Jon Stewart Slams Media for Breathless Trump Trial Coverage | The Daily Show

The Daily Show
22 Apr 202415:54

Summary

TLDRIn a satirical take on the media's coverage of Donald Trump's trial, Jon Stewart critiques the sensationalism and over-analysis of trivial details by the news networks. The skit from 'The Daily Show' humorously highlights the media's tendency to focus on superficial aspects, such as Trump's courtroom demeanor and sketches, rather than the substance of the trial. Stewart is joined by Jessica Williams, who argues for the value of the 'messy spectacle' as a form of entertainment amidst a sea of gloomy news. The dialogue cleverly uses humor to underscore the importance of responsible journalism and the public's appetite for scandal and spectacle.

Takeaways

  • πŸ“š Jon Stewart introduces the show with excitement for the guests and topics, including an interview with Salman Rushdie about his new book, 'Knife'.
  • πŸŽ‰ The Daily Show is set to discuss Donald Trump's trial, which is a significant event in American legal and political history.
  • πŸ€” The prosecution and defense present contrasting views on the case, with the prosecution alleging election interference and the defense arguing no law was broken.
  • πŸ“° The media's role in covering the trial is questioned, with a call for responsible journalism and avoiding sensationalism.
  • 🚫 Jon Stewart criticizes the media for potentially over-focusing on trivial details and speculates about the consequences of such coverage.
  • 🎨 A humorous exchange about a courtroom sketch of Donald Trump highlights the absurdity of media analysis of non-verbal cues in such sketches.
  • πŸ•΅οΈβ€β™‚οΈ The importance of focusing on substantial aspects of the trial is emphasized over superficial observations about Trump's behavior or appearance.
  • 😴 Jon Stewart jokes about Trump's apparent disinterest or boredom during his trial, suggesting that it's common for trials to be filled with procedural details.
  • πŸ“ˆ The discussion suggests that the media should prepare for the long haul, as Trump may face multiple trials in the future.
  • πŸ€“ A light-hearted debate between Jon Stewart and Jessica Williams reflects different perspectives on how the media should handle the trial coverage.
  • 🎭 The script uses humor and satire to comment on the media's focus on trivial matters, rather than the substance of the trial.
  • πŸ“ The episode concludes with a reminder of the importance of not losing sight of the significant issues at hand amidst the media spectacle.

Q & A

  • Who is the host of The Daily Show mentioned in the script?

    -The host of The Daily Show mentioned in the script is Jon Stewart.

  • What is the topic of discussion that Jon Stewart is particularly critical of?

    -Jon Stewart is critical of the media's coverage of Donald Trump's trial, suggesting it is sensationalized and distracts from the actual issues at hand.

  • Which author is set to join Jon Stewart to discuss his new book?

    -Salman Rushdie is the author who will be joining Jon Stewart to discuss his new book titled 'Knife'.

  • What is the subject of the trial that is being discussed in the script?

    -The trial discussed in the script is about Donald Trump's alleged scheme to keep an adult film actress quiet, which the prosecution argues is election interference.

  • What does Jon Stewart suggest the media should focus on during the trial?

    -Jon Stewart suggests that the media should focus on the issues at hand and avoid creating a spectacle out of banal details.

  • Who is the defense lawyer for Donald Trump mentioned in the script?

    -The defense lawyer for Donald Trump mentioned in the script is Todd Blanche.

  • What does Jon Stewart imply about the media's past performance in covering Donald Trump?

    -Jon Stewart implies that the media has performed poorly in the past by giving Donald Trump excessive free airtime and engaging in speculation without substantial evidence.

  • What is the tone of Jessica Williams' commentary on the trial?

    -Jessica Williams' commentary on the trial is more light-hearted and enthusiastic, suggesting that the spectacle of the trial is entertaining and a welcome change from more somber news.

  • What is the name of the first witness in the trial that Jessica Williams finds amusing?

    -The name of the first witness that Jessica Williams finds amusing is David Pecker.

  • What does Jon Stewart criticize about the courtroom sketch shown in the script?

    -Jon Stewart criticizes the focus on the courtroom sketch, questioning why the media would analyze it as if it were a photograph, and mocking the idea of drawing conclusions from it.

  • What does Jon Stewart suggest is a more appropriate reaction to the trial?

    -Jon Stewart suggests that a more appropriate reaction to the trial would be to treat it as a normal, potentially boring legal process rather than a source of endless fascination and entertainment.

