The Amazing Digital Circus Is All LIES!

GTLive
13 May 202454:31

Summary

TLDRThe video script presents a lively discussion and analysis of a digital circus-themed narrative, where the characters Pomy and her crew explore a constructed world with boundaries that can be transcended. The conversation dives into the nature of reality within a game, touching on topics like the simulation hypothesis and the Turing test. The characters' roles, such as Jax as the instigator and Ratha as the advisor, are explored, along with the existential questions they face. The episode also introduces Gummy Goo, a character who quickly becomes a fan favorite, leading to discussions about fan fiction and the impact of character design. The script is filled with humor, pop culture references, and a deep dive into the storytelling techniques used in the digital circus, providing a rich and engaging experience for viewers.

Takeaways

  • ๐Ÿคก The host expresses a strong attachment to the character Gummy Goo, indicating the character's impact despite its brief appearance in the narrative.
  • ๐ŸŽญ The discussion delves into the nature of reality and existence, questioning the line between NPCs (Non-Player Characters) and human consciousness within the game world.
  • ๐Ÿ•น๏ธ The script explores game design elements, such as the use of 'no clipping' and game mechanics, which are creatively woven into the story's progression.
  • ๐Ÿงต There's an emphasis on the storytelling technique of reinforcing rules within the game world to ensure audience comprehension and engagement.
  • ๐Ÿš€ The episode is noted for its ability to follow up on a highly successful predecessor while maintaining the essence of the series.
  • ๐Ÿค” The characters' roles are analyzed, with speculation on whether certain behaviors are part of their programming or a result of their personal growth.
  • ๐ŸŽฎ References to classic video games and tropes are used to enrich the narrative and provide Easter eggs for the audience to discover.
  • ๐Ÿ“‰ The script touches on the concept of a 'sophomore effort' and the pressure of following up a highly successful first installment.
  • ๐Ÿ“ˆ Despite not having a massive viewership compared to viral hits, the host appreciates the quality of the engagement from the audience.
  • ๐Ÿ“š The host highlights the challenge of writing fan fiction for a well-structured series like 'The Amazing Digital Circus', as it feels complete on its own.
  • ๐Ÿ” The episode concludes with a reflection on the characters' development, leaving the audience intrigued about their future arcs and the show's continuation.

Q & A

  • What is the main theme of the discussion in the provided script?

    -The main theme of the discussion is an analysis of the digital circus land from an episode of a show, where the characters explore the concept of a constructed world, the reality of their existence, and the implications of being NPCs in a video game.

  • What is the significance of the 'clipping out of bounds' concept mentioned in the script?

    -The 'clipping out of bounds' concept is significant as it represents the characters breaking out of the confined world of the game, allowing them to see the edges of their reality and question the nature of their existence.

  • Why does the speaker mention the 'Great Mighty Poo' and 'crocodiles and the dunde'?

    -The speaker mentions 'Great Mighty Poo' and 'crocodiles and the dunde' as examples of the diverse range of individual items and models of NPCs in the game, highlighting the creativity and detail that went into the game's development.

  • What is the 'fresh cut grass cardigan' mentioned in the script?

    -The 'fresh cut grass cardigan' is a piece of clothing from the Critical Role collection by Exandria, which one of the speakers is wearing and discussing as part of their fashion discussion.

  • What is the significance of the retirement party mentioned in the script?

    -The retirement party is significant as it represents a special event thrown by YouTube for one of the speakers, showcasing the platform's appreciation for the speaker's contributions and providing a networking opportunity for creators.

  • What is the 'TED Talk' reference about in the script?

    -The 'TED Talk' reference is a humorous self-reference made by one of the speakers, implying that their discussion about eating without leaving crumbs has become an in-depth, educational discussion similar to the format of TED Talks.

  • What is the discussion about 'food Theory' and its relevance to the script?

    -The discussion about 'food Theory' is a playful and hypothetical conversation about the nature of food and its properties in the context of the game world, such as the viscosity of a 'splorch' and the density of a semi-truck made out of graham crackers.

  • Why does the speaker mention the 'Resident Evil' game?

    -The speaker mentions 'Resident Evil' to highlight a deep cut reference related to the phrase 'master of unlocking,' which is a humorously poor translation from the game and has become a meme within the gaming community.

  • What is the significance of the character Gummy Goo in the script?

