OSCARS 2024 FASHION ROAST (why is no one serving???)

HauteLeMode
11 Mar 202447:25

Summary

TLDRIn this video, the host delivers a detailed review and roast of the fashion choices at the 2024 Oscars. Highlighting both the best and worst looks, the host praises outfits that stood out for their creativity and fit, while also critiquing those that missed the mark. With a focus on designer choices, fabric, and overall style, the video offers a comprehensive look at the red carpet fashion of Hollywood's biggest night.

Takeaways

  • 🎥 The video is a review and roast of the fashion at the 2024 Oscars, highlighting both the best and worst looks.
  • 👗 America Ferrera's oraton pink Versace dress was praised for its stunning fit and design, showcasing Versace's mastery of their signature house textile.
  • 🌟 Andrea Riseboro's Louis Vuitton dress was noted for its artistic take on a classic plaid motif, blending and degrading it in a unique way.
  • 🖤 Annette Benning's Armani Privé look was appreciated for its casual yet crafted style, standing out from the typical gowns worn at the Oscars.
  • 🌺 Ana Taylor-Joy's Christian Dior gown was a modern take on the iconic 1949 Venus gown, though it was missing the boned skirt of the original.
  • 💃 Ariana Grande's oversized pink stole and Cynthia Erivo's green leather dress were among the most memorable and talked-about looks.
  • 🕴️ Bradley Cooper's Louis Vuitton suit was criticized for its fit, particularly the blazers width and the thin pant size.
  • 👠 Carrie Mulligan's Balenciaga dress was a highlight, being a recreation of a 1951 design and fitting her immaculately.
  • 👗 Michelle Yeoh's Balenciaga dress was disliked for its unflattering color split and overall appearance, despite the wearer's beauty.
  • 🏆 The video concludes with a list of the best and worst dressed, featuring Cynthia Riva, Carrie Mulligan, America Ferrera, Ana Taylor-Joy, and others in the best, while Bradley Cooper, Dwayne Johnson, and Michelle Yeoh were among the worst.

Q & A

  • What was the general opinion of the fashion at the Oscars 2024?

    -The host, lukah, did not find the fashion at the Oscars 2024 to be bad. They did not love it, but also did not find it boring or uninteresting.

  • How did lukah describe America Ferrera's outfit?

    -America Ferrera's outfit was described as stunning and beautiful. She wore an oraton pink Versace dress that fit her immaculately, hugging the hips and embracing the curve of her body.

  • What was unique about Andrea Riseboro's dress?

    -Andrea Riseboro's dress was unique because it was a plaid design that blurred and degraded into black, giving an artistic take on a classic motif. It was a design straight off the runway by Jonathan Anderson.

  • What was the significance of Annette Benning's choice of outfit?

    -Annette Benning's outfit was significant because it was a departure from the traditional gown, featuring a jacket with three stripe piping, sequins, and a navy blue pantsuit underneath. It was a casual yet handcrafted look, different from the usual Oscar attire.

  • How did Ana Taylor Joy's dress relate to Christian Dior's iconic designs?

    -Ana Taylor Joy's dress was a reference to the Venus gown from 1949, one of the most famous Christian Dior designs. However, it was not a boned skirt, which is a key element of the iconic Dior silhouette.

  • What was the issue with Ariana Grande's outfit?

    -The issue with Ariana Grande's outfit was not with the dress itself, which was simple and had an intriguing texture, but with the large silk cloak train that she held. The fit and proportion of the train were not well received.

  • What was the problem with Bradley Cooper's Louis Vuitton outfit?

    -The problem with Bradley Cooper's Louis Vuitton outfit was the fit of the blazer, which was too wide, and the pant size, which was too thin, making him look like he was wearing a big bell with his legs dangling inside.

  • How did Michelle Yeoh's Balenciaga dress stand out?

    -Michelle Yeoh's Balenciaga dress stood out because it was a recreation of a Balenciaga from 1951, featuring a form-fitting mermaid dress in black velvet with an ivory tulle mermaid skirt. The dress was highly praised for its fit and historical significance.

  • What was the general sentiment towards Cynthia Erivo's Louis Vuitton dress?

    -Cynthia Erivo's full leather Louis Vuitton dress in green was considered a standout look. Despite the challenges of wearing full leather, the dress was praised for its fit and the way it accentuated the body.

  • What was the critique of Emily Blunt's dress from the script?

    -Emily Blunt's dress, which featured an underwear motif, was not well-received. It was considered too gimmicky and not suitable for the Oscars, with the critique suggesting that the dress would have been better without the underwear section.

Outlines

00:00

🌟 Oscars 2024 Fashion Roast and Review Introduction

The segment kicks off with the host, Lukah, introducing the Oscars 2024 fashion roast and review on Hollow mod. Lukah shares initial thoughts on the event's fashion, noting an absence of boredom or overly negative impressions, setting a positive tone for the detailed reviews to follow. The discussion begins with a commendation of America Ferrera's stunning oroton pink Versace dress, praised for its impeccable fit and design that elegantly accentuates her body, suggesting a nod to Gianni Versace's fall 1991 collection. The review continues with Andrea Riseborough's unique Loewe dress, admired for its artistic take on a classic plaid, blurring into black towards the hem, reflecting Jonathan Anderson's innovative approach to fashion.

05:00

👗 Detailed Oscar Outfit Analyses and Opinions

The narrative progresses with detailed critiques of various celebrities' Oscars attire, starting with Annette Benning's unique Armani Prive ensemble, blending casual and couture elements. Ana Taylor-Joy's Christian Dior gown, referencing the iconic Venus gown from 1949, is discussed, including Maria Grazia Chiuri's modern interpretation. Ariana Grande and Billy Eyelash's choices are also analyzed, with Grande's vibrant pink ensemble and Eyelash's Chanel outfit sparking commentary on fit and style. The analysis is meticulous, touching on the fashion choices' intricacies and their impact on the overall Oscars fashion narrative.

10:02

🎩 Men's Fashion and Mixed Reactions

This paragraph delves into men's fashion at the Oscars, highlighting Bradley Cooper's and Coleman Domingo's looks. Cooper's Louis Vuitton outfit receives criticism for its fit and lack of a tie, suggesting a disconnect between expectation and execution in luxury men's wear. Domingo's ensemble, on the other hand, garners praise for its stylistic coherence and distinctive use of accessories, setting a benchmark for male celebrities at the event. The focus on men's fashion underscores the evolving expectations and varied receptions of male red carpet attire.

15:05

🌺 Standout Gowns and Fashion Forward Choices

Continuing the fashion analysis, the segment highlights exceptional gowns and creative fashion choices. Carrie Mulligan's custom Balenciaga gown, reminiscent of the brand's 1951 archive, is lauded for its beauty and homage to Cristóbal Balenciaga's mastery. Other mentions include Seline Song's elegant Loewe suit and Killian Murphy's underwhelming look. The narrative appreciates the blend of historical reverence and contemporary innovation in the outfits, noting how certain looks set a high bar for Oscars fashion.

20:08

👎 Disappointments and Missteps in Fashion Choices

This part addresses less favorable fashion decisions, critiquing outfits that failed to impress or properly fit, such as Dwayne "The Rock" Johnson's crinkled silk ensemble and Emily Blunt's Scaparelli gown with an awkward underwear motif. The critique extends to various celebrities whose attire did not live up to expectations, emphasizing the importance of fit, fabric choice, and thematic coherence in red carpet fashion.

25:08

👍 Final Thoughts on Oscar Fashion: Best and Worst Dressed

The conclusion wraps up with a reflective overview of the Oscars fashion, identifying best and worst dressed individuals, and articulating a nuanced appreciation for the efforts and outcomes of the event's fashion. The summary encapsulates the highs and lows of the fashion scene, from Cynthia Erivo's standout Louis Vuitton dress to Michelle Yeoh's disappointing Balenciaga gown, offering a balanced perspective on the array of styles displayed. The segment affirms the dynamic and subjective nature of fashion critique, acknowledging both triumphs and shortcomings.

Mindmap

Keywords

💡Fashion

Fashion refers to the style or trend in clothing, accessories, and overall appearance. In the context of the video, it is the central theme as the speaker critiques and reviews the outfits worn by celebrities at the Oscars 2024. The term is used to discuss the design, fit, and aesthetic appeal of various dresses and suits.

