Watching ONLY the FIRST and LAST Episode of *BRIDGERTON* (season 2)

Dylan Is In Trouble
14 May 202433:31

Summary

TLDRIn this video commentary, the host introduces a new setting for their Movie Commentary Monday series, expressing excitement about the new chapter. They begin reviewing Season 2 of 'Bridgerton,' delving into the character dynamics, plot twists, and thematic elements. Throughout, the host mixes humor with analysis, occasionally digressing into personal anecdotes and playful rants about characters' decisions and development. The commentary highlights key scenes and characters, offering predictions and critiques, while engaging with viewer comments and incorporating sponsor messages seamlessly into the narrative.

Takeaways

  • 🎬 The commentator has moved to a new place for their movie commentary series, expressing excitement about this new chapter.
  • 🐢 The commentator introduces a pet named Julius wearing a 'backpack shirt', a fun addition suggested by a viewer.
  • πŸ“Ί Discusses the structure of the series 'Bridgerton', noting that each season follows different characters within the same cast.
  • πŸ‘— Commentary on the fashion and appearance of characters in 'Bridgerton', particularly focusing on the quirky hairstyles and attire.
  • 🎭 The commentator reviews character dynamics and plot developments, showing preference for complex character interactions over simplistic narratives.
  • πŸ•΅οΈβ€β™‚οΈ Reflects on the revelation of 'Lady Whistledown's' identity in 'Bridgerton', emphasizing missed opportunities for dramatic reactions.
  • πŸ’¬ Engages in humorous asides and personal opinions, adding a layer of entertainment beyond simple plot description.
  • πŸ“š Promotion of Audible, highlighting the availability of the 'Bridgerton' books as audiobooks, illustrating the blend of content and advertisement.
  • πŸ‘‘ Commentary on social and relationship dynamics in 'Bridgerton', critiquing both the realism and the fantastical elements of the series.
  • 🏰 Ends with a reflection on the season's development, offering critiques on pacing and plot depth, while appreciating character growth and resolutions.

Q & A

  • Why does the speaker plan to make small adjustments to their new space over time?

    -The speaker wants to make small adjustments to their new space to gradually improve or personalize it while they adapt to the new environment, reflecting their excitement about a new chapter.

  • What is the significance of putting the backpack shirt on Julius?

    -The backpack shirt on Julius signifies a playful and humorous aspect of the speaker's content. It serves as a way to engage the audience with visual humor and lighten the tone of the commentary.

  • What was the viewer's reaction expected during the reveal of Lady Whistledown's identity in Bridgerton?

    -The viewer was expected to show a significant reaction during the reveal of Lady Whistledown's identity, as it was a major plot twist. However, the speaker humorously notes that their reaction was absent due to a possible distraction or lapse in focus.

  • How does the speaker describe the new character dynamics in season 2 of Bridgerton?

    -The speaker describes season 2 of Bridgerton as following different characters, maintaining the same cast but shifting focus, which creates a fresh narrative while keeping some continuity from season 1.

  • What challenges does the speaker face with YouTube regarding content safety?

    -The speaker discusses challenges with YouTube's content safety policies, where discussions in his videos that were meant to be vague and PG were flagged by YouTube as inappropriate for advertisers, impacting the video's reach and monetization.

  • Why does the speaker emphasize the lack of physical actions in the Bridgerton series?

    -The speaker criticizes the Bridgerton series for relying heavily on verbal exchanges and one-on-one conversations for dramatic reveals, rather than using more dynamic and varied storytelling methods.

  • What does the speaker suggest about the thematic elements of Bridgerton related to social events and relationships?

    -The speaker suggests that Bridgerton heavily focuses on social events and interpersonal relationships as core thematic elements, using balls and social gatherings as key settings for character interactions and plot development.

  • How does the speaker view the role of gossip in the context of Bridgerton?

