KENDRICK WENT AT DRAKE CHARACTER (EUPHORIA REACTION)

InTheClutch Ent
30 Apr 202423:29

Summary

TLDRThe transcript appears to be a commentary on a rap diss track titled 'Euphoria', where the speaker, presumably a hip-hop enthusiast or commentator named Ross, discusses the lyrics and the implications of the ongoing rap feud it represents. Ross breaks down the track, highlighting the artist's accusations against Drake, focusing on themes of authenticity, acceptance within the black community, and the pressure of fame. The commentator also touches on the personal aspects of the feud, such as family and fatherhood, and the broader impact on the hip-hop culture. Ross emphasizes the importance of maintaining the spirit of competition and respect within the genre, hoping the rivalry stays 'on wax' and serves to elevate hip-hop rather than devolving into personal attacks.

Takeaways

  • 🎤 The track 'Euphoria' is a response to a previous interaction, indicating a back-and-forth dynamic in the music scene.
  • 📈 The term 'Euphoria' is defined as a feeling of well-being and elation, which is also associated with the dangerous allure of drugs.
  • 🏆 There's a mention of a series-winning victory, suggesting a competitive context and the pressure to maintain success.
  • 💥 Kendrick is expected to 'bring the heat' in his response, indicating high anticipation for his contribution to the ongoing narrative.
  • 🎶 Music is used as a medium to express dissatisfaction and critique, with lyrics that challenge the character and authenticity of the opponent.
  • 🚫 The script contains strong language and themes of rejection, highlighting the aggressive nature of the dialogue.
  • 🧍‍♂️ A focus on personal integrity and the roles of fatherhood amidst the rap industry is mentioned, adding a layer of complexity to the artist's public persona.
  • 🤝 There's an underlying message of unity and collaboration, despite the competitive and confrontational nature of the lyrics.
  • 👥 The narrative touches on themes of acceptance and belonging within the black community, indicating broader social dynamics at play.
  • 🎭 The script alludes to the idea of personas and the difference between public image and private reality for artists in the industry.
  • 👑 A claim to superiority and the desire for recognition as the ultimate artist is a recurring theme, showcasing the competitive spirit.

Q & A

  • What is the title of the track that Kendrick has responded to?

    -The title of the track is 'Euphoria'.

  • What is the theme of Kendrick's track 'Euphoria'?

    -The theme of 'Euphoria' is a critique of another artist, touching on topics like feeling unaccepted, being a scam artist, and the desire for acceptance within the black community.

  • What does Kendrick accuse the other artist of being in the track 'Euphoria'?

    -Kendrick accuses the other artist of being a scam artist and not a real rap artist.

  • What is the meaning of the term 'Euphoria' as used in the track?

    -In the context of the track, 'Euphoria' refers to an extreme, unrealistic feeling of physical and emotional well-being, often associated with the high from using dangerous drugs.

  • What is the speaker's opinion on the ongoing rap dispute?

    -The speaker is in favor of the rap dispute remaining on wax, meaning they prefer it to stay as a lyrical battle rather than escalating into real-life violence.

  • What does the speaker suggest about the role of fathers in the rap community?

    -The speaker highlights the importance of fatherhood in the rap community, mentioning Kendrick's role as a father and encouraging other fathers to be involved in their children's lives.

  • What is the speaker's view on the use of skin color in the rap industry?

    -The speaker criticizes the use of skin color as a divisive factor in the rap industry, calling for unity among light-skinned and dark-skinned individuals against those who use their skin color to discriminate.

  • What does the speaker imply about Drake's public persona?

    -The speaker implies that Drake's public persona is not genuine, suggesting that he is not truly accepted by the black community and that he is more focused on fame and acceptance than on genuine artistry.

  • What is the significance of the phrase 'three ghosts left' in the context of the track?

    -The phrase 'three ghosts left' is a metaphorical reference to Kendrick's belief that there are only a few real competitors or threats in the rap industry, with two of them being seen as united or 'kissing and hugging on stage'.

  • What is the speaker's stance on the use of personal attacks in rap disputes?