    -Gummy Goo is a character from the digital circus land that the speakers are analyzing. The character has resonated with the audience, leading to fan fictions and a desire for merchandise like plushies, indicating the character's impact and the show's success.

  • What does the speaker mean by 'breaking character' or 'breaking the fourth wall'?

    -The phrases 'breaking character' and 'breaking the fourth wall' refer to a character or performer stepping out of their role to address the audience directly, acknowledging the artificiality of the performance or narrative.

  • How does the speaker describe the pressure of following up a successful first episode?

    -The speaker describes the pressure of following up a successful first episode as challenging, comparing it to the difficulty of capturing lightning in a bottle a second time, and emphasizes the importance of setting a rhythm and maintaining quality over quantity.

Outlines

00:00

๐Ÿ˜€ Introduction to the Digital Circus Analysis

The host welcomes viewers back to GT not live, a show that analyzes the digital circus. They recap the last episode where they explored chapter 2, episode 2 of an unspecified game, comparing it to an old-school game. The host and Lee discuss their experience at a fashion show featuring Geek Chic clothing from Critical Roll, highlighting the diverse range of items and their comfort. They also joke about eating well and leaving no crumbs, referencing a cultural trend.

05:01

๐ŸŽ‰ YouTube Retirement Party and Gaming References

The host shares his experience of a retirement party thrown by YouTube, which was an honor and a chance to network with creators from various backgrounds. They discuss the change in YouTube's event strategy and the goal of creating positive experiences for creators. The host also touches on a Game Theory episode about Super Smash Brothers and the discovery of a secret restaurant, drawing parallels to the current discussion about game development and testing.

10:02

๐Ÿง Existential Questions and Memory Wipes

The conversation delves into existential questions raised by the characters in the game, who despite memory wipes, retain certain knowledge. This is likened to the concept of simulation hypothesis, where memories may be programmed. The characters discuss their roles as NPCs and the nature of their reality, including the limitations of their programming and the possibility of their backstory being non-existent.

15:03

๐Ÿซ The Viscosity of a Splorch and Food Theory

The host humorously discusses the concept of a 'splorch', a term used to describe a thick, oozy sound. They debate the essence of a splorch and its viscosity, humorously relating it to food theory. The discussion takes a turn towards the evolution of human taste, the prevalence of unhealthy food, and the characters' roles in the game world, including the idea of good and bad entities.

20:05

๐Ÿ” Master of Unlocking and Video Game References

The host references a meme from the game Resident Evil, discussing the phrase 'master of unlocking' and its impact on viewers. They explore the idea of video game Easter eggs and the intentionality behind them. The conversation also covers the concept of NPCs having a sense of self and the ethical considerations of their treatment in games.

25:05

๐Ÿค” The Nature of Existence and Humanity

The host ponders the nature of existence and humanity, questioning whether one must be human to possess humanity. They discuss the feelings of insignificance and the idea that everyone, regardless of their origin, can feel like an outsider. The characters in the game also explore the concept of belonging and the value of friendship, despite one's origins.

30:05

๐Ÿš€ Escaping Tron Land and Storytelling Techniques

The host analyzes the storytelling techniques used in the game, focusing on the logical flow and the reinforcement of game mechanics. They discuss the use of glitches and game physics to create dramatic moments and the importance of establishing rules within the game world. The conversation also touches on the emotional journey of the characters and the potential for future developments.

35:07

๐Ÿ˜” Concerns of an NPC and the Role of Ratha

The characters express concerns about the emotional state of another character and the potential consequences of their actions. The host speculates on the roles of the characters within the game, likening them to game design terminology such as the instigator or the mentor. They also discuss the possibility of one of the main crew being an NPC and the implications of this revelation.

40:09

๐Ÿงต The Glitching Hand and Unresolved Plot Points

The host notes the unresolved plot point of a character's glitching hand and the lack of resolution in the episode. They discuss the potential for the character to break free from the game's constraints and the various interpretations of the character's actions. The conversation also includes a humorous moment about funeral services for NPCs and the ethics of in-game actions.

45:12

๐Ÿ“‰ Disappointments and the Emotional Journey of Characters

The host expresses disappointment over the departure of a beloved character and the lack of certain plot developments. They discuss the emotional journey of the characters, the potential for rebellion, and the reuse of NPCs in the game. The conversation also touches on the pressure of following up a successful first episode and the expectations placed on the creators.

