DRAKE - FAMILY MATTERS- REACTION

ZIAS!
4 May 202420:54

Summary

TLDRThe transcript appears to be a commentary on a rap feud between well-known artists, possibly Drake and Kendrick Lamar, discussing the lyrics and implications of their recent tracks. The speaker, presumably a hip-hop enthusiast or commentator, provides a detailed breakdown of the lyrics, highlighting the personal jabs, references to other artists, and the potential impact on the artists' reputations. The conversation touches on themes of loyalty, personal relationships, and the competitive nature of the hip-hop industry. The speaker expresses anticipation for the continuation of the feud, hoping for more music to be released as a result of the ongoing lyrical battle, while also acknowledging the potential for the situation to become toxic due to the personal nature of the disses.

Takeaways

  • 🎤 The speaker is discussing a rap beef between well-known artists, likely Drake and Kendrick Lamar, indicating a high level of engagement and interest in the hip-hop community.
  • 🔥 The conversation suggests that the artists involved have released multiple tracks addressing each other, escalating the situation and drawing attention to their feud.
  • 🚨 There's a mention of personal attacks and allegations being made in the songs, hinting at the intensity and personal nature of the conflict.
  • 🎶 The speaker anticipates further releases from the artists, indicating an ongoing and potentially unresolved situation.
  • 🤔 There's speculation about the authenticity of the claims made in the songs, with the speaker questioning the truth behind the allegations.
  • 📈 The discussion implies that the feud might be benefiting the artists' popularity, as it's driving a lot of conversation and interest.
  • 😲 The speaker expresses surprise at some of the personal details mentioned in the songs, suggesting the level of controversy involved.
  • 👮‍♂️ There's a reference to a song lyric that involves a figure associated with law enforcement, possibly indicating a broader social commentary within the rap beef.
  • 🚫 The speaker mentions the potential toxicity of the situation, as personal lives and private matters are being dragged into the public eye through song lyrics.
  • 👨‍👩‍👧‍👦 The mention of family and baby mamas indicates that the feud is not just between the artists but also affects those close to them.
  • 💬 The speaker encourages viewers to share their thoughts and rate the songs, showing an interactive element where fans can engage with the content and express their opinions.

Q & A

  • Who is the main artist being discussed in the transcript?

    -The main artist being discussed in the transcript is Drake.

  • What is the context of the discussion about Drake?

    -The context is a discussion about Drake's involvement in a rap beef, specifically with Kendrick Lamar, and the lyrics and allegations made in their respective songs.

  • What does the speaker refer to when mentioning 'the most legendary rfh beef of all time'?

    -The speaker is referring to what they believe will be the most legendary rap feud or 'beef' in the history of rap music, likely between Drake and Kendrick Lamar.

  • What is the significance of the 'five sish' mentioned in the transcript?

    -The 'five sish' mentioned in the transcript seems to refer to a song or a specific part of a song that the speaker believes is significant in the ongoing rap feud.

  • What does the speaker mean when they say 'Z come on I just realized you got a, baseball cap on'?

    -The speaker is pointing out that the person they are speaking to is wearing a baseball cap, which might be a fashion choice or a symbol of affiliation in the context of the discussion.

  • Why does the speaker mention a 'helmet' in the context of 'fire drills'?

    -The mention of a 'helmet' in the context of 'fire drills' suggests that the speaker is discussing a form of protective gear used during intense or dangerous situations, possibly metaphorically referring to the rapper's readiness for the ongoing feud.

  • What is the relevance of the 'minivan' in the discussion?

    -The 'minivan' seems to be a topic of discussion as part of the lyrics or an event referenced in the rap feud, possibly symbolizing a situation or an incident that is part of the conflict.

  • What does the phrase 'Money Trees' signify in the context of the discussion?

    -The phrase 'Money Trees' refers to a song by Kendrick Lamar, and the discussion suggests that it is being addressed or responded to in the ongoing rap feud.

  • What is the significance of the 'black Messiah' reference in the transcript?

