One Direction Carpool Karaoke

The Late Late Show with James Corden
15 Dec 201513:22

Summary

TLDRنص النص المقدم يتضمن محادثة تفاعلية بين مجموعة من الأصدقاء أو زملائ في سيارة، يناقشون المرور وكيفية المساعدة في الوصول إلى العمل. يتضمن النص أيضًا قصة مضحكة عن معجبة مزعجة، وبعض الأغاني التي تتضمن أغاني الفرقة One Direction مثل 'You Don't Know You're Beautiful' و 'The Story of My Life'. كما يتضمن النص حوارًا حول ال休憩 وخيارات الترفيه المختلفة التي يمكن أن تتخذها الأفراد في هذا الوقت الفراغ. يختتم النص بتعبير عن حب وتقدير لبعض الأصدقاء.

Takeaways

  • 🚗 في البداية، يواجه شخص ما مشكلة في المرور ويطلب المساعدة من صديق آخر للوصول إلى العمل.
  • 🎶 يتضمن النص مقاطع من أغاني مختلفة، بما في ذلك أغنية 'You Don't Know You're Beautiful' وأغنية 'The Story of My Life'.
  • 🤣 تتضمن النص بعض الضحك واللعب والتعليقات الخفيفة على الأحداث والمواقف.
  • 🚨 يُذكر في النص عن موقف مزعج حيث يتابعه شخص ما لعدة أسابيع.
  • 🏠 يُناقش في النص موضوع الأمان وال Invasion of privacy، مثل عندما يتحدث جيمي عن تجربة من قبل متابع مزعج.
  • 🎉 يُطرح في النص فكرة لعمل سينما بسيط، لكن لا يتحقق.
  • 🕺 يُناقش في النص عن الأداء الغني و الرقص، وكيف قرر المجموعة اللا رقص في مقاطعهم الغنائية.
  • 👕 يُذكر في النص عن الملابس المتطابقة التي يرتدونها الأفراد في مقطع موسيقي لأغنية 'No Control'.
  • 🎲 يُناقش في النص لعبة 'Sleep, Marry, Cruise' التي يختارون بين ثلاث نساء من الشخصيات الشهيرة.
  • 👨‍👧‍👦 يُناقش في النص عن الراحة والخوف من الراحة التي سيحصلون عليها بعد التوقف عن العمل لفترة من الزمن.
  • 🎤 يُذكر في النص عن الأداء الغنائي وتجربة الرقص و如何选择 الملابس المتطابقة للأداء.

Q & A

  • ما هي الحالة التي تواجهها الشخص الذي يتحدث في البداية؟

    -الشخص يواجه مشكلة في المرور ويبحث عن مساعدة لصل إلى العمل.

  • ما هي الأغنية التي ت])-ت من قبل الشخصين في سيارة؟

    -الأغنية التي تغنيها هي 'You Don't Know You're Beautiful'.

  • ما هي القضية التي تثير القلق لجانمس؟

    -القضية التي يشعر بها جانمس هي وجود متتبعين يقتربون من منزله مما يشعره بالخوف.

  • ما هي الفكرة التي يطرحها جانمس لعمل موسيقى جديدة مع المجموعة؟

    -جانمس يقترح على المجموعة عمل فيديو كليب لأغنية 'No Control' مع روتين رقص وملابس متطابقة.

  • ما هي المجموعة التي يتحدث عنها جانمس؟

    -المجموعة التي يتحدث عنها جانمس هي مجموعة شباب كانت تفعل أغاني وعروض تناغم.

  • ما هي الأغنية التي يحاول جانمس أن يغنيها في النهاية؟

    -الأغنية التي يحاول جانمس أن يغنيها في النهاية هي 'Nobody Can Drag Me Down'.

  • ما هي الفكرة التي يطرحها جانمس حول العطلة التي سيأخذها المجموعة؟

    -جانمس يطرح فكرة إعادة النظر في العطلة لأنه يشعر أنها تلعب على الشيء الصحيح.

  • ما هي المشاعر التي يشعر بها الشخص الذي يتحدث عن العطلة؟

    -الشخص يشعر بالخوف لأنهم لم يتوقفوا منذ خمس سنوات ويتوقعون أن يكون لديهم وقت قصير مع العائلة.