  • What is the humorous exchange about between Jon Stewart and Jessica Williams regarding the name David Pecker?

    -The humorous exchange is about the double entendre of the name David Pecker, with Jessica Williams emphasizing the slang meaning of 'pecker' and Jon Stewart playing along with the wordplay.

Outlines

00:00

πŸ“Ί Introduction and Trump's Legal Woes

The Daily Show with Jon Stewart kicks off with excitement for the evening's lineup, including an interview with Salman Rushdie about his new book, 'Knife.' However, the spotlight quickly shifts to Donald Trump, whose presidential campaign is interrupted by a trial concerning his past attempts to run for president. The episode pokes fun at the media's coverage of the trial, suggesting that it focuses too much on trivial details and speculation rather than substantial issues. The segment criticizes the media for potentially sensationalizing the trial and not learning from past mistakes in covering Trump.

05:02

🎨 Media's Trump Obsession and Courtroom Sketches

This segment of the script highlights the media's preoccupation with Donald Trump's appearance and behavior during the trial. It humorously discusses the media's analysis of a courtroom sketch of Trump, questioning the depth of such scrutiny. The dialogue satirizes the media's tendency to dissect every aspect of Trump's demeanor in court, from his clothing to his facial expressions. The sketch also includes a pretend interview with a courtroom sketch artist, Christine Cornell, who defends her artistic choices, adding a layer of absurdity to the media's focus on superficial details.

10:04

😴 The Monotony of Trials and Trump's Reaction

Jon Stewart laments the media's focus on trivial matters during the trial, warning that important moments may be overlooked due to this sensationalism. He likens trials to boring procedural affairs, with much of the media's attention being wasted on unimportant details. Stewart humorously points out that Trump himself seemed uninterested, even falling asleep during the trial. The segment ends with a surprise appearance by Jessica Williams, who playfully chides Stewart for being a spoilsport and argues that the sensational aspects of the trial are what make it newsworthy and entertaining.

15:06

πŸ˜‚ Jessica Williams' Return and Critique of Media

Jessica Williams makes a lively return, drawing a humorous caricature of Jon Stewart and engaging in a playful debate about the nature of news coverage. She argues for the value of covering even the most absurd aspects of the trial, like the double entendre in the name of a witness, David Pecker. Williams criticizes Stewart's serious approach to media critique, advocating for a more lighthearted and entertaining perspective on current events. The segment ends with a comical exchange about the importance of having fun with the news, even when it involves serious topics.

Mindmap

Keywords

πŸ’‘Jon Stewart

Jon Stewart is a comedian, writer, and former host of 'The Daily Show', a satirical news program. In the script, he is the host of the show, providing commentary on current events with a humorous and critical perspective. His style is characterized by sarcasm and irony, often pointing out the absurdities in the news cycle.

πŸ’‘Salman Rushdie

Salman Rushdie is a renowned author known for his works such as 'Midnight's Children' and 'The Satanic Verses'. In the script, he is mentioned as a guest who will be discussing his new book 'Knife', indicating the show's intention to cover a range of topics from politics to literature.

πŸ’‘Donald Trump

Donald Trump is a former President of the United States and a central figure in the script. He is depicted as being involved in a legal trial, which is a significant part of the show's commentary. The script satirizes the media's coverage of Trump, highlighting the sensationalism and the focus on trivial details.

πŸ’‘Trial

The trial is a legal proceeding where evidence is presented to determine the guilt or innocence of the accused. In the context of the script, it refers to Donald Trump's involvement in a legal case, which is a key element driving the narrative and the satirical commentary on the media's approach to reporting on such events.

πŸ’‘Media Coverage

Media coverage refers to how news outlets report on events. The script critiques the media's approach to covering Donald Trump's trial, suggesting that it is sensationalist and lacks focus on substantive issues. It implies that the media often prioritizes spectacle over substance.

πŸ’‘Sketch Artist

A sketch artist is a professional who creates drawings of events, often in courtrooms where photography is not allowed. In the script, the sketch artist's work is used to humorously highlight the media's focus on superficial aspects of the trial, such as the appearance of Donald Trump.

πŸ’‘David Pecker

David Pecker is mentioned in the script as the first witness in the trial. The name is used for comedic effect due to its double entendre, with 'pecker' being a slang term for a male body part. The script uses this to poke fun at the sensational nature of the news coverage.