    -The 'black Messiah' reference appears to be a lyric from one of the songs being discussed, possibly pointing to a messianic or savior-like figure in the context of the rap community or the feud.

  • Why does the speaker mention a 'DNA test' in the transcript?

    -The mention of a 'DNA test' suggests that there are allegations about paternity or familial relationships being discussed as part of the feud, possibly pointing to a claim made in one of the songs.

  • What does the speaker mean by 'the hardest bar chubs'?

    -The phrase 'the hardest bar chubs' likely refers to the most impactful or memorable lines in a rap song, which the speaker anticipates will come from the ongoing feud.

Outlines

00:00

😀 Introduction to the Beef and Personal Remarks

The speaker begins by addressing the ongoing feud in the rap community, specifically mentioning a potential legendary 'rfh beef.' There's a mention of a 'five sish' and a baseball cap, which the speaker clarifies as a helmet used for 'fire drills.' The dialogue touches on various aspects of rap rivalries, hinting at personal attacks and references to other artists like Kendrick and Drake. The speaker also talks about the length of songs and the depth of the messages within them, suggesting that the rap feud is not just about music but also about personal lives and reputations.

05:02

🎤 Analyzing Drake's Involvement and Reactions

The paragraph delves into speculation about Drake's knowledge and potential reactions to the ongoing rap feud. It includes commentary on Drake's music and how it might be perceived in light of the controversy. There's a discussion about the impact of the feud on the music scene, with references to 'mini Drake' and the influence of other artists. The speaker also talks about the importance of wordplay and the significance of the content in rap lyrics, suggesting that the rap community is closely watching how the situation unfolds.

10:03

🔍 Dissecting Allegations and the Impact on Artists

This section focuses on the serious allegations made within the rap community, possibly about infidelity and personal relationships. The speaker discusses the potential need for a DNA test and the implications of such revelations on the artists involved. There's a mention of a 'white boy' reference and the impact of racial dynamics within the rap scene. The paragraph also touches on the idea of 'crisis management' and the efforts to clean up the image of the artists involved in the feud.

15:05

🎶 The Role of Music in the Feud and Public Perception

The speaker reflects on the role of music in the ongoing feud, discussing how tracks are being used as a medium for expressing grievances and escalating the conflict. There's a mention of the 'Bachelor Life' and the speculation around relationships within the rap community. The paragraph also explores the idea of changing one's image to fit into mainstream pop, suggesting that some artists might be adapting their styles to gain more popularity. The speaker expresses anticipation for Kendrick's response and the potential continuation of the feud through music.

20:07

📢 Anticipation for Future Developments and Community Engagement

The final paragraph expresses the speaker's excitement for the next developments in the rap feud. There's a mention of a 'first listen' and the importance of staying updated with the latest releases. The speaker encourages the audience to engage with them through social media, specifically Twitter, for more discussions and updates. The paragraph ends with a nod to the significance of the feud for the hip-hop community, suggesting that it is revitalizing the genre, albeit with concerns about it becoming toxic.

Mindmap

Keywords

💡Rap Beef

Rap beef refers to a public dispute or rivalry between rappers, often expressed through their music. In the script, there's a discussion about a legendary rap beef between Drake and Kendrick Lamar, which is central to the video's theme of analyzing their lyrics and the impact on the hip-hop community.

💡Drake

Drake is a Canadian rapper, singer, and songwriter who is a central figure in the rap beef discussed in the video. His lyrics, personal life, and public image are all scrutinized in the context of his ongoing feud with Kendrick Lamar.

💡Kendrick Lamar

Kendrick Lamar is an American rapper and songwriter, known for his thought-provoking lyrics and storytelling. In the video, his recent release and the lyrics within are analyzed as part of the ongoing rap beef, showing how he responds to Drake's disses.

💡Diss Track

A diss track is a song that expresses negative feelings towards another person, often a rival in the music industry. In the script, the anticipation of Kendrick's diss track in response to Drake's is a key point of discussion, highlighting the competitive nature of rap music.