💡Critique

Critique involves the analysis and evaluation of a subject, often with a focus on identifying strengths and weaknesses. In the video, the speaker provides a critique of the fashion choices made by celebrities at the Oscars, discussing elements such as the fit of clothing, color choices, and design elements.

💡Oscars

The Oscars, formally known as the Academy Awards, is an annual awards ceremony honoring outstanding achievements in the film industry. The keyword 'Oscars' in the video refers to the event where the fashion critique is centered, with the speaker reviewing the fashion choices of celebrities attending this prestigious occasion.

💡Designer

A designer is a professional who creates the concept and look for various products, often in the fashion industry. In the video, the term 'designer' is used to refer to the individuals or houses responsible for creating the clothing and accessories worn by the celebrities at the Oscars.

💡Aesthetic

Aesthetic refers to the visual or artistic style and the appreciation of beauty or good taste. In the video, the aesthetic is a key aspect of the critique, as the speaker evaluates how well the outfits align with the desired visual appeal and fashion standards of the Oscars.

💡Runway

A runway is a long, narrow stage on which models walk to display the latest fashion collections during a fashion show. In the context of the video, the term 'runway' is used to describe the direct transfer of fashion designs from the catwalk to the red carpet, indicating that certain outfits worn by celebrities were recently seen on fashion runways.

💡Embellishment

Embellishment refers to the addition of decorative elements to clothing or accessories to enhance their appearance. In the video, the speaker discusses various forms of embellishment, such as crystals, feathers, and sequins, and how they contribute to the overall look of the outfits worn by the celebrities.

💡Fit

Fit refers to how well clothing suits the body shape and size of the wearer. In the video, the speaker emphasizes the importance of fit when critiquing the fashion at the Oscars, noting that even high-end designer pieces can be less effective if they do not fit the wearer well.

💡Trend

A trend is a general direction in which something is developing or changing. In fashion, trends are styles that become popular or favored by many over a period of time. The video discusses various trends observed at the Oscars, such as the use of specific colors, materials, and design elements.

💡Red Carpet

The red carpet is a long, red-colored carpet laid out for celebrities to walk on as they enter an event, providing a visual spectacle for the media and fans. In the video, the red carpet is the setting where the fashion choices of celebrities are displayed and critiqued.

Highlights

America Ferrera's stunning oraton pink Versace dress was praised for its impeccable fit and design.

Andrea Riseboro's Lou dress, with its artistic plaid pattern, was admired for its unique and creative approach to the classic motif.

Annette Benning's Armani Privé look was appreciated for its casual yet crafted style, standing out from the usual gowns.

Ana Taylor-Joy's Christian Dior gown was noted for its reference to the iconic 1949 Venus gown, though with a modern twist.

Ariana Grande's pink stole puff look was described as love at first sight, showcasing a great style choice.

Billy Eilish's Chanel outfit was admired for its unique fit and interesting take on tweed, despite some fit concerns.

Bradley Cooper's Louis Vuitton suit was critiqued for its odd fit, particularly the blazers width and pant size.

Carrie Mulligan's Balenciaga dress was a highlight, being a beautiful recreation of the 1951 original with modern adjustments.

Seline Song's black and navy blue skirt suit was praised for its simple yet effective approach to the red carpet.

Killian Murphy's understated look was seen as a disappointment, with a desire for more pizzazz from the actor.

Coleman Domingo's Louis Vuitton ensemble was admired for its stunning double-breasted design and unique jewelry.

Cynthia Erivo's full leather Louis Vuitton dress in green was a standout look, with its perfect fit and unique design.

Danielle Brooks' Do Chen Gabana dress was noted for its simple yet elegant design, though not as exciting as other looks.

Dwayne 'The Rock' Johnson's silk suit from Toing was heavily criticized for its unflattering appearance and choice of fabric.

Emily Blunt's Scaparelli dress was critiqued for its underwear section, which was seen as a gimmick rather than a fashion statement.

Margot Robbie's Versace dress was seen as a safe choice, with a desire for more from the actress known for her bold style.

Michelle Yeoh's Balenciaga dress was disliked for its unflattering color split and overall design, despite the actress's beauty.

Lily Gladstone's custom Gucci dress with Native American jewelry was appreciated for its cultural elements and beautiful details.

Lupita Nyong'o's Armani Privé dress was loved for its beautiful color and feather details, emphasizing her figure elegantly.

Zenaida Coleman's Armani Privé gown was admired for its stunning design, texture, and color, making her look like a diva.

Transcripts

00:01

[Music]