    -The speaker views gossip as a central theme in Bridgerton, reflecting both historical societal behaviors and the personal intrigues of the characters. Gossip serves as a driving force for many of the plot's developments and conflicts.

  • What critique does the speaker offer about the development of romantic relationships in Bridgerton?

    -The speaker critiques the development of romantic relationships in Bridgerton as being somewhat formulaic and predictable, with characters often engaging in elaborate courtships that lead to expected outcomes.

  • How does the speaker reflect on the audio sponsorship mentioned in the script?

    -The speaker reflects humorously on the audio sponsorship by linking it to the content of Bridgerton, suggesting that even characters in the show could benefit from audio books, thus blending advertising with content commentary in a playful way.

Outlines

00:00

🎬 Commentary on a New Start and TV Series Insights

The speaker starts by introducing their new setting for 'Movie Commentary Monday', making light of its resemblance to their old space. They express excitement about this new chapter and engage their dog, Julius, humorously involving him in the commentary by putting a 'backpack shirt' on him, an idea they attribute to a fan suggestion. The narrative then shifts to a discussion about the TV series 'Bridgerton', particularly its format of focusing on different characters each season. The speaker dives into the peculiarities of the first episode of the second season, including a poorly executed punch sound effect, and teases the mystery surrounding the character 'Lady Whistledown', highlighting their eagerness to discover her identity.

05:01

πŸ“Ί Analyzing Character Dynamics and Plot Developments

The speaker continues their commentary by exploring the economic challenges faced by a family due to a hard frost affecting their crops. This leads into a broader discussion about the personal lives and trust issues of the characters, specifically focusing on the 'elfish man' who seems untrustworthy. The narrative progresses to a social event where characters interact, revealing their intentions and traits through conversations about children, reading habits, and personal desires. These interactions are critiqued for being superficial, highlighting the show's focus on appearance and societal expectations rather than substantive character development.

10:02

🌟 Challenges and Plot Twists in Social and Personal Contexts

The narrative intensifies as the speaker critiques the series for its plot predictability and superficiality, particularly in how characters interact and reveal secrets. They express disappointment in the lack of depth in character development, noting that even potentially dramatic revelations are handled without much impact. The speaker also points out the redundancy in the plot where similar themes are rehashed without much novelty. They highlight a missed opportunity for deeper exploration by the characters to confront their issues in more meaningful ways, instead of the repetitive dialogues that don't advance the plot effectively.

15:04

πŸ” Unraveling Mysteries and Confronting Truths

As the series progresses, the speaker points out how secrets and identities begin to unravel, albeit in an underwhelming fashion. They critique the show for its gentle handling of potentially explosive revelations, such as the true identity of 'Lady Whistledown'. The speaker is particularly critical of scenes that could have been pivotal but ended up being anticlimactic. This part of the commentary focuses on how the revelation of secrets affects relationships and social standings among the characters, emphasizing the lack of dramatic tension and missed narrative opportunities.

20:04

πŸŽ‰ Romantic Resolutions and Cultural Critiques

The speaker discusses the romantic plotlines and how they are resolved in a predictable yet pleasing manner, focusing on the societal expectations and personal desires of the characters. They appreciate some of the series' romantic gestures and the visual storytelling, even though they find some plot devices clichΓ©d. The speaker also critiques the cultural aspects portrayed in the series, such as the unrealistic portrayal of royalty and aristocracy, and suggests that these elements are handled in a way that prioritizes style over substance.

25:06

πŸ‘οΈ Reflecting on Character Growth and Series Finale

In the final part of their commentary, the speaker reflects on the character development throughout the series and the finale's approach to wrapping up the storylines. They discuss how the series managed to create moments of genuine emotional connection despite its flaws, focusing on the resolution of the characters' romantic and personal challenges. The speaker appreciates the efforts to bring closure to the series while still leaving some questions unanswered, hoping that these might be addressed in future seasons or spin-offs.

