KENDRICK LAMAR RESPONDS TO DRAKE & J COLE!!! "Euphoria" (REACTION)

Scru Face Jean
30 Apr 202421:58

Summary

TLDRThe transcript appears to be a commentary on a rap battle between Kendrick Lamar and Drake, two prominent figures in the hip-hop industry. The speaker expresses excitement and nervousness, discussing the artists' lyrics, their approach to the rap battle, and the anticipation surrounding their responses to each other. The commentary also touches on the broader implications of the battle within the hip-hop community, the artists' public personas, and the competitive nature of the genre. The speaker's enthusiasm for hip-hop as a sport and their admiration for both Kendrick and Drake is evident, as they analyze the strategies and wordplay used by the artists. The summary reflects the intensity and passion found within the hip-hop culture and the significance of lyrical battles in showcasing an artist's skill.

Takeaways

  • 🎤 The speaker is highly excited about Kendrick Lamar's response to Drake, indicating a significant moment in the hip-hop community.
  • 📡 There's a mention of a perceived 'waiting game' between Kendrick and Drake, suggesting anticipation and a strategic release of music.
  • 🤔 The speaker expresses nervousness about how Drake's intense performance might affect Kendrick's response.
  • 🎶 Comments on the beat choice and its suitability for a battle, indicating that the musical selection is a critical aspect of the artists' performance.
  • 🏆 The speaker compares the two artists, Kendrick and Drake, to legendary boxers, highlighting the competitive nature of their interaction.
  • 👑 References to 'the crown' suggest themes of responsibility and the weight of fame, possibly reflecting internal struggles or public perception.
  • 📉 The speaker critiques those who rap about guns and then exploit real-life tragedies for attention, indicating a commentary on authenticity in hip-hop.
  • 😂 Kendrick's humor is highlighted, adding a layer of complexity to his artistry that the speaker did not previously acknowledge.
  • 👊 There's an emphasis on the strategic and calculated nature of the lyrics and responses, likening the exchange to a war of attrition.
  • 👨‍👦 The speaker touches on the importance of raising a son with morals, integrity, and discipline, possibly critiquing the content of some hip-hop lyrics.
  • 🚨 The script ends with a challenge issued for a battle on camera, escalating the conflict and showcasing the high stakes of the situation.

Q & A

  • What is the context of the excitement and urgency in the beginning of the transcript?

    -The speaker is reacting to a new development in a rap rivalry between Kendrick Lamar and Drake, indicating that Kendrick has just responded to Drake's previous diss track.

  • Who are Kendrick and Drake in the context of this transcript?

    -Kendrick and Drake are both renowned rappers who are currently engaged in a lyrical battle, as indicated by the speaker's commentary on their recent interactions.

  • What does the speaker mean when they say 'this is not a drill'?

    -The phrase 'this is not a drill' is used to emphasize the seriousness and realness of Kendrick's response to Drake, suggesting that the situation is intense and that the speaker is deeply invested in the outcome.

  • Why does the speaker express nervousness about the situation?

    -The speaker is nervous because they are a fan of Kendrick Lamar and are concerned about how well Kendrick will fare against Drake, who they acknowledge has been 'hard' in his recent diss tracks.

  • What is the significance of the phrase 'Loaded Lux on this'?

    -Loaded Lux is a reference to a well-known battle rapper, suggesting that the speaker expects a high level of lyricism and aggression in Kendrick's response to Drake.

  • What does the speaker think about the beat choice for Kendrick's response?

    -The speaker initially expresses uncertainty about the beat choice, suggesting it might not be as hard-hitting or suitable for a rap battle as they expected.

  • What is the meaning behind the phrase 'Tommy Hill fig' and 'FUBU'?

    -These phrases appear to be metaphors or slang used by the rapper in his lyrics, possibly referring to a collection or a brand, indicating that Kendrick is making music that stands out and is not simply meant to appease the masses.

  • Why does the speaker mention '1973' in the context of hip-hop?

    -The year 1973 is significant in hip-hop history as it marks the birth of hip-hop culture. The speaker uses this reference to highlight the deep roots and historical importance of the genre.