00:07

hello everybody my name is lukah and

00:09

this is hollow mode and today on Hollow

00:11

mod we are coming to you with your

00:13

Oscars 2024 fashion roast and review

00:16

there is a lot to get through there were

00:18

a lot of people a lot of looks a lot to

00:20

talk about overall I I didn't think it

00:22

was that bad like I didn't love it I

00:24

wasn't like a maze I wasn't huh but I

00:27

really didn't think that there was too

00:28

much boring I didn't think there was too

00:30

much that was kind

00:32

of me not having to make those noises is

00:36

for everybody's benefit I would say so

00:38

let's get into it we're starting off

00:40

pretty strong America Ferrera I have not

00:43

loved for the most part throughout the

00:45

entirety of the award season but this

00:47

oraton pink Versace dress was stunning

00:52

on her it was beautiful it was

00:54

impeccable Versace and Donatella Versace

00:56

herself they understand how to fit these

00:58

dresses these beautiful chain mail oron

01:00

signature House Co Versace textile is

01:03

very much so something that they have

01:05

really mastered they get how to make

01:07

them really cling to the body which is

01:09

something you wouldn't really think of

01:10

when it comes to metal It just fits her

01:13

immaculately I love the way that it hugs

01:16

the hips I love the fact that it

01:17

actually Embraces the curve and the body

01:19

it's not too long it doesn't drag too

01:22

heavily it really fits ever so

01:25

effortlessly as for the neckline I love

01:27

it I think it's beautiful I think that

01:29

it probably is based somewhere along a

01:32

fall 1991 Versace collection by Giani

01:35

Versace himself it's not exactly a

01:37

neckline from the show I'm pretty

01:39

positive but it definitely has a feeling

01:41

of that and I think that's kind of the

01:43

perfect subtle little nod that I like to

01:46

gian's work and what verace does very

01:48

very well overall she looks stunning

01:52

gorgeous next up we have Andrea riseboro

01:55

now she is wearing Lou this is like

01:57

straight off of the runway there's

01:59

actually a few of these Lou dresses I

02:02

love this plaid that becomes almost

02:05

muddied by some sort of water and then

02:07

begins to blur a little bit and right

02:10

below hip area just Fades fully into

02:13

black with little bits of these plaid

02:15

Stripes running in but just sort of

02:17

blending together all in black I know

02:20

it's a little bit out there I know it's

02:21

a little crazy to a lot of people I know

02:23

a lot of people are just going to say G

02:25

it's ugly but I think that it's very

02:27

Jonathan Anderson I think it's very much

02:29

this artistic sort of idea artistic sort

02:32

of way of taking on a very classic Motif

02:35

which is a plaid blurring it and

02:37

degrading it Reinventing it in a certain

02:40

way I personally do enjoy it I'm not

02:44

like Amazed by it but I do think it's a

02:46

cool notion I do like that Andrea is

02:49

wearing it because I feel that's not

02:50

something you'd really normally see at

02:51

the Oscars but there's something about

02:53

it I do like next up we have Annette

02:55

Benning and I'm pretty positive she's

02:57

wearing Armani pre looking at that

02:59

jacket with that sort of three stripe

03:02

piping in those sequins and kind of

03:05

having like a varsity

03:20

jacketyellow train thing but also has

03:24

pants underneath in this navy blue with

03:26

the little crystals of blue and and

03:28

silver I just think it's like a cool

03:31

look I think it's very different than

03:32

the normal gowns that we're always

03:33

seeing especially for an actress who is

03:36

very much nominated for a leading role I

03:39

kind of like it I think it's cool I

03:41

think it's casual and yet at the same

03:43

time there's a lot of handcraft and and

03:46

work that's gone into it I think that

03:48

the proportions I think the styling I

03:50

think the layering of all of these

03:51

pieces also like totally changes it and

03:53

yet it doesn't feel too too casual it

03:57

feels a little more casual than a gown

03:58

obviously but it definitely doesn't feel

04:01

like she's wearing jeans or birken

04:03

stocks so I'm I'm kind of into it I like

04:06

it now next up is Ana Taylor Joy she's

04:09

wearing Christian Dior and at first I

04:11

was like what is she doing and now

04:14

you're probably say Luke why would you

04:15

say that but she is very obviously

04:17

referencing the Venus gown it's not the

04:20

junong Gown from 1949 but it's the Venus

04:23

gown from 1949 which is the sister dress

04:25

and pictures when I see them I usually

04:27

am like oh it's kind of brown it's not

04:29

really Brown It's actually a silver

04:30

dress and so Anna does have the color

04:32

very much so on point in that regard but

04:34

these two dresses are some of the most

04:37

famous Christian Dior by Christian Dior

04:39

himself gowns that exist in the Lexicon

04:43

of his work but it's also not a bont

04:45

skirt and so I was like why would you

04:47

make the Venus gown if you're not going

04:49

to do like a b font skirt that's the

04:50

whole point that is the Dior silhouette

04:53

that's what the iconic shape is about

04:55

like you can't reference it and then be

04:57

like I'm just going to do whatever I

04:59

want like know that's not really how

05:00

that works but I was listening to Ana

05:02

talk about it and she was saying that

05:04

this was Maria graia C's take on the

05:08

Venus Gap do I like Maria gracia's take

05:10

on most things absolutely not I don't

05:12

over the years by force I have started

05:16

to kind of understand what she does she

05:18

unexaggerated the shapes of Christian

05:21

Dior in the context of her work for Dior

05:26

exclusively I get this stripping back

05:29

these big big voluminous shapes that

05:31

were the thing that made people love

05:33

Christian Dior they love the fact that

05:35

he saw women as these beautiful flowers

05:38

Who would wear these gorgeous

05:39

over-the-top constricting sometimes

05:41

gowns but Maria gr is like no no no

05:43

we're going to take those ideas and

05:44

we're going to make them actually more

05:45

wearable for women it's a floor length

05:48

gown with probably what 10 15 pounds

05:51

worth of embroidery so how wearable is

05:54

that really I'm not really sure but I do

05:58

understand it do I obviously think that

06:00

it should be a bon gown absolutely but

06:03

do I think that Maria grao sort of

06:04

slimming this dress down in terms of the

06:06

skirt makes it a little bit more modern

06:09

in the sense of modern Dior again not

06:12

that I like it but do I get it yes do I

06:14

think that that changes it from just

06:16

being a recreation of a certain dress

06:19

from Dior yeah it's a beautiful dress

06:22

it's stunning the amount of work that

06:23

went into it I can only imagine those

06:26

poor poor poor people in Paris are just

06:28

like literally this all day long I can

06:31

appreciate that I think the fit of it is

06:33

fantastic again I don't really know if I

06:35

love the skirt per se I love the

06:37

embroidery I love the petals I love the

06:40

reference to Venus and the fact that

06:42

she's wearing Tiffany and Co and I

06:43

believe that that necklace that she's

06:45

wearing is from the under the sea

06:47

collection so like her and her team are

06:49

fully thinking through what she's doing

06:51

and that I always really appreciate so

06:53

to an yeah I see and I recognize and I

06:56

respect next up Ariana Grande John

06:58

Batista iure gigantic pink stole puff

07:04

thing love great perfect listen her and

07:07

cythia ariva who we're going to talk

07:08

about in a minute they're definitely

07:10

getting into their wicked method

07:12

dressing you know what I mean it's begun

07:14

it's starting right now in this moment

07:17

and I kind of think it's cool I like the

07:20

fact that honestly Margot Robbie and

07:22

Barbie really kicked everybody in the

07:25

ass cuz that's what I'm hearing the word

07:26

that I'm hearing is that all of the

07:28

girlies are like we got to get to dress

07:30

in because that actually makes people

07:33

excited now I know that zenai was doing

07:35

it obviously beforehand and we can talk

07:36

about dun and the impact of that as well

07:38

it's very important as for the actual

07:39

dress it's a pretty simple column dress

07:41

that obviously is gathered and so that's

07:44

why it has that really intriguing

07:45

texture I think it fits her well it's

07:47

great I think the big thing is this big

07:50

silk cloak train it weirdly kind of

07:53

works I think the fact that she's

07:54

holding it in the way that she's holding

07:55

it and the place that she's holding it

07:57

sort of almost feels like a big poof

08:00

kind of skirt but it's not I'm kind of

08:02

into it I think it's fun I want it to

08:04

evolve like I don't want to just see

08:06

bright pink I like that it's beginning

08:09

the game is starting so I'm excited to

08:11

see it next up we have Billy eyh wearing

08:13

Chanel I mind the look in terms of fit

08:16

cuz I don't really understand why the

08:17

jacket fits the way that it does cuz I

08:19

would think that for Chanel everything

08:21

is about dressing and women and we like

08:24

to make sure that women have clothing

08:25

that they can wear in their everyday

08:26

life and it fits them I don't know why

08:28

that Blazer fits that because it feels

08:30

like right under the bust it wrinkles