50:15

๐Ÿ“ˆ Views, Fanfictions, and the Impact of the Show

The host reflects on the show's success, the number of fanfictions written about the characters, and the views accumulated in a short period. They discuss the quality of the show, the attachment viewers have formed with the characters, and the anticipation for future episodes. The host also emphasizes the importance of taking time to create a good product rather than rushing it.

Mindmap

Keywords

๐Ÿ’กDigital Circus

A digital circus refers to a virtual or digital environment that mimics the chaotic and entertaining nature of a traditional circus. In the video, it is used to describe the setting of an adventure where characters navigate through a world with game-like mechanics and challenges, as seen in the script's references to 'the amazing digital circus land' and 'clipping out of bounds'.

๐Ÿ’กNPC (Non-Player Character)

An NPC is a character in a game that is controlled by the game's artificial intelligence and not by a player. In the context of the video, NPCs are central to the plot's exploration of what it means to be sentient and whether one's reality is authentic or programmed. The script discusses the possibility of main characters being NPCs and the philosophical implications of that scenario.

๐Ÿ’กGlitch

A glitch refers to an error or malfunction in a game's system that produces an outcome that was not intended by the programmers. In the video, glitches are not only technical anomalies but also serve as a narrative device to challenge the characters' perceptions of their reality, as seen when the script mentions 'glitches tracking' and 'breaking outside of that world'.

๐Ÿ’กTuring Test

The Turing Test is a measure of a machine's ability to exhibit intelligent behavior that is indistinguishable from that of a human. It is brought up in the video to ponder whether NPCs can be so well-programmed that they pass the Turing Test, thus questioning the nature of consciousness and reality within the game world. The script uses this concept to add depth to the characters' exploration of self-awareness.

๐Ÿ’กGame Dev

A Game Developer (Game Dev) is a person who designs and creates video games. The script speculates that one of the characters, Pomy, might be a Game Dev, which would give her an intimate knowledge of the game world they inhabit. This speculation adds a layer of mystery to her character and her role within the digital circus.

๐Ÿ’กClipping

Clipping in video game terminology refers to the visual glitch that occurs when a character or object passes through the boundaries of the game world, often resulting in an unintended and unrealistic interaction. The script uses the concept of clipping to highlight the characters' discovery of the game world's limitations and their ability to break through them.

๐Ÿ’กExistential Crisis

An existential crisis is a moment of questioning one's purpose, existence, or the nature of reality. The video explores this concept through characters grappling with the possibility that their lives and memories might be artificial constructs within a game. The script illustrates this with lines like 'I don't matter in the slightest' and 'my life my memories my friends it's so fake'.

๐Ÿ’กFan Fiction

Fan fiction is a type of fiction written by fans that takes characters or situations from an original work and uses them to create new stories. In the context of the video, fan fiction serves as a metric for the characters' popularity and the impact of the digital circus on its audience. The script mentions the rapid creation of fan fiction featuring the character Gummy Goo, indicating the strong engagement with the narrative.

๐Ÿ’กSophomore Effort

A sophomore effort refers to a second attempt or work, often used to describe a follow-up to a successful debut. The video discusses the challenges of creating a successful sequel to a popular first entry, as the characters and world need to evolve while still maintaining the elements that made the original appealing. The script reflects on the pressure and expectations of delivering a compelling second chapter in the digital circus narrative.

๐Ÿ’กBreaking the Fourth Wall

Breaking the fourth wall is a technique used in literature and theater where a character acknowledges the audience or speaks directly to them, effectively 'breaking' the invisible 'fourth wall' between the world of the performance and the audience. In the video, this concept is mentioned in the context of a character named Jax, who addresses the camera, adding a meta layer to the narrative and engaging the audience more directly.

Highlights

The Amazing Digital Circus is a digital series that explores the concept of a constructed world with characters breaking outside of its boundaries.

The series features a character named Pomy who, despite memory loss, seems to have an inherent understanding of the game space.

The developers' room is discovered, containing models of different NPCs, including the Crocod Dunde guys and the Great Mighty Poo.

Lee is wearing a cardigan from Critical Role's fashion show, which is praised for its Geek Chic style.

The concept of 'no crumbs left' is discussed as a current cultural phenomenon related to eating well and not wasting food.

A retirement party organized by YouTube for Matt and Steph is mentioned, highlighting the platform's support for creators.

The show's creators discuss the idea of whether NPCs can have human-like qualities and the philosophical implications of AI consciousness.