    -The speaker seems to disapprove of personal attacks, especially those involving family members, advocating for a focus on the music and the artists' skills rather than resorting to personal digs.

  • What does the speaker suggest about the future of the rap dispute?

    -The speaker is excited about the future of the rap dispute, looking forward to more lyrical responses and hoping that the competition remains friendly and focused on the music.

Outlines

00:00

🎤 Artistic Euphoria: Kendrick's Response to Drake

The first paragraph introduces the anticipation for Kendrick's response to Drake, titled 'Euphoria.' It discusses the track's artwork, which is described as the definition of euphoria, a feeling of well-being and elation. The speaker expresses excitement and readiness for Kendrick's reply, hoping for a powerful comeback. The paragraph also includes a snippet of Kendrick's lyrics, which seem to address Drake's public image and their rivalry, touching on themes of acceptance within the rap community and the pressures of fame.

05:02

🔥 Kendrick's Diss Track: A Deep Dive into the Lyrics

The second paragraph continues the discussion of Kendrick's diss track, focusing on the lyrical content and its implications. It mentions how Kendrick's lyrics target Drake's character, accusing him of being a 'scam artist' and questioning his authenticity as a rap artist. The paragraph also explores the competitive nature of their exchange, highlighting the back-and-forth jabs and the potential for further escalation. The speaker seems to appreciate the lyrical battle and encourages a continuation of the friendly competition.

10:03

🎶 Melodic Drake vs. Tough Drake: A Contrast in Styles

The third paragraph delves into the contrast between Drake's melodic style and his tougher, more aggressive rap persona. It discusses the audience's preference for Drake's melodic side and the criticism he receives when he attempts to portray a tougher image. The speaker also addresses the ongoing debate about Drake's authenticity and his place within the black community. The paragraph includes more of Kendrick's lyrics, which challenge Drake's credibility and highlight the competitive dynamic between the two artists.

15:03

👨‍👦 Fatherhood and Life Beyond Rap: Kendrick's Perspective

The fourth paragraph shifts the focus to the personal lives of the artists, particularly Kendrick's role as a father. It emphasizes the importance of life beyond rap, with Kendrick asserting that he has responsibilities outside of the music industry. The speaker criticizes those who might underestimate Kendrick's commitment to his family and his life's work. The paragraph also touches on the theme of loyalty and friendship within the rap community and the potential for further responses in the ongoing rap feud.

20:05

🤝 Unity Among Black Artists: A Call for Solidarity

The fifth and final paragraph addresses the issue of colorism within the hip-hop community, calling for unity among artists regardless of their skin color. The speaker argues against the division and suggests that both light-skinned and dark-skinned artists should stand together against those who would use their differences to create discord. The paragraph concludes with a nod to the ongoing rap battle, expressing excitement for future developments and hoping for a resolution that remains respectful and focused on the music.

Mindmap

Keywords

💡Euphoria

Euphoria in the script refers to a heightened, unrealistic sense of well-being. It is used metaphorically to describe the intoxicating effect of victory or success, as well as the initial high that attracts people to addictive substances. The script mentions 'Euphoria' both as the title of a track and metaphorically to describe the transient joy of victory, implying that such moments of elation are fleeting and can lead to poor decisions if one gets carried away.

💡Clutch

The term 'clutch' in the script is used colloquially to refer to a critical or high-pressure situation where performance is crucial. It is also the name or nickname of one of the speakers, suggesting a persona or identity that is associated with being reliable in critical moments. This term sets the stage for the video's discussion on handling pressure and responding effectively to challenges.

💡Response

In the context of the script, 'response' refers to a musical reply or comeback in a rap battle. The anticipation and delivery of a response track is a key element of hip-hop culture, where artists engage in lyrical duels. The script centers around the excitement and expectations from Kendrick's 'response' to a rival, showcasing the competitive spirit in the music industry.

💡Track

The word 'track' in the script refers to a single song or piece of music, especially in the context of an album or an artist's repertoire. It is used to discuss 'Euphoria,' the music track being reviewed, which is a crucial piece of the ongoing narrative and artistic exchange between the artists involved in the video.