08:32

and it doesn't really fall properly and

08:34

I'm very confused as to why that is the

08:36

way that that is I do like the skirt I

08:39

think that the length is weird I do but

08:42

I also feel like that's kind of Billy in

08:44

a way I like the fact that she's wearing

08:46

Tweed I like the fact that she's wearing

08:49

the the little high socks I like the

08:50

fact that she's wearing these two-tone

08:52

black little Mary Jan's very much so

08:55

Chanel maybe not the Mary Jane but the

08:56

two-tone thing brings the Chanel ISM in

08:59

into it Prince of Wales check little

09:01

Chanel bag again it works I actually

09:04

even really like the shirt I like the

09:05

little sort of ruffle down the placket I

09:07

like the fact that there's no tie I just

09:09

think that the Blazer is like the one

09:11

issue that I really have is I don't

09:12

really understand the fit of it I

09:15

understand that it flares out I

09:17

understand that at the waist it sort of

09:18

nips in but with Chanel specifically I

09:21

would think that they've done the work

09:23

they've dressed so many clients over the

09:25

years that I would think that they would

09:26

have some sort of understanding of how

09:28

to go around that and fit that without

09:33

it looking the way that it does so yeah

09:35

that's my big issue I I really don't

09:36

mind the look the jacket I don't mind

09:38

the skirt I just mind the fit of that

09:40

jacket next up we have Bradley Cooper

09:42

he's wearing Louis Vuitton here's my

09:44

thing there's something weird and it's

09:46

something that I'll talk about with

09:47

Coleman dingo too we got to figure out

09:49

the fit thing with LV men's something

09:52

about this Blazer in particular which I

09:54

really like the buttons on the Blazer I

09:56

like those little turquoise is looking

09:59

blue buttons the double rested whatever

10:01

it's fine but something about the Blazer

10:04

width is really big and then something

10:07

about the pant size is too thin and it

10:11

like makes Bradley Cooper look like he's

10:13

wearing a big Bell a big black Bell and

10:16

his his legs are just sort of like

10:18

dingling in the bell and I don't like it

10:22

and I'm sorry I understand that sleeves

10:24

crease As you move in them but like

10:27

something also about the crease here is

10:30

maybe throwing me off and it could be

10:31

because he's holding his arms like this

10:32

or whatever and it could be because his

10:34

leg is turned out I would think that it

10:35

shouldn't look like that even if that's

10:37

the case feel like there's a little bit

10:39

of a barrier to entry when it comes to

10:41

Fels Louis Vuitton where like we need to

10:42

figure out fit that's very important in

10:45

men's wear there's one thing that needs

10:47

to kind of be perfect is fit it should

10:50

fit well you especially in this context

10:52

so we got to figure that out and also

10:55

like some sort of tie or something would

10:57

have been nice like maybe a bolo

10:59

something there next up Carrie Mulligan

11:01

sorry this one gag me a bit I'm in it

11:04

listen we'll talk about Baga cuz that's

11:06

what she's wearing she's wearing

11:07

Balenciaga it's custom okure and we'll

11:10

get to Michelle yo but this is a

11:12

recreation of a Balenciaga from 1951

11:14

which feel however you want to feel

11:15

about blaga but like you cannot say that

11:18

chrisal blaga was not a master was not

11:21

an icon this is the blaga that

11:23

everybody's been asking for and Dem and

11:26

Baga they delivered this is a beautiful

11:29

form fitting mermaid dress in Black

11:32

Velvet that then cuts off with a

11:35

scalloped hem and then underneath that

11:37

shoots out this

11:39

beautiful Ivory tulle mermaid skirt that

11:43

is so incredibly gathered and I think

11:46

that's the thing too about the O cure of

11:48

Balenciaga when they're looking at the

11:50

archive is like such amazing stuff to

11:53

work with and I think that they're not

11:56

really tapping it enough a lot of the

11:58

time I don't mind Forward Thinking okure

12:01

I think it's cool I think it it's needed

12:03

there's so much of people don't really

12:05

know about balanciaga okure that I don't

12:07

mind them pulling pieces out of the

12:09

archive especially when it looks like

12:11

that you I mean there's nobody in the

12:13

world that could really look at Carrie

12:14

Mulligan and say oh it's a mother Quake

12:16

like not to be that but like mother

12:18

Quake it's a beautiful dress it fits her

12:20

immaculately the gloves everything it's

12:22

like a cartoon is sort of trying to like

12:24

cover all of this dress that she's

12:26

wearing it's just it's beautiful and

12:28

then you look at the pictures from 1950s

12:31

of the original they look so so similar

12:33

it's really really well done she looks

12:36

atherial next up we have Seline song

12:38

who's wearing L I really enjoyed Seline

12:41

this whole season I thought it's been

12:42

really really fun and I think that she

12:44

did a really good job of finishing it

12:45

off pretty strong not too crazy but also

12:48

again she really hasn't been like going

12:52

out of the box super uh but she's done

12:55

pretty simple takes on like black skirt

12:58

skirt suits or black suiting and I think

13:01

that this double breasted black and navy

13:03

blue skirt suit is the perfect way to

13:05

finish it off I think the black overall

13:08

double rested really beautiful but you

13:09

have one of the lapels in navy blue she

13:12

has this beautiful sort of elephant pin

13:15

button thing brooch and I just think

13:17

it's a cool way to take on again a skirt

13:19

suit I like the idea of the two layered

13:21

skirts I think that the teers are

13:23

interesting and to a certain degree it

13:25

almost looks like from afar that Selene

13:28

might actually be wearing like a pair of

13:29

capri pants and then she has sort of

13:31

like a little flare a little skirt tie

13:34

around piece at the waist that maybe is

13:35

coming up but then you look up close and

13:37

you're like oh no no no she's actually

13:38

like fully wearing a skirt so I think

13:40

there's like an interesting optical

13:42

illusion and it might just be that the

13:43

black sections are sort of intriguingly

13:46

contrasted by the navy blue I like the

13:48

idea of navy blue and black not really

13:49

ever working sometimes or at least to

13:51

some people I think it works I think

13:53

it's very much so what she's been doing

13:54

I'm happy with it into it next up we

13:56

have Killian Murphy who is wearing ver a

13:59

from what I know here's my thing I don't

14:02

know I wanted a little bit more from

14:04

Killian I just feel like it's a little

14:06

Plain Jane listen I love the boot love a

14:09

patent leather boot shout out to my king

14:11

but I think there's something about

14:13

tuxedo shirt and maybe just the way that

14:15

it like folds over with the cumber bun

14:17

it looks a little strange I do like the

14:19

tie the black little silk sort of scarf

14:22

bow tie I think it's cool I think the

14:24

jacket fits really really well again

14:26

great example of like certain Jack

14:29

should fit certain ways and in that

14:30

regard I'm into it I think maybe it's

14:32

just the shirt that I don't love so so

14:34

much and maybe I wanted a little bit

14:36

more Pizzazz but also like if he wins

14:38

the Oscar I get it he wants to look kind

14:41

of you know Dapper guy and in certain

14:43

ways there's little Pizzazz you know the

14:45

bow tie is there the boots so like you

14:49

know I'm seeing it but a little

14:51

disappointed in my Killian I feel like

14:53

we're now in an era where men can't rest

14:55

on their Laurels anymore you I mean you

14:57

got to step it up now let's talk about

14:59

Coleman Domingo and Louis Vuitton listen

15:01

jacket love beautiful stunning double

15:04

breasted absolutely gorgeous I love

15:07

almost floral like Crystal buttons I

15:10

think they're lovely I think they're a

15:11

really nice sort of Pop especially when

15:14

the rest of the suit is pretty normal in

15:17

terms of suiting it's not really doing

15:19

crazy Silhouettes I mean there's like a

15:21

slight flare in those pants and we'll

15:23

talk about them in a minute but it's

15:25

trying to sort of Pop without it

15:27

detracting too much from being a black

15:30

clean suit I do like the bow tie and I

15:33

like the big piece of jewelry in the

15:35

midst of the bow tie I also like the

15:36

jewelry in general I just think that

15:38

Coleman he has it he knows how to style

15:40

things I love the boots really love the

15:42

boots fella is pushing that Western Vibe

15:46

100% I like the sort of gold plate toe I

15:49

like the Embroidery in the boot as well

15:52

I think it adds a nice sort of

15:53

distinguishment I think maybe my issue

15:55

is the pant it's just a little weird to

15:57

me they're meant to flare

15:59

but there were certain points where he

16:01

was like walking and I could see them

16:02

and it almost again looked like at the

16:04

thigh the fabric was kind of like

16:06

bunching and it felt strange to me I

16:08

need the fit of the pants and sometimes

16:11

the Blazers to be figured out Cynthia

16:13

arivo in Louis Vuitton is Major it's a

16:17

moment I think there was a lot of real

16:20

good going on this Oscars so Cynthia is

16:23

wearing this full leather dress again

16:26

like I just want to reiterate this is a

16:28

