AGAIN!? KENDRICK LAMAR NOT LIKE US REACTION - HOW IS THIS EVEN POSSIBLE? GET THE WHITE FLAG READY!?

JayBlac
4 May 202421:12

Summary

TLDRThe transcript appears to be a commentary on Kendrick Lamar's prolific output and his recent interactions with other artists, possibly Drake, in the rap community. The speaker is in awe of Kendrick's ability to release multiple tracks in a short span of time, each with a different style and message. The commentary suggests that Kendrick's recent releases have been a response to other artists' works and that he is pushing the boundaries of rap with his versatility and depth. The speaker also humorously pleads for a break from the constant stream of new material, indicating that Kendrick's work ethic and talent are both impressive and exhausting for fans trying to keep up.

Takeaways

  • 🎤 The speaker is reacting to the prolific output of Kendrick Lamar, who has released multiple tracks in a short period, causing surprise and disbelief.
  • 🤘 There is a sense of admiration for Kendrick's audacity and skill in his music, with the speaker noting the artist's ability to switch styles and maintain high quality.
  • 🔥 The speaker discusses the intensity and speed of Kendrick's rap, comparing it to a fast-paced fight and expressing astonishment at the rapper's energy and flow.
  • 📺 The script mentions other artists like Drake and J.Cole, suggesting a competitive dynamic within the hip-hop community and how Kendrick's recent releases have affected the landscape.
  • 💥 The speaker speculates about the potential for further releases from Kendrick, indicating an anticipation and excitement for what the artist might do next.
  • 🤔 There's an analysis of the lyrical content, suggesting that Kendrick's songs contain deep and personal messages, possibly aimed at other artists or addressing broader social issues.
  • 🚨 The speaker highlights the possibility of a 'beef' or rivalry within the rap community, with references to direct and indirect disses in the lyrics.
  • 🎶 Comments are made about the musicality of the tracks, noting how Kendrick's production choices and beats contribute to the overall impact of his songs.
  • 📈 The script reflects on the broader implications of Kendrick's recent activity, including the potential influence on his career and the hip-hop genre as a whole.
  • 🏆 There's a sense of awe and respect for Kendrick's work ethic and the impact of his music, with the speaker positioning him as a dominant force in the current hip-hop scene.
  • 📱 The speaker acknowledges the role of technology and social media in amplifying the reach and response to Kendrick's music, suggesting a modern context for the artist's success.

Q & A

  • What is the general theme of the transcript?

    -The transcript appears to be a commentary or reaction to a series of music releases, possibly by Kendrick Lamar, and the impact these releases have had on listeners and the music community.

  • Who is the main artist being discussed in the transcript?

    -The main artist being discussed is Kendrick Lamar, with references to his music, lyrical content, and the reactions it has provoked.

  • What is the significance of the term 'Range' in the context of the transcript?

    -In the transcript, 'Range' is used to describe Kendrick Lamar's versatility as an artist, his ability to switch styles and moods in his music, and his overall impact on listeners.

  • Why does the speaker believe that Kendrick Lamar's recent releases are noteworthy?

    -The speaker finds Kendrick Lamar's releases noteworthy due to their frequency, depth of content, and the perceived audacity in addressing personal and sensitive topics within his lyrics.

  • What is the 'Boogey Man' reference in the transcript?

    -The 'Boogey Man' reference seems to be a metaphor for Kendrick Lamar's intimidating presence in the music scene, suggesting that his recent activity has influenced other artists to step back from engaging with him.

  • What does the speaker mean when they say 'Kendrick is up'?

    -When the speaker says 'Kendrick is up', they imply that Kendrick Lamar is currently leading or dominating the conversation and competition in the music scene, particularly in the context of his recent releases.

  • Why does the speaker suggest that Drake may have caught Kendrick Lamar at the wrong time?

