KENDRICK LAMAR HAS RECLAIMED HIS THRONE FROM DRAKE | KENDRICK LAMAR - EUPHORIA (DRAKE DISS)

LawTWINZ
30 Apr 202431:04

Summary

TLDRThe transcript appears to be a commentary on a rap diss track by Kendrick Lamar, addressing various aspects of his rivalry with another artist, possibly Drake. The speaker discusses Kendrick's strategic approach to responding to diss tracks, his use of metaphors, and the impact of his lyrics. The commentary also touches on the themes of fame, integrity, and the pressures of being in the public eye. The speaker praises Kendrick's skillful wordplay, his ability to remain calm under pressure, and his commitment to his craft and family over the allure of fame. The summary reflects the intensity and complexity of the rap battle, highlighting the artist's lyrical prowess and the cultural significance of their exchange.

Takeaways

  • 🎤 The transcript appears to be a commentary or reaction to a rap diss track, possibly involving Kendrick Lamar, discussing his response to another artist's diss.
  • 👑 Kendrick is portrayed as taking his time to respond and not being rushed by the expectations of others in the industry.
  • 🔥 There is a strong emphasis on the power of words and lyrics in rap battles, highlighting the strategic use of language to convey messages.
  • 👮‍♂️ The commentary touches on themes of street credibility and authenticity, questioning the authenticity of certain artists and their backgrounds.
  • 👨‍👦 The mention of raising a son and teaching morals suggests a focus on personal responsibility and the impact of actions on future generations.
  • 🚫 A clear disapproval of certain behaviors and attitudes is expressed, including the use of offensive language and the pursuit of fame at the expense of integrity.
  • 🤝 There is a call for respect and authenticity within the rap community, urging artists to be genuine and not to exploit others for personal gain.
  • 👊 The transcript includes aggressive posturing and challenges, indicative of the competitive nature of rap and the need to assert oneself in the genre.
  • 👀 References to observing and analyzing opponents' actions suggest a strategic approach to the rap battle, underlining the importance of being aware of one's competition.
  • 🌎 The mention of cultural heritage and imitation implies a discussion on cultural authenticity and the respect for different backgrounds within the music industry.
  • 🎶 A celebration of hip-hop as an art form is evident, with appreciation expressed for the craft and the impact it has on listeners.

Q & A

  • What does Kendrick Lamar imply about his approach to responding to others in the music industry?

    -Kendrick Lamar implies that he takes his time to respond when he is ready, and his responses have a significant impact on the industry, suggesting that he is strategic and deliberate in his approach.

  • What is the reference to 'the real La twin' in the script?

    -The phrase 'the real La twin' is likely a self-reference by the speaker, indicating that they are a genuine representative or voice from Los Angeles, possibly hinting at a twin-like connection to another artist or figure from the same area.

  • What does the speaker express about the general trend of people freestyling on the internet?

    -The speaker expresses a dislike for the trend of everyone doing freestyles on the internet, possibly suggesting that it is overdone or lacks authenticity.

  • What is the significance of the name 'Mr. Morale' in the context of the script?

    -The name 'Mr. Morale' is used to describe someone as a 'pathetic master manipulator,' indicating that this person is perceived as having a negative influence or as being deceitful.

  • How does the speaker feel about the use of the term 'nigga'?

    -The speaker expresses a personal dislike for the term 'nigga,' finding it cringeworthy and suggesting a level of discomfort or disapproval regarding its usage.

  • What is the implication of the phrase 'I make music that electrify them, you make music that pacify them'?

    -The phrase implies a contrast in the style and impact of the speaker's music versus that of the subject they are addressing. The speaker claims their music is energizing, while the other's music is seen as calming or soothing.

  • What does the speaker suggest about the persona of Drake in the script?

    -The speaker suggests that Drake has a dual persona, one that is associated with melodies and another that is seen as trying to act tough. The speaker expresses a preference for the melodic Drake over the tough-acting one.

  • What is the reference to '20 V1' and '1 V20' about?

    -The reference to '20 V1' and '1 V20' is a play on words where the speaker is flipping the numbers to imply a reversal of power dynamics or a shift in the balance of a situation, possibly indicating a change in the status quo.

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  • What does the speaker mean when they say 'let's work on him'?