  • ما هي المجموعة التي يتحدث عنها في سياق اللعب 'Sleep With, Marry, Cruise'؟

    -المجموعة التي يتحدث عنها هي Demi Lovato, Selena Gomez و Tina Fey.

  • ما هي الأغنية التي تتضمن 'driving with your windows down'؟

    -الأغنية التي تتضمن هذه العبارة هي 'Best Song Ever'.

  • ما هي الأغنية التي يغنيها الشخص في النص الأخير؟

    -الأغنية التي يغنيها هو 'Nobody Can Drag Me Down'.

Outlines

00:00

🚗 Traffic Rescue and Carpool Karaoke

The first paragraph of the video script depicts a scenario where a person is stuck in traffic and calls a friend for help to get to work. The friend agrees to help, and they plan to meet in two minutes. Once together, they express gratitude and discuss the traffic situation. The scene transitions into a car ride where they engage in light-hearted banter, listen to music, and even joke about a stalker fan. The paragraph ends with a humorous note about someone's rear end feeling like it's on fire due to the heat of the car seats.

05:04

🎤 Reflecting on Boy Band Past and Future

In the second paragraph, the conversation shifts to the topic of boy bands and their routines. The individuals discuss their past decisions against adopting typical boy band characteristics such as synchronized dance routines and matching outfits. They humorously consider creating a music video for a song called 'No Control' with choreography, which they believe would be a departure from their usual style. The paragraph concludes with a playful debate about whether they should reconsider their hiatus, suggesting that they are still very much in sync and enjoying their time together.

10:07

🎶 Music, Memories, and Personal Time Off

The final paragraph captures a mix of nostalgia and anticipation for the future. The individuals reminisce about a memorable dance and a song that, although forgotten, holds a special place in their memories. They also discuss their upcoming time off after five years of non-stop work, expressing both excitement and apprehension. The conversation touches on the importance of family and personal interests, hinting at the possibility of exploring individual passions during their break. The paragraph ends with a heartfelt thank you from James to his bandmates, expressing his deep appreciation for their camaraderie.

Mindmap

Keywords

💡TRAFFICWISE

‘TRAFFICWISE’ يشير إلى الوضع المروري، ويعتبر جزءًا أساسيًا من النص حيث يستخدم الشخص الواحد للتعبير عن مشاكل المرور التي يواجهها ويتطلب المساعدة من الصديق للوصول إلى العمل. في النص، يقول: 'I'M IN A REAL BIND TRAFFICWISE'، مما يشير إلى تلقيده مع مشاكل المرور.

💡SEAT BELTS

‘SEAT BELTS’ تشير إلى حزام الأمان في السيارات، ويعتبر الأمان الشخصي هو موضوع مهم في النص. في النص، يذكر الشخص: 'MAKE SURE YOU PUT YOUR SEAT BELTS ON'، مما يشير إلى التأكيد على أهمية الأمان أثناء الرحلة.

💡BEAUTIFUL

‘BEAUTIFUL’ هي كلمة تشير إلى الجمال، وتستخدم في النص لوصف الشخص الذي يُحب. في الأغنية التي يُ唱 في النص: 'YOU DON'T KNOW YOU'RE BEAUTIFUL'، يُستخدم لوصف الشخص الذي يُعتبر جمالًا غير معلومًا لنفسه.

💡CRUISE

‘CRUISE’ يشير إلى رحلة بسفينة للترفيه، ويُستخدم في النص لوصف خيار في لعبة الاختيار. في النص، يُستخدم في اللعب 'SLEEP WITH, MARRY, CRUISE'، حيث يختار الشخص أن يسافر في سفينة لعام مع شخص ما.

💡BOY BAND

‘BOY BAND’ تشير إلى مجموعة من الفتيان الذين يغنيون ويرقصون، ويُستخدم في النص لوصف المجموعة التي ينتمي إليها الشخص. في النص، يُناقشون حول إطلاق مقاطع فيديو جديدة لأغنية 'NO CONTROL' ويُذكر أنهم 'PROPER BOY BAND'.