    -The speaker suggests that Drake may have caught Kendrick Lamar at a time when he was particularly active and ready to respond with new music, implying that Drake's actions may have provoked a flurry of responses from Kendrick.

  • What is the 'Family Matters' reference in the transcript?

    -The 'Family Matters' reference seems to be a title of one of Kendrick Lamar's releases that is being discussed in the transcript, possibly indicating a significant or controversial song or album in the ongoing narrative.

  • What does the speaker mean by 'Kendrick please give me a day off'?

    -This phrase is likely a humorous or sarcastic plea for a break from the constant stream of new music and reactions, suggesting that the speaker is overwhelmed by the pace at which Kendrick Lamar is releasing new content.

  • What is the significance of the phrase 'Once Upon a Time' in the transcript?

    -The phrase 'Once Upon a Time' is used in the transcript to introduce a narrative or a significant moment in the past, possibly referring to an earlier time in the music scene or a specific event that has led to the current situation.

  • Why does the speaker mention 'Cat Williams' and 'Money Mike'?

    -The mention of 'Cat Williams' and 'Money Mike' suggests that these individuals are somehow involved in the situation being discussed, potentially as instigators or key figures in the ongoing narrative about Kendrick Lamar's music releases.

Outlines

00:00

😀 Kendrick Lamar's Prolific Output

The first paragraph discusses the rapid and surprising release of multiple tracks by Kendrick Lamar, showcasing his exceptional work rate and audacity. The speaker expresses disbelief and excitement over Kendrick's recent activity, highlighting his ability to switch styles and maintain a high level of quality in his music. The paragraph also touches on the competitive nature of the rap scene and Kendrick's aggressive approach to his craft.

05:01

😲 The Intensity of Kendrick's Response

The second paragraph delves into the depth of Kendrick's lyrical content and the strategic nature of his responses to other artists. It mentions the complexity of the rap narratives, where Kendrick seems to be pushing boundaries with his lyrics, possibly addressing personal and sensitive topics. The speaker also speculates about the potential for further releases and the impact of Kendrick's music on the rap community.

10:02

😤 The Aggressive Tone of Kendrick's Tracks

The third paragraph focuses on the assertive and confrontational tone of Kendrick's music, suggesting that he is not just a colleague but a 'colonizer' in the rap industry. The speaker discusses the possibility of a mole within Kendrick's camp and the strategic timing of his releases. It also includes a personal commentary on the impact of Kendrick's music and the speaker's belief in Kendrick's dominance in the rap scene.

15:02

🤔 The Strategy Behind Kendrick's Rap Battles

The fourth paragraph explores the concept of rap battles and the endurance required to excel in them. It contrasts Kendrick's approach to other artists like Drake, suggesting that Kendrick's relentless drive and preparation give him an edge. The speaker also contemplates the potential reactions and strategies of other artists in the face of Kendrick's skillful and rapid-fire releases.

20:03

😅 Request for a Break Amidst Kendrick's Musical Barrage

The fifth and final paragraph humorously addresses the speaker's desire for a break from the constant flow of new music from Kendrick. It reflects on the impact of Kendrick's prolificacy on fans and the broader hip-hop community, and it ends with a note of amazement at the current state of hip-hop, inviting listeners to reflect on the situation and continue the discussion.

Mindmap

Keywords

💡Kendrick Lamar

Kendrick Lamar is a renowned American rapper, songwriter, and record producer known for his thought-provoking lyrics and storytelling. In the video script, he is the central figure, with multiple references to his actions and the impact he is having on the hip-hop scene, indicating his significant role in the narrative.

💡Drake

Drake is a Canadian rapper, singer, and songwriter who is mentioned in the context of a perceived rivalry or competition with Kendrick Lamar. The script suggests a back-and-forth dynamic between the two artists, highlighting the competitive nature of their interactions within the hip-hop community.