    -The phrase 'let's work on him' likely implies that the speaker is rallying support or encouraging others to focus their efforts or criticism on a particular individual, in this case, possibly Drake.

  • How does the speaker feel about the current state of hip-hop and the interactions between artists?

    -The speaker expresses a love for hip-hop and appreciation for the art form, despite the competitive and sometimes antagonistic interactions between artists. They also show a desire for respect and authenticity within the community.

Outlines

00:00

🎤 Kendrick's Anticipated Response

The paragraph discusses the anticipation surrounding Kendrick Lamar's response in the rap community. It mentions that Kendrick is taking his time and will come back when ready, which has left the industry on edge. There's a mention of various artists like Ross, Rick Ross, and Birdman, and a critique of the trend of freestyles on the internet. The speaker expresses a sense of elation with Kendrick's return and encourages listeners to engage with the content.

05:00

💰 Fame and the Demon Within

This section delves into the theme of fame and its corrupting influence. It talks about people's true colors being revealed once they attain wealth and power. The paragraph criticizes those who pretend to be 'demon' until they face real challenges. It also touches on the idea that money, power, and fame do not define a person's worth and that being on trend does not equate to greatness. The narrative includes references to battle rap and the pressure to maintain a certain image.

10:03

👥 Public Displays and Private Struggles

The paragraph focuses on public displays of affection and reconciliation, specifically mentioning Wayne and Birdman's public display. It explores the idea that such displays might be a cover-up for underlying issues. The speaker also talks about the weight of responsibility and the importance of having real friends. There's a mention of J. Cole and the concept of asking for something and then being unappreciative once it's received.

15:04

🥊 The Challenge of Rivalry

This part of the script addresses the competitive nature of the rap industry, with a focus on the idea of 'pushing' someone to their limits. It discusses the concept of facing challenges and the desire to see one's rival 'bleed' or show vulnerability. There's a reference to Terence Crawford, a professional boxer, symbolizing the speaker's readiness to fight. The paragraph also touches on the idea of not letting fame get to one's head and staying grounded.

20:05

🎭 The Facade of Image and Authenticity

The paragraph discusses the theme of authenticity versus the facade that some artists present. It criticizes those who confuse themselves with real women and those who are not true to their roots. The speaker expresses a dislike for Drake's tough persona, preferring his melodic side. There's a commentary on the idea of 'classic' works in music and a challenge issued to Drake, questioning his contribution to the genre.

25:06

👨‍👦 Fatherhood and Moral Teaching

This section emphasizes the importance of fatherhood and teaching the next generation. The speaker criticizes those who are more focused on fame than on raising their children with morals, integrity, and discipline. There's a mention of not seeking dirt on others and instead focusing on positive upbringing. The paragraph also includes a clever play on words regarding a '20 V1' situation, flipping the narrative to '1 V 20'.

30:09

🚨 Respect and the Art of Disrespect

The paragraph deals with the concept of respect in the rap community and how it is earned and given. It talks about the speaker's readiness to address any challenges and not backing down from a confrontation. There's a mention of not speaking on family matters and a warning to those who might cross personal boundaries. The speaker asserts their dominance and willingness to engage in a 'battle' right then and there.

🤝 The Unity and Spirit of Hip-Hop

The final paragraph celebrates the spirit of hip-hop and the community's ability to engage in friendly competition without causing harm. It praises Kendrick Lamar and J. Cole for their contributions to the genre and expresses a desire for more such interactions. The speaker encourages viewers to like, share, and comment on the video, appreciating the audience's engagement and participation.

Mindmap

Keywords

💡Diss Track

A diss track is a song that is written to insult or criticize another person, often an artist or public figure. In the script, Kendrick Lamar is said to have released a full-blown diss track, which is a significant event in the hip-hop community as it represents a direct challenge or critique towards another artist, likely Drake, given the context.

💡Euphoria

Euphoria is a term that refers to a strong feeling of happiness or well-being. In the video script, it is mentioned in the context of a change in mood and a sense of elation, potentially related to the effects of a substance. It is used metaphorically to describe the high expectations and excitement surrounding Kendrick's response in the rap feud.