Mindmap

Keywords

πŸ’‘Commentary

In the context of the script, 'commentary' refers to the narrator's process of discussing, analyzing, and providing insights into the content of a TV series. This term is central to the video's theme as the narrator offers personal reactions and interpretations of the scenes and characters of 'Bridgerton', making it more engaging and informative for viewers. For example, the narrator talks about character motivations and plot dynamics, thus deepening the audience's understanding of the narrative.

πŸ’‘Lady Whistledown

'Lady Whistledown' is a pseudonym used by a character in 'Bridgerton' who writes a scandalous society newsletter, affecting other characters' lives. The identity of Lady Whistledown is a significant plot element discussed in the script. The narrator repeatedly references Lady Whistledown, speculating about her identity and impact, which drives much of the intrigue and viewer engagement with the series.

πŸ’‘Elf-like

The term 'elf-like' in the script is used to describe a character's appearance humorously. The narrator uses it to critique and add a humorous tone while discussing the physical traits of a character, which he thinks gives the character an otherworldly or peculiar appearance. This descriptive style helps create a light-hearted and entertaining atmosphere in the commentary, making the video enjoyable.

πŸ’‘Gossip

Gossip plays a central role in the script as it relates to the spreading of rumors and secrets which are a key driving force in the plot of 'Bridgerton'. The narrator discusses how characters engage in gossip and the effects it has on their social standing. This concept is crucial for understanding the social dynamics and conflicts in the video's theme.

πŸ’‘Misdirect

The term 'misdirect' in the script refers to a narrative technique where the audience's attention is diverted to one thing to distract them from another. The narrator uses this term to discuss how characters in 'Bridgerton' use deception and secrecy to achieve their goals, which adds layers of complexity and suspense to the story.

πŸ’‘Social Commentary

Social commentary is a pervasive element throughout the script where the narrator evaluates the societal norms and practices depicted in 'Bridgerton'. This includes discussions on social class, marriage, and gender roles, reflecting the narrator's insights into how these themes affect the characters' lives and decisions.

πŸ’‘Character Arc

A 'character arc' refers to the development or transformation of a character throughout a story. In the script, the narrator analyzes how various characters evolve, particularly focusing on their romantic relationships and personal growth. This helps viewers follow and empathize with the journey of each character, enhancing the storytelling impact of the video.

πŸ’‘Narrative

'Narrative' refers to the structured story or plot that is being followed in 'Bridgerton'. The script discusses how the narrative is constructed and its effects on viewer perception and emotional engagement. Understanding the narrative structure is essential for the audience to appreciate the complexity and the thematic depth of the series.

πŸ’‘Audible Sponsorship

The script includes a segment where the narrator discusses a sponsorship by Audible, using this opportunity to promote audiobooks, including those related to 'Bridgerton'. This integration illustrates how commercial aspects are woven into content to both enhance its educational value and provide a revenue stream for content creators.

πŸ’‘Scandal

'Scandal' is frequently mentioned in the script as a key element of the plot in 'Bridgerton', revolving around the dramatic revelations that affect the reputation and relationships of characters. The narrator's focus on scandal highlights its role as a catalyst for narrative developments and character reactions within the series.

Highlights

Introduction to a new setting for movie commentary Mondays, showcasing excitement for the new chapter.

Introduction of Julius in a backpack shirt, highlighting a suggestion from a viewer.

Commentary on the continuity of cast in the Bridgerton series, highlighting a shift in focus for each season.

Discussion of YouTube's content policies affecting the visibility of videos.

Introduction to Bridgerton Season 2 with a focus on the unresolved mystery of Lady Whistledown's identity from Season 1.

Reflection on personal commentary style and the humorous realization of forgetting a major plot reveal.

Light-hearted critique of the unrealistic sound effects used in a fight scene within the show.

Humorous observation of character features likened to an elf, adding a comedic layer to the commentary.

Exploration of societal roles and gossip as a primary form of entertainment in historical settings.

In-depth analysis of character motivations and societal expectations within the Bridgerton series.