💡Rap Battle

A rap battle is a competition where rappers challenge each other through lyrical combat, often improvising verses to outdo their opponent. The script alludes to this concept, suggesting that Kendrick Lamar and Drake are engaged in a form of rap battle through their successive song releases.

💡Lyrical Content

Lyrical content refers to the words, themes, and messages conveyed in a song's lyrics. The script emphasizes the depth and complexity of Kendrick Lamar's lyrics, noting how they touch on personal and societal issues, which is a key aspect of the video's discussion.

💡Hip-Hop

Hip-hop is a cultural movement that includes rap music, DJing, graffiti art, and breakdancing. The script discusses the current state of hip-hop, particularly focusing on the contributions and influence of Kendrick Lamar and Drake, to illustrate the ongoing evolution and dynamics within the genre.

💡Track Release

A track release refers to the act of making a new song available to the public. The script mentions the rapid and successive release of tracks by Kendrick Lamar, which is a central theme as it discusses the implications of this prolific output on the audience and the hip-hop community.

💡Exhibition

In the context of the script, an exhibition refers to a display of skill, often in a non-competitive setting. The phrase 'supposed to be an exhibition' suggests that what was expected to be a demonstration of talent has escalated into a more intense and competitive scenario.

💡Subliminals

Subliminals are indirect or subtle messages, often in the form of hints or innuendos, that an artist includes in their lyrics, typically aimed at another person or group. The script references the use of subliminals, indicating a layer of communication in the rap verses that goes beyond the explicit lyrics.

💡Rap Response

A rap response is when a rapper releases a song to address or react to another rapper's lyrics or actions. The script discusses Kendrick Lamar's responses to perceived challenges, suggesting that his rapid-fire output is a form of retaliation or commentary on the hip-hop scene.

💡Studio Session

A studio session refers to a period when musicians and producers work together to create and record music. The script implies that Kendrick Lamar is spontaneous in the studio, suggesting that his ability to quickly produce tracks contributes to the fast pace of the narrative.

💡Rap Narrative

Rap narrative involves the storytelling aspect of rap music, where artists weave narratives and convey stories through their lyrics. The script touches on the storytelling nature of Kendrick Lamar's music, noting how his lyrics can evoke emotions and paint vivid pictures, which is a significant part of the discussion.

Highlights

Kendrick Lamar's rapid release of multiple tracks in a short span of time, showcasing his prolific output.

The commentary on Kendrick's audacity and the high energy of his performances.

Mention of Kendrick's ability to switch between different styles and vibes in his music.

The intense reaction to Kendrick's lyrics, which seem to address personal and sensitive topics.

Speculation about the influence of other artists or events that may have triggered Kendrick's response.

Discussion on the potential psychological impact of Kendrick's music on his audience.

Analysis of Kendrick's complex storytelling and the depth of his lyrics.

Comparisons of Kendrick's approach to music with other artists, like Drake and J.Cole.

The notion that Kendrick's recent activity may have been a strategic move in response to another artist's actions.

Reflection on the competitive nature of rap and the concept of 'battle rapping' in the context of Kendrick's recent releases.

The possibility of Kendrick having more music ready to release and the anticipation surrounding his next move.

Commentary on the emotional and personal aspects of Kendrick's music that resonate with listeners.

The impact of Kendrick's music on the hip-hop community and the potential for it to redefine rap battles.

The urgency and pace of Kendrick's rap, which is compared to the speed of a martial artist.

The use of subliminal messages and direct mentions in Kendrick's lyrics, indicating a shift in his approach.

The potential for a continued back-and-forth between Kendrick and other artists, keeping fans engaged and anticipating future releases.

The overall excitement and unpredictability of Kendrick Lamar's current position in the hip-hop scene.