💡Master Manipulator

A master manipulator is someone who is highly skilled at influencing or controlling others, often through deceit or cunning tactics. In the script, this term is used to describe someone who is perceived as being insincere or untrustworthy, possibly alluding to tactics used in the rap battle or personal disputes.

💡Time Difference

The term 'time difference' typically refers to the variation in time zones between different geographical locations. In the context of the script, it may be used metaphorically to suggest a disconnect or a gap in expectations, possibly referring to the delay in Kendrick's response or the differing views between the artists involved.

💡Family Front

The phrase 'on the family front' is often used to describe matters or issues that pertain to one's family or close relations. In the script, it seems to be used in a critical tone, possibly implying that someone is being accused of not being genuine or truthful in their personal relationships.

💡Rap Artist

A rap artist, or rapper, is a person who performs or writes rap music, a style of music that involves rhyming, rhythmic speech performed to a beat. The script suggests a distinction is being made between a 'rap artist' and a 'scam artist,' which could be a way of discrediting the other party's authenticity or legitimacy in the rap community.

💡Freestyle

Freestyle refers to a type of rap performance where lyrics are improvised spontaneously, rather than being pre-written. The script mentions 'a bunch of freestyles,' which could imply that the artists involved have been engaging in impromptu rap sessions, showcasing their skills and responding to challenges.

💡Throwaway

In the context of the script, 'throwaway' likely refers to something that is easily discarded or not given much value. It could be used to describe a perceived lack of respect or the idea that someone is not taking the situation seriously, possibly in reference to the competitive nature of rap battles.

💡Begging Can't Be [Choosy]

This phrase suggests that someone who is asking for something, particularly in a situation where they are desperate or in need, cannot afford to be selective or demanding about what they receive. In the script, it might be used to criticize those who ask for a response or reaction but then complain about the nature of that response.

💡Call Center

A call center is a centralized department of a business that handles a large volume of requests by telephone. In the context of the script, it may be used metaphorically to suggest that the artist is receiving a lot of calls or attention, possibly indicating the high level of public interest in the rap feud.

💡Ghostwriter

A ghostwriter is a person who writes content for someone else but is not publicly recognized for the work. In the script, the mention of 'ghost' could be a way of questioning the authenticity of the other artist's lyrics, implying that they might not have written their own rap verses.

Highlights

Kendrick Lamar takes his time to respond and comes back when he's ready, shaking up the industry with just one verse.

Kendrick addresses the current state of freestyles and the internet, expressing his disapproval of everyone trying to do too many things online.

The track discusses the feeling of euphoria and how it can lead to the use of dangerous drugs, prompting a change in mood and reduced anxiety.

Kendrick is portrayed as calmly analyzing his opponent, neutralizing their superpowers, and telling a story from a place of observation.

Lyrically, Kendrick calls out a "master manipulator" and habitual liar, challenging them not to speak ill of him in exchange for the same respect.

Kendrick criticizes an unnamed artist for being a "scam artist" with hopes of acceptance, contrasting his own music that "electrifies" with the other's that "pacifies".

The lyrics touch on themes of fame, power, and the perception of wealth, suggesting that these things do not define a person's character.

Kendrick speaks on the potential dangers of glorifying violence and guns in rap, and the hypocrisy of some who change their stance when tragedy strikes.

The track includes a clever play on words where Kendrick flips the phrase "20 V1" to "1 V20", showcasing his lyrical prowess.

Kendrick asserts his independence and self-reliance, stating that he doesn't need to call around for dirt on his opponents.

The song touches on the importance of fatherhood and raising a child with morals, integrity, and discipline, contrasting this with the superficiality of fame.

Kendrick addresses the idea of being a "hater" and how he dislikes certain behaviors and attitudes, while also expressing his love for hip-hop.

The track includes a clever bar where Kendrick says his "six senses" are telling him to act, possibly referencing the movie "The Sixth Sense".

Kendrick criticizes those who try to imitate the heritage and culture of others, stating that some things cannot be replicated.

The song ends with a shoutout to hip-hop and a call for unity and appreciation of the art form, rather than focusing on rivalry.