full leather dress and it's very rare

16:30

that you see a full leather dress that

16:32

actually kind of looks good that fits

16:34

Well normally it's also in Black that's

16:37

the other thing is because black is the

16:39

absence of color a lot of time the light

16:41

is lost in it and that sort of helps to

16:43

to smooth that imperfections but this

16:45

being in green is kind of crazy because

16:47

again it shows a lot more light in it

16:51

and so where there are quotquot

16:52

imperfections you're going to see them

16:55

but the fit of this dress is fantastic I

16:57

love it I think that each of the seams

16:59

really work to sort of build in the

17:02

panels of the leather and to sort of

17:03

help actually accentuate the body I like

17:06

the Deep plunge I like the length of it

17:08

I think it's absolutely perfect I feel

17:10

like it has a nice sort of flow to it I

17:11

know a lot of people are going to be

17:13

like oh I don't get it that's fine you

17:14

don't have to get it but like I like the

17:16

fact that Louis Vuitton by Nicholas jier

17:19

which is the women's side of LV has

17:21

really started to understand the idea of

17:23

trimming a little bit of excess from

17:26

Nicholas very expansive and very sort of

17:29

put on World building that he does when

17:32

it comes to his shows and his

17:33

advertising campaigns and things like

17:35

that but with the red carpet they really

17:37

started to to sigh low some of these

17:40

elements to make them the focal feature

17:42

of a look rather than trying to put a

17:44

bunch of things together and it really

17:46

works cuz here when she turns around

17:48

she's like I'm calling it The okur

17:50

stegosaur she looks like a dinosaur who

17:54

has the beautiful Ridgebacks that were

17:56

created by again some small French woman

17:58

in fifth floor walk up in Paris like it

18:01

is beautiful you don't have to like it

18:03

you don't have to get it that's totally

18:05

fine I don't really mind if you're not

18:07

understanding cuz like that's a h

18:08

problem it's not a me problem but I love

18:11

the Gathering I love the ring I think it

18:13

adds this beautiful texture to the

18:14

leather and at the same time she's not

18:16

overpowered by it even if you don't like

18:19

it you can't look at it and really say

18:21

wow it's taking over it's eating her up

18:24

it's too big it's too much no no no

18:26

they've really done a good job of

18:27

letting this jacket only really be the

18:29

focal feature in the back so when she

18:31

turns around that's all you're looking

18:33

at but from the front it's a beautifully

18:35

fitted column gown with a sort of big

18:38

shoulder sleeve ruffle cruffle thing

18:42

it's a really smartly done piece and yet

18:44

it's fashioned forward it fits her

18:46

beautifully it's in a gorgeous material

18:48

that isn't always done very very well

18:50

probably one of the best Oscars looks of

18:52

the decade I'm putting it in there she

18:54

gets it next up we have dine Joy

18:56

Randolph who is also wearing Louis vuon

18:58

I don't mind it I don't love it it's not

19:00

my favorite dine look that I think we've

19:03

seen I think that for LV in particular

19:06

they don't normally dress women of

19:09

Devine's size it's it's just not it's

19:11

just not I would say in the normal

19:13

Stratosphere of what they do and I've

19:15

really enjoyed a lot of these fashion

19:17

brands that have been dressing dine

19:19

throughout the award season it's pretty

19:20

much an appli sort of column gown I

19:23

think it fits her nicely it has a halter

19:25

neck I don't really mind the halter neck

19:26

I don't like love the dress to be honest

19:29

it's kind of simple what I do think is

19:30

maybe a little bit more interesting is

19:32

these shredded pieces of chiffon that

19:34

create these big arm loofah things in a

19:38

similar blue it's almost the same shade

19:40

of blue and then from the back we can

19:42

also see that a train flies out I do

19:44

think that again like there are certain

19:46

elements of it that are fighting each

19:48

other I think that the arm ruffle scraps

19:52

are fighting the fact that you're also

19:53

having like a metallic column dress and

19:55

then the chiffon in the back is trying

19:57

to be like pretty pretty and so I think

19:58

there's a little too much going on we're

20:00

not letting one piece be the focal

20:02

feature and I do also wish that maybe

20:04

the dress was a little different there's

20:07

something about it that I'm not like

20:09

totally obsessed with it's not my

20:11

favorite look next up we have Daniel

20:13

Brooks who is wearing do Chen gabana I

20:15

like this I think it's nice I think it

20:16

works it's a little simple to be

20:18

completely honest but again I think that

20:20

the fit is good I don't really mind the

20:23

whole idea so we'll start at the top I

20:25

like the sort of semic curved neckline I

20:27

like the fact that also you have this

20:29

black corset in a silk which is a little

20:32

bit of a reflective silk what I do

20:34

really like though is the fact that

20:35

instead of just letting the boning be

20:37

exposed or the seams of the Bon be the

20:41

most important sort of feature and the

20:42

thing that's creating a contour I like

20:45

the idea of crystallizing it I don't

20:46

know if I've ever seen that maybe I have

20:48

but I I can't really remember recent

20:50

times that I've seen it I like the idea

20:52

I don't really mind it I think it's a

20:53

nice little detail I think it works I

20:55

also think like covering up the seams in

20:57

certain regards can can work unless

20:59

you're kind of like a master of

21:01

construction I wouldn't say doing as

21:03

like the masters of construction by any

21:05

means do I think that the silk CER bun

21:07

that branches out into a train is great

21:10

not really I think the CER bun part is

21:13

fine like the sash cumerbun thing I

21:15

think the train I'm not really

21:17

understanding and like I think it's also

21:19

the fact that the rest of the skirt is

21:20

in a matte black that I don't really get

21:23

per se but I don't think again that it

21:25

fits poorly I don't think it fits badly

21:27

I don't really hate it it's just kind of

21:30

there overall I think it's fine feel

21:32

like I've seen more exciting things but

21:33

again I'm still thinking about Danielle

21:35

Brooks in a recent Christian Serano

21:36

event so like this I will take and I'll

21:38

be fine with next up D The Rock Johnson

21:41

wearing toing

21:42

abana just because people say we will

21:44

dress you does that mean you say yes

21:46

this silk monstrosity it's awful I don't

21:49

know why he let them do this to him his

21:52

stylist should have said no no no I

21:56

would rather you wear something off of a

21:57

racket H&M than that wear a black suit

22:00

don't be too experimental you know as

22:02

much as I love an experiment sometimes

22:04

they go horribly wrong like

22:05

Frankenstein's monster horribly wrong I

22:08

don't understand why they thought that

22:09

that fabric would work as like a

22:11

tailoring Fabric and then not only did

22:14

the pant not only did the Blazer but

22:16

then like the shirt it's just all

22:17

crinkle wrinkle mess it's awful I don't

22:20

get it I really don't understand and

22:22

then I don't know what's going on with

22:23

like the the maroon thing and the fact

22:26

that the shirt is like a different shade

22:28

the suit the shoe Dwayne The Rock

22:31

Johnson what are you doing no bad

22:35

terrible next up we have Emily Blunt

22:37

she's wearing scaparelli okure that like

22:39

just came off of the runway and I don't

22:41

know why cuz this is like not the dress

22:44

listen you know me I like Kookie I like

22:46

crazy I like over the top the underwear

22:48

dress from the scaparelli collection is

22:51

like not really what I was thinking when

22:53

I say those things I do like overall the

22:57

gold I like the embellishment I like the

23:00

sequins I think that's really beautiful

23:03

I think it's really lovely if you take

23:04

out the underwear section it would have

23:07

been fine it would have been like a nice

23:09

beautiful dress the straps of the dress

23:11

are raised because something Daniel

23:12

Roseberry has been doing for quite some

23:14

times he was doing it during the

23:15

pandemic with scaparelli it's this idea

23:18

of surrealism and almost the strap sort

23:20

of being raised as a way to sort of like

23:22

play on this artistic moment and

23:24

movement of surrealism which Elsa

23:26

scarelli was a part of where essentially

23:28

you let the kind of mind wander and it

23:30

does its own thing and it's lucid and

23:32

flows and it's kind of crazy and your

23:34

eyeballs turn into Ravens and your Raven

23:37

turned into the clouds and skies and

23:39

whatever then it rains into like puddles

23:41

of toenails it's it's weird I like the

23:44

idea of the raay straps I think that's

23:46

fun but I think the thing that's really

23:48

weird and like it was like a fun little

23:50

gimmicky kind of thing on the runway of

23:51

like creating briefs or like an

23:54

underwear Motif Trump ly on a dress

23:57

Glenn maren's a diesel did much better

23:59

but I don't really get why they were

24:02

like yes Emily this is the dress to wear

24:05

on the Oscars I like crazy I like over

24:07

the top I like big I like bold I feel

24:09

like this is more of like a Vanity Fair

24:10

Afterparty dress I just think it's a