πŸ’‘Jessica Williams

Jessica Williams is a comedian and former correspondent on 'The Daily Show'. In the script, she appears as a guest who counters Jon Stewart's critique of the media, arguing for the value of the spectacle and humor in news coverage. Her character represents a more light-hearted approach to the news.

πŸ’‘Spectacle

A spectacle refers to an unusual or striking event that draws attention. In the context of the script, it is used to describe the media's portrayal of Donald Trump's trial, suggesting that the media turns serious events into a form of entertainment rather than sober analysis.

πŸ’‘Cable News Networks

Cable news networks are television channels that provide news coverage. The script criticizes these networks for providing Donald Trump with excessive airtime and for their speculative and sensational reporting, which detracts from responsible journalism.

πŸ’‘Election Interference

Election interference refers to external actions taken to influence the outcome of an election. In the script, it is mentioned in the context of the prosecution's argument regarding Trump's alleged scheme to keep an adult film actress quiet, which is portrayed as an attempt to interfere with the election process.

Highlights

Jon Stewart introduces the show and mentions an interview with Salman Rushdie about his new book, 'Knife'.

Discussion about Donald Trump's presidential campaign and the trial concerning his previous attempt to run for president.

The prosecution argues that Trump's alleged scheme to silence an adult film actress constitutes election interference.

Trump's defense lawyer, Todd Blanche, claims the former president did not violate the law.

The show satirizes the media's coverage of Trump's trial, suggesting it focuses too much on trivial details.

Jon Stewart criticizes the media for providing Trump with excessive free airtime and speculates about a potential media introspection.

Jessica Williams argues that the media should embrace the spectacle of the trial as a form of entertainment amidst gloomy news.

A humorous debate between Jon Stewart and Jessica Williams about the importance of responsible media coverage versus the public's appetite for sensational news.

Stewart expresses his disdain for the excessive focus on Trump's physical appearance and behavior during the trial.

Jessica Williams defends the value of the trial's spectacle, likening it to fresh air in a bus full of farts.

The mention of the first witness in the trial, David Pecker, prompts a comedic exchange about the double entendre of the name.

Jon Stewart humorously reflects on the mundane aspects of trials and the public's fascination with Trump's reactions.

Jessica Williams mocks Stewart's serious approach, suggesting that he is trying to deny the public's enjoyment of the trial.

Stewart and Williams engage in a playful argument about the nature of media coverage and the public's right to 'fun' news.

Williams accuses Stewart of being a spoilsport and compares his critique to ruining the 2012 Daily Show Christmas party.

Stewart concludes with a commentary on the importance of not being distracted by the trivial and focusing on the significant aspects of the trial.

Transcripts

00:09

Yeah!

00:10

Welcome to The Daily Show.

00:12

My name is Jon Stewart.

00:13

We got a great show for you tonight.

00:14

We got a show.

00:15

You're going to be very excited that you

00:17

tuned in for this evening.

00:18

I'll be talking to the great Salman Rushdie,

00:20

will be joining us later about his new book, Knife.

00:24

Fabulous book.

00:26

And many other surprises.

00:27

But before that, it's a big day for Donald Trump.

00:32

Huge.

00:35

His campaign for president was interrupted today

00:37

by the trial about the other time

00:41

that he had tried to run for president.

00:43

Look, let's just check in in another

00:46

installment of "America's Most Tremendously Wanted."

00:49

[MUSIC PLAYING]

00:55

The whole thing is a scam.

00:59

After a week of jury selection,

01:01

today it was finally time for opening statements,

01:03

and it turns out, the prosecution and the defense

01:06

do not see eye to eye.

01:09

The prosecution arguing that Trump's alleged scheme

01:11

to keep an adult film actress quiet

01:14

is election interference, pure and simple, in those words.

01:18

Trump defense lawyer, Todd Blanche,

01:19

told the jury that the former president, though,

01:22

did not violate the law.

01:23

Mmm.

01:25

That's right.

01:26

This is a classic case of the state

01:28

of New York versus the nu-uh.

01:32

Oh, no, we didn't.

01:35

I think it's pretty clear he did it.

01:36

Anyway, this trial will obviously

01:39

be a test of the fairness of the American legal system.

01:42

But it's also a test of the media's ability

01:44

to cover Donald Trump in a responsible way,

01:47

a task they have acknowledged they've

01:50

performed poorly in the past.