Transcripts

00:00

Kendrick ain't going to respond Kendrick

00:02

he taking too long ain't nobody going to

00:04

care when he Dr stop playing with K Fu

00:07

Kenny [ __ ] what's going on law fam late

00:11

man it's your favorite too it's the real

00:14

La

00:15

twin hey come on I ain't going to lie I

00:18

need everybody in the comment section to

00:19

say Pat was [ __ ] right I was right

00:23

man let him knowy speak your peace to

00:25

these [ __ ] I told

00:26

y'all that Kendrick was going to take

00:29

his time

00:31

he was going to come back when he was

00:32

ready he had everybody shook the whole

00:35

industry one verse Chang we we got Ross

00:38

one verse we got Rick Ross we got

00:41

Birdman we got man we got all we got a

00:45

bunch of freestyles the baby freestyle I

00:48

don't like that everybody turn doing all

00:50

types of stuff on the internet bro

00:52

Kendrick just dropped you is back a

00:55

feeling of well-being or Elation are you

00:58

not entertained

01:00

hey we getting straight into this man

01:01

hey everybody who clicked this I swear

01:03

to God man we love y'all perect man run

01:05

this mother status Mother hit that like

01:07

button man run this motherfu cuz we

01:08

ain't going to play with this [ __ ] at

01:10

all I'm done yelling maybe

01:15

maybe hold on I got a big screen this

01:18

man

01:19

I'm of wellbeing Elation apparently it

01:23

is the change in mood the feeling of

01:26

isph Foria and reduced anxiety that

01:28

prompts people to start using this

01:30

Dangerous Drug let's get

01:34

it

01:39

Euphoria them superpowers get

01:41

neutralized I can only watch in Silence

01:44

the famous actor we once knew it's

01:46

looking paranoid and now spiraling you

01:48

moving just like a degenerate heavy

01:50

antic is feeling distasteful wait a

01:52

minute you're moving like a degenerate

01:56

and it's the taste why you say that

01:58

[ __ ] hey it's funny he's analyzing him

02:01

I like that he came in to this track so

02:03

calm cuz you would think he would he'd

02:05

be yelling at the mic let he letting

02:07

everybody just know what he's sitting

02:09

back neutralizing you think he's not

02:11

watching but he's watching he's watching

02:13

he's telling a bedtime story [ __ ] know

02:15

now spiraling you moving just like a

02:18

heavy antic is feeling distasteful why

02:21

calculate you not it's calculated I can

02:23

even predict your angles fabricating

02:25

stories on the family front cuz you

02:27

heard Mr morale a pathetic master

02:29

manipulator how can smell the tails on

02:31

you now oh you a master manipulator

02:35

[ __ ] he can smell the tails on you now

02:37

you're a narcissist he said why

02:39

calculate when you not as calculated as

02:42

you think as you think like you're not

02:43

even that calculated you're master

02:45

manipul I can predict your angles right

02:47

now you're a massive

02:48

manipulator oh my God you're gas hey

02:51

Kendrick I appreciate you he tell he

02:53

breaking it down I like the definition

02:55

thing like where you tell what it means

02:58

on the family front cuz you heard Mr

03:00

morale a pathetic master manipulator how

03:03

can smell the tail on you now you're not

03:05

a rap artist you're a scam artist with a

03:07

hopes of being accepted Tommy Hill fig

03:10

stood out but F never had been your

03:12

collection I make music that Electrify

03:15

you make music that paci I can double

03:18

down on that line but spare you this

03:19

time that's random know you're Master

03:22

manip wait he said I could I could I

03:26

could tell you why you that yeah but I'm

03:29

a D you and then he said random I make

03:33

music that Electrify them you make music

03:36

that pacify

03:38

them you're pacifying people hey that's

03:42

what he

03:43

said TI [ __ ] dou down on that line This

03:51

timeit liar too but don't tell no lie

03:54

about me and I won't tell truths about

03:56

you oh wait we we heard this before hold

04:00

on don't tell a lie on me I won't tell

04:03

the truth about you I said don't tell a

04:06

lie on me my fans can't wait for me to

04:08

Sun your punk ass and crush your whole

04:10

little [ __ ] no I'm just play all right

04:12

let's get it let's get it let's get it

04:14

random you're a master manipulator and

04:17

habitual liar too but don't tell no lie

04:20

about me and I won't tell truths about

04:22

you oh my

04:25

God oh my God

04:28

[Music]