  • What does the speaker mean when they say 'hip-hop is a sport'?

    -The speaker is emphasizing the competitive nature of hip-hop, particularly in the context of rap battles, where the artists are vying for supremacy through their lyrics and performances.

  • How does the speaker view the current state of hip-hop?

    -The speaker is excited about the current state of hip-hop, referring to it as the 'new golden era,' and expressing enthusiasm about the high level of artistry and competition in the genre.

  • What is the speaker's opinion on the rap battle between Drake and Kendrick?

    -The speaker appears to be a fan of both artists and respects their skills highly. They express that regardless of who wins the battle, their admiration for both Drake and Kendrick has increased.

Outlines

00:00

🎤 Kendrick Lamar's Response to Drake

The speaker is reacting to Kendrick Lamar's response to Drake, expressing initial disbelief and excitement. They discuss Kendrick's reputation and the anticipation surrounding his music. The speaker also mentions feeling nervous about the potential quality of Kendrick's response, given Drake's recent strong performances. The paragraph includes a detailed recount of the lyrics and the speaker's thoughts on the rap battle, touching on the themes of fame, manipulation, and the competitive nature of the hip-hop industry.

05:02

📈 The Current State of Hip-Hop

The speaker reflects on the current state of hip-hop, declaring it the 'new golden era' and emphasizing the excitement of being a fan during this time. They mention the significance of the year 1973 in hip-hop history and promote a link for more information. The speaker also discusses their viral freestyles and upcoming music, encouraging viewers to stay tuned. They address the issue of gun violence and its portrayal in hip-hop, criticizing those who exploit tragedies for attention online.

10:03

🎶 Analyzing Kendrick and Drake's Battle

The speaker compares the styles of Kendrick Lamar and Drake, likening Kendrick to Loaded Lux and Drake to Murder Moo. They express a preference for Drake's beats but acknowledge Kendrick's lyrical prowess. The speaker discusses the strategic nature of the rap battle, the emotional investment of fans, and the personal attacks exchanged between the two artists. They also touch on the broader implications of the feud on the hip-hop community and the artists' legacies.

15:05

😂 Kendrick's Humor and Drake's Response

The speaker highlights Kendrick's use of humor in his response and commends his ability to be funny while maintaining a competitive edge. They also discuss Drake's rebuttal, emphasizing the importance of a strong comeback in a rap battle. The speaker critiques those who might dismiss Drake's efforts and predicts social media reactions. They delve into the personal aspects of the feud, including comments on family and identity, and the pressure of living up to public expectations.

20:05

🚨 The Aftermath and Future of the Feud

The speaker anticipates the aftermath of the rap battle, predicting that Drake has a 'nuclear bomb' of a response prepared. They express excitement and nervousness about the ongoing feud between Drake and Kendrick. The speaker also addresses the potential for the conflict to escalate beyond music, warning about the consequences of crossing certain lines. They conclude by reiterating the excitement of the current hip-hop scene and the importance of the feud to the culture.

Mindmap

Keywords

💡Kendrick Lamar

Kendrick Lamar is a renowned American rapper, songwriter, and record producer, known for his thought-provoking lyrics and storytelling. In the video's context, he is mentioned as the speaker's favorite artist, indicating the speaker's admiration and the significance of Kendrick's response to Drake in the rap community.

💡Drake

Drake is a Canadian rapper, singer, songwriter, and actor, famous for his versatile music style and chart-topping hits. The script suggests a competitive dynamic between Drake and Kendrick Lamar, highlighting the ongoing discourse and rivalry in the hip-hop scene.

💡Hip Hop

Hip Hop is a cultural movement that originated in the African American and Latinx communities of the Bronx in the 1970s, encompassing various forms of expression including rap music, dance, and graffiti art. The video's speaker emphasizes hip hop as a sport, indicating the competitive and performative nature of rap music.

💡Freestyles

Freestyles refer to rap verses that are improvised or performed without prior preparation. In the script, the speaker mentions their freestyles going viral, which underscores the importance of spontaneous creativity and lyrical prowess in the hip-hop culture.