Transcripts

00:00

Kendrick stop Kendrick please Kendrick

00:04

kend Kendrick Kendrick I'll do it

00:06

Kendrick Kendrick stop Kendrick put the

00:08

gut down it's no way you have another

00:10

track loaded impossible I don't believe

00:14

it I refuse to believe it what is this

00:17

not like us you just

00:20

dropped you dropped this is the fourth

00:22

track in how many hours how many

00:25

days what is going on unbelievable

00:30

sloppy Dusty soft the unmitigated God

00:35

the tarity the audacity of you huh what

00:40

are you doing supposed to be a fight

00:43

it's supposed to be an exhibition I was

00:46

really just trying to keep it

00:48

py we was trying to keep it

00:51

py what are you

00:54

doing Kendrick is back outside

00:57

immediately God you don't even care if

01:00

responds or not you trying to tell your

01:02

Story 4 minutes and 30 seconds not like

01:06

us let's get it let's see Ty of VI what

01:08

what else can you say after dropping

01:11

meet the grams though what else can you

01:13

say what is it like to

01:17

say I see dead people God give me a

01:21

second y'all I got to do it

01:25

with of black p will now be stripped

01:31

away and he saying I see dead people

01:34

let's get

01:36

[Music]

01:41

it must the be ho [ __ ] he a free thr

01:46

man

01:48

tell is he dancing over the body what

01:51

type of Vib and beat is

01:53

this what's going

01:56

on now I'm bobing my head it's how you

02:00

switch like

02:01

that the like what's up with ass [ __ ]