💡Hip-Hop

Hip-hop is a cultural movement that includes rap music, dance, and art. The video discusses how the rap beef between Drake and Kendrick Lamar is revitalizing the hip-hop scene, providing new content and fueling discussions within the community.

💡Lyrical Content

Lyrical content refers to the words and themes expressed in a song's lyrics. The script delves into the specific lines from both Drake and Kendrick Lamar's songs, analyzing their meaning and the implications within the context of their rap beef.

💡Personal Attacks

Personal attacks are a common feature in rap beefs, where artists use their lyrics to criticize or insult each other's personal lives. The video mentions personal attacks made by both Drake and Kendrick Lamar, indicating the intensity of their rivalry.

💡Rap Back and Forth

Rap back and forth describes the exchange of diss tracks between rival artists. The video emphasizes the historical significance of the back and forth between Drake and Kendrick Lamar, suggesting it's one of the most legendary in rap history.

💡Public Image

Public image refers to how a person or entity is perceived by the general public. The video discusses how the rap beef affects the public image of both Drake and Kendrick Lamar, with implications for their careers and fan bases.

💡Rap Community

The rap community encompasses artists, fans, and industry professionals who are part of the hip-hop culture. The video script reflects on how the rap beef is influencing discussions and opinions within the rap community.

💡Musical Response

A musical response is a song created as a reaction to another song or event. The anticipation of Kendrick Lamar's musical response to Drake's recent diss track is a significant part of the video's narrative, as it would continue the ongoing rap beef.

Highlights

The conversation suggests that the rap beef between Drake and Kendrick Lamar could be one of the most legendary in history.

Drake is accused of addressing a personal matter involving Kendrick's family in his lyrics.

A reference to a potential DNA test, hinting at a controversy regarding parentage.

The mention of a 'minivan' in the lyrics, which is considered a clever catch in the rap battle.

Drake is said to have responded to Kendrick's six-minute song with a seven-minute track, indicating a lot to say.

A discussion about the potential impact of the rap feud on their respective images and fan bases.

The mention of a 'white boy' reference, indicating a racial component to the lyrics.

A claim that Drake's success is due to a particular individual, suggesting industry influence.

An allegation that Drake has been unfaithful, with references to his personal life.

A statement that Drake is 'not playing' with his opponents, indicating a serious approach to the rap battle.

The anticipation of Kendrick's response to Drake's lyrics, suggesting an ongoing and escalating feud.

A reference to a 'wife beater' accusation, indicating serious personal allegations within the feud.

A discussion about the potential for the feud to become toxic and the impact on the hip-hop community.

A mention of a 'prison guard' reference, possibly alluding to a past career or a metaphor within the rap battle.

The conversation ends with an invitation for viewers to join a live stream for further discussion, indicating ongoing community engagement with the rap feud.

Transcripts

00:02

what the do what's good YouTube it's

00:03

your boy Z fire single

00:05

Shalo all that [ __ ] fire you

00:08

feel me these [ __ ] is not

00:11

playing these [ __ ] is not not playing

00:14

that's why I brought the five sish I was

00:16

chilling hey [ __ ] was chilling all day

00:19

[ __ ] was chilling all day though all

00:21

day [ __ ] was chilling swear all day

00:23

what's wrong with these [ __ ] look I

00:25

don't know what's wrong with these

00:26

[ __ ] I don't know what's BR I ain't

00:28

going to lie to y'all bro this probably

00:30

going to go down as the most legendary

00:32

rfh beef of all time [ __ ] Zeke that's

00:36

you on the coming you standing on a lot

00:39

the way these [ __ ] is coming bro nah

00:40

ain't going to lie and it's back to back

00:42

Z come on I just realized you got a

00:43

baseball cap on N no no bro this is my

00:46

uh helmet that I do uh my fire drills

00:48

with when I got to go down to uh like

00:49

the slide and [ __ ] right you know what

00:51

I'm talking about no I'm at Bel hey I'm

00:55

I'm a Bel I'm this [ __ ] 7

00:58

minutes long bro

01:00

now that's funny bro cuz you was just

01:02

saying last video about Kendrick

01:03

dropping six minutes that mean what he

01:06

got a lot to say about Drake bro I mean

01:08

no no no he got a lot to say about

01:09

Kendrick you feel me Drake Family

01:12

Matters man let's see what this [ __ ]