💡Beats

In music, beats refer to the rhythmic and percussive elements that form the backbone of a song. The speaker discusses their preference for certain beats over others, which ties into the overall production and feel of the music, impacting how the lyrics are delivered and perceived.

💡Rap Battle

A rap battle is a competition where rappers challenge each other through improvised lyrics, often with the goal of outperforming the opponent through wordplay, creativity, and audience response. The script implies an ongoing rap battle between Kendrick Lamar and Drake, which is a significant aspect of hip-hop culture.

💡Loaded Lux

Loaded Lux is an American rapper known for his skills in rap battling. The speaker compares Kendrick's style to that of Loaded Lux, suggesting a methodical and strategic approach to lyricism that focuses on walking the listener through the narrative.

💡Murder Moo

Murder Moo, also known as Murda Mook, is an American battle rapper recognized for his aggressive and intense rap style. The script uses the reference to contrast Drake's style with that of Kendrick Lamar, indicating a difference in approach and intensity in their respective rap performances.

💡Ghostwriter

A ghostwriter is a person who writes content for another individual, who is credited as the author. In the context of the video, the term is used to imply that a rapper may not be the sole creator of their lyrics, which can be a contentious issue in the authenticity debates within the rap community.

💡Rap Artist

A rap artist is a musician who specializes in the creation and performance of rap music. The term is used in the script to distinguish between those who genuinely create their music and those who may rely on others (ghostwriters) for their content, touching on themes of authenticity and originality.

💡Scam Artist

A scam artist is someone who engages in fraudulent or deceptive activities to gain an advantage. In the script, this term is used metaphorically to criticize a rapper who may not be creating their own music, suggesting a lack of authenticity and integrity in the art of rap.

Highlights

The excitement and anticipation for Kendrick Lamar's response to Drake.

The mention of Kendrick Lamar being the speaker's favorite artist.

The speaker's nervousness about the potential quality of Kendrick's response given Drake's hard-hitting lyrics.

The comparison of Kendrick and Drake's styles to Loaded Lux and Murder Moo.

The speaker's belief that Kendrick is a better lyricist than Drake.

The use of the phrase 'FUBU' and its potential meaning in the context of the rap battle.

The speaker's commentary on the strategic nature of the rap battle, likening it to a war of attrition.

The mention of a potential 'nuclear bomb' response from Drake that the speaker is anticipating.

The speaker's view that the rap battle is a net win for both Drake and Kendrick, increasing his respect for them.

The reference to a potential challenge for a battle on camera, indicating the intensity of the rap battle.

The speaker's critique of those who rap about guns and then exploit real-life tragedies for attention.

The humorous moment where Kendrick is perceived as funny in his approach to the rap battle.

The lyrical jab at Drake's supposed lack of connection with women, implying a potential weakness.

The speaker's emphasis on the current state of hip-hop being a new golden era.

The mention of the importance of teaching morals, integrity, and discipline, reflecting on the influence of rap figures.

The final challenge issued, potentially escalating the rap battle to a new level.