💡Manipulator

Manipulator in this script is used to describe a person who influences situations or people to their advantage through deceitful or indirect means. It reflects the narrative's exploration of authenticity versus manipulation in personal and public personas, especially in the context of the music and entertainment industry.

💡Scam artist

The term 'scam artist' in the script is a derogatory term used to describe someone who deceives others for personal gain, implying a lack of genuine talent or integrity. This term is critical in the script as it frames the conflict in terms of real versus fake artistic merit, with accusations flying in the heated exchange between rival factions within the music scene.

💡Collection

In the script, 'collection' metaphorically represents the body of work or achievements one possesses. It is used to critique another's lack of significant achievements or memorable works, as in 'never been your collection,' suggesting that the target of the criticism lacks notable successes or respected contributions to their field.

💡Melodies

Melodies in the script are mentioned as a stylistic element of music that contrasts with tough or aggressive lyrical content. The reference to 'liking Drake with the Melodies' suggests a preference for softer, more musical elements over harder rap personas, which aligns with broader discussions about artistic identity and genre blending in hip-hop.

💡Classic

A 'classic' in the script refers to a work, typically a music album or track, that is widely recognized for its artistic value and lasting appeal. The debate over what constitutes a 'classic' and whether an artist has achieved this status is a recurring theme in discussions of music legacy and artistic credibility.

💡Canadian

The term 'Canadian' in this script is used to highlight national identity, particularly in the line 'let a Canadian make P turn in his grave,' which adds a layer of international rivalry in the music industry. It hints at the complexities of global cultural exchange and the stereotypes or expectations that artists from different backgrounds may face.

Highlights

The track 'Euphoria' is a response to a previous challenge, with its cover art defining euphoria as a feeling of well-being and elation.

The speaker anticipates a strong comeback from Kendrick, who is known for his impactful responses.

Lyrically, Kendrick addresses themes of acceptance and the struggle for authenticity in the rap community.

The track suggests a critique of an artist, possibly Drake, accusing them of being a 'scam artist' rather than a genuine rap artist.

Kendrick is portrayed as a master manipulator, with the song suggesting a complex relationship between the artists.

The music is described as potentially 'electrifying' in contrast to what is characterized as pacifying music by the opponent.

A challenge is issued, with Kendrick expressing a willingness to double down on his statements, but choosing to show restraint.

The lyrics touch on the idea of Kendrick being reclusive, with references to being 'out the way' and on a 'remote island'.

A personal anecdote is shared, with the speaker discussing a legal case involving a significant financial payout.

The speaker criticizes those who only show concern for a community after a tragedy, questioning the sincerity of such actions.

There's a mention of a potential physical confrontation, with the speaker indicating readiness and past experience in such matters.

A critique of the music industry and the superficiality of fame is presented, with a call for authenticity and integrity.

The speaker reflects on the importance of fatherhood and the responsibilities that come with raising a child.

A plea for unity among different factions within the hip-hop community is made, addressing issues of colorism and division.

The speaker asserts the value of staying true to one's roots and not being swayed by industry pressures or public opinion.

The track concludes with a call to action for Drake to respond, setting the stage for potential future interactions between the artists.

Transcripts

00:00

what's going on clutch what what up what

00:02

up what up it's your boy du it's your

00:04

boy Ross we in the clutch baby

00:08

hey back to you ladies and gentlemen

00:10

another video today you feel me all

00:11

right man y'all know what time it is man

00:13

y already know why we here this early

00:16

hey man the boy responded he responded

00:20

uh track is called Euphoria and the uh

00:23

the track uh cover uh the track art is

00:27

the definition of euphoria uh a feeling

00:30

of well-being and Elation apparently is

00:33

the change in mood the feeling of

00:36

euphoria and reduce anxiety that prompts

00:39

people to start using this Dangerous

00:42

Drug come on they they had almost a week

00:44

to recover from the Euphoria of

00:46

Tuesday's series winning

00:50

Victory huh that's how you read you

00:54

stupid all right well we're going to see

00:57

what Kendrick has to say we've been

00:59

waiting for we've been waiting for his

01:02

response has been waiting for his

01:04

response so hopefully he brings the heat

01:07

you ready for this man yeah I mean we've

01:09

been waiting for a while so I ain't

01:10

going to be I'm I ain't going to hold

01:11

you you got to come with it like real

01:13

real for real so Kendrick going do what

01:15

Kendrick do though but uh let's check it

01:16

out man let's do

01:19

it

01:21

[Music]