💡DENIM SHIRTS

‘DENIM SHIRTS’ تشير إلى قمصان من القطن الصلب، ويُستخدم في النص لوصف الملابس التي يرتدونها الأفراد. في النص، يُذكر أنهم يرتدون 'DENIM SHIRTS'، مما يُظهر أنهم يرتدون ملابس متطابقة.

💡HIATUS

‘HIATUS’ يشير إلى فترة من الراحة أو التوقف، ويُستخدم في النص لوصف فترة الراحة التي سيأخذها الأفراد. في النص، يُناقشون كيف سيكون样的体验 أن يتوقفوا عن العمل لفترة من الزمن.

💡FAMILY

‘FAMILY’ تشير إلى العائلة، ويُستخدم في النص لوصف العلاقات الشخصية التي تهم الأفراد. في النص، يذكر الشخص أن والديه سيعيشون معه لفترة من الزمن، مما يُظهر أهمية العائلة في حياته.

💡DREAMING

‘DREAMING’ يشير إلى الحلم، ويُستخدم في النص لوصف أحلام الشخص. في الأغنية التي يُ唱 في النص: 'IF YOU LIKE DOING EVERYTHING, YOU'VE BEEN DREAMING ABOUT'، يُستخدم لوصف ما يُريده الشخص.

💡DRAG ME DOWN

‘DRAG ME DOWN’ هي عبارة تشير إلى التأثير السلبي الذي يمكن أن يؤثر على الشخص، وتستخدم في النص لوصف القوة الإيجابية التي لا تسمح للمشاكل أو الآخرين بتأثير الشخص. في الأغنية التي يُ唱 في النص: 'NOBODY CAN DRAG ME DOWN'، يُستخدم لوصف القوة الشخصية التي تمنع الآخرين من أن يضعفون الشخص.

Highlights

A friend is in a traffic bind and asks for help to get to work.

James offers to help and they agree to meet in two minutes.

The friend expresses gratitude for the assistance.

James and the group engage in a playful banter about needing everyone.

James suggests they listen to music during the ride.

A song is played with lyrics about self-perception and beauty.

A humorous moment where someone's 'ass is on fire'.

James discusses the experience of fame and fans showing up at his house.

A funny anecdote about a fan bringing milk to James' house.

James proposes a bad comedy skit with the group.

The group discusses their reluctance to do dance routines like other boy bands.

James suggests creating a music video for 'No Control' with choreography.

The group agrees to wear matching outfits for the hypothetical music video.

James expresses his desire for the group to rethink their hiatus.

The group shares their plans for the time off, including spending time with family.

James and the group engage in a game of 'Sleep With, Marry, Cruise'.

James raps a verse, impressing the group with his flow.

James thanks the group for helping him get to work and expresses his love for them.

Transcripts

00:01

HEY, MATE.

00:01

IT'S ME.

00:02

I'M IN A REAL BIND TRAFFICWISE. I KNOW YOU'RE IN TOWN.

00:05

IS THERE ANY WAY YOU'LL JUST BE ABLE TO HELP ME GET TO WORK?

00:09

ARE YOU SERIOUS?

00:13

YEAH. I'LL SEE YOU IN TWO MINUTES.

00:15

WHAT A RELIEF.

00:17

HEY, MAN. THANKS -- THANKS FOR THIS.

00:20

I REALLY APPRECIATE IT. THE TRAFFIC.

00:23

>> I KNOW.

00:23

I KNOW. >> JAMES.

00:27

[CHEERS AND APPLAUSE] JAMES: I OM NEED ONE.

00:30

>> HOLD ON. [CHEERS AND APPLAUSE]

00:33

JAMES: I REALLY DON'T NEED EVERYONE.

00:35

WOW.

00:37

>> THE MORE THE MERRIER, RIGHT? JAMES: I GUESS.

00:42

I GUESS.

00:43

LET'S GO. >> LET'S GO.

00:45

>> MAKE SURE YOU PUT YOUR SEAT BELTS ON.

00:49

JAMES: SEAT BELTS ON. IF ANYONE NEED TO WEE, HOLD IT.

00:55

WE MIGHT GET SOME FOOD. DO YOU GUYS HIND IF WE LISTEN TO

00:59

A BIT OF MUSIC -- MIND IF WE LISTEN TO A BIT OF MUSIC?