The character Gummy Goo is introduced, providing an emotional connection for the audience and sparking fan fiction within two days of release.

The episode includes a deep cut reference to the video game Resident Evil, indicating the creators' love for classic games.

The concept of 'breaking' is explored, with Pomy having an emotional breakdown that could signify a rebellion against her programming.

The episode ends with a funeral service for a minor character, abstracting the idea of honoring digital life.

The character Jax is set up as a potential antagonist, with his actions causing disruptions in the program.

The creators discuss the challenges of following up a viral video with a sophomore effort that lives up to expectations.

The episode's arrangement of a recurring theme is praised for its ability to remain fresh despite being a meme.

The discussion touches on the potential roles of characters within the game design, such as the instigator or the mentor.

The episode concludes with a message on the importance of taking time to create quality content rather than rushing for perfection.

Transcripts

00:00

welcome back my little hard shell

00:02

hamburgers new M so this is the circus

00:05

huh not going to get used to this looks

00:07

like one of these guys made it through

00:09

wait what no go

00:20

[Music]

00:31

hey guys and welcome to GT not live

00:34

where it's another day it's another part

00:36

of our amazing digital circus analysis

00:39

uh so last time Lee and I were sitting

00:40

on the couch together we were picking

00:42

Apart chapter 2 episode two of amazing

00:45

chapter two everything chapter part two

00:48

episode two 17 part 17 it's some old

00:53

school halflife book 13 2 episode one

00:57

right just part three the revian uh so

01:01

last time we joined the adventures of

01:03

pomy and the crew over in uh the amazing

01:05

digital circus land uh we discovered

01:08

that they're really leaning in hard into

01:11

kind of the the clipping out of bounds

01:13

idea and this this uh structure around

01:16

hey there there's definitely a

01:18

constructed world but now you're

01:19

breaking outside of that world and

01:21

seeing the edges of this reality we also

01:23

discovered the developers room that's

01:25

kind of where we end the room with the

01:27

the like models of the different NPCs

01:30

were in this had the the crocod dunde

01:34

guys which I just put together the

01:35

crocodiles and the dunde I you you

01:39

really just put that together yes I did

01:41

okay uh they had the Great Mighty Poo

01:42

new new film theor good job handing off

01:45

the rains getting warmed up it's fine

01:46

but before I kick things off Lee you

01:48

look great thank you this is the fresh

01:51

cut grass cardigan from critical rule

01:54

this is a true

01:55

story when it is a this is a true story

02:00

when we were uh at Tom and I though we

02:02

we didn't walk in the creators and

02:04

fashion fashion show it's awesome stuff

02:06

go see it on style Theory it was on St

02:08

uh during the critical roll section we

02:11

were very impressed by the uh kind of

02:13

Geek Chic clothing that they had yeah

02:17

and their stuff went hard I was really

02:19

impressed with their like I think they

02:23

had such a good diverse range of

02:25

individual items that were like I mean

02:28

that cardigan there was that amazing

02:29

Blazer they had that really cool kind of

02:31

like cloak that flowing cloak thing with

02:33

the holographic angel wings and stuff

02:34

very very cool stuff everyone at the

02:36

show had awesome stuff but I I do feel

02:39

like the critical roll clothing with

02:40

stuff that I would just actually wear

02:42

thus this is the fresh cut grass

02:44

cardigan from their collection their uh

02:46

exandria collection nice is very

02:49

comfortable true story during creators

02:52

and fashion as they were doing their

02:53

Runway I I was sitting next to Tom and I

02:55

saw Tom pull up his phone and open the

02:58

critical roll store yeah and like look

03:01

at items and I was like oh we're going

03:02

to get some stuff aren't we like oh yeah

03:04

we're going to get some stuff so I I

03:05

ordered this I ordered this uh during

03:08

the fashion nice well done yeah very

03:10

comfortable are you going to walk next

03:11

year I would love to that sounds awesome

03:13

would you absolutely awesome that's

03:15

great it didn't work out this year but

03:17

like no 100% yes awesome Ash are you

03:20

going to walk again next year can I yeah

03:22

of course yeah oh my gosh 100% dude oh

03:25

you crushed yeah thank you you ate and

03:27

in fact you left no crumbs

03:30

in fact I I looked cuz I'm kind of you

03:33

know I'm kind of anal about that sort of

03:35

stuff I was ready to sweep up I was

03:36

ready to like scoop up you know the

03:38

crumbs the plate was clean I didn't want

03:39

any ants I didn't want not on that run

03:42