01:24

Euphoria them superpowers getting

01:26

neutralized I can only watch in Silence

01:29

the famous actor we once knew is looking

01:31

paranoid and now spiraling you're moving

01:34

just like the famous actor we once

01:37

looking paranoid now spiraling I mean if

01:39

you guys didn't know it's a

01:44

grassy heavy an is feeling distasteful

01:47

why calculate you not as calculated I

01:49

can even predict your angle fabricating

01:52

stories on the family front cuz you

01:54

heard Mr morale a pathetic master

01:56

manipulator how could smell the tals on

01:58

you now you're not a artist you a scam

02:01

artist with the hopes of being accepted

02:03

Tommy Hill fig stood out but F never

02:05

have been your collection damn okay all

02:09

right that was never been your

02:11

collection collection Tommy Hill figure

02:13

stood

02:14

out I I see the angle he's going with I

02:17

see the angle he's approaching with

02:19

Drake the whole the whole you you've

02:22

never youve never really been accepted

02:24

you've always wanted to but you've never

02:26

really been accepted okay he's going

02:28

that route he's going that route okay

02:30

let's run it back just a little bit just

02:31

just the beginning too bro yeah on you

02:33

now you're not a rap artist you're a

02:35

scam artist with aop beinged Tommy Hill

02:38

fig stood out but F boo never had been

02:41

your collection I make music that

02:43

Electrify you make music that pacify I

02:46

can double down on that line but spare

02:47

you this time that's random ex kindness

02:50

know you're a master manipulator and a

02:52

bit liar too but don't tell no lie about

02:55

me and I won't tell truths about you oh

02:59

[Music]

03:00

sh okay not the

03:04

sh this how he this how he gonna come in

03:07

on that

03:13

mug liar but don't tell no lie about me

03:17

and I won't tell truths about you damn

03:20

okay okay okay you hear the noise

03:27

yeah sh

03:30

[Music]

03:37

I'm out the way I'm low okay the island

03:39

right here is remote okay I ain't

03:40

thinking about no Reaper [ __ ] I'm

03:42

reaping what I so okay got a Benjamin

03:44

and a Jackson all in my house like I'm

03:46

Jo okay hell C met his home boys in them

03:49

types they Sol okay everybody want to be

03:51

demon till they get chipped by your th

03:53

away and I might do a show a day what's

03:56

a lame always a lame oh you thought the

03:58

money the power of Fame make you go away

04:01

have you ever played have you ever okay

04:03

[ __ ] let's play have you ever watch

04:05

your enemy down like with a poker face

04:08

have you ever paid 500 like to an open

04:11

case well I have and I F that both but I

04:14

came out straight I hate when I rap or

04:15

talk about guns then somebody die they

04:17

turn into NS then hop online like pray

04:19

for my city he faking for and hugs

04:22

dadd they must forgot the [ __ ] that they

04:24

done D must run in his family but let it

04:26

get

04:27

shaky w w wo wo hold on hold on hold on

04:30

hold on your enemy down like with a PO

04:33

face have you

04:35

00 like an open well I and I F that but

04:39

I came out straight I hate when I rap or

04:41

talk about guns then somebody die they

04:43

turn into nuns then hop online like pray

04:45

for my city he faking for likes and

04:46

digital hugs his daddy a killer he want

04:48

to be jior they must have forgot the

04:50

[ __ ] that they done dementia must run in

04:51

his family but let it get shaky a park

04:54

you son the very first time let it get

04:57

shaky I park you son

05:01

was okay I see he did

05:06

was theom the a fing for likes and

05:10

digital hugs his daddy a killer he want

05:11

to be they must have forgot the [ __ ]