02:05

trying to see theying me [ __ ] them mama

02:09

how many Ops you really got I mean it's

02:10

too many options I'm pass on this body

02:13

I'm John

02:14

stockt ah to pass on the body of

02:18

CH oh my

02:21

God now he's now he's energetic and now

02:24

he's rapping

02:25

here you should have dropped this and

02:27

then to meet the Gams TSH

02:31

beat your ass and H the Bible if God

02:33

watching sometimes you got to pop out

02:35

and show [ __ ] certify boogie man I'm

02:36

the one that up to score with I said

02:38

he's a boogy man shees oh my God it's

02:40

getting crazy

02:45

already him say I hear you like I'm

02:48

young you better not go to sell black

02:50

one

02:52

a kri come on

02:58

Brother come on

03:00

man oh my

03:10

God he's double and triple down on this

03:13

this is getting

03:17

nasty and the speed the rate of the

03:20

punches he really is IP man what is

03:21

going on here get some help get some

03:26

help stop watching me get some help man

03:29

he not supposed to back to back to back

03:30

to like that get some help

03:36

[ __ ] with his nose now got a weird case

03:40

why is he around certified lover boy

03:42

certified

03:47

pedophiles this [ __ ] we started out not

03:49

saying names and throwing subliminals

03:51

he's saying names in cases and this and

03:54

you this and you that God dang he a't

03:56

even bleep that

03:58

out w

04:00

D [ __ ] him

04:02

up I'mma do my stuff why you trolling

04:04

like a [ __ ] ain't you tired trying to

04:06

strike a cord and it's probably a

04:11

minor struck a cord a minor a minor a

04:18

ah I live here now as you guys can see

04:21

cuz SK are gonna let me leave I

04:23

literally have to stay here we got new

04:25

carpets if you can't tell I live here I

04:27

got pillows by right there I got I got

04:29

to put a bed here I I literally I can't

04:31

go nowhere I I I can't go nowhere I'm

04:34

trapped in

04:35

here damn struck a cord is probably a

04:50

minor they not like us they not like us

04:53

they not like us uh-huh they not like us

04:57

they not like ush they not like us okay

04:59

you think the B going to let you

05:00

disrespect pop [ __ ] I think that Oak

05:02

show be your last St

05:06

[ __ ] no fly

05:09

zone canri get releasing the stats and

05:12

he said you your ass SC fly back over

05:14

here [ __ ] you

05:17

dot cold foul I don't know why you still

05:19

pretending what is the bird [ __ ] and

05:22

bird [ __ ] go the hardi not dumb shape

05:25

the stories how you want hat they're not

05:26

slow rabbit hole is still deep I can go

05:28

further I promise think there what you

05:30

mean you can go further what what are

05:32

you talking

05:34

about what you mean you can go further

05:37

what other buttons do you have to press

05:39

K what what are you talking

05:42

about I thought me the grams was

05:49

it what did he do to piss you off what

05:52

did he what did he do to make these

05:54

[ __ ] that mad oh my God

06:00

I can go further I promise ain't that

06:02

something for bitching you malib most no

06:05

bo you boy F or something 2009 I had

06:08

this [ __ ] jumping you [ __ ] will get a

06:10

wedgie be flipped over your boxes over

06:12

your F the other vaginal

06:14

option other vaginal

06:22

option K you please tomorrow is single

06:25

day May brother I give me the day off I

06:28

back of you Kendrick Kendrick I'm asking

06:30

nicely brother tomorrow has single in my

06:33

I have a celebration planned can you

06:34

please just let me breathe for 10

06:36

seconds God [ __ ] n better straight POS

06:39

got all been cont might write this with

06:40

a do tell popar quit hiding [ __ ] a

06:42

caption w action no accident I'm hands

06:44

on he [ __ ] around get polished [ __ ] on

06:46

Wayne girl he was in jail that's canav

06:48

then get his face tatted like a [ __ ]

06:50

apologizing daddy Rose came home y'

06:52

didn't deserve him neither from down to

06:54

Central [ __ ] better not speak on

06:56

Serena

06:58

go go

07:00

oh let the clip off that go ahead that

07:04

[ __ ] that Ming that name got to be

07:07

registered in place on neighborhood

07:08

watch I lean on you [ __ ] like another

07:10

line of walk yeah all eyes on me and I'm

07:12

send it up the par put the WR label on

07:14

me I'm going get them

07:15

drop and

07:18

I

07:20

I

07:22

2 up hold up hold up unpack it

07:27

ah what is going on

07:30

and you could tell all this is after

07:32

Taylor Made he mentioned Pac

07:34

again you struck a cord and he saying

07:37

it's a Mya but you struck a cord the

07:40

second time Pac is mentioned so this is

07:42

a reaction this is his Action Reaction

07:45

off what you done didn't tell her May

07:48

[ __ ] oh boy

07:50

sheesh I again I told y'all videos back

07:55

then people said and people that I know

07:58

say yo they got multi

07:59

didn't I just say it's going to be seven

08:01

versus

08:04

okay

08:07

okay

08:08

okay is a li 69 god freaky ass [ __ ]

08:12

need to stay ass inside roll ass up like

08:15

a

08:19

fresh this is

08:20

range this is range this is range [ __ ]

08:24

you understand when you listen to

08:26

Euphoria it's different and he switches

08:28

up in that when you listen to 616 he's

08:31

different he switches up in that when

08:32

you listen to me the grams it's not this

08:35

this is

08:36

range this is

08:39

range I can make you be scared I can

08:41

make you bop I can make you all respect

08:43

his pen this is

08:45

range

08:48

[Music]