24:13

little too hokey gimmicky viral thing

24:17

and leaves like a weird taste to my

24:19

mouth I don't like it I don't enjoy it I

24:22

don't think it's funny it's kind of bad

24:25

the dress by itself without the brief

24:27

thing would have been great I think it

24:29

would have been really lovely I thought

24:30

it would have been a really really nice

24:32

take on scaparelli and I think there

24:35

would have been that element of Illusion

24:38

and surrealism and it it would have been

24:39

fun and then it would have just been

24:41

also a beautiful dress gorgeous stunning

24:43

dress but the underwear no we're good

24:45

thank you but no thank you I also will

24:47

say if I was going to pick a dress which

24:49

this is not my job so everybody that's

24:50

like why don't you give suggestion it's

24:52

not my job I'm not a stylist okay I've

24:54

never claimed to be it's not what I do

24:57

okay I talk to for a living that's

24:58

it I thought and I still think that a

25:01

better dress for Emily Blunt would have

25:03

been the sort of like feather pette

25:06

looking dress because the shoulders were

25:08

very 40s and very Oppenheimer esque in

25:11

terms of the decade and beautiful women

25:14

of the 30s and the 40s that had these

25:16

really sort of sharp big shoulders

25:18

because it was sort of imitating and

25:19

trying to sort of have that same

25:21

presence of tailoring to a degree at the

25:23

same time and I thought that would have

25:24

been better like leave the face mask

25:26

thing out I think that would have been a

25:28

better dress cuz it would have played a

25:29

little bit more to like the method

25:30

dressing element and yet still would

25:32

have been interesting still would have

25:33

been cool still would have been very

25:36

memorable I do understand that like

25:37

maybe that dress you couldn't have

25:38

picked because it's Ure and the client

25:39

might have bought it and said no no no I

25:41

don't want anybody else wearing it so I

25:42

get that but at the same time that's

25:44

what I would have wanted all right next

25:46

up M Stone Louis Vuitton I like it I

25:49

don't know I feel like I've joined the

25:51

cult of Nicholas just geare I think that

25:53

he gets it I think that that team is

25:56

really understanding the fact that again

25:58

Silo Silo an idea and it works I haven't

26:01

finished poor things I didn't watch it

26:02

all the way through so like do apologize

26:04

but I do think that this minty Jak card

26:07

was really really smart because if you

26:08

watch the beginning of the movie you

26:10

will actually see that in those sort of

26:12

beginning credits there is this minty

26:15

jaquard it's I think it's more of like a

26:17

mat lay because I don't think you can

26:18

actually like jaquard something that

26:20

similar because I feel like The Motif

26:22

would have to keep going but there's

26:23

this idea of like sewing and creating

26:26

these sort of pictures in silk Fabrics

26:28

in that color and that's kind of what I

26:30

thought maybe this reference is to a

26:33

degree and I also know that in the movie

26:35

I can't find the pictures of it but

26:36

there are panels on the walls that have

26:39

that sort of Matt leay on it and so

26:41

that's what I thought they were going

26:43

for and I kind of love that I think it's

26:45

a really Niche little reference point to

26:49

the movie if you've seen the movie I

26:51

loved it I also think it was smart that

26:52

they didn't go full Lego mutton sleeve

26:55

thing we had that once didn't really

26:57

work out everybody sad about it myself

26:59

included but we survive I do really like

27:02

this big pum because what I really like

27:05

about it is how stiff it is like when

27:07

she was moving I could see how stiff she

27:09

was like almost playing with it a little

27:11

bit and it was really stiff it's really

27:12

kind of kind of hard looking and

27:14

normally you'd feel like a Peplum kind

27:16

of is floaty and bouncy and it doesn't

27:18

look like that and the way that they've

27:20

done it to has that curvature in it and

27:23

to hold that sort of shape is really

27:25

intriguing do I think maybe the skirt

27:27

underneath could have been fitted a

27:28

little bit better sure I do but at the

27:30

same time I do really like the pum I do

27:33

really like the reference I do really

27:35

like the call back I think it is smart I

27:37

also think the color itself is perfect I

27:40

think it beautifully bounced off of her

27:42

eyeballs it was good it was solid I was

27:44

very happy with this I really enjoyed it

27:46

and I liked fact that if you watch the

27:47

movie you got a little something

27:49

something next up we have Erica

27:50

Alexander she is wearing Christian

27:52

Serano I needed to put this in here cuz

27:55

like you know there were a lot of people

27:56

when I did my and Christian Serano show

27:58

review that we're like what have you

28:00

ever done you don't know anything I want

28:03

to see your fashion show that's what you

28:05

were defending just so you know that

28:08

right there somebody put that on her and

28:10

said go represent my brand this is my

28:12

aesthetic this is my vibe I'd be

28:15

embarrassed if it was me it's not me and

28:17

I'm embarrassed cuz that is excuse my

28:19

French but atrocious that is disgusting

28:23

who would ever do that to somebody and I

28:25

don't ever want to hear that that man

28:26

says that he likes this woman because

28:28

evidently he doesn't because he put her

28:29

in that that's

28:30

awful listen I may be judgy you know I

28:34

have nothing to show for it tragic next

28:36

up we fine o Connell I don't know what

28:38

it is about making suits in this silk

28:40

that we're all thinking is a good idea I

28:42

don't know who he's wearing honestly I

28:44

haven't been able to find it it might be

28:45

xoni cuz I feel like he's been wearing a

28:47

lot of xoni recently but I also don't

28:48

want to Tribute this to anybody in case

28:50

it's not them so I don't know stop

28:53

making suits in this fabric it's not

28:55

working nobody can make it look good

28:57

good also as soon as they sit down in a

28:59

car it's done it's so creased it's so

29:01

awful it doesn't photograph well stop

29:03

doing it everybody please for your own

29:06

sake there are just there there are so

29:07

many better things a Phineas could have

29:09

worn that is not this again I'm not a

29:11

stylist it's not my job to figure out

29:12

what he should have worn but I know what

29:14

he shouldn't have worn and it's this

29:16

next up we have Florence Pew who is

29:17

wearing delore now delore is a smaller

29:21

Italian fashion brand I do really like

29:24

the top I do I love the top I also like

29:27

small fashioned brands that are from and

29:30

based in Italy cuz it's a very big pond

29:33

Big Fish City I don't love the skirt and

29:36

maybe it's just the way that she's

29:37

standing right now that is putting a

29:39

little bit of pressure onto that silk

29:41

and so when it photographs it looks kind

29:43

of weird I do like again that Florence

29:46

picked a young designer to wear I think

29:48

it's cool I feel like everybody else for

29:49

the most part's gone for really really

29:51

big Brands she went for a smaller brand

29:53

I do really respect that love this

29:54

curvature sort of like mermaid sheer

29:57

crystal top thing I just don't really

29:59

like the skirt I appreciate that we

30:00

tried to at the waist sort of add in

30:03

Crystal so that it's kind of similar or

30:06

whatever I don't love the skirt don't

30:08

love the skirt at all unfortunately next

30:10

up we have gret Lee who just get like

30:13

knocked it out of the park she's wearing

30:15

L it's straight Off The Runway from the

30:17

most recent collection I love it like

30:19

she just she is stunning she's gorgeous

30:22

she's beautiful and I think that this

30:23

dress is a perfect mixture of something

30:26

that is kind of more or less pretty

30:28

simple I mean it's a black column dress

30:31

with a little bit of back exposure the

30:33

draping of the white that sort of starts

30:35

up at the neckline and Loops into these

30:37

sort of front pockets is just intriguing

30:40

I think it's a different way of doing

30:42

sort of gathering draping flowiness in a

30:44

dress but it still has that interesting

30:47

Jonathan Anderson twang of L to it and

30:50

so you're just kind of like oh beautiful

30:52

stunned gorgeous lovely effortless and I

30:55

feel like Greta also has been focusing

30:56

on her back a lot recently throughout

30:58

the season so it's been fun to also see

31:01

these sort of little elements here and

31:03

there sort of jut in it doesn't have to

31:05

be run-of the-mill it can be strange a

31:08

little AV on guard a little bit twisted

31:10

and jigged and all those kinds of things

31:12

she looks beautiful sorry I don't care

31:15

next up we have Haley Steinfeld who is

31:16

wearing Ellie Saab I really like this as

31:19

well honestly I thought it was kind of

31:21

interesting it's a very light blue

31:24

chiffon that at the neckline and sort of

31:27

part of the bodice is this gold and gray

31:30

embellished that then flows into the

31:33

gathered chiffon it's floral length it's

31:35

really pretty I like the silhouette of

31:37

the skirt actually cuz it does sort of

31:38

hug the hips it seems but at the same

31:40

time it flows out in an a-line so it

31:42

gives you a little bit more oomph in

31:44