05:13

that they done Dien must run in his

05:15

family but let it Shak me I park your

05:17

son the very first time I shot me a

05:18

drake the homie I told me the aim it

05:20

this way I didn't Point down enough

05:22

today I show you I learn from those

05:23

mistakes somebody had told me that you

05:25

got a ring on God I'm ready to double

05:27

the wage I rather do that than let a

05:29

Canadian [ __ ] m p turning his

05:34

grave

05:36

damn okay n say i' rather do that okay

05:40

make a Canadian [ __ ] make turnning his

05:43

grave okay homie I told me the aim it

05:46

this way I didn't Point down enough

05:48

today I show you I learn from those

05:50

mistakes somebody had told me that you

05:51

got a ring on God I'm ready to double

05:53

the wage I rather do that than let a

05:55

Canadian [ __ ] make p turn in his grave

05:58

cut the buiness you got [ __ ] twisted

06:00

what is it the breaks I Hur your feeling

06:02

you work with me no more okay three

06:05

ghost left and I see two of them kissing

06:06

and hugging on stage I love to death and

06:09

a I'll explain that

06:14

phrase okay you see two goats kissing on

06:20

stage Dam

06:23

bro this is why I'm just mad that this

06:25

[ __ ] cold dropped out Bro Dog it makes

06:28

me mad bro but I knew he was I wonder if

06:29

he going to go in more with with cold

06:31

references but you know I I hate say I

06:34

just hate that God damn it Cole all all

06:37

you had to do is just stand on your

06:38

ground stand on your

06:42

moral see what you did there be a big

06:46

grave cut you got [ __ ] twisted what is

06:49

it the bra I H your face work with me no

06:52

more okay it's three ghosts left and I

06:54

see two of them kissing and hugging on

06:56

stage I love them to death and then

06:58

eight bars I'll explain that phrase it's

07:00

nothing nobody can tell me I don't want

07:02

to talk on no s you know I got language

07:04

barriers it's no accent you can sell me

07:07

[Music]

07:09

yeah ACC you can sell me Dr be doing

07:13

his accent I like that I like thats I'll

07:17

explain that phrase It's nobody can tell

07:20

me I want to talk on no you know I got

07:22

language barriers there no accent you

07:24

can sell me yeah C and I know I'm a

07:27

selfish [ __ ] the crown is heavy I pray

07:29

that my real friends if not I'm YW

07:33

M I pray they my friends if they not I'm

07:36

ymw Melly and we know he you know he uh

07:40

supposedly offed his friends Mur on his

07:43

mind yeah

07:45

damn the beef yeah [ __ ] all that pushing

07:48

let me see you push a you better spin

07:52

hold on let him finish that you got a

07:53

little him cook

07:55

down I like you [ __ ] for real for my the

07:59

beef yeah [ __ ] all that pushing P let me

08:02

see you push a t you better spinning

08:04

again on him you think about pushing me

08:07

he's terorist Thor I'm terrorist

08:08

Crawford yeah I'm whooping feet we ain't

08:10

got to get personal this a f f you

08:12

should keep it that way I know some [ __ ]