01:06

♪ YOU'RE IN SECURE, YOU'RE TUSHING HEADS WHEN YOU WALK

01:09

THROUGH THE DOOR DON'T MAKE UP

01:11

TO COVER UP BEING THE WAY THAT YOU YOU ARE

01:17

IS ENOUGH EVERYONE ELSE IN THE ROOM CAN

01:21

SEE IT EVERYONE ELSE BUT YOU

01:26

BABY YOU LIGHT UP MY WORLD LIKE NOBODY ELSE

01:29

THE WAY THAT YOU FLIP YOUR HAIR GETS ME OVERWHELMED

01:34

BUT WHEN YOU SMILE AT THE GROUND IT AIN'T HARD TO TELL YOU DON'T

01:39

KNOW YOU DON'T KNOW YOU'RE BEAUTIFUL

01:43

ONLY I CAN SEE I WANT YOU SO DESPERATELY

01:50

RIGHT NOW I'M LOOKING AT YOU AND I CAN'T BELIEVE

01:53

YOU DON'T KNOW OO YOU DON'T KNOW YOU'RE BEAUTIFUL

01:57

OOO THAT'S WHAT MAKES YOU BEAUTIFUL

02:02

♪ >> STOP IT.

02:06

MY ASS IS ON FIRE.

02:09

JAMES: LOOK, LOOK, WE HAVE SOME PEOPLE HERE.

02:12

>> SHE'S BEEN FOLLOWING ME FOR WEEKS.

02:15

>> OHINGS MY GOSH -- >> HELLO.

02:18

>> DRIVE SAFELY.

02:21

>> DRIVE SAFELY.

02:23

>> YOU DON'T HAVE YOUR BELT ON, YOUNG LADY.

02:26

>> I'VE SEEN HER A COUPLE OF TIMES.

02:28

JAMES: IS IT SCARY FINDING OUT WHERE YOU LIVE --

02:32

>> IT DOES GET A BIT SCARY WHEN THEY ARE KIND OF CLOSE -- WHEN

02:37

PEOPLE ARE CLOSE TO YOUR HOUSE. I REMEMBER A COUPLE OF YEARS

02:39

AGO, I TWEETED THERE'S NOTHING WORSE THAN RUNNING OUT OF MILK

02:47

BECAUSE YOU CAN'T HAVE A CUP OF TEA.

02:50

SOMEONE'S RINGING ME BELL.

02:54

IT'S THIS 45-YEAR-OLD WOMAN.

02:55

SAID IT'S THE MILK. JAMES: I DO THAT ALL THE TIME.

02:58

IF I WERE YOU I WOULD JUST BE TWEETING CONSTANTLY.

03:03

ISN'T IT AWFUL NOT WAKING UP WITH ANY LOTTERY SCRATCH CARD.

03:09

LEAVE THE POST BOX OPEN. YOU NEVER KNOW.

03:13

ONE, TWO THREE FOUR ♪

03:15

THE STORY OF MY LIFE I TAKE HER HOME

03:18

I DRIVE ALL NIGHT TO KEEP HER WARM

03:22

INSIDE IT'S FROZEN

03:30

THE STORY OF MY LIFE THE STORY OF MY LIFE ♪

03:45

JAMES: I WANT US TO DO A BAD COMEDY.

03:48

>> YOU START IT OFF AND I'LL FOLLOW.

03:51

♪ JAMES: GUYS, IF WE'RE GOING TO

04:00

MAKE THIS WORK, YOU'VE GOT TO WATCH ME.

04:03

♪ >> LIAM.

04:08

>> SORRY, I WAS JUST DOING IT.