08:51

what they not like us they not like us

08:54

they not like

08:56

us they not like us they not like us

08:59

they not like us Once Upon a Time all of

09:02

us was in chain Homies Still Double Down

09:04

calling us some

09:06

slaves wa wa wait wait wait wait wait

09:09

wait he doubled down calling us some

09:12

slaves are you going off what he just

09:14

released last

09:16

night saying you rap like you trying to

09:18

free the slave so what hold on hold on

09:21

let me just let me get unpack try about

09:22

to be over

09:23

anyway how fast is this response did you

09:26

just do this based on what saying the

09:29

did you just do

09:30

this did he drop Family Matters you

09:33

pressed public on your last track and

09:35

then this or did you have this in

09:36

advance cuz there's a mole in the

09:41

camp this is deep in

09:44

rap again if you watch anime I I

09:47

considered uh uh Kendrick Lamar edin Jer

09:50

he's edin

09:52

Jer the mea building railroads and

09:54

trains me for a second let me put yall

09:56

on game was using Town FK to make Rich

10:00

I'm learning I'm learning well not

10:02

really I kind of knew some of this but

10:03

I'm learning you get me2 you got the

10:05

same agenda you to Atlant when you need

10:07

a check balance let me break it down for

10:09

you this the real [ __ ] challenge you

10:11

call future when you didn't see the club

10:14

little baby help you get your lingle

10:17

oh he's playing on the fact that Drake

10:20

collapsed a lot of people and you know

10:22

heat is exchange I think it's F but I

10:23

see what he's trying to do wow wow wow

10:29

what is going on

10:31

how 2

10:35

Street

10:37

head

10:39

from say

10:42

Li Two Chains lied to you

10:45

brother wow wow wow wow wow

10:51

fire what is going on

10:54

fire

10:56

nasty Atlanta when you need a few not a

10:59

colleague you a [ __ ]

11:01

colonizer the Family Matter and the

11:03

truth of the matter here was God's plan

11:05

to show y

11:07

the my glasses on so I can hear this

11:10

better you heard what he just said you

11:13

heard what he just

11:15

said this is nothing for Kendrick this

11:18

is a response to Family Matters he just

11:20

says it what he press public on wasn't

11:24

actually it was a response Family

11:25

Matters meet the grams and he's

11:28

producing this in a

11:30

how a

11:33

liar hold on hold on not a colleague

11:36

you're a [ __ ]

11:37

colonizer the Family Matter and the

11:39

truth of the matter he was God's plan to

11:41

show y the

11:44

liar you know what I blame Cat Williams

11:47

you did this you did this on Shannon

11:48

Sharp's couch [ __ ] you caused this this

11:52

this is what you said you open Pandora's

11:54

Box you did

11:56

something you put something in the air

11:58

and that's why me here it's Cat Williams

12:01

fault it's it's Money Mike's Cat

12:03

Williams fault you hear me that's that's

12:04

what's really going on that's what I

12:05

believe I'm sticking to it that's my

12:06

story I'm sticking to

12:08

[Music]

12:12

it he a fan he a fan he a fan a here

12:17

freaky ass [ __ ] 69 god freaky ass oh my

12:21

God now he's trolling and

12:23

playing 69 god oh my god dog what is

12:27

going on [ __ ] he a 69 God hey hey hey hey

12:31

run for your life hey hey hey hey run

12:34

for your life freaky ass niggaer he a 69

12:37

god freaky ass [ __ ] he a 69 God hey hey

12:40

hey hey run for your just remind me of

12:42

top of the bed top of the bed top of the

12:44

bed top of the bed to of the bed top of

12:47

the

12:52

bed say o

12:55

ho Kendrick please Kendrick I'm asking

12:58

you now let's let's cut the crap

13:00

Kendrick please you you you shout out to

13:03

Calico you've done

13:12

enough Kendrick

13:17

stop

13:18

Kendrick hold on to this

13:21

brother this is a white flag it's really

13:25

a tissue but it's a white flag [ __ ]

13:27

stop h ho ho V ho

13:31

stop

13:34

Kendrick

13:37

please now you're having

13:42

fun you're having fun while doing this

13:44

you're

13:45

evil you're evil brother come on man

13:49

come on man what you

13:52

doing this way step that way then step

13:55

this way step that way are you my friend

13:59

are we

14:00

likeing then step this way step that way

14:04

then step this way step that

14:07

[Music]

14:09

way what are you doing

14:11

[Music]