08:14

about [ __ ] that make to look like a

08:16

saint oh he said let's this is this

08:20

ain't no personal beef let's just keep

08:22

it keep it chill which is kind of what I

08:26

get the vibe that they are they have it

08:28

had to be honest with

08:29

it's not no Chris Brown and quo [ __ ] no

08:32

yeah

08:33

that's to stop rapping quy D to set up a

08:37

celebrity match yeah that's that's

08:39

different this is for the most part it's

08:41

just been Jabs you know what I'm saying

08:43

slight disrespect but nothing to the

08:45

point of other parties getting involved

08:48

so far I'm all for I'm all for that's

08:51

what I just wanted the the big three to

08:52

do anyway you know what I'm saying like

08:54

that's why the whole cold situation kind

08:56

of sucked in a sense because we knew it

08:59

was just going to be on wax got love for

09:01

each other respect for one another man

09:02

let's just have a friendly you know back

09:04

and forth and you know settle the the

09:06

argument but sure they still gonna go

09:08

down in the top three so but

09:14

yeah [ __ ] that make going to want to

09:16

look like a saint this ain't been about

09:18

critics not about gimmicks not about who

09:20

the greatest is always been about love

09:22

and hate now let me say I'm the biggest

09:24

hater I hate the way that you walk the

09:25

way that you talk I hate the way that

09:27

you dress I hate the way that you sneak

09:29

if I catch flight let's go be direct we

09:31

hate the [ __ ] you [ __ ] they confus

09:33

thems with real women then notice I said

09:35

we it's not just me I'm what the feeling

09:40

damn all right now he cooking up now he

09:44

cooking up hey man it's it's all cool

09:46

but I'mma tell you what I hate about you

09:48

and then [ __ ] said I hate the way you

09:50

walk I hate the way he said I hate the

09:52

women you they confus himself with real

09:54

women women all right all right d all

09:57

right he coming with it he com now he

10:00

cooking up now he cooking hold on I hate

10:02

the way that you walk the way that you

10:04

talk I hate the way that you dress I

10:05

hate the way that you sneak this if I

10:07

catch flight it's going to be direct we

10:09

hate the [ __ ] you [ __ ] they

10:10

confuse themselves with real women then

10:12

notice I said we it's not just me I'm

10:14

what the coach you feeling how many more

10:16

fairy tale stories about your life till

10:18

we had enough how many more black

10:20

features till you finally feel that

10:21

you're black enough like drink with the

10:23

Melodies I don't like Drake when he act

10:25

tough you going to make a [ __ ] bring

10:27

back puff let me see if chub's really

10:28

crash something yeah my first one like

10:30

my last

10:32

one he cooking this is what we wanted

10:37

kri this is what we've been waiting

10:41

for oh [ __ ] hey he cooking he cook on

10:46

bro see if he really crash

10:52

something how many more black features

10:55

till you finally feel that you're black

10:56

enough I like Drake with the Melodies I

10:58

like Drake when he act tough you going

11:00

to make a [ __ ] bring back puff let me

11:02

see if chubs really crash something yeah

11:03

my first one like my last one it's a

11:05

classic you don't have one let your cor

11:07

AI stomach that then tell them where you

11:09

get abs

11:11

from let the cor AI tell them where they

11:13

stomach that then tell them where you

11:15

get your abs from the [ __ ] said I have

11:17

classes you ain't have none I'm like

11:19

damn I I like what he's doing let

11:22

audience really stomach that didn't tell

11:24

them where you really get your abs from

11:26

Ab from I like I like this I like this

11:30

because they both been going at each

11:31

other's discography he's like your last

11:33

[ __ ] was mid your last [ __ ] was wasn't

11:35

it now he's like you ain't never had a

11:36

classic

11:39

okay I'm here for it I'm here

11:42

for let me see if chub really crash some

11:45

yeah my first one like my last one it's

11:47

a classic you don't have one let your

11:49

core audience stomach that didn't tell

11:51

them where you get the ABS from V12 this

11:53

a fast one last one head shot for the

11:56

year you better walk around like da Punk

11:59

remember hey top dog who the [ __ ] they

12:01

think they playing with exor my middle

12:03

name as soon as you jump off of that

12:05

plane [ __ ] I'm a leg to the lame [ __ ]

12:07

only you like being famous y can't give

12:10

you no swag neither I don't give a [ __ ]

12:11

about who you hanging with I hate the

12:13

way that you walk the way that you talk

12:15

I hate the way that you dress surprise

12:16

she wanted that feature request you know

12:18

that we got some [ __ ] to address I even

12:20

hate when you say the word [ __ ] but

12:22

that's just me I guess [ __ ] just

12:24

cringeworthy ain't even got to be deep I

12:26

guess

12:29

he this is what he's attacking his

12:32

character yeah picking it apart by piece

12:35

he kicking apart his character and the

12:38

idea of Drake always wanting to feel

12:41

like accepted by the black community but

12:44

never really being accepted he's picking

12:46

that apart bro the [ __ ] I hate when you

12:48

say [ __ ] bro it's

12:51

cringeworthy hey Drake hey Drake you

12:55

know what you gotta do boy you know what

12:57

you gotta do dog cause he he he this is

13:00

the response we wanted this is what I

13:02

wanted that's just a this is he came

13:04

with it he coming with it and we not

13:06

even done yet not even done yet let's go

13:10

I hate the way you the way you I hate

13:12

the way you dress surpr Sheed thatat

13:14

request you know that we got some [ __ ]