Transcripts

00:00

air do oh my God okay it's happening

00:02

everybody stay calm what's the procedure

00:04

everyone what's the procedure stay calm

00:07

oh my God ladies and gentlemen this is

00:09

not a drill this is not a drill I think

00:12

Kendrick just responded to Drake the god

00:15

MC is here hold on oh my goodness

00:18

everybody chill out we at the intro

00:22

Kendrick we've been waiting let's

00:24

go my

00:27

Euphoria oh let's go

00:30

now I'mma keep now Kendrick's my

00:32

favorite I mean I don't know if y'all

00:34

knew y'all y'all probably know that

00:36

Kendrick Lamar is my favorite between Dr

00:37

Kendrick and Cole but I'mma Be I'mma Be

00:41

honest I'm keep super powers getting

00:43

neutralized I can only watch in Silence

00:46

the famous actor we once knew is looking

00:48

paranoid and now

00:53

spiraling now I had all the faith in the

00:56

world for Kendrick Lamar but can I just

00:58

tell y'all for some reason I I started

01:00

getting nervous I started getting

01:02

nervous cuz I said uh uh this waiting

01:05

thing is uh I've never been someone who

01:07

put someone on the clock I started with

01:09

the leaks with the AI ah I'm getting a

01:12

little nervous with how Drake how hard

01:14

Drake was going let's go looking

01:16

paranoid and now spiraling you're moving

01:19

just like a degenerate heavy antic is

01:21

feeling distasteful why calculate you

01:23

not just calculated I can even predict

01:25

your angle fabricating stories on the

01:27

family front cuz you heard Mr morale a

01:30

pathetic master manipulator how can

01:32

smell the tals on you

01:34

now oh he going to go Loaded Lux on this

01:37

[ __ ] he gonna go Loaded Lux on this

01:40

[ __ ] I don't know about the beat choice

01:42

for a battle yet but we gonna see cuz

01:46

this seems like a more like a sit down

01:48

[ __ ] let me talk to you this is six

01:49

minutes

01:50

long oh surgical hip hop is a sport how

01:56

can smell the tals on you now you're not

01:58

a rap artist you a scam artist with the

02:00

hopes of being accepted Tommy Hill fig

02:03

stood out but F boo never had been your

02:05

collection how make music that elri how

02:08

me Hill figur stood out bu FUBU some of

02:10

y'all ain't even gonna get that some of

02:12

y'all that's gonna go right over your

02:14

head FUBU never had been your collection

02:17

I make music that Electrify you make

02:20

music that pacify I can double down on

02:22

that line but spare you this time there

02:24

random mexic know you don't spare him

02:28

you cannot spare him

02:31

oh low

02:32

key maybe he doing the Rope A Dope where

02:36

I got something else I know Drake has a

02:39

a bomb the words on the street is Drake

02:41

has has had a bomb ready for Kendrick I

02:44

think this is more of the bomb will bait

02:46

you out to drop the bomb but this is six

02:49

minutes so I don't

02:53

knowand master manipulator and habitual

02:56

liar too but don't tell no lie about me

02:59

and I won't tell truths about

03:00

[Music]

03:05

you so that don't tell no lies about me

03:08

and I won't no tell no truth about you

03:10

he's officially confirming that was shot

03:12

to

03:13

Drake oh we going to be here for a while

03:16

ladies and gentlemen we going to talk

03:17

about the Hip Hop as a sport in my my

03:19

last freestyles that are going viral

03:21

right now huh

03:25

[Music]

03:31

my God I'm liking the beat switch I was

03:32

waiting for some

03:33

[Music]

03:37

harder yeah I'm out the way yeah I'm low

03:40

okay the island right here is remote

03:42

okay this is what I was waiting for that

03:44

intro I was a little scared with that

03:45

beat choice I said he going to tear up

03:48

on that beat Choice there we go yeah I'm

03:51

out the way yeah I'm low okay the island

03:53

right here is remote okay ain't thinking

03:54

about no Reaper [ __ ] I'm reaping what I

03:57

so okay got a Benjamin and a Jackson all

03:59

in my house like I'm Jo

04:02

okay got a Benjamin and a Jackson in my

04:05

house like I'm

04:06

Joe okay hold on in my house like I'm Jo

04:10

okay hell okay home boys in them typ

04:13

okay everybody want to be demon get

04:15

chipped by your throw away and I might

04:18

do a show a day what's a lame always a

04:20

lame oh you thought the money the power

04:22

of Fame will make you go away have you

04:25

ever played have you ever okay [ __ ]

04:27

let's play have you ever watch your

04:29

enemy down down like with a poker face

04:31

have you ever paid 500,000 like to an

04:34

open case well I have and I F that both

04:37

but I came out

04:41

straight can y'all see how excited I am

04:44

oh let me just say this right now

04:46

hip-hop is a sport I told you [ __ ]