terms of a skirt I also like the fact

31:47

that there are sort of these gauntlets

31:49

that sit on parts of her wrist and parts

31:51

of her arm that sort of correlate to

31:54

what's going on on the bodice but it

31:56

also sort of gives her the ability and

31:58

connects the chiffon at the back so it

32:01

is all one sort of fluid motion of piece

32:05

yet she's still able to expose a lot of

32:08

the chest a lot of the shoulder a lot of

32:10

the arm it is a really interesting

32:12

design again I think it's a cool way of

32:14

showcasing that you can do really

32:16

beautiful really gorgeous really easy

32:19

gathered flowy dresses but it doesn't

32:21

have to feel like you've seen it a

32:23

million times it can be a little

32:25

different it can be a little out there

32:27

can be just something lovely so I'm very

32:31

into this stun next up we have Jennifer

32:33

Lawrence who is wearing Christian deor

32:35

it's kind of just there not really

32:39

memorable not really exciting not really

32:41

interesting here's the thing I don't

32:44

like hate it it doesn't offend my

32:47

eyeballs it's a strapless somewhat was

32:51

waisted sort of floor length gown with

32:53

black and white polka dots and the polka

32:55

dots aren't just your normal noral

32:57

perfectly circular polka dots and then

32:59

she has this sort of stole that like

33:00

asymmetrically wraps around I don't know

33:03

why we have to asymmetrically wrap

33:04

around things but it's Maria graia so

33:07

sure I do really like the Gathering at

33:09

the waist I can't tell if it's not

33:13

pulled on correctly or maybe she's just

33:14

standing a certain way but it almost

33:17

looks like one side is higher than the

33:19

other and like the dress isn't on

33:22

straight like it it's not on fully

33:24

facing so I'm not really sure but listen

33:27

she looks really pretty but like do I

33:29

care will I remember it no do I think

33:31

the dress fits her beautifully

33:32

absolutely and I like that and I respect

33:34

that and that's great but I don't know I

33:36

want a little more from Jennifer

33:38

Lawrence I I miss the fun Jennifer next

33:41

up we have Jodie Foster she's also

33:43

wearing L it's this silk draped style

33:47

that's partially crystallized I'm going

33:49

to be honest they're elements of it that

33:51

I really really like I like the neckline

33:53

I like asymmetrical straps and and

33:56

gather in like on one side but is it

33:59

enough to make me really like the dress

34:01

overall no I don't like it I think I'm

34:04

putting it in the context of L and it's

34:06

again artistic it's not different enough

34:08

that I'm like oh okay I can see what

34:10

we're doing I like the idea I just think

34:12

there's something about it that doesn't

34:14

really deliver I think there are subtle

34:16

little details that are interesting but

34:18

I don't think that they all harmonize

34:20

super well I don't think that there's

34:22

anything that really stands out as like

34:24

a focal point that makes you say oh my

34:27

gosh listen crystal is on a silk dress

34:30

kind of seen it before it's whatever

34:32

it's not really memorable not really

34:33

exciting there are certain things that I

34:35

could get into but like how much can I

34:38

get into them I'm not really sure and so

34:40

yeah I feel like it's a little bit of a

34:42

a flop here really not not loving

34:46

whatsoever unfortunately next we have

34:48

Leia Lewis with the utmost respect to

34:50

her no clue who she is but I really like

34:52

this dress it's lever Couture it's this

34:55

horsehair ribbon dress so it's

34:56

essentially it's all pieces of horsehair

34:58

ribbon that are sort of layered and

35:00

draped and swooped and swagged and

35:02

that's where you get this sort of

35:03

ethereal movement and that's also why

35:06

the ribbon sort of in a loop at the end

35:08

that's what creates that train it's

35:10

really cool I like the idea of somebody

35:12

taking a piece of fabric that normally

35:15

would sit underneath things not really

35:18

as the focal point of a garment and

35:19

making it the focal point of the Garment

35:22

yet it doesn't feel like it's

35:23

deconstruction it doesn't feel like it's

35:25

sew on the nose of you know using seams

35:28

and rather it's really kind of pretty I

35:30

think the pink really works I think the

35:31

draping of the ribbon works it I just

35:34

think it's a really cool way of

35:36

utilizing this textile that normally

35:39

doesn't get it Shine I think it's very

35:41

beautiful and lovely and gorgeous and

35:43

I'm happy to see it next up we Lily

35:44

Gladstone she's wearing custom Gucci and

35:46

she also is wearing jewelry by Joe Big

35:49

Mountain that's what we can see here I

35:51

really do like the necklace I think it's

35:52

beautiful and I like the fact that Lily

35:54

has kept utilizing Native American

35:56

American jewelry designers or designers

35:59

in general to sort of incorporate

36:01

elements into her wardrobe I think it's

36:03

been fun I've liked to see it I do

36:04

really love that necklace it's gorgeous

36:06

and I think they did a really good job

36:07

of matching the actual color of the

36:09

dress to what's going on in the necklace

36:12

I I do kind of like the dress listen

36:14

from the front I think it's a little

36:15

blah it's a really dark blue velvet I

36:19

believe which fits her miraculously

36:22

unfortunately I think because of you

36:23

know the color and and the shade of it

36:25

it really is a blue that like black will

36:28

suck in the light especially when it's

36:29

in velvet so I don't think you really

36:31

get to appreciate it all that much but I

36:33

like the color blue I love that blue in

36:35

a velvet I think it sets itself apart a

36:37

little bit from black but I like the

36:39

fact that at the neckline you have this

36:41

sort of piping detail that is fully

36:43

fully fully 100% embroidered it's

36:46

encrusted with crystals and little

36:48

stones or whatever and the blue is

36:51

lovely it's a beautiful color and I love

36:54

the little silver X's that run through

36:56

it and just that little line to

36:58

differentiate where the Velvet starts

37:00

with the crystals as well but on the

37:02

back of the dress we can see that they

37:04

are these sort of little floral pieces

37:07

now I don't know if they are Gucci

37:10

Originals or if they're by Joe big

37:12

mountain and they've just been added to

37:14

the Gucci dress because I know that Joe

37:16

Big Mountain the designer of the jewelry

37:19

does do pieces that sort of look like

37:22

this I have a feeling he might have done

37:24

those I kind of like that I like the

37:25

fact that Gucci said said you know what

37:27

listen we see where you're going we can

37:29

100% work with that I think that's cool

37:30

and I think that's also what brands need

37:32

to do in certain circumstances

37:34

somebody's really trying to push this

37:35

narrative they're really trying to like

37:36

uplift and bring in beautiful Heritage

37:39

textiles techniques and things like that

37:41

do that why not be a part of that it

37:44

only benefits you and also it looks nice

37:48

I'm into this I think it's fun it's not

37:50

the craziest Lily Gladstone look I've

37:52

ever seen but also I think for her first

37:54

I believe Oscar nomination especially

37:56

for were as big of a role like Killian

37:58

Murphy I get wanting to go for something

38:01

like this I think it works and I do

38:02

really think that there's a lot of

38:03

details and elements to it that are

38:05

beautiful next up we have Lupita nongo

38:07

she is wearing Armani pre gorgeous I

38:10

think Lupita for the most part always

38:12

delivers just gorgeousness I think the

38:15

color of this dress is lovely from what

38:17

I heard this dress is actually from 2020

38:19

it was made by armman and Lupita didn't

38:22

wear it for something and so she kind of

38:24

brought it out for this which I love

38:26

listen somebody put a lot of time and

38:28

effort into that okure gown you should

38:30

wear it at a later date and I'm happy

38:32

that you did the full crystal in this

38:35

really pale Dusty blue is lovely I like

38:39

the feathers that start right below the

38:41

waist and sort of cover the hip I think

38:43

it does a really great job of

38:44

emphasizing the hip and it's not just

38:46

like a straight block around the hip or

38:48

a straight line rather it sort of floats

38:52

and then slowly sort of moves down and

38:54

around the hip and I think that's really

38:56

smart I think that's the thing about her

38:57

money that I always really love is the

38:59

fact that that brand they know how to

39:01

make gorgeous clothes you know what I

39:02

mean the craftsmanship is there they

39:04

understand how to accentuate body I love

39:06

the bottom of the dress too the feathers

39:07

there are really gorgeous she looks

39:10

great next we have Margo Robbie who is

39:11

wearing verace as well and she is

39:13

wearing a oraton dress it's actually

39:16

from the recent Runway the fall 2024

39:18

show form fitting oraton dress strapless

39:21

and then having a draping detail that

39:23

sort of sits across the hip really not

39:25

my favorite

39:27

look I know that people have said that

39:29

more or less they think Margot wasn't

39:31

nominated as an actress she's more than

39:33

likely as a producer of the Barbie film

39:35

being a little bit cmer you know taking

39:36

a back step in the same way that like