04:40

yeah I'm out the way yeah I'm low okay

04:42

the island right here is remote okay I

04:43

ain't thinking about no Reaper [ __ ] I'm

04:45

reaping what I so okay got a Benjamin

04:47

and the Jackson all in my house like I'm

04:53

okay I'm reaping what I saw okay man I

04:58

Ain worry about no Reaper man what

05:00

I'm reaping what I

05:01

Soul he said I got a a Benjamin and a

05:05

Jackson he said a Jackson and a

05:07

something he feel it like Joe

05:09

[ __ ] hold on man Joe Jackson [ __ ] for

05:13

the people who thought come back I know

05:16

who Joe is I thought he wasn't going to

05:17

respond oh he's here let's get it okay

05:20

the island right here Ain thinking about

05:23

no Reaper [ __ ]

05:24

I'm got a Benjamin and a Jackson all in

05:27

my house like I'm

05:29

okay made his home boys in them typ Sol

05:32

okay everybody want to be demon till

05:34

they get chipped by your throw away and

05:36

I might do a show a day what a lame

05:39

always lame you the Mone the power Fame

05:42

make

05:44

away what's a lame always a l what you

05:47

thought the money the power the fame

05:48

would make you go away man everybody is

05:51

a demon until they get [ __ ] by a

05:52

throwaway everybody want to be demon

05:54

till they get

05:56

chipped stop playing and then I like he

05:59

said don't

06:00

he said in the first one it's a lot of

06:01

goofies with a check a lot of lanes with

06:04

they got checks and people think the

06:06

money the power and oh I got all the

06:07

girls being like only it only inif who

06:10

you are it don't mean [ __ ] it elevate

06:12

who you really are the people the

06:13

bandwagons don't mean that you the great

06:16

that don't mean you win I am sweating

06:18

talk your [ __ ] K let's get

06:22

it do a show a day what's a lame always

06:26

a lame oh you thought the money the

06:28

power of Fame will make you go

06:30

have

06:31

you okay wait wait wait this is battle

06:34

rap this is battle rap now have you ever

06:37

played have you ever okay let's play

06:41

Let's Play swear to god let's play swear

06:43

to God put it on the set oh my God y'all

06:46

know we going to take our time with this

06:47

bro we might not get nothing like this

06:48

for a long time bro let's go

06:52

man lame oh you thought the money the

06:55

power Fame make have you ever played

06:58

have you ever okay [ __ ] let's play have

07:01

you ever watch your enemy down like with

07:03

a poker face have you ever paid 500,000

07:06

like to an open case well I have and I F

07:10

but I came out straight I hate when a

07:11

rap or talk about guns then somebody die

07:13

they turn into nuns then hop online like

07:15

pray for my city he faking for likes and

07:17

digital hugs his daddy a killer he want

07:19

to be junior they must have forgot the

07:20

[ __ ] that they done D men must run in

07:22

his family but let it get

07:25

shaky wait a minute hold on man why do

07:28

that sound like okay I we reach on this

07:30

channel why do that sound like he

07:32

dissing J princ he said his daddy a

07:35

killer he want to be junior they must

07:37

have forgot the [ __ ] they've done he

07:40

spoke know I know J Prince stopped uh

07:44

Drake from going against push a t that

07:47

might just be a stray yeah that could be

07:49

might just be part of your life like

07:50

they don't you know they trying to do

07:51

things behind the scenes we would never

07:53

see they got the yeah they got the

07:54

connection too Drake and uh and and J

07:57

Prince number he said dementia must

07:59

running your family you forgot all the

08:00

[ __ ] you did that's fire that's that's

08:03

insane that's insane let's get

08:06

it his daddy a killer he want to be they

08:09

must have forgot the [ __ ] that they done

08:10

D must run in his family but let it get

08:13

shaky the very first time I shot me the

08:15

Drake the homie told me the aim it this

08:17

way I didn't Point down enough today I

08:19

you I learn from those mistakes somebody

08:21

told me you

08:23

got that [ __ ] iszy hard as [ __ ] the

08:28

first time I shot a Drake

08:30

I didn't aim I didn't aim I had it down

08:33

a down enough but this time I show I

08:36