04:49

Kendrick agrees with me goddamn it

04:52

hip-hop is a sport t-shirts are

04:54

available right now you see what's in

04:55

the back right 73 if you don't know what

04:58

that year 19 19 73 is don't even ask

05:01

questions bro if you don't know what

05:03

1973 means to Hip Hop don't even ask

05:06

links going to be in the description if

05:08

you're Lov it there has never been a

05:11

better time to be a hip-hop fan in the

05:14

50 Years of Hip Hop I don't care what

05:16

you say this the new golden

05:19

era this the new golden era we ain't

05:22

never had this this the new golden era

05:26

bro Link's going to be in the

05:28

description I'm sending person thank you

05:30

vide to everybody who cops these in the

05:32

next two weeks and bro y'all all got to

05:35

go cop this now bro y'all got to

05:37

remember we were where you were when

05:39

this dropped yeah go cop that and my

05:44

freestyles are uh uh um um um um ah God

05:47

damn it my brain is rattled right

05:51

now my freestyles to like that my like

05:54

that freestyle my push-up freestyle

05:55

going crazy viral right now the Links

05:57

will be in the pin comment also I will

05:59

be dropping new music something might be

06:01

coming for me from on Friday so stay

06:03

tuned make sure y'all go check that out

06:06

let's away have you ever played have you

06:09

ever okay [ __ ] let's play have you ever

06:12

watch your enemy down like with a poker

06:14

face have you ever p00 like to an open

06:18

well I have and I F that but I came out

06:21

straight I hate when I rap or talk about

06:22

guns then somebody die they turn into NS

06:25

and hop online like pray for my city he

06:26

faking for likes and digital hugs is

06:28

that

06:34

I I hate when a [ __ ] rap about gun he

06:37

say I hate when I rap about guns and

06:38

then all of a sudden somebody die in

06:40

their city now it's talk about guns then

06:42

somebody Di and I that but I came out

06:44

straight I hate when I raap or talk

06:46

about guns then somebody die they turn

06:48

into nuns then hop online like pray for

06:50

my city he faking for likes and digital

06:51

hugs his daddy a killer he want to be

06:53

Jor they must have forgot the [ __ ] that

06:55

they done diena must run in his family

06:56

but let it get shaky I park your son the

07:00

let it get shaky I park his son parking

07:04

this is where it's going to be like the

07:07

lyrics is who is he talking about his

07:10

daddy's a killer he's not talking about

07:12

Drake or is he talking from the

07:13

perspective of D I'm confused who else

07:15

is getting shots here I don't think he

07:17

talking about Drake right

07:20

there my

07:22

f Dy a killer he want to be junior they

07:25

must have forgot the [ __ ] that they done

07:26

dementia must run in his family but let

07:28

it get shaky Parkinson shaky dementia

07:32

Parkinson very first time I shot me a

07:34

drake the homie I told me the aim it

07:36

this way I didn't Point down enough

07:37

today I show you I learn from those

07:39

mistakes somebody had told me that you

07:41

got a ring on God I'm ready to double

07:42

the wage I rather do that than let a

07:44

Canadian Nick

07:50

his one more one more rather then let a

07:54

Canadian [ __ ] make p turn in his grave

07:56

a that's the rebuttal I was waiting for

07:59

you Lin yourself up for that rebuttal

08:01

I'mma keep it tall I I I'mma keep it

08:03

tall bro I'mma keep I'd rather do that

08:07

than let a Canadian [ __ ] make pop turn

08:09

in his grave that's a good

08:11

robotto that's a good

08:13

[Applause]