Discussion on the impact of personal appearance on social standing and matchmaking in historical context.

Comparison of personal preferences and ideals between characters in Bridgerton, fostering a deeper understanding of their choices.

Sponsored segment promoting Audible, seamlessly integrated into the commentary about the Bridgerton book series.

Commentary on social dynamics and the subtle art of conversation in the era depicted in Bridgerton.

Closing thoughts that blend personal impressions with critical analysis, encouraging viewers to engage with the content further.

Transcripts

00:00

hello to Makers welcome into the very

00:02

first movie commentary Monday in the new

00:05

place how do you like it it looks very

00:07

similar doesn't it oh my God oh my God I

00:09

know you guys were just thinking like

00:10

something doesn't look right I got I

00:12

fixed fixed I kind of want to make small

00:14

adjustments to the to the space over

00:16

time but I'm very excited about this new

00:18

chapter also hey hey Julius what are you

00:21

wearing there come here big boy one of

00:24

you sent me a message and said this is a

00:25

good idea and I was like I'm going to

00:27

steal that it was only one of you so if

00:29

you were the one it was you put the

00:30

backpack shirt on Julius they said and I

00:32

said that's my idea now I will take all

00:34

of the credit I was thinking this is

00:35

actually kind of perfect cuz like I was

00:37

starting to feel less comfortable in the

00:38

shirt and it was I think it was time to

00:39

retire it but now I can give my

00:42

hand-me-downs I said hand that's not a

00:44

great word to use with Julius cuz he's

00:45

got no arms I know I'm I'm sorry it was

00:47

traumatizing for you I apologize you

00:49

look dashing in it though I he FS it up

00:51

maybe better than I do when I did season

00:53

one of Bridgerton I knew that season 2

00:56

was like a different thing I thought it

00:57

was like a brand new cast but it turns

00:59

out just B like clues that you guys have

01:01

given me in the comment section it seems

01:03

that uh it just follows like different

01:05

people each season of the same cast new

01:07

season coming oh I knew season 3 was in

01:10

the works but I I guess it's coming soon

01:12

we can move on to season 2 now since

01:13

season 1's complete look at all this

01:15

emptiness season 2 first and last of

01:18

course if you're unfamiliar with the

01:19

series you've watched the first video

01:20

right you watched my season one first

01:22

and last although that video was doing

01:23

really well and then YouTube uh thought

01:25

it was not safe for advertisers cuz I

01:28

kept talking about 25 seconds 25 seconds

01:31

tops I mean at least it was good for him

01:33

which I thought was vague enough where

01:35

it was like it's a PG thing but then

01:36

YouTube was like no no no this too

01:38

risque a when you talk seconds like that

01:39

you better have an 18 plus audience much

01:41

like season 1 Eight Episodes um I don't

01:44

want to look at any of the previews

01:45

let's go ahead and get into this baby

01:47

I'm

01:49

excited in the Rose

01:53

Garden I missed a punch with like the

01:55

worst sound effect listen to the sound

01:57

effect that that accompanies the punch

02:00

[Music]