01:14

talking about maybe in this song you

01:17

shouldn't start by saying [ __ ] I said

01:19

it I know that you mad I've emptied a

01:20

clip over friendly a jazz you

01:23

mention cuz you remember remember what

01:25

Kendra said what at the end of his song

01:28

we don't want to hear you say [ __ ] no

01:30

more that's what I'm saying bro started

01:32

off saying that [ __ ]

01:35

[ __ ] [ __ ] what the [ __ ] going on

01:38

listen

01:39

listen [ __ ] said bro that's crazy

01:43

though

01:44

[ __ ] [ __ ] say you feel me standing on

01:47

business let's get it I've empti a clip

01:49

over a friendly of jazz you mention my

01:51

seed I deal with his dad I got to go bad

01:52

I got to go

01:54

bad hold on he brought up the the

01:56

minivan oh that's good that's a good

01:59

catch that's

02:00

good good kid Mad City yeah good catch

02:03

good catch

02:04

whoa he twing that [ __ ] though where is

02:06

it going

02:09

repo [ __ ] you ain't that

02:12

[Laughter]

02:24

broke try to keep it

02:29

if you had to set they give your ass a

02:31

DP two civilian gang in real life you PC

02:35

you know who really banging set my [ __ ]

02:37

W you know who really banging set my

02:40

[ __ ] Chuck T you know who even banging

02:42

set out there CB and [ __ ] cold Lo sleep

02:45

on this it ain't me you better have some

02:48

paperwork of that [ __ ] fake te can't be

02:50

rapping by no rting that we can't read I

02:53

mean it's true a [ __ ] SL me for my AP

02:56

just like I met [ __ ] SL for his main

02:58

squee oh but he

03:02

always

03:06

[Applause]

03:10

gete hold on he talking he talking you

03:13

got to put me in the reference and

03:14

references cuz you know like how how

03:16

Kendrick be rapping no no no I'm I'm I'm

03:18

listening to you know like the type of

03:20

the subject matter of like what Kendrick

03:22

rap about he's like coming at that you

03:24

feel me yeah I see what he's talking

03:25

about the money trees and like you know

03:27

he said yeah don't playing no money

03:28

trees cuz they got a song called Money

03:29

Trees yeah yeah yeah yeah yeah and he's

03:31

like I don't know what they doing to

03:32

that van they probably going to crush

03:35

it

03:37

damn the girls I [ __ ] with what you

03:39

really mean I've been with black and

03:41

white and everything that's in between

03:43

you the black Messiah wiping up a

03:47

mixen

03:49

self sh I to know what Whitney all thaty

03:53

was over okay okay is his wife name

03:56

Whitney yep yep yep yep yep yep yep wife

04:00

name now damn never hold your son say

04:03

cheese we could have the kids out of

04:05

this don't blame me you a dog and you

04:08

know you just play Sweet your baby mama

04:10

cash is always screaming save me you did

04:12

it dirty all your life you trying to

04:14

make peace I heard one of them little

04:16

kids might be Day

04:20

[Music]

04:21

free don't make it Day free cuz if your

04:24

GM is your

04:28

secret hold on hold on hold on hold on

04:30

hold hold on are you listening I'm

04:33

listening Belo what

04:36

the you hear what he say

04:39

bro it might not be his kid Bel that's

04:48

[ __ ]