04:17

♪ [LAUGHTER]

04:33

>> BEAUTIFUL. ♪ MAYBE IT'S THE WAY SHE WALKS

04:37

OW STRAIGHT INTO MY HEART AND STORY

04:42

THROUGH THE DOORS AND PAST THE GUARD

04:47

JUST LIKE SHE ALREADY ONLY I SAY CAN YOU GIVE HER BACK TO

04:53

ME SHE SAID NEVER IN YOUR WILDEST

04:56

DREAMS HEY

04:58

AND WE DANCED ALL NIGHT TO THE BEST SONG EVER

05:03

WE KNEW EVERY LINE FOR THE BEST DANCE EVER

05:10

I WON'T FORGET HER WE DANCED

05:12

WE DANCED IT GOES SOMETHING LIKE THIS

05:19

WE KNEW EVERY LINE NOW I CAN'T REMEMBER

05:25

BUT I KNOW I WON'T FORGET HER BECAUSE WE DANCED TO THE BEST

05:32

SONG EVER ♪ [APPLAUSE]

05:40

♪ BEST SONG EVER ♪ >> GO, JAMES.

05:44

THIS IS ALL YOU.

05:45

♪ IT WAS THE BEST SONG EVER IT WAS THE BEST SONG EVER

05:50

♪ FADED OUT MY OWN SONG. BOY BANDS WHEN I WAS GROWING UP

05:56

WOULD ALSO DO DANCE ROUTINES AND WHERE THE SAME CLOTHES.

06:00

AND YOU'VE REAL CRI KICKED AGAINST THAT.

06:02

WHY?

06:03

>> IT'S NOT THAT WE WOULD KICK AGAINST THAT.

06:09

>> WE JUST MADE A DECISION THAT WE WEREN'T GOING TO BE THAT.

06:12

>> I THINK IT MAKES SENSE THAT THEY WOULD DO THAT.

06:18

BUT NONE OF US DANCE. JAMES: YOU WOULD HAVE A GOOD

06:23

DANCE ROUTINE.

06:24

>> WE'LL DO IT. JAMES: YOU NEVER MADE A VIDEO OF

06:27

"NO CONTROL." AND I THINK NOW WE COULD MAKE A

06:30

VIDEO WITH CHOREOGRAPHY.

06:33

OK. COME WITH ME ON THIS.

06:34

SO YOU DO THIS. WAKING UP

06:41

WAKING UP BESIDE YOU

06:45

I'M A LOADED GUNN I'M A LOADED GUNN

06:49

I CAN WANT CONTAIN THIS ANYMORE AND THIS IS THE IMPORTANT BIT

06:55

I'M ALL YOURS AND THEN YOU DO THIS.

06:58

THERE'S NO CONTROL NO CONTROL.

07:00

I'VE GOT US SOME OUTFITS TO WEAR.

07:02

WE'RE ALL WEARING DENIM SHIRTS. [CHEERS AND APPLAUSE]

07:08

ALREADY THIS FEELS LIKE WE'RE A PROPER BOY BAND.

07:13

>> I'M NOW WEARING DOUBLE DENIM.

07:15

>> YOU'RE WINNING ALREADY THEN. JAMES: EXACTLY.

07:18

SO NOW OFFICIALLY WE ARE GIVING THE FANS WHAT THEY'VE US A

07:21

WANTED WHICH IS A MUSIC VIDEO TO "NO CONTROL" ALL IN MATCHING

07:26

OUTFITS.

07:27

>> YOU'RE WELCOME.

07:30

♪ JUST A FINGERPRINT OF LIPSTICK'S NOT ENOUGH

08:03

SWEET WHERE YOU LAY STILL A TRACE O INNOCENCE ON THE

08:07

PILLOW CASE WAKING UP

08:09

BESIDE YOU I'M A LOADED GUNN I CAN'T CONTAIN THIS ANYMORE

08:14

I'M ALL YOURS I GOT NO CONTROL

08:16

NO CONTROL POWERLESS

08:18

AND I DON'T CARRY IT'S OBVIOUS I JUST CAN WANT GET ENOUGH OF

08:21

YOU THE PEDAL'S DOWN MY EYES ARE

08:26

CLOSED NO CONTROL

08:28

NO CONTROL NO

08:33

THE TASTE WHERE IS IT NOW?

