artist standing with Drake 21 Savage

17:12

right just brought him on tour and S

17:13

third of course 21 [ __ ] with Drake but

17:16

he's in a he's in a he's he's stuck

17:18

between a rock and a hard place he's

17:20

from Atlanta you can't go against future

17:22

Future's King in Atlanta you know what I

17:24

mean I remember doing an interview with

17:25

21 and he told me say yo in Atlanta

17:28

future Drake like the people of Atlanta

17:31

care more about future than Drake right

17:33

so he can't go against future and then

17:36

his man is also Metro so he's like

17:38

noticeably absent and quiet and Drake is

17:41

kind of out here fighting by his by by

17:43

himself the second thing we've also not

17:45

seen during the meat mill thing when all

17:47

that was going on yo Drake was popping

17:49

up in Houston clubs got [ __ ] shaking

17:51

their ass to back to back it looked like

17:54

he he was the culture like he was what

17:57

people were liking out outside and I'm

17:59

watching now look like Drake is stuck in

18:01

the booth and even though we haven't

18:03

seen Kendrick his music seems to be

18:06

outside like everybody's dancing to the

18:07

song like the I don't think he's stuck

18:10

in the booth I think he it looks at

18:12

least appears he's trying to keep the

18:13

women on his side like he's popping up

18:15

at Nikki shows he's popping up at uh

18:18

sexy bread shows like not during the

18:20

beef yeah recently he was on tour Nikki

18:23

like not on tour but he did like a few

18:24

different dates with Nikki that's after

18:26

he dropped push-ups like [ __ ] got [ __ ]

18:29

got to another not since this next level

18:32

yeah yeah no he's that's what he's

18:34

winning yo when you're I'm outside yo

18:36

when I'm when it's a good time when you

18:38

winning it's a real good time when you

18:40

winning yeah and it's it's just odd how

18:44

no one is speaking up for Drake I think

18:47

so I want if I'm Drake right yeah and I

18:51

built I built I the way I orchestrated

18:54

my career is instead of and there are

18:57

some artists that have done this trying

18:58

to shut down every new artist that comes

19:00

out out of fear that they're going to

19:01

take them over like literally trying to

19:04

like squash and silence careers instead

19:06

going I'm going give you your first hit

19:08

I'm going give you your first hit so

19:09

that when you blow up you remember me we

19:12

can continue to work together and you

19:14

always remember that you know we built

19:15

something good and I'm going to put you

19:17

on and maybe he really likes putting

19:20

people on maybe he's I mean like I know

19:22

there's look Joe Rogan likes putting on

19:24

new Talent he's done it with so many of

19:26

us he enjoys it he doesn't ask for

19:28

nothing back he literally just enjoys

19:30

putting on people who are nice so maybe

19:31

there's a part of Drake like that and

19:33

he's done it with so many people now

19:35

when Joe's going through anything he got

19:37

a lot of [ __ ] like me that are

19:40

ready to start swinging because we know

19:43

how important he was same thing with

19:44

Charlotte Charlotte going through

19:46

anything I'm I'm riding with Charlotte

19:48

till the end of times so it's like if

19:51

there's

19:52

anything that affects any of those guys

19:55

we're

19:56

riding if I'm Drake right now I would be

19:58

kind of hurt that I put all these

20:00

[ __ ] people on did all these songs

20:03

with these people who are really you

20:04

could say oh they're popping they were

20:06

no names in terms of international play

20:10

before he puts them on probably has made

20:12

them through that millions and millions

20:14

of dollars right I'm very vocal about

20:17

the credit the you know who I give

20:18

credit to the people who put me on very

20:20

vocal right I'm sure those people in

20:23

some way must feel if they're like

20:25

reasonable human beings and then nobody

20:27

talking nobody speaking up I'll be tight

20:29

bro well also they don't want to go

20:31

against the other side and also this is

20:33

what the other side do but that's what's

20:35

crazy now you're playing politics well

20:37

here's the thing too I think there's a

20:39

lot of people in the industry that look

20:42

resent that [ __ ] no no but

20:44

beyond that they have looked at Drake

20:46

and they have really maybe seen a little

20:50

bit behind the curtain and they

20:52

respected less now what does that mean

20:54

there was a time when they felt that he

20:56

was the instant I get on a verse is

20:59

going crazy it's going to affect [ __ ]