02:02

sound to Lady whistle down who is she oh

02:04

that's right lady whistle down I hope in

02:06

this season it's revealed who lady

02:07

whiston is that was a big mystery that

02:09

was not answered in season

02:12

1 okay let me address it let me address

02:14

it really quickly I need to let you know

02:16

what happens when I record videos I'm

02:18

recording for hours and it's all just

02:20

like off the top like I don't even

02:21

remember half the things I say I did

02:23

remember at the end of episode 8 they

02:24

revealed who lady whistledown is who's

02:26

like the gossip girl she's writing the

02:28

the gossip newspaper there's a big who

02:30

that was and it turns out it was the

02:33

reader girl but I remember getting to

02:34

that part in editing and being like ooh

02:36

I can't wait to hear what I said about

02:37

this and then they reveal who lady

02:39

whistle down is it's her and then I was

02:40

sitting there

02:42

like just nothing I think my brain was

02:45

like rebooting or something and I I saw

02:47

a lot of top Comas were like why did you

02:48

not show your reaction to Lady whistle

02:50

down cuz my reaction was this just

02:53

nothing going on up here episode one

02:55

baby I'm so excited there's something to

02:58

these first and last nope no nope none

03:00

of that not you're not seeing any of

03:02

that okay YouTube familyfriendly channel

03:04

here if one of you utters a single

03:07

word ah yeah see this is the part where

03:09

the queen oh yeah yeah okay this is the

03:11

party the ball where the queen almost

03:14

arbitrarily puts like value on different

03:16

women based on their appearance

03:18

alone what is she a man my TOS this

03:22

season canot be exceptionally difficult

03:23

heis things are his cburns rained in a

03:26

little bit I think he's tightened them

03:27

up but still they're not tight enough

03:29

yeah he still has oh man the shape of

03:32

his head is just very elf likee I'm not

03:33

trying to push a narrative okay he just

03:35

has like there's like a poof at the top

03:37

of his head B because of his hair it

03:39

just kind of gives him like an like an

03:40

elfish alien look like if it was

03:42

revealed he was an elf you'd be like

03:43

yeah I get it the clues with there all

03:45

along what is the meaning of

03:47

this on a platter on a silver platter

03:50

best of luck to you brother you shall

03:52

certainly need it this season he doesn't

03:54

need luck he's got that elf magic I knew

03:57

she would return increase her price too

03:59

I or should I say I guess like in an age

04:02

before television like what is there to

04:04

do but gossip about people in your town

04:06

like what else is there to talk about

04:08

like oh the the crops are really coming

04:10

in this year like how how far can that

04:11

get you conversationally oh this person

04:13

cheated oh this person's draft stock is

04:15

falling hey I'm All Aboard that I can

04:18

understand the fascination with like

04:19

gossip there ain't nothing else to do I

04:21

was sharpening my knives you're lady

04:25

whistle done no is that the reaction you

04:29

wanted that's certainly better than I am

04:31

wondering how they're going to play it

04:32

this year though because last year it

04:33

was all about like uncovering who lady

04:35

wian is but now that we know who she is

04:37

the cat and mouse game takes uh it takes

04:40

a little bit different of an angle are

04:41

they going to try to unmask who she is

04:42

how are they going to play this she

04:44

could just as easily take her business

04:45

elsewhere so it's 18 and the delivery

04:47

boys need a wage increase oh and she's

04:48

fighting for the rights of her

04:50

workingclass citizens when you're trying

04:52

to frame somebody as like a likable

04:54

character you you do these things uh

04:56

yeah and one more thing pay these

04:58

employees better you business owner like

05:00

that person doesn't turn around and then

05:02

like be evil you know it's not like that

05:04

person leaves and then they kick a puppy

05:06

along the street you know they're the

05:07

ones running around town will you get to

05:08

sit here on your lazy IRS yeah you dumb

05:11

business owner you'll need to fill your

05:12

coffers at the modist and oversee the

05:14

hiring of a few extra staff where do

05:15

they get their money they're like a

05:17

Wella family what is their industry I

05:19

was thinking we might hold off on

05:20