04:50

me Dave free is like his business

04:52

partner like uh you know Lan like the um

04:55

he got the label together with

04:58

him he saying his bab Mama cheated Z

05:01

that's

05:03

crazy as [ __ ] [ __ ] like imagine you

05:07

being a you think it's true though or

05:09

Drake just chat didn't I just say last

05:11

time I don't know what Drake knows bro

05:14

Drake might know a lot of [ __ ] you feel

05:16

me but I hope it ain't true [ __ ] on

05:20

knees on knees on knees shake that ass

05:24

for Drake now shake that ass for free

05:27

yeah that was ni kind of I'm talking

05:29

about my [ __ ] man we sh AI he always said

05:34

I

05:36

over that sh yo man a little K we call

05:40

that [ __ ] a mini

05:42

Drake you get what I'm

05:44

saying what like your man like a little

05:48

AK like a little like he a little

05:50

pipsqueak kind of like a little K yeah

05:53

but that [ __ ] like a mini Drake yeah

05:55

that [ __ ] was cool I caught it but like

05:58

like it Ain W me it a w me yeah he W me

06:00

I like how he flipped the sexy red [ __ ]

06:02

though remember when D was like you see

06:04

you and yourself you see you you two bad

06:06

[ __ ] hands on

06:14

youright I say I know you like to keep

06:17

it short so let me paraphrase knew it

06:19

was smoke when able hit us with the

06:21

seren [ __ ] say

06:24

uhing for my ways

06:31

I said that's

06:36

crazy keep

06:39

peace okay hold on switch hold on now

06:42

you know hold on turn me up turn me I

06:46

got to get I got to scoot in take it

06:47

serious

06:50

though look if is doing TI TOS [ __ ]

06:54

really shoot in your game that's P

06:55

brother y'all ain't getting [ __ ] shot

06:57

[ __ ] can't listen to the stick talking

06:58

f s save for a hip hop [ __ ] you don't

07:00

even be a home dog you a souvenir out

07:02

the gift shop [ __ ] still mad about that

07:04

one hole we ain't even [ __ ] I just lip

07:06

lock with her I get AC when it's time I

07:08

ain't even really let my dick drop [ __ ]

07:10

what the [ __ ] I heard Rick drop [ __ ]

07:11

talk about no J [ __ ] got a side effect

07:14

of jealousy and doubt and never told y'

07:16

[ __ ] put a [ __ ] in the bars let a

07:17

[ __ ] rock kind of like your old job

07:19

[ __ ]

07:21

house that was hard that was hard Len to

07:25

what he said give me right just I get

07:29

time I ain't even really let my dick

07:31

drop [ __ ] what the [ __ ] I heard [ __ ]

07:33

talking something about [ __ ] got a side

07:35

effect of jealousy and doubt never told

07:37

[ __ ] [ __ ]

07:39

inigga like old [ __ ] put a [ __ ] in the

07:42

bar let her rock like your old job [ __ ]

07:45

Rick

07:47

Ross he was a cop oh oh so now on he was

07:51

uh uh uh the the prison the a prison

07:53

guard Co put a [ __ ] in the Cale put a

07:57

[ __ ] in the bar let them Rock like your

08:00

old job come on come on come on come on

08:04

come on come on oh what the fu oh [ __ ]

08:09

damn was that what the [ __ ] on hey bro

08:12

what the [ __ ] was that I got to wash my

08:14

hands

08:17

bro on one of myig one of

08:23

my

08:25

a always I had smoke [ __ ] good kid m city

08:29

F will po the legend make the door slide

08:31

tears running down my cheek laughing at

08:33

you [ __ ] dying it's a war cry we music

08:35

getting play and all the spots where

08:36

boys got a little

08:37

more hello hello hey SP you what he said

08:41

no I

08:49

didn't listen to what he said bro he

08:52

said listen bro listen bro

08:57

hey oh [ __ ] I thought I hit your foot

08:59

Bro [ __ ] weekend weekend music getting

09:02

played in all the spots where your boy

09:04

is getting a little more Pride [ __ ]