21:02

like I think now people look at him and

21:04

be like well what is Drake if he doesn't

21:07

have a yachty next to him or if he

21:09

doesn't he's not riding this way if they

21:12

don't look at him as Untouchable

21:15

anymore do you think it I'm playing

21:18

Devil's Advocate because again I'm I the

21:19

Drake hater on the team do do you think

21:22

it says something that none of those

21:24

guys will go to be cuz there's nothing

21:26

anybody could say about you to make me

21:28

go so I believe you I'm going to stay

21:30

quiet I'll die for this guy you'll die

21:33

for but thing is isn't it is it not

21:36

telling I don't and I'm actually asking

21:38

you do you think it's telling that

21:40

nobody's coming do you think that says

21:42

something about Drake more than the

21:43

people you see what I'm saying nobody

21:45

like is every one of these guys shitty

21:49

you see what I'm saying I mean in this

21:51

business you get people who are

21:53

incredibly desperate for fame and

21:54

they're incredibly in our business too

21:56

and they're willing to do

21:59

like I just had a buddy who who who said

22:01

that they weren't going to do something

22:03

or they were going to cancel something

22:04

I'm going try to be vague here and they

22:06

were going to cancel something because

22:08

doing it was getting them a lot of

22:10

hate and that thing that they were going

22:13

to do is with somebody who really I mean

22:15

kind of put them on and giv them

22:17

opportunities Etc but just because they

22:19

were worried about their career and what

22:21

was going on with them they're like I

22:22

got to cancel it so people are going to

22:24

prioritize themselves first but I hear

22:26

the point you're making which is like oh

22:27

[ __ ] maybe our per ception is that he's

22:29

so benevolent he's helping all these

22:30

guys when maybe they don't really see it

22:32

that way is is that what you guys are

22:33

saying yeah like zero people are coming

22:36

there should be one person I would think

22:38

now granted I think you were first to

22:39

support Rogan and that helped open up I

22:41

was supposed to actually do after his

22:42

controversy happened I was supposed to

22:44

do the Pod that Monday which was crazy

22:46

but like never crossed my mind to not do

22:48

it I was like man you got to this guy's

22:51

helped out Schultz Schultz has helped

22:52

out you he's offering you this platform

22:54

you do this [ __ ] podcast there's no

22:56

question about it there's no one doing

22:57

that for Drake zero people and again I

23:00

am biased I don't know if he's a bad guy

23:03

so I maybe I shouldn't present this but

23:06

all these guys are industry friends like

23:07

like all that all that twin [ __ ] like

23:10

they're not really friends and so it's

23:11

like is there one human being just one

23:13

human being who's like yeah this is a

23:14

good guy I'm going to vouch but it's not

23:17

it's not them vouching as a good guy

23:18

they would have to go against Birdman is

23:21

the only guy defending you what's going

23:23

on yeah but that's what I'm saying the

23:25

industry is against him like all of

23:26

these guys this is a yeah like put like

23:29

this if you're industry friends and the

23:31

industry is against him then you are

23:33

going to side with the industry because

23:35

you see your security safety and

23:36

Longevity within the industry yeah I

23:39

guess it just

23:40

exposes that that these friendships and

23:43

my twin my dog Metro said it earlier

23:46

everyone has to pick a side if you pick

23:48

Drake side you you you you well you

23:51

almost have to hope that he survives it

23:54

obviously he'll survive but he'll

23:55

survive for Drake will Drake still have

23:57

that ability to help you because now

24:00

you're making an enemy of the weekend

24:02

you're making an enemy of Metro booming

24:04

future all of these guys who there's

24:08

much more that's not even that's not

24:09

present like a whole faction this is why

24:13

like being able

24:15

to have your own audience and create