08:14

robotto buiness you got [ __ ] twisted

08:17

what is it the braids I hurt your

08:18

feeling you work with me no more okay

08:21

it's three ghost left and I see two of

08:23

kissing and hugging on stage I love them

08:25

to death and then eights I'll explain

08:27

that phrase

08:30

he's talking about J right here hold on

08:32

cut you got [ __ ] twisted what is it the

08:34

bra I your feeling with me no more okay

08:39

three GH left and I see two of them

08:40

kissing and hugging on stage talking

08:42

about drinking cold godamn does he not

08:47

like see two of them kissing and hugging

08:49

on stage I love them to death and then a

08:52

bars I'll explain that phrase it's

08:53

nothing nobody can tell me I don't want

08:55

to talk on no s you know I got language

08:58

barriers it's no

09:02

you know I got accent bearers ain't no

09:05

accent you can sell me he talking about

09:06

drinking his accents bro oh my

09:12

God I'm a selfish [ __ ] the crown is

09:15

heavy I pray they my real friends if not

09:17

I'm y w Melly

09:25

I

09:28

what yo jco jco jco he's still shooting

09:33

at you gang remember what you said let

09:36

me put my chin out please hit me in my

09:38

face oh no he said man I pray these

09:41

[ __ ] my two real friends but if not

09:43

I'm Y and W Melly

09:48

[ __ ] Cole Cole you looking crazy

09:52

gang I ain't going to lie you looking

09:55

crazy gang you looking crazy gang

10:00

you looking crazy

10:01

[Music]

10:03

gang one thing I will say though so

10:06

far I think I like Drake's

10:09

beats I like Taylor Made and I like

10:14

push-ups better than I like these beats

10:17

really um there's something about these

10:21

that aren't like the maybe they're not

10:23

base heavy but and they're not like

10:26

knocking like like that

10:29

but I think also Kendrick is more of a

10:31

Loaded Lux where Drake is more of a

10:34

Murder Moo and if y'all don't get that

10:36

reference then you don't understand bad

10:37

rap I get

10:39

it Kendrick's gonna be more like walk

10:42

you down let me walk you down let me

10:43

talk to you let me not even let this

10:45

beat get in the way [ __ ] nah that ymw

10:48

Melly bar

10:50

crazy yo he said himself [ __ ] the crown

10:53

too heavy my real friends if not then

10:56

I'm YW Melly [ __ ] what

10:59

[ __ ] the crown is heavy I pray they my

11:02

real friends if not I'm y w m youing

11:05

[ __ ] at for real for him I ha the beef

11:08

yeah [ __ ] all that pushing P let me see

11:10

you push a t oh no now he's killing you

11:13

Dake oh my God

11:17

he's at first I was like man he kind of

11:21

I don't know he got to turn up nah [ __ ]

11:23

I ain't going to lie that y andw Melly

11:26

you pushing P pushing T they on the St

11:29

kissing and hugging Co and Cole can't

11:32

even do that's so crazy Cole can't ever

11:36

whoever you have winning this battle

11:37

between Drake and Kendrick my respect

11:39

for both of

11:43

them skyrocketed [ __ ] it's a net win

11:47

Drake and Kendrick are my favorite

11:51

artist man listen It Go

11:55

JayZ Kendrick Lamar and Drake I said it

11:59

that's my official three now that's my

12:01

official three and you know come on bro

12:05

of all time yeah yep I said it [ __ ] I

12:07

said it [ __ ] pocket big you throw in

12:10

there too but pocket big is like they're

12:12

on Mount Olympus we talking about Mount

12:13

Rushmore you know what I mean M Olympus

12:15

that's a little different Jay damn near

12:17

on M Olympus too oh no now he starting

12:20

to cook on You Drake you [ __ ] at for

12:23

real for him I hait the beef yeah [ __ ]

12:25

all that pushing P let me see you push a

12:27

t you better spin again on him you think

12:30

about pushing me he's Terence Thor and

12:32

I'm terrce Crawford yeah I'm whooping

12:36

feet I'm whooping feet did Teran CER box

12:42

boots first of all you know I'm from

12:45

Nebraska so once you manage to Terence

12:47

Crawford that's extra points for me you

12:51

feel me yeah let's go Bud let's go Bud

12:56

yeah I'm whooping feet we ain't got to

12:58

get person know this really F you should

13:00

keep it that way I know some [ __ ] about

13:01

[ __ ] that make going want look like a

13:03

saint this ain't been about critics not

13:06

about I know something about [ __ ] that

13:08

make gunana look like a

13:10

saint this is a bait too though he's

13:13

punching him he's letting Drake No hey

13:16

Gang This is a a war of attrition

13:18

they're both moving very

13:20

strategically I literally think kuk has

13:23

another song where he's like yo this

13:26

supposed to be a friendly fade but if

13:28

not

13:29

oh I got something for y oh no [ __ ] you

13:34

should keep it that way I know some [ __ ]