09:06

your music gay

09:10

gay gay bro

09:13

what okay damn hold on hold on weekend

09:16

turned on Drake Too yep yep damn I

09:20

thought it was just a few people he was

09:23

one of those few people damn that's why

09:26

your friends let just to a guy bread

09:29

need to buy some more chains for some

09:31

more guys let me find another Street

09:33

[ __ ] I can take to the game cour side

09:35

let me get a Ed Ferrar for a Rapp take

09:36

the [ __ ] on a horse ride anything to

09:38

take a spotlight off the the boss is a

09:40

druged out pun from the north side what

09:43

you talking bro you wrong with you Drake

09:46

hey he coming at him bro he coming at

09:49

him bro I ain't going to lie he coming

09:51

at him he talking about a cash

09:54

bro hold on bro see godamn man there too

09:57

many people buy for some more guys let

10:00

me find another Street [ __ ] I to the G

10:03

side let me get a for a take the [ __ ]

10:06

on a ride anything to take a spotlight

10:08

off the F the boss is a drug out P from

10:10

the north side rock him talking [ __ ]

10:13

again gas cuz you hit my being first

10:14

[ __ ] do the

10:16

M who we talking about bro who we

10:19

talking about bro God damn who we

10:21

talking about bro listen bro who you

10:24

talking about

10:26

roim who was that uh XA Rocky

10:30

what you what he said what he say I said

10:32

something about a girl baby mama said I

10:33

heard as Rocky had he he had said

10:36

something about like how he hit how they

10:38

ran Drake baby mama in the

10:40

train you feel

10:42

me damn and he might not know who the uh

10:45

that's why he had to together a what's

10:46

it called a DNA test DNA test damn and

10:49

he saying [ __ ] hold on listen to what

10:51

he said okay I'm listening

10:54

now talk [ __ ] again G cuz you hit my

10:57

first [ __ ] do the M was

10:59

do the math who I was hitting then [ __ ]

11:01

I was in R [ __ ] you better not I was in

11:03

R [ __ ] not [ __ ] you better

11:07

not oh no no what's my

11:13

[Applause]

11:17

name talking

11:20

crazy Drake not playing with you [ __ ]

11:22

bro no

11:25

bro bro come on come on

11:29

on Drake not playing with these [ __ ]

11:32

no more I Told You Drake know a lot bro

11:35

Drake know a lot bro I'm telling

11:41

[Music]

11:44

you even when you do drop they going say

11:47

you should have model cuz it's m again

11:48

smoking should have put you on the first

11:50

one trying to get it in ask FR if this

11:53

you talking that you like you hear the

11:54

word play you he the word all

11:57

that beauty yeah

12:00

good ide next time you C in B again sh

12:02

leave tell you leave the boy alone you

12:04

get your ha split again [ __ ] made me

12:06

sick to my

12:09

stomach go back to what he said about

12:14

Future Pluto [ __ ] made me sick to my

12:17

stomach we ain't never really been

12:18

through it what he say like he ain't

12:20

never been my dog for real he saying

12:22

like they never really had no real

12:24

static you feel me so it like it's kind

12:26

of if any out of all the people he kind

12:28

of [ __ ] up

12:30

like damn yeah yeah damn he

12:34

said leand Wayne that's Metro booming

12:36

real name okay he a [ __ ] Lan so I

12:38

know you had to be an influence like

12:40

basically saying like probably Metro in

12:42

his

12:44

head [ __ ] Lane so I know he had to be

12:46

an influence these [ __ ] had a plan and

12:49

they finally found a way to R get into

12:50

it two separate albums thiss and I just

12:52

did the Kim to it

12:54

[ __ ] I like that I like that Kim the

12:57

skims yeah yeah that was hard that was

12:58

hard almost had a swim to it k that [ __ ]