24:17

your own [ __ ] like not feeling so

24:19

dependent is so important we can go to

24:22

war for Joe we can go to war for

24:25

Charlotte we can go to war for any of

24:26

the people that we really care about

24:28

right

24:29

because we are not dependent on the

24:32

industry the second you are dependent

24:35

the second oh [ __ ] man the only hit I

24:36

ever had was with Metro and if I say

24:38

this Metro not GNA feed me any more

24:39

beats and then what if I just bought a

24:41

house and then my kids in private school

24:42

and [ __ ] I won't be able to pay all

24:44

right let me just be

24:45

quiet yeah you have you're you're you're

24:48

Shackled by your ties to the industry in

24:50

regard I'm still wondering though what

24:52

the [ __ ] did he do to all these guys

24:54

some that's what I'm

24:56

try well I mean like again could you

24:59

speculate speculate well well we've just

25:01

heard [ __ ] reasons like reasons that

25:03

are just like very light girls like yeah

25:06

yeah like things like that I mean Rick

25:08

Ross on his song He said yo it's cuz you

25:09

sent to cease and assist but like like

25:12

the the guy who you're you're mad at for

25:14

like French is still following Drake

25:16

there's a deeper issue in I seen Metro

25:18

lude to it he said he said stop acting

25:21

like the reason we fell out is because

25:22

of a girl you didn't [ __ ] my girl

25:25

I I'll spare you

25:28

he said I'll us both to be fair he was

25:30

going to look bad too to be fair to

25:32

Drake Metro whatever the reason was

25:33

going to be he said the reason I'm not

25:34

telling you is it make both of us look

25:36

bad did he say that he he said he said

25:39

I'll spare he said I'll spare both of us

25:41

but he says he says he says you look

25:44

much worse yeah if I tell if I tell what

25:46

it is but I'll spare both of us yeah

25:48

okay I read it as if like oh if I say

25:52

what happened it's I'm going to be

25:54

embarrassed but you're going to look

25:56

like the bad guy yeah yeah yeah yeah

25:58

yeah but but but I think what we're all

26:01

trying to say here is it would make

26:02

Drake Look way worse which is why Drake

26:05

won't come out with it he still look

26:07

stupid yeah Metro will still you look

26:10

he'll have some sort of negative feeling

26:12

about it but not as bad as potentially

26:13

Drake so maybe this has happened time

26:16

and time again and enough people have

26:18

been affected that nobody's coming out I

26:19

actually Drake Well I'm like I was like

26:21

yo yeah yeah what he I mean I don't know

26:23

it's your guy's business I don't well I

26:26

mean and I don't think he's going to

26:28

this is probably again the mere fact

26:30

that we've gotten two albums a bunch of

26:32

disc songs and none of these guys have

26:34

said you you did ABC and D like that's

26:38

odd like we're beefing and fighting but

26:41

we can't even address the reasons why

26:44

what what Drake has told me was like yo

26:46

he honestly just feels it comes from

26:48

like people viewing his position like

26:51

you know

26:52

Hey Jealousy the fact that he's at the

26:54

top he got the jet the lifestyle the you

26:57

know I mean the money

26:58

and because of whatever you know maybe

27:02

wrong or slight even sometime if he

27:04

doesn't intend it they may have just

27:06

like harbored feelings for him but I

27:08

still look at him like n not this amount

27:11

of [ __ ] come like yo it's time to get him

27:12

today there is some validity to jealousy

27:15

we all get jealous we all whatever but

27:17

when a guy at the top writes off

27:19

everything as they're just jealous I

27:21

don't I don't fully believe that you

27:22

know what I mean that's not and

27:24

especially it it it looks even weirder

27:26

when you're the guy like you're the guy

27:29

that took Jay-Z's MTO to Super Saiyan

27:31

when you put your hand around the new

27:33

guy yeah like if every comic went

27:35

against Joe

27:36

Rogan and wouldn't say why you would

27:39

probably have to say what the [ __ ] did

27:41