learned I learned from that time so when

08:39

I'm shooting a drake this time when I

08:41

shoot a drake this time when I aim at a

08:43

drake I was like come on now not going

08:46

to be you see the double on time it's

08:47

going we going to have a little bit more

08:48

English man and I a little bit moreish I

08:51

was just sitting here thinking about

08:52

another bar that was in the back the uh

08:54

damn I forgot it but I just know I

08:56

caught it you know when [ __ ] do that

08:58

[ __ ] just know know I caught it very

09:01

first time I shot me Drake theom told me

09:03

the a this way I didn't Point down

09:05

enough today I you learn from those

09:07

mistakes somebody had told me that you

09:08

got a ring on God I'm ready to double

09:10

the wage I rather do that than let a

09:12

Canadian [ __ ] make Po turn in his grave

09:14

cut the you got [ __ ] twisted what is it

09:17

the

09:18

braks what is what is it theak what is

09:22

it the braks what is it The Brak I ain't

09:24

going to lie man that was funny when

09:26

Drake used the Tupac [ __ ] that was cute

09:28

yeah that was C but it was like you had

09:30

some people that was like don't ever

09:31

disrespect Tupac yeah Tupac people was

09:33

like don't especially with him being

09:35

from the west coast and yeah but they

09:38

w't going to let you slide with like

09:39

that Kendrick that [ __ ] said you got

09:42

responding to you next he said you got

09:43

[ __ ] twisted is it the

09:47

braids I like that he ain't taking this

09:49

[ __ ] too serious neither like yeah

09:51

that's kind of like he just Ed a [ __ ]

09:56

ass [ __ ]

10:00

cut you got [ __ ] twisted what is it the

10:02

bra I Hur your feeling work with me no

10:06

okay three GH and I see two of them

10:08

kissing and hugging on stage I to death

10:11

and expain thate

10:17

wait I cannot reach was that a Wayne and

10:22

Birdman

10:24

disc with the King on the stage yeah he

10:27

says two ghosts left and I see them

10:29

hugging and kissing on stage jco

10:31

wouldn't be a problem that he got to

10:32

deal with cuz he bowed out he feel like

10:35

Drake ain't it but that is part of that

10:37

camp over there and them [ __ ] did kiss

10:39

on

10:40

stage did they kiss on stage I kiss they

10:43

just kissed so it wasn't to them they

10:45

just kissed I'll be reaching cuz I don't

10:47

care I want y'all to feel this [ __ ] yeah

10:48

it's so it's so much hugging it's so

10:50

much hugging and kissing going on that

10:51

you wouldn't know let's talk about it so

10:53

I give you that for your that we got to

10:55

talk about so we we may not never know

10:57

who that is is it the braids No dealer

10:59

no

11:06

deer on stage I love him to death and

11:09

then a parts I'll explain that phrase

11:11

it's nothing nobody can tell me I don't

11:13

want to talk on no s you know I got

11:15

language barriers it's no accent you can

11:17

sell me you C and I know I'm a selfish

11:20

[ __ ] the crown is heavy I pray they my

11:22

real friends if not W I don't like you

11:26

[ __ ]

11:29

hey all right that man hey he he pray J

11:33

Cole all I can say is it's his real

11:34

friend I like it cuz if not he like how

11:38

you going to ask for something that you

11:39

want and not be appreciative I love

11:42

beggers can't be [ __ ] choosing I love

11:45

this [ __ ] y'all asked for this [ __ ] and

11:47

now y'all got it and look at y'all face

11:50

stupid Drake

11:52

Drake he said he pray Cole and some

11:55

other person I a even hear the another

11:56

name but I know Cole got mention said

11:59

that real friend not YW Mele and that's

12:03

all you need to hear let's keep it

12:07

going Don DeMarco

12:14

DeMarco the crown is heavy I pray they

12:17

my real friends if not I'm Y and W Melly

12:19

I don't like you popping [ __ ] at for

12:21

real for him my hait the beef yeah [ __ ]

12:23

all that pushing P let me see you push a

12:26

t you better SP

12:33

let's see you push your te I'm laughing

12:36

off of cadence oh my [ __ ] god [ __ ]

12:39

what oh I got to get off camera for a

12:41

second man this is

12:44

crazy [ __ ] what I'm over here sipping

12:46

like this club sh sh [ __ ] [ __ ] [ __ ]