08:35

ON MY TONGUE I DON'T WANNA WASH THE NIGHT

08:41

BEFORE NEVER WASH IT AGAIN

08:44

BEFORE IN THE HEAT

08:47

WHERE YOU LAY I COULD STAY RIGHT HERE

08:54

AND BURN IN IT ALL DAY ONE TWO THREE FOUR

08:59

WAKING UP BESIDE YOU I'M A LOADED GUNN

09:04

I CAN'T CONTAIN THIS ANYMORE I'M ALL YOURS

09:08

I'VE GOT NO CONTROL NO CONTROL

09:12

♪ JAMES: GUYS, I DON'T KNOW ABOUT

09:14

YOU, I THINK YOU SHOULD RETHINK THIS HIATUS BECAUSE I FEELS

09:19

RIGHT.

09:19

SIT JUST ME OR DOES IT FEEL RIGHT?

09:21

IS IT JUST ME OR DO YOU FEEL RIGHT?

09:23

>> ARE YOU OK, JAMES? JAMES: I JUST FEEL LIKE WE

09:30

REALLY HIT SOMETHING UNBELIEVABLE.

09:31

DO YOU KNOW THE GAME SLEEP WITH, MARRY, CRUISE.

09:36

ONE PERSON HAS TO GONE A CRUISE FOR A YEAR SHARING A ROOM.

09:40

YOU SPEND EVERY I MINUTE OF EVERY DAY BUT YOU DO NOT SLEEP

09:44

WITH THEM.

09:45

ONE OF THEM YOU MARRY AN ONE OF THEM YOU SLEEP WITH.

09:50

>> JUST ONE NIGHT.

09:53

JAMES: ONE TIME.

09:54

OM ONE GIRL.

09:56

I'LL GIVE YOU YOUR THREE. DEMI LOVATOS SELENA GOMEZ AND

10:02

TINA FEY. THERE'S YOUR THREE.

10:06

>> THAT'S PRETTY GOOD.

10:08

JAMES: THEUS PRETTY GOOD, RIGHT?

10:11

>> SLEEP WITH TINA FEY. MARRY SELENA GOMEZ.

10:17

JAMES: GOOD CHOICE. >> AN GO ON A CRUISE WITH DEMI

10:22

LOVATO. JAMES: GREAT FUN.

10:24

GREAT VOICE.

10:25

GOOD FUN. GOOD FUN.

10:28

♪ AND IF YOU LIKE DRIVING WITH

10:51

YOUR WINDOWS DOWN AND IF YOU LIKE GOING PLACES

10:55

WE CAN'T EVEN PRONOUNCE IF YOU LIKE TO DO EVERYTHING

11:03

YOU'VE BEEN DREAMING ABOUT BABY I'M PERFECT

11:07

BABY I'M PERFECT SO LET'S START RIGHT NOW ♪

11:11

JAMES: SO YOU'RE ALL GETTING SOME WELL DESERVED TIME OFF NOW.

11:15

ARE YOU LOOKING FORWARD TO IT THIS TIME OFF?

11:19

OR ARE YOU WORRIED ABOUT IT?

11:21

>> IT'S A SCARY THINK BECAUSE WE HAVEN'T STOPPED FOR FIVE YEARS.

11:24

I THINK MORE THAN IG WE'RE GOING TO STOP BEING ON STAGE.

11:28

BUT ONLY WE HAVEN'T SEEN OUR FAMILY.

11:30

SO MY MOM AND DAD ARE GOING TO LIVE WITH ME A RIB.

11:34

SO IT'S NICE. >> IT'S GOING BE INTERESTING

11:37

WHAT EACH OF US DO AS INDIVIDUALS.

11:41

IT'S GOING TO BE COOL.

11:47

♪ ALL MY LIFE YOU STOOD BY ME AND NO ONE ELSE WAS EVER BEHIND

11:52

ME ALL THESE LIES CAN'T BUY ME

11:56

NOBODY CAN DRAG ME DOWN NOBODY CAN DRAG ME DOWN

12:17

[RAPPING] ♪

12:44

NOBODY CAN DRAG ME DOWN NOBODY CAN DRAG ME DOWN

12:47

[LAUGHTER] >> THAT WAS SICK.

12:54

THE FLOW WAS SO GOOD. JAMES: I CAN BRING SOMETHING TO

12:57

THE BAND, GUYS! THANKS FOR HELPING ME GET TO

13:02

WORK. I LOVE YOU ALL VERY, VERY MUCH.

13:04

YOU'RE ADORABLE BOYS. [CHEERS AND APPLAUSE]

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