14:13

Kendrick I'm getting messages I'm

14:15

already on it I'm getting calls and

14:16

messages I'm already on it I was I was

14:19

on top of this track the second that

14:21

[ __ ] said what I C I came straight here

14:24

I'm already oned y'all you gotta text me

14:26

I'm already

14:27

oned wow Kendrick Lamar again the rate

14:32

of the drops what is going on again I

14:36

said other video so y'all say yo

14:39

Kendrick took 17 days to respond

14:43

no this man

14:45

took 17 days to put together a whole

14:49

sections and segments of [ __ ] to to

14:51

drop even though he probably prepared

14:53

this in one day this is easy for

14:57

him I told y'all we we we did our

14:59

research right we did our research when

15:02

Kendrick was a kid and he was Battle

15:03

rapping on the block or on that pit

15:06

style whatever it was he does

15:09

this this ain't GNA stop till Drake tap

15:12

out [ __ ]

15:14

rounds round one round two round three

15:18

it ain't no rounds to this cuz back in

15:20

them days you rap until you was finished

15:23

so until Drake does this and I don't

15:26

think Drake going to do this CU guess

15:27

you know guess what Drake from Battle

15:29

rap too Drake step outside Drake step

15:32

back I'm throwing this

15:34

away cuz Drake a w right flag I don't

15:36

believe that I don't believe that but I

15:38

tell you what kendri not gonna stop

15:40

until you

15:41

finish K round seven round seven y I

15:45

want put rounds on this round seven he

15:48

not g to stop rapping until this [ __ ] is

15:51

done and he he supposed to have an album

15:55

he's supposed to have an album and like

15:57

this at this point he about to have a

15:59

Drake

16:00

album

16:02

what and this track was

16:06

good let me see if I can put it together

16:08

I feel like meet the grams for the

16:11

purpose that it was for it wasn't meant

16:14

to be like oh [ __ ] it's a lyrical

16:16

spiritual miracle and he's really

16:17

digging deep it was meant to

16:20

hurt talking about daughters you other

16:23

kids you don't have or kids that you

16:25

that you haven't exposed to the world

16:27

you're hiding talking to has a chapter

16:29

for his son his mom is his dad SRA me TT

16:33

to her listen he he telling her Donis

16:34

you're too young to understand play this

16:36

back when you're 18 you're supposed to

16:38

have a man in your life but you don't

16:39

because he's he's not responsive what

16:41

are we talking about here so in terms of

16:44

for me and and the purpose of meet meet

16:47

the grams I think in terms of what what

16:48

Kendrick has dropped already I think

16:49

it's meet the grams

16:52

first I think meet the grams is first I

16:55

think I think meet the grams is first

16:57

again it might not you might not be

16:58

bobing your head oh my but I think in

17:00

terms of bleeding bet like I feel like

17:03

meet the grams is first under that is

17:06

Euphoria under Euphoria I'mma go this I

17:10

like he's just being pettiness he having

17:12

fun and this shit's actually good

17:13

rapping you could Bop your head too then

17:15

everything else wow wow

17:20

how Drake I think you caught this man on

17:22

the time where he had down time he's

17:24

bored I think I D I think you qu him at

17:27

the wrong time Drake Drake I I think you

17:29

caught this man at the wrong [ __ ]

17:30

time bro so unless you're going to end

17:33

up going into a dark room in in your

17:35

mansion and rap all day and write raps

17:36

all day to respond good luck

17:39

brother and now I'm do a whole video on

17:41

this but now it makes sense for jcole

17:42

brother it it does I'm sorry I I don't

17:43

care what nobody say and say this is rap

17:45

that's what you're supposed to do but it

17:46

makes

17:49

sense I think J.Cole went into his

17:51

office and saw the Boogey Man he's like

17:52

I'm good on this I'm all right I already

17:54

know he going to do I'm friends with him

17:55

I know what he going to do then he said

17:56

I'm good no no I'm good on this

17:59

what what what is what how how how now

18:05

brown cow

18:06

what now if I was to ask you at home

18:10

watching and listening huh hold on one

18:13

second now we don't know if I say yo is

18:16

Drake it's Parton me is Kendrick gonna

18:17