01:53

I think to the degree that the media

01:54

had lessons to learn in '16, they seem to have been learned.

01:57

It's irresponsible for cable news networks

02:00

to give Donald Trump hours and hours of free airtime.

02:02

Way too much speculation and liberal wishful thinking

02:05

in attempts to connect dots that did not connect.

02:07

It's the media's responsibility

02:09

to not get distracted.

02:10

I think we were much too busy chasing after shiny objects.

02:14

All of us have learned some very valuable lessons

02:16

from the last couple of years in delineating what's

02:19

significant, what's important.

02:21

So brave.

02:29

Well done.

02:30

And I think for this trial, we will

02:32

see the seeds of that introspection bear fruit.

02:36

Or, we will learn that learning curves are for pussies.

02:41

Here we go.

02:42

It's on, it's happening, history will be made.

02:45

Shaping up to be the trial of the century.

02:47

Maybe the trial of the century.

02:48

The trial of the century.

02:49

What just might be the trial of the century.

02:52

The tax man is here, Donald Trump.

02:53

He will finally be forced to face the music.

02:56

The legal walls closing in around Donald Trump.

02:59

The legal walls are starting to close in on Donald Trump.

03:02

Yes, this time, Mr. Bond, it truly is your doom.

03:10

Now, if you'll excuse me, I'm going to leave this room.

03:12

Obviously, when I leave, I'm not

03:14

going to press this button right here that

03:16

opens all the doors and dismantles the killing

03:18

machine I've established.

03:21

Don't follow me, Mr. Bond.

03:24

Perhaps if we limit the coverage to the issues at hand

03:27

and try not to create an all-encompassing spectacle

03:30

of the most banal of details, perhaps that would help.

03:34

You're looking at live pictures in New York City

03:36

of Donald Trump's motorcade.

03:37

It's about a 20-minute drive between Trump

03:40

Tower and the court building.

03:41

Trump leaving Trump Tower on Fifth Avenue.

03:43

They're now making their way across town, along 57th Street.

03:47

They just crossed Park Avenue, making their way

03:49

up towards Lexington Avenue.

03:51

He's heading down the FDR.

03:52

To the Manhattan Courthouse on Chambers Street.

03:54

Arriving at this intersection of American history

03:57

with defiance.

04:02

Arriving at the intersection of American history

04:06

with defiance.

04:07

The brilliant juxtaposing of the gravitas

04:10

of the moment with simple traffic terms was--

04:13

[SMOOCH]

04:16

He arrived at the intersection of American history,

04:19

where he put a quarter in the parking meter of destiny,

04:25

leaving the car, looking to avoid stepping in the urine

04:30

puddle of jurisprudence.

04:34

Seriously, are we going to follow this guy

04:36

to court every [BLEEP] day?

04:40

Are you trying to make this OJ?

04:42

It's not a chase.

04:43

He's commuting.

04:47

So, the media's first attempt, the very

04:51

first attempt on the first day, its self-control failed.

04:55

And I'm sorry to say that it, I'm sorry, hold on,

04:58

we're getting breaking news.

04:59

You know, he wanted to get a jury seated, so we had a lady--

05:01

Bill, I'm sorry to interrupt, just for one second.

05:04

I apologize.

05:05

We're just showing the first image of Donald Trump

05:07

from inside the courtroom.

05:09

It's a still photograph that we're showing there.

05:11

Just don't want to make sure our viewers

05:13

know what they're looking at.

05:24

Yes, for our viewers who are just waking up from a 30-year

05:28

coma, uh, this is what Donald Trump has looked like every

05:34

day for the past 30 years.

05:37

Same outfit.

05:38

So we have a photograph of Donald Trump in the courtroom,

05:41

but do we really know what he looks like?

05:45

The man is a mystery, a yeti, if you will.

05:48

Anything could be a deepfake.

05:49

Do we have an eye witness account?

05:51

Perhaps from a dismissed juror?

05:54

Would you describe to me what you saw with Donald Trump

05:57

while you were sitting inside of that courtroom?

05:59

Not very much.

06:01

He was a bit ahead of me and off to the left.

06:06

I didn't have a complete view of him today.

06:17

Did-- wait, did I have jury duty this week?

06:23

What the [BLEEP]?

06:37

Broth-- brother?

06:41

Mother-Mother-[BLEEP] dresses like me, too.

06:43

This is-- Anyway, coming up, more

06:50

of our three-part interview with a guy who nearly saw

06:52

Donald Trump in the courtroom.