39:38

Seline song as a director or Greta

39:39

gerwick they're there and they want to

39:41

look beautiful I do think the dress

39:43

looks nice on her it's a chain mail

39:45

metallic textile that you're draping

39:48

like that she looks gorgeous but she's

39:49

also Mar girl Robbie so it kind of goes

39:51

without saying it's fine it's whatever I

39:53

want more of course even if you are a

39:55

producer you're still so morgo Robbie

39:57

and I want uh it's there I don't hate it

40:00

I don't love it it's fine he next up

40:03

Michelle yo I love Michelle yo but this

40:05

Balenciaga dress I hate Michelle yo is

40:07

wearing Balenciaga I believe it's

40:09

probably okure it is this half light

40:12

silver half dark silver sequin gown with

40:16

train it's it's ugly can't really do

40:18

anything about it I think there's

40:20

certain moments for sein work and

40:21

they're great and they're wonderful but

40:22

like this is an ugly dress Michelle yo

40:24

is Michelle yo so like she pulls things

40:25

off she always looks beautiful she

40:26

always look stunning but it's gross I

40:28

just think it looks cheap I think it

40:31

looks kind of trashy and like I know

40:33

demna blaga all that like the man

40:36

literally just sent like backpacks as a

40:38

dress out on the runway so like at the

40:41

same time like I don't think that an

40:42

okur piece like this is meant to not

40:45

look great on a red carpet I don't think

40:49

try to do like subversive Fashion on

40:51

Michelle yo there's like certain things

40:53

you don't do that to National Treasure

40:55

you make her look nice nice I just don't

40:57

love it listen she's selling me or she's

41:00

trying to sell me on the Garment and

41:01

like I'm trying to be there for it but

41:05

there's just something about that like

41:06

weird sort of

41:08

diagonal curve of where the fabric

41:10

changes and the color changes it just

41:12

doesn't work I just think the fabric is

41:13

too much the shoe also like I don't love

41:15

the gloves I really don't love I just

41:17

think in general it's not a good even

41:20

like the neckline like it's a weird

41:23

drapey like turd of a neckline it's just

41:26

I don't like it no sorry next up we read

41:28

Mareno icon Legend love this big ruffle

41:32

neckline that flows down the dress it's

41:35

beautiful she looks great she's carrying

41:37

it the big gloves she looks hot she

41:39

looks sexy I love R marinaa like what

41:42

else are we going to do next up we have

41:43

Riz Amed who is wearing Marne I love

41:46

this I think this is a great example of

41:48

like you can wear interesting things to

41:50

the Oscars men it's possible he's doing

41:52

it this brown threepiece suit thing is

41:56

great it's very Franchesco Rizzo for

41:59

Marne like I like the fact that it's a

42:01

beautifully fitted coat I would say or a

42:05

Long Jacket I guess it's frayed at the

42:07

edges I'm trying to figure out if to

42:09

cover the jacket with an extra fabric so

42:11

that the lapels are sitting underneath

42:13

the fabric and it almost looks like

42:14

they're trying to push out and it's the

42:16

same thing with the buttons cuz the

42:17

buttons look like they are covered by

42:19

Fabric and so it gives it this really

42:21

interesting sort of layered situation

42:24

that I love and we can see that on the

42:25

sleeve there's a fabric panel at the

42:27

back that's black so like maybe only the

42:29

front is covered in this brown Fabric

42:31

and that's why it looks like all these

42:32

pieces are covered I also just like even

42:34

love the fact that the button holes on

42:36

the other side are just like punctures

42:38

in the fabric it's not you know a

42:39

beautifully cut button hole little

42:42

threads that help to sort of ease the

42:44

button in no no no it's just literally

42:45

like they took a screwdriver to stab

42:47

great move on to the next one I like the

42:49

turtleneck it's weird it's sculptural I

42:51

like the pants I like the fact that we

42:53

also like chose a black shoe cuz it

42:55

works with the back of the the fabric

42:56

like this is cool this is fashion this

42:58

is also like just beautiful Men's Wear

43:00

looks stunning I'm into it next up we

43:01

have Ryan Gosling who is wearing Gucci

43:04

he's been doing like very chill

43:07

casual looks for the most part and I

43:10

don't really mind it like Ryan tries and

43:13

he has a little something but he's not

43:16

doing crazy Silhouettes he's doing

43:17

fitted men's suits that are casual and

43:20

then there's a little either color

43:22

change or there's a little piping detail

43:24

which is what we're seeing here in this

43:25

black suit I do really really like

43:27

they're these really nice sort of Shaw

43:29

lapels that sort of come down they're

43:32

piped in this little silver uh sequin

43:34

situation and the same thing with the

43:35

placket of the shirt the same thing with

43:37

the collar of the shirt as well the pant

43:40

fit I think is pretty good I think it's

43:41

fine the man could could go out on a

43:44

limb and I don't know wear a boot sabaro

43:47

Uchi I'm sure makes a beautiful boot I

43:49

think the putting the sleeves in the

43:50

pocket maybe not the best it bunches up

43:52

the sleeves like that I like the idea I

43:54

like it it feels very modern Gucci in

43:57

this iteration of it it doesn't feel

44:00

boring boring but like I think I'll take

44:02

that for a leading man next up we have

44:04

Sandra huller and she is wearing

44:06

scaparelli I like this I think this is

44:08

fun I think that it's a fitted black

44:10

gorgeous velvet gown the waist nipped

44:13

and then I think the interesting thing

44:15

about scaparelli is you can do really

44:17

simple beautiful fitted dresses but one

44:21

element of the dress will have some sort

44:23

of crazy proportion or crazy

44:24

embellishment and it can work really

44:26

really well I think that the neckline

44:28

sort of jutting out and being almost

44:29

like a gigantic bow tie of some sort is

44:31

really lovely I think it's beautiful I

44:33

think it frames the chest in a gorgeous

44:35

way I think it also like kind of frames

44:37

the arms really really well too it also

44:40

because it's so big the proportion is so

44:42

big it shrinks you a little bit so it's

44:44

always going to make you look smaller

44:45

and not that everybody wants to look

44:46

smaller but that's the smart thing about

44:48

certain proportions of certain garments

44:50

is it can change your perception of the

44:53

person's body to a degree I do like the

44:55

key hole it's this gabrielli signature

44:57

Daniel Roseberry really is pushing it in

44:59

the silver crystals I think it works I

45:01

think she looks lovely nice dress and

45:04

it's a great way of showing that you can

45:06

do simple and there can to be one detail

45:08

that really makes it nice I like it and

45:12

finally we have Zena listen she is

45:14

wearing Armani pre this is O cure I'm

45:18

sure that it maybe maybe I don't know if

45:20

it's custom actually I don't want to say

45:21

it's custom and it's not I'm I'm really

45:23

unsure but she's wearing this beautiful

45:25

pink organ a reflective gown that's

45:28

asymmetrical and there's sort of this

45:30

like chain mail or sequined or

45:32

embellished bodice and this sort of palm

45:35

tree fronded explosion that runs

45:38

throughout the pink silk organza she

45:40

looks lovely listen it's not the

45:42

craziest in day look that I've seen But

45:44

like she's also been really carrying

45:45

everybody on her back recently so like

45:48

I'm willing to let her just have like a

45:49

beautiful gorgeous stunning Diva moment

45:52

and at the same time it's not like it's

45:54

just a pink or orza dress so it's not

45:57

like it just is a white dress with

45:59

silver secret no there's like a design

46:00

element to there's Intrigue there's

46:02

layer there's Nuance there's texture

46:04

there's fabric like it all works really

46:07

really well she looks beautiful she

46:09

really really really really really looks

46:11

beautiful in it it's a gorgeous dress

46:13

the color is fantastic the silver the

46:15

bodice you could put her in a greasy ass

46:18

pizza box and she would make me say oh

46:20

my God we've been sleeping on greasy

46:23

pizza boxes textiles for centuries

46:25

what's wrong with us and with that let's

46:27

get into our best and worst cuz we're

46:30

done best Cynthia Riva Louis Vuitton

46:33

100% in my best Carrie Mulligan Blen

46:35

siaga in my best America Ferrera verace

46:38

in my best Ana Taylor Joy oh G Le I will

46:41

put in my best in L uh leel Lewis I'll

46:44

put in my best I will put Lup nango and

46:47

Armani PRI in my best I will put I'm

46:50

going to throw Haley Steinfeld in there

46:52

because I feel like it oh Riz Amed in

46:54

yeah Mar good loved great and Lily

46:57

Gladstone I really liked it I thought it

46:59

was nice I thought it really really

47:00

worked well now let's talk about worst

47:02

Bradley Cooper Dwayne The Rock Johnson

47:05

that was rough Erica Alexandra and

47:08

Christian Serano I'm so sorry it's not

47:10

her fault and I feel terrible Michelle

47:12

yo and Baga did not love oh Emily Blunt

47:15

I really didn't like it I wanted to like

47:17

it but it hurts my eyeballs that is the

47:20

end of this video I hope you guys all

47:21

enjoyed I will see you guys on the next

47:22

one and TT y oh

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