it was a nice Runway it was a very nice

03:43

Runway I didn't want to gather any ants

03:45

so I wanted to make sure that there were

03:46

no crumbs left on that Runway and indeed

03:48

you did eat well thank you I I was I was

03:51

very

03:52

hungry well I hope you were satiated on

03:55

the other end of that runway walk okay

03:58

yeah and that and that's we end uh yeah

04:00

so thank you all for joining my TED Talk

04:04

this is weird is is the eating and no

04:07

crumbs thing uh just a current thing

04:09

right now I everyone's been using it a

04:12

lot and I'm just wondering like it's

04:14

just has this crossed into the cultural

04:15

Consciousness yeah I think there's a lot

04:18

of um current current talk about food

04:21

and consumption um whether it's eating

04:24

devouring ate that did not eat um did

04:29

not they're eating well a fandom is

04:31

eating well eating of eating well no

04:33

it's it's big right now we need we need

04:35

to we need to contact Santi about this

04:37

right like which fandom food Theory

04:39

which fandom is eating the most well

04:41

right what fandom is the most fed yeah

04:43

and who has left the most crumbs who has

04:45

left the most crumbs is incredible

04:49

so anyway I hope you're eating well yes

04:52

we way off top at this point but uh

04:54

welcome welcome to GT not live have you

04:56

talked about the incredible retirement

04:58

party that YouTube through for you I

05:01

that same so YouTube through Matt and

05:04

Steph this awesome retirement party like

05:06

the day after the fashion show it's true

05:08

it's true it was it was incredible it

05:10

was it was uh a huge honor so um it used

05:13

to be YouTube would throw really big

05:15

like once maybe twice a year events for

05:17

like big groups of creators and since

05:20

they've gone through their various

05:21

restructuring since they've reevaluated

05:23

budget things like that their budget for

05:25

that sort of stuff has kind of gone down

05:26

at least that's what people internally

05:27

have told me and so instead what they've

05:29

opted to do are more smaller kind of

05:32

like pocket events that happen in

05:33

different parts of the world for

05:34

different groups of creators different

05:36

genres different uh nationalities things

05:39

like that right and uh yeah in the wake

05:42

of the retirement uh they they had

05:45

actually offered me they're like hey we

05:47

would love to offer you a retirement

05:49

party as one of these kind of like

05:50

smaller little G togethers um we have a

05:53

budget you just Bas and I thought there

05:55

was a catch the entire time I'm like

05:58

what are you doing yeah but really what

06:00

do you want of me like there is no I get

06:03

something and there is no like give back

06:05

to you we hear you're looking for a job

06:07

now yeah right it's like H um and so the

06:11

entire time like well yeah but what's

06:12

the catch like what do you want back and

06:13

they're like no we just want to throw

06:14

you a party and you know basically our

06:16

goal is to throw events that are good

06:20

opport you know networking opportunities

06:21

for creators and and people to have like

06:23

a positive experience with the platform

06:24

and so if you make the party that you

06:27

want or kind of tell us what you want

06:29

out of a party party and and you know

06:31

we'll make sure that it fits in our

06:33

budget and it's one of those things that

06:35

as long as some creators are invited and

06:37

they're happy about it that's a win for

06:38

us and so yeah they they threw me this

06:41

incredible retirement party which was

06:43

fantastic um I got to see one of the

06:46

things I love is being this Nexus point

06:48

or a a a person who brings together

06:51

people from a diverse background and and

06:53

this was like the ideal of that right

06:55

where you had like super old school

06:57

YouTubers even people who predated YouTu

07:00

mixing with like some of the new hot

07:01

people on the platform right now uh and

07:03

and all the different vertical not okay

07:06

Ash calm down get your mind out of the

07:09

gutter that's not in the gutter hot

07:12

people like hot trending people yeah

07:14

like hot on performance right no I

07:17

understand I just think the other

07:18

interpretation is very funny Hot and Hot

07:22

in all different capacities as yeah had

07:24

the ugly old people had the people like

07:27

me retirees half past dirt Cosmo

07:31

personified and then you had the other

07:33

half who are like young and hip and cool

07:35

and hot and it's great awesome um so

07:38

without any further Ado uh last we left

07:40

it off uh everyone was kind of falling

07:42

into the gaps in the programming uh down

07:44

to this kind of neutral space with the

07:46

the blank no textured area so uh let's

07:48

rejoin pomy as she's about to fall into

07:51

the

07:52

[Music]