Joe do that's the easy thing to say is

27:44

well yeah your je is his spot but it's

27:46

like well he's kind of helped all y'all

27:48

yeah and that's this is a [ __ ] great

27:51

conspiracy right here yeah no I really

27:53

don't know anybody who spent time with

27:55

Joe will vouch for Joe he's a great

27:56

[ __ ] guy blah blah blah

27:58

that's not fact none of these has all

28:00

right has anybody vouched for Drake

28:04

Birdman y I'm sure y's been I don't even

28:06

know if

28:07

yti because yachty had like to post that

28:10

seemly was dissing The Other Guys he

28:12

said no it was a mistake yeah it's like

28:14

bro jands like you guys paint your nails

28:16

together you got to stand on it this

28:18

time like yo you getting the little gel

28:20

joints done together you got to stand on

28:21

it right now they just did a podcast

28:23

together on the beach

28:24

with um who's Zach something Kendrick

28:28

said you're playing dirty with Zach uh

28:31

he's to or he's accusing Drake because

28:35

that's another angle that I masterful

28:38

like he's defeated every possible angle

28:41

Drake could go like number

28:43

one uh all right there's the angle of

28:47

hey the venue for this beef is academic

28:50

stream and he's a number one Drake fan

28:52

how does this play out like you know you

28:54

know what he says he's compromised like

28:56

he hits everything and so the Zack beia

28:58

thing is at first this the

29:01

internet lopsidedly was like yo it's

29:05

Drake Drake Drake Drake Drake and

29:07

Kendrick kind negates by kind of like

29:09

trying to air out and put into air Drake

29:12

is using a whole bunch of bots Zack B is

29:14

a guy who's I think he manages ye but

29:17

like there are this there are these

29:20

nefarious individuals that kind of make

29:23

narrative Happ

29:24

B well that's what he's alluding to

29:26

you're the bot guy you know

29:28

like yo you're cooking up the box with

29:30

Drake you know what I mean and him kind

29:32

of like throwing certain things into the

29:34

air you got to listen to these song me

29:37

crazy he speaking with so much Authority

29:40

I sent him every song in order he did he

29:42

did now to be fair I've never spoken

29:44

Authority about the music yeah I I uh

29:47

don't care got to buddy not like us not

29:51

like us is such a [ __ ] Banger crazy

29:54

the back to back of two minutes a song

29:58

give it it if meet the GRS was actually

30:02

all factual yeah it's insane it would be

30:06

probably one of the biggest knockout

30:09

punches we've

30:10

seen to not only reveal and and I wrote

30:14

a verse to your mom explaining that this

30:17

industry has corrupted her son and

30:19

turned him into a pedophile let's say

30:21

that's also was real which that's not

30:22

real obviously yeah and then I showed

30:26

how you've neglected

30:28

actual real responsibility chase the

30:31

worst things that comes along with Fame

30:33

the things that you think I'm jealous of

30:35

you for till you you have not only

30:37

you're you're it's not just like

30:39

parenting it's just like you're hiding

30:41

another child he's like you know he's

30:43

dropping these lines like you call

30:45

yourself the boy I'm going to help you

30:46

turn to the man like that's kind of like

30:49

it's taking every like you just can't

30:51

listen to Drake just talk about y I'm

30:53

going to the club to [ __ ] some [ __ ]

30:54

no more like this guy's basically saying

30:56

this guy's a piece of [ __ ] and a creep

30:58

yeah [ __ ] a beef it's a war with yeah yo

31:01

y'all want to listen to this guy crazy

31:03

for the turnup I should have listened to

31:05

that so when I heard that one I was like

31:06

good thing was lies I was like the whole

31:08

time I'm listening y I was like then I

31:11

fin out lies I was like [ __ ] bullet

31:13

youbody ever picked me apart or exposed

31:16

me in that way the bullet man I have to

31:18

off my apart in a way that it's like he

31:21

can't recover from if that if if the

31:24

stuff was real he lies

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