13:35

about [ __ ] that want to look like a

13:38

saint this ain't been about critics not

13:39

about gimmicks not about who the

13:41

greatest is always been about love and

13:43

hate now let me say I'm the biggest

13:44

hater I hate the way that you walk the

13:46

way that you talk I hate the way that

13:48

you dress I hate the way that you sneak

13:49

this if I catch flight it's going to be

13:51

direct we hate the [ __ ] you [ __ ] cuz

13:53

they confus thems with real women then

13:55

notice I said we it's not just me I'm

13:57

what the culture feeling how many more

13:59

fairy tale stories about your life till

14:01

we had enough how many more black

14:03

features till you finally feel that

14:04

you're black enough oh no Kendrick is

14:09

I'm sorry uh YouTube sensor [ __ ] but

14:11

Kendrick is [ __ ] you up

14:15

gang Jesus Christ it took him a little

14:19

second I feel like to really get into

14:20

the SK at first it feel like he was

14:22

going come here Jake come here no no

14:24

come here come here now feel like he

14:26

pulled a blade

14:27

out hold that

14:29

give him two good hold that n don't

14:32

don't scream [ __ ] oh [ __ ]

14:35

no many more black features till you

14:38

finally feel that you're black enough I

14:40

like Drake with the Melodies I don't

14:41

like Drake when he act tough you going

14:43

to make a [ __ ] bring back puff let me

14:45

see if chubs really crash some yeah my

14:46

first one like my last one it's a

14:48

classic you don't have one let your core

14:50

audience stomach that then tell them

14:52

where you get your ab let your core

14:55

audience your core core audience core po

14:59

stomach where you get your abs from this

15:02

is another thing too I think Kendrick is

15:05

is a better Lyricist than Drake I so

15:09

he's saying [ __ ] where it's like ah

15:13

[ __ ] core ABS is gonna fly over [ __ ]

15:15

heads bro this going that sh though

15:20

but

15:22

AB f one last one head shot for the year

15:26

you better walk around like da Punk

15:28

remember

15:30

with a mask on oh my

15:34

godri why are you I know why you're

15:36

doing it da Punk remember hey top dog

15:39

who the [ __ ] they think they playing

15:41

with extor your my middle name as soon

15:43

as you jump off of that plane [ __ ] I'm

15:45

allergic to the lame [ __ ] only you like

15:47

being famous y can't give you no swag

15:49

neither I don't give a [ __ ] about who

15:51

you hanging with I hate the way that you

15:53

walk the way that you talk I hate the

15:54

way that you dress surpris she wanted

15:56

that feature request you know that we

15:57

got some [ __ ] to address even hate when

15:59

you say the word [ __ ] but that's just

16:01

me I guess some [ __ ] just cringeworthy

16:03

ain't even got to be deep I guess still

16:06

oh my

16:08

god oh n Drake this is good there's

16:11

gonna be [ __ ] who and and and I don't

16:13

care what you say I've kept it real when

16:16

Drake was bombing I said yeah there's

16:18

gonna be Drake fans who gonna just try

16:20

their hardest to act like this is whack

16:22

that's the new strategy B way that's

16:24

it's not new that's a strategy during

16:26

battles instead of biging your mans up

16:29

to fire back you got to try to discredit

16:32

the other [ __ ] track just watch social

16:34

media for the next couple days are going

16:36

to be [ __ ] the Drake STS are going to

16:40

I'm not a stand of any of these [ __ ]

16:42

I'm a big fan of all of them Drake

16:44

Stan's gonna try to convince you this

16:45

wasn't good and it's just going to show

16:47

you y'all [ __ ] ain't listening I ain't

16:49

gonna lie to you he brings up some

16:52

points

16:54

gang he brings up some points gang even

16:57

the whooping feet when you talk by his

16:59

feet that's just me I guess some [ __ ]

17:01

just cringeworthy ain't even got to be

17:03

deep I guess still love when you see

17:05

success everything with me is blessed

17:07

keep making me dance waving my hand and

17:10

it won't be no threat I'm knowing they

17:11

call you the boy but where's the man cuz

17:13

I ain't seen him yet matter fact I ain't