13:16

to address I even hate when you say the

13:18

word [ __ ] but that's just me I guess

13:20

some [ __ ] just cringeworthy ain't even

13:22

got to be de I guess still love when you

13:24

see success everything with me is

13:26

blessed keep making me dance waving my

13:28

hand and won't be

13:32

noat this [ __ ] said keep

13:36

makat bro he really playing with this

13:39

[ __ ] like bro you stop rapping bro hey

13:41

make sure I keep hey I like when you get

13:43

me turned up man when I'm club man stop

13:47

coming over here bro that's what he

13:48

saying yeah he said I like it when you

13:50

sing I like the melodic the melodic

13:52

stuff but when you start talking big

13:55

tough oh okay okay okay when you see

13:57

success everything with me is blessed

14:00

keep making me dance waving my hand and

14:02

it won't be no threat I'm knowing they

14:04

call you the boy but where's the man cuz

14:05

I ain't seen him yet matter of fact I

14:07

bed them yet can I bleed them when I see

14:09

you stand by sexy red I believe you see

14:11

two bad [ __ ] I believe you

14:19

don't when I see you stand next to six

14:22

gr I I see two bad [ __ ] all right bro

14:25

he trying to trying to cook this [ __ ]

14:28

bro no bro let him bro let him cook I

14:31

ain't G to hold you bro

14:35

that about to catch a straight for real

14:39

manen matter fact i't even bed yet can I

14:41

bed when I see you stand by sex I

14:44

believe you see two bad [ __ ] I

14:46

believe you don't like women it's real

14:47

competition you might pop ass with them

14:49

let's speak on percentage show me your

14:50

splits I make sure High double back with

14:52

you you a to a [ __ ] that sign to a

14:54

[ __ ] that said he was sign to that

14:56

[ __ ] sign to a [ __ ] that signed to a

14:58

[ __ ]

14:59

said he was signed to that [ __ ] okay K

15:02

all right all right all

15:04

right Kitty hold

15:07

on I believe you don't like women it's

15:09

real competition you might pop ass with

15:11

them let's speak on percentage me your

15:13

splits I make sure High double back with

15:14

you you ass signed to a [ __ ] that

15:16

signed to a [ __ ] that said he was

15:17

signed to that [ __ ] try and assist on I

15:19

like that record what you ain't like

15:21

that record back to back I like that

15:23

record I'mma get back to that for the

15:25

record why would I call around trying to

15:26

get dirt on [ __ ] y'all thinking my

15:28

life is rap that's whole [ __ ] I got a

15:29

son to raise but I can see you know

15:31

nothing

15:37

about but I see you don't know nothing

15:40

about that

15:44

damn so this the second time I heard

15:46

about that ceasing

15:48

[Music]

15:50

assist a ceas and assist in

15:54

general uh Rick Ross talking about uh fr

15:59

and now with the light there oh no this

16:02

[ __ ] said I ain't got time to be trying

16:04

to find no dirt [ __ ] I got a son to

16:06

raise but you don't know nothing about

16:08

that all right bro now you gotta take it

16:10

back son because he was really saying

16:11

that y'all think I do rap all day hey

16:14

yeah [ __ ] I got a life that's

16:16

that sex I believe you see bad [ __ ] I

16:20

believe you don't like women it's real

16:21

comptition you might po ass with them

16:23

let's speak on percentage your spits I

16:25

make sure High double back with you you

16:27

aign to a [ __ ] that sign to a niggaer

16:28

that said he was signed to that niggga

16:30

try CE and assist on I like that record

16:32

oh what you ain't like that record back

16:34

to back I like that record I'm going get