leasing them this year due to the hard

05:21

Frost I beg your pardon oh wait wait

05:23

wait oh here we go here we go oh my God

05:25

money problems they have money problems

05:26

they obviously the hiring of a few extra

05:27

staff Fields by fairy Hall I was

05:29

thinking we might hold off on leasing

05:31

them this year the crops to the hard

05:33

Frost oh they do talk crops huh did

05:36

someone catch your right the

05:38

presentation brother not particularly

05:39

and all the young guys guys stop talking

05:42

about his personal life okay you're

05:43

having money issues and I'm about to

05:45

find out what you guys do you just own

05:47

land you guys have to do more than that

05:48

I'm quite close with my brothers and

05:50

sisters oh so he's interviewing the

05:52

young ladies who are very closely

05:54

supervised is this normal or do they not

05:56

trust this elfish man love children and

05:58

what number do you have mind four or

06:01

five no perhaps six it's fun we get to

06:03

pick we get to pick apart like why he

06:05

doesn't like these women and I think

06:07

based on where they cut this first

06:08

interaction I'm going to really like how

06:10

they do this so this girl doesn't have

06:12

she's just saying anything to to be

06:14

selected and what number do you have in

06:15

mind four or five no perhaps six he

06:19

doesn't want somebody who doesn't know

06:21

what they want you know or just going

06:22

along with it three children is what

06:24

I've always wanted my what's wrong with

06:26

her Lord what if you say one of your

06:27

daughters had a PCH off oh yeah they

06:29

don't trust this man this isn't normal

06:31

he must have a reputation what if say

06:32

one of your daughters had a pish for

06:33

overspending how would you deal with

06:35

[Music]

06:37

that okay this is on him though I don't

06:40

blame her he's like how many children do

06:41

you want okay now now let's say your

06:43

teenage daughter had a uh shopping

06:44

problem she kept spending how would you

06:45

solve that like that's not like a first

06:47

date question you

06:48

know that's him that's him that's you

06:51

the har is a wonderful instrument my

06:53

Lord oh yep yep bonus points she is a

06:57

musician D you read look

06:59

[Music]

07:02

you're Crossing her off because she

07:03

doesn't read books who cares if she

07:05

doesn't read she can always just listen

07:07

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07:09

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07:12

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07:42

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07:43

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07:45

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07:47

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08:08

[Music]

08:23

[Music]

08:29

a woman riding and then you started

08:31

chasing her this is why these women have

08:33

their moms to supervise this is weird

08:36

Behavior if there was someone chasing

08:37

her I would understand like trying to

08:40

jump in and help but you're the one

08:41

chasing her you are the danger

08:44

sir hey he he is just like Red Flag

08:48

City God that's so green screen oh God I

08:52

can't I can't that's too green screen I

08:54

can't who that

09:01

I'm no Horseman equestrian how did I

09:05

have that one in my repertoire I always

09:07

thought equestrian was like a like a

09:08

swimmer it sounds like aquatic a little

09:10

bit I don't know how horses got the word

09:12

equestrian it feels like they stole that

09:14

from the water peoples like I imagine

09:16

groups of people like all like

09:17

advocating for the words that they want

09:19

to describe their things and the water

09:21

people like they they took flood or

09:22

something and the horse people were like

09:24

ah we wanted that one let's get back at

09:26

them we're going to take a

09:28

question does any of that make sense

09:30

because it just hit me how like inner

09:32

brain that was I don't like if you're

09:34

not in my brain I don't know if that

09:36

made any sense at all people of horses

09:38

uh is that impressive jumping over some

09:40

low-lying bushes feels like a pretty

09:43

basic trick and he's like so taken by

09:45

her frankly she's lucky she wasn't taken

09:47

by

09:49

him did it need to be that exaggerated

09:52

you could have just did a little but I

09:54

said he was like let's watch this man

09:57

not his head

09:59

[Music]