06:54

So we have a photograph that's freaking me out, that picture.

06:58

We have a photograph, and we have eyewitness accounts,

07:01

but do we have anything in a pastel?

07:04

A courtroom sketch that we're getting in right now.

07:06

I'm looking at the courtroom sketch,

07:08

and Mr. Trump looks like he is glowering.

07:10

I'm not sure if that's supposed to be

07:11

a glower or just a glance.

07:14

I don't know how--

07:15

it's art.

07:16

It's not necessarily-- its artistic journalism,

07:18

but it's not a photograph.

07:24

Why are you showing it to us?

07:27

It's a sketch.

07:28

Why would anyone analyze a sketch like it was--

07:31

It'd be like looking at The Last Supper

07:33

and going, why do you think Jesus looked so sad here.

07:39

What do you think, what do you think, it's because of Judas?

07:42

What if we interview one of the waiters at one of the tables

07:44

from like a different section of the restaurant, who maybe

07:47

didn't actually see him, but, you know, we got time to kill.

07:52

Well, I guess we'll never know, unless we

07:55

could talk to the person who drew the sketch.

07:58

But, do we have the time?

08:00

Nothing but.

08:02

Christine Cornell, she's in the courtroom today,

08:04

the official sketch artist.

08:06

I want to show one of your sketches today.

08:07

We're going through some of them,

08:08

but this one, it appears in this one,

08:11

that his eyes are closed.

08:14

What was happening here?

08:17

My apologies, ma'am.

08:19

I was sitting 50 feet away.

08:21

I was having such a struggle to try and get those eyeballs in.

08:26

Damn it, woman!

08:29

Does Donald Trump have eyeballs or no, ma'am?

08:31

Does he or no?

08:33

You were in the room!

08:35

Tell me!

08:38

Or I will not come to your trinket shop in New Paltz.

08:44

Tell me, woman!

08:46

[APPLAUSE]

08:48

Look, I mean, what the [BLEEP] are we doing?

08:53

Uh, I notice here, his head is perfectly round.

08:59

Why is that?

09:00

Well, I like drawing circles.

09:03

At this point, you're probably saying to yourself,

09:04

how many television hours have they devoted to what Donald

09:07

Trump, a man who has not been off any of our screens

09:09

for more than 30 seconds in the last eight years, looks like.

09:12

The answer is, not nearly as many hours

09:15

as describing his every movement.

09:18

Trump craned his neck to eye prospective jurors, and flashed

09:21

a tight-lipped smile.

09:22

Leaning to the left a little bit,

09:24

quiet, his arms crossed, as well.

09:26

Hunched over with his elbows on the desk.

09:28

Looked through papers and periodically

09:30

whispered to his attorneys.

09:32

Fidgeted and leaned back, a scowl fixed to his face,

09:35

while he sat squinting.

09:36

He was actually biting his lip during today's proceedings.

09:39

His lips pursed in that characteristic Trump way.

09:47

His eyeballs, gone.

09:51

The hulking former president stood up slowly.

09:53

He walked towards me with a mixture of desire,

09:55

scorn, and let's call it, age-related confusion.

10:00

It was then that I realized that this former president

10:04

of the United States has a front butt.

10:12

Look, at some point in this trial,

10:16

something important and revelatory is going to happen.

10:19

But none of us are going to notice,

10:21

because the hours spent on his speculative facial tics.

10:25

If the media tries to make us feel like the most mundane

10:28

bullshit is Earth shattering, we won't believe you

10:31

when it's really interesting.

10:33

It's your classic boy who cried Wolf Blitzer.

10:43

[MUSIC PLAYING]

10:50

Look, it's a trial.

10:53

It's boring, mostly.

10:56

I've been on jury duty, and I can tell-- that's not me!

11:01

That's a different guy!

11:03

Why are you?

11:05

It's not me.

11:08

It may be me.

11:12

Look, trials are a lot of procedural shit and side

11:16

conferences and sidebars, and what's exhibit 37 2A,

11:19

and you're not out of order, this

11:21

whole court is out of order.

11:22

Look, the one person who's had the most

11:25

normal reaction to the trial so far, is Donald Trump.

11:29

Donald Trump fell asleep on multiple days

11:33

during his criminal trial.

11:35

As he should.

11:37

I mean, he's been up since 2 AM rage tweeting.