13:01

is only hidden hard when baby king put

13:02

his pin to it R calling me the white boy

13:05

and the [ __ ] kind of got a ring to it

13:06

cuz all these rappers waving White Flags

13:08

while a whole [ __ ] club s to it Mur

13:10

scene on your man night then with the

13:12

cand light body at the [ __ ] body and

13:14

you know

13:15

Rick cuz he a cop he's a cop cuz he's a

13:19

cop why coming a cop why you coming at

13:27

likeo next time y but I thought him and

13:30

had a song

13:33

though another beat it's another beat

13:36

change yeah yeah yeah yeah yeah why I

13:38

feel like this was going to go the

13:39

hardest Drake didn't showed

13:41

up he on camera now hey he on camera now

13:43

I feel this be the hardest bar chubs I

13:46

think this going to be the hardest one

13:47

Zeke I ain't going to lie let me I'm got

13:49

to lock all the way in scoot over

13:53

[ __ ] kri just open his mouth so go hand

13:56

on my grammy right now where's your

13:58

uncle at cuz I want to talk to the man

14:00

in the house West Coast [ __ ] do F

14:02

right come get this ass whooping I'm

14:04

them out you want to take for real and

14:06

come get

14:09

his he talking what he say Z cuz you I

14:13

don't

14:15

know [ __ ] I thought

14:22

you can't listen to lies that come out

14:24

of your mouth you call the two State and

14:27

beg them me and get this [ __ ] down

14:29

losing perspective on boy I you for your

14:32

daddy got by top

14:35

you back go back go back go back go back

14:37

go back what you talking about what you

14:39

talking

14:41

[Music]

14:52

about way like like Anthony set up the

14:56

be charging you double for none and Sh

14:58

about what I'm say but texting your

15:00

phone like we already you tell me what I

15:02

shouldn't say [ __ ] my [ __ ] it's

15:04

already done we already know it's a we

15:07

already know why you number one it's

15:09

clearly because of the boy the hon thing

15:11

is to give me the loop right about F the

15:13

big it's only

15:20

B I'm listening to him Z I'm listening

15:23

to him bro I'm not even going to explain

15:24

that

15:26

boy gay two light skn kids [ __ ] will be

15:30

cute unless you don't want to be seen

15:32

with anyone that isn't you we get it we

15:35

got it

15:37

blackice you like juice we get you think

15:40

that b juice when you put your hands on

15:42

your girl is self she

15:49

biger hold on Z did you hear him I heard

15:53

them be what the

15:55

[ __ ] them some them some serious

15:57

allegations them are serious allegations

16:01

how do you know that

16:03

Drake he calling Kendrick a wife

16:08

be do Kendrick come off as a white beer

16:11

to

16:12

you I was only say about two or three

16:16

shots on the P got us say the b watch

16:19

don't get a swimming pool full of liquor

16:21

then we dive in it pool full of liquor

16:25

then we dive in it

16:35

York is it you living that Bachelor Life

16:38

proposed in 2015 but don't want to make

16:40

her your actual wife I'm guessing this

16:42

weding ain't happening right cuz we know

16:43

the girls that you actually like the

16:45

dark secret are coming and light it's

16:47

all on your face like what happened to M

16:48

oh [ __ ] it's all making sense maybe I'm

16:51

prining you actually M Michael Wasing

16:54

change so people believe that he's

16:55

actually white to

17:00

know I'm saying M yeah

17:04

like like the features how Michael

17:07

trying to change his features to be like

17:10

but seemly look more white but like

17:12

Kendrick features like how you like had

17:14

he basically saying like kendri got to

17:16

hop on like kendri got to hop on

17:18

mainstream pop features like you know

17:24

keep out of [ __ ] follow me right cuz

17:27

nothing you saying me right I get off

17:29

thee and nothing has changed I headed

17:31

the with all of my ice headed the with

17:34

all of my ice headed the with all of my

17:36

ice this [ __ ] got to be over by now for

17:38

anyone out here just calling it right

17:42

dead dead de there's nowhere to hide

17:46

there nowhere to hide you know what I

17:48

mean they H the crisis management team

17:50

and clean up the fact that you beat on

17:52

your queen

17:57

the that's some serious allegations you

17:59

feel me how do you know that

18:02

Drake even imagine kendri being like

18:04

hitting on the hitting on the female

18:06

yeah then like I seen them uh I think a

18:08

Twitter post came up and they was

18:09

dancing or something like that but she

18:11

look way taller than him like like he