10:02

Jesus straight my neck imitating you

10:04

enjoying your Victory lap you allow me

10:06

to go my way and you go yours you worry

10:08

about being seen I worry about meeting

10:10

strange men at parks at dawn who failed

10:12

to leave me alone with all of their

10:13

questions she's weirded out by him this

10:15

girl I like her a lot because she has

10:18

like a Discerning sense to like

10:20

understand this guy's weird losing

10:21

racist a strange women in such Parts D

10:24

wait they're racing did she know it was

10:26

a race I think she was fleeing him I

10:28

feel like that's the answer you give the

10:29

the cops like no no no no no I I

10:31

understand we were alone and I was

10:32

chasing her we just had an unspoken

10:34

understanding that we were racing each

10:35

other she just happened to get away from

10:37

me and I just happened to be holding a

10:38

knife and rope they were tools to help

10:40

win the race is that what that was a

10:44

race I love her she's on the same page

10:46

as me she she's fully weirded out by him

10:49

we could say that if we had decided on a

10:50

Finish Line together but alas we made no

10:52

such agreement that's because you just

10:53

started chasing her out of the PLO as

10:54

she will already be regarded as an old

10:57

maid at the mature age of six 20 mom how

11:01

old is she 6 and 20 20 is she 26 did she

11:04

just make me do math at the mature age

11:06

of 6 and 20 why would you make me do ma

11:10

why would you not just say 26 I'm not

11:13

here to find a husband for myself only

11:14

for my sister so in season 1 we had guy

11:18

who did not want to get married and just

11:20

kind of went through the motions and now

11:22

in season two we got girl who doesn't

11:24

want to get married she's just going

11:25

through the motions we're doing the same

11:27

thing but this is the season of the elf

11:28

that's the only difference

11:29

the Maris of ashtown a little young to

11:32

be sure but he has 10,000 oh wait a

11:35

little young to be sure but he has

11:37

10,000 a

11:39

year 10,000 of what he has 10,000 a year

11:43

he might make a particularly estimable

11:46

addition to your dance card this evening

11:47

M sha I feel like we should bring these

11:48

back like just like giant mixers where

11:51

everyone gets dressed up everyone

11:52

Dappers up and then they go and then

11:55

they they have like dance partners and

11:57

everything that could be a fun time

11:58

let's go back to the 1800s but without

12:01

all the

12:03

racism the cakes of these occasions are

12:05

surprisingly good hey he's got 10,000 go

12:08

with

12:08

him go home to your 10,000 this is the

12:12

season the vi count intends to find a

12:14

wife oh yeah I love her there's just

12:18

some life that she brings to all this

12:20

and I appreciate her VI count Bridgeton

12:22

is wealthy well connected he may very

12:25

well be our most eligible bachelor he's

12:27

very handsome yes I suppose he is girl

12:32

have you lost your marbles cuz I think I

12:35

found them what do you mean he's

12:37

handsome with the cburns and Alish

12:40

features it is unacceptable for a lady

12:43

to decline a dance with a gentleman

12:45

unless she's already reserved by another

12:47

oh it's wrong to decline dances if only

12:51

there was somebody who could reserve you

12:53

you know just on the surface we could

12:55

come to some sort of agreement I'll

12:57

Reserve you but you're not actually

12:59

going to be my betros we'll just go

13:01

through the motions surely will not fall

13:03

in love I owe you a drink with you as

13:05

the prize catch of the Season skeer he's

13:08

a skeer he's a bad person rest of us

13:10

should receive a rest he's got the face

13:11

for it simply pick the least

13:12

objectionable and get her wed bed and

13:14

bread then you can prend to more oh God

13:18

get her wed bed and bread I don't ever

13:20

want to hear someone say bread when it

13:22

comes to human beings I just it's not

13:24

the right word that's it's that's an

13:26

animal thing you can like breed dogs

13:28

there's a connotation with that word at

13:30

the meeting for all the words like the

13:32

the equestrian people I feel like that

13:34

was the last word on the board I feel

13:36

like the the people who were there

13:37

representing smooshing they're like we

13:39

got bread breeding we got to take that

13:42

one anyone want to trade but if my

13:44

children to be of good stock then their

13:46

mother must be of impeccable quality and

13:48

yet the debutants of London fall short

13:50

at every

13:51

turn someone there I can hear oh here he

13:56

goes again cornering her chasing her

13:58

down there's someone there why are you

14:00

running I'm going to catch you no

14:01

officer I swear we were just racing why

14:03

are my pants off well it's it's an

14:05

aerodynamics issue when you managed to

14:07

find this paragan of virtue whatever

14:08

makes you think she will accept your

14:10

suit yeah you little elf