11:39

He needs his anger sleep.

11:41

Look, we got a long ways to go here.

11:43

It's the first day of the first of his 438 trials to come.

11:48

Pace yourselves.

11:49

And if you're bored, you can always

11:50

start planning how you're going to [BLEEP] up covering

11:53

his next trial, and the sober mea

11:55

culpa you'll deliver during his next term as president.

11:58

Because the kinds of things that you are talking about

12:01

now are--

12:02

OK, OK!

12:03

We get it!

12:04

[CHEERING, APPLAUSE]

12:06

I know that voice.

12:08

Oh, my God!

12:10

Oh, my God!

12:11

[CHEERING, APPLAUSE]

12:13

Oh, my God!

12:17

It's, it's Jessica Williams.

12:20

Jessica, how are you?

12:22

Are you down at the courthouse?

12:24

Are you there to give us a report?

12:25

Uh, yeah, I am.

12:27

And here's my report.

12:28

Jon Stewart hates fun.

12:32

This trial rocks.

12:34

Why you got to be all, get off my lawn about it?

12:39

I don't necessarily sound like that, but--

12:41

Well, well

12:42

--I sound close.

12:44

As I was explaining, though, the media has systematically

12:47

failed to contextualize--

12:48

Oh, Jon, please, you're killing me.

12:51

My poor, sweet, naive, older than I remember Jon.

12:55

What?

12:56

Really?

12:57

We need this messy bullshit spectacle.

13:00

Every other news story is a massive bummer.

13:02

This Trump trial is like an open window in a Greyhound

13:05

bus full of farts.

13:07

Why you trying to close the window, Jon?

13:09

Why you trying to make us smell farts?

13:11

I'm, I'm not trying to make you smell farts.

13:14

No, Jon, you are trying to make us smell farts!

13:16

I would never do that to you! You know I would never do that!

13:17

This trial is a gift.

13:19

An extremely gross old man slash former president might go

13:23

to prison for banging a porn star and trying to pay her off,

13:26

and you don't want us to cover that shit all day long?

13:29

[EXHALES] Jon, the first witness is named David Pecker.

13:36

[CHEERING, APPLAUSE]

13:41

I know that.

13:43

I mean, it's David Pecker.

13:45

You know, pecker is slang for wiener, Jon.

13:48

It's a pee pee, a peeper, you know,

13:53

a dingle, a dongle, a flippity bitch, you know.

13:59

Can I, when you say pee pee, but then peeper--

14:01

Yeah.

14:02

--wouldn't that be the owner of the pee pee?

14:05

Different context.

14:06

OK.

14:07

One guy has the pee pee, the other,

14:08

the peeper, not the pee pee.

14:09

I'm not trying to be a grammar police,

14:10

I'm just saying.

14:11

Look, I don't want to get in the weeds about it, OK.

14:14

I just want to make sure that I'm clear that I'm talking

14:17

about the name, David Pecker, and that it

14:19

has a double meaning, and the meaning is for wiener!

14:23

Shit!

14:25

[CHEERING, APPLAUSE]

14:32

I'm already tired.

14:33

I'm already tired.

14:34

I have, no, I've, I've missed you terribly.

14:36

I've missed you terribly.

14:39

Shit!

14:40

And then here you come with your old-timey, highfalutin

14:45

media critique, ruining our good time,

14:48

just like you ruined the 2012 Daily Show Christmas party.

14:52

No, I didn't, I didn't ruin that.

14:54

What's not fun about mocktails and tofurkey?

14:56

I didn't ruin it.

14:58

Look, Jess, I hear what you're saying,

15:00

but I thought my commentary on the sketch artist

15:02

was quite trenchant.

15:03

Oh, you want to talk about courtroom sketches?

15:06

Look at this!

15:10

Wah, wah, wah!

15:12

I miss Walter Cronkite.

15:14

I have a pen and I scribble nonsense on my script

15:17

before the show starts.

15:19

Oh, no, the Mets lost again.

15:20

- Alright-- - Wah!

15:21

Did you--

15:22

My God.

15:23

Jess, did you actually draw that of me?

15:25

Yeah, dude, because it's fun to do,

15:26

and people like fun, Jon, damn.

15:29

Anyway, I should get going.

15:31

I think I see Pecker across the street.

15:34

David Pecker?

15:35

I'm not sure whose penis it is, actually.

15:38

Good old New York.

15:39

Jessica Williams, everybody!