12:49

P [ __ ] you [ __ ] P let see you

12:53

P oh [ __ ] my back hurt my back hurt oh

12:58

wait oh we going back hold

13:02

[Music]

13:06

on that pushing P let me see you push a

13:13

t how he said it bro that [ __ ] is comedy

13:16

oh my God let see you push a te I'm I'm

13:19

going put in my cap that's my caption

13:21

[ __ ] puss let me push your te that sound

13:24

like he sound like a wizard oh my God

13:28

makes you disappear make it past this

13:30

bar is it

13:31

possible [ __ ] crazy I don't want to hear

13:34

the [ __ ] else but I see you pushing PE I

13:37

want to see you pushing te push a t got

13:40

to make him come outside man I see

13:43

creepy sh something bring your [ __ ] ass

13:47

out I got who put the hand behind my

13:49

back put him up put them up [ __ ]

13:52

[ __ ]

13:54

not I don't like you [ __ ] at for real

13:57

for my

13:59

call that pushing P let me see you push

14:01

a t you better spinning again on him you

14:04

think about pushing me he's terrist Thor

14:06

and I'm terrorist Crawford yeah I'm

14:07

whooping

14:14

feet he's wigged the [ __ ] got wait a

14:18

minute my

14:19

[ __ ]

14:21

damn he spent the block he spent back he

14:25

bust I bust back last time he shot at a

14:28

Drake

14:29

he didn't hold it down enough he didn't

14:31

have it in the but this time he going to

14:35

prove I want to see you push a

14:39

t you better off going back to him

14:42

before you try pushing me he's tearing

14:44

something I'm Terence Crawford

14:48

the you know how you know what you know

14:51

what Terence Crawford do hey y'all ask

14:53

for this this [ __ ] gas I hate when yall

14:55

ask for stuff and beggar can't be too

14:57

I'm [ __ ] gas can't be too let's work

15:00

what your say hey shout out your let's

15:03

work let's

15:06

work on him you think about pushing me

15:09

he's Terence Thor and I'm ter Crawford

15:11

yeah I'm walking feet we ain't got to

15:13

get person this a friendly F you should

15:15

keep it that way I know some [ __ ] about

15:17

[ __ ] that make going to want to look

15:18

like a saint this ain't been about

15:20

critics not about gimmicks not about who

15:22

the greatest is always been about love

15:24

and hate now let me say I'm the biggest

15:25

hater I hate the way that you walk the

15:27

way that you talk I hate the way you

15:30

dress

15:32

[ __ ] I am white I am a [ __ ] b a

15:37

trailer with my mom and Wayne [ __ ] my

15:40

girl I'm still standing here screaming

15:43

[ __ ] the Free World don't ever try to

15:44

judge me dude he said I hate the way

15:47

that you walk I hate the way that you

15:48

talk I hate the way that you

15:50

dress that [ __ ] letting it out he said

15:54

I'm the biggest hater he said this this

15:56

ain't never been about who the greatest

15:57

it's about love and hate and I'm I hate

16:01

the way that you walk I hate the way

16:03

that you talk [ __ ] I hate the way that

16:05

you dress oh my God they telling you

16:07

this my this hey s what what the

16:10

mallerie say I am not dead

16:14

yet

16:22

real you walk the way that you talk I

16:24

hate the way that you dress I hate the

16:26

way that you sneak this if I catch

16:27

flight it's going to be direct we hate

16:29

the [ __ ] you [ __ ] cuz they confus

16:31

themselves with real women then notice I

16:33

said we it's not just me I'm what the

16:35

culture feeling how many more we hate

16:38

the [ __ ] you [ __ ] because they confus

16:41

with real women and notice I said we I'm

16:45

with the culture feeling hey Drake you

16:49

do got some hey when you got angles you

16:51

got angles I ain't going to get you

16:53

bsiness some people got

16:55

angles ah Drake ah Drake ah hey get in

16:59

your business ah he said it not me ah

17:05

[ __ ] notice I said we it's not just me

17:08

I'm what the cult feel how many more

17:11

fairy tale stories about your life till

17:12

we had enough how many more black

17:14

features till you finally feel that

17:16

you're black enough I like Drake with

17:17

the Melodies I don't like Drake when he