07:55

Gap and even before we begin sorry even

07:59

before we again uh you called out last

08:00

time the teapot textures yes or the

08:03

teapot shape the the model yeah the

08:05

model so that way they could test out

08:07

like uh how the shading Works same thing

08:09

with that uh the reflective the

08:11

reflective thing I remember there was an

08:13

episode of Game Theory a couple years in

08:15

it was a little bit like mid mid game

08:17

theory for me um which is a weird thing

08:19

to say it's all Peak Game Theory I mean

08:22

it's all Peak but there you know but

08:25

when you're at the top of when it's

08:26

literally a Mesa of greatness a plau of

08:30

awesome uh but it was I we did an

08:32

episode on Super Smash Brothers and

08:34

there was a mysterious uh image inside

08:37

of Super Smash Brothers I believe we we

08:39

titled it or branded it around like the

08:40

lost stage of Super Smash BRS where

08:43

hidden in the game files there is a a

08:46

cafe yes there's a restaurant and we we

08:50

had to search all over to find where the

08:53

secret restaurant was and apparently it

08:54

was a again it was one of those things

08:56

that they would wrap on reflective

08:58

surfaces to see the lighting and

09:01

reflective details of things so I see

09:03

this and I'm like oh it's just like that

09:04

episode that we did on on on a lot of

09:07

old school video games who kind of cheat

09:08

Reflections yes by like using an image

09:11

of like Princess Peach's castle like

09:14

because no one at the time they thought

09:17

no one's going to look at the like files

09:19

and stuff yeah and yet here we are yeah

09:21

they were absolutely wrong and we

09:23

discover this this uh file and ends up

09:25

being a a restaurant in I think like

09:28

Redmond California near like the

09:29

Nintendo uh of America headquarters or

09:32

something like that but it's a good

09:33

episode I'd have to go Revis that one

09:36

okay smack

09:39

splot

09:41

huh where are

09:44

we what's all

09:46

this give me a lot of good quotes to you

09:48

I don't know right good good under the

09:52

map I think so pomy even though she has

09:54

so this is what this is I think

09:56

interesting to call out even though she

09:58

is established to not have a memory of

09:59

who she is in episode one it's it it

10:01

feels like almost like a Jason Bourne

10:04

almost who who like has the like echo of

10:06

a memory like he knows how to tie all

10:08

the knots and stuff very timely

10:10

reference to Jason Bourne very relevant

10:12

Frise but yeah um the idea that like

10:14

when your memories wiped and stuff like

10:16

this you still remember stuff but you

10:19

don't know why or how you remember it

10:20

yep so that we speculated that she was a

10:24

Game Dev right yeah and her just having

10:25

the knowledge of oh we're under the map

10:27

yeah that totally tracks

10:29

westw world did the same thing where

10:31

they would wipe the robots memory every

10:32

like reset but they had they kept the

10:34

like little Whispers of the memory the

10:36

fact that this guy is like I'm confused

10:38

where we are but she's like Hey we're

10:40

under the map shows that she has at

10:42

least some awareness of this game Space

10:46

this world and it being a gaming space

10:47

of some context map see yeah oh there

10:51

you

10:52

go why aren't you or any of your crew up

10:55

here there you go and I'm not sure

10:59

because we're not U NPCs NPCs what are

11:04

you on

11:06

about really what are you

11:09

people yo what are you what am I oh wow

11:15

this is getting

11:17

existential where's

11:19

Mom you I have a mom shouldn't she be

11:22

here with everyone

11:24

else I can't even remember her face did

11:27

she ever have a face was anything ever

11:30

real okay wa wait don't wow this is dark

11:32

that I I think there must be a way to

11:36

launch ourselves back up huh okay yeah

11:40

so this is this is really telling so

11:43

what I'm assuming is happening here

11:45

right is his mom doesn't exist yeah it

11:47

is a thing like programmed into your uh

11:49

this this is um something actually

11:51

similar with a simulation hypothesis we

11:53

just talked about in the Deadpool yeah

11:55

deadpol episode of film Theory where

11:57

like how can you know you're not a

11:59

simulation oh well I have memories like

12:01

are you sure you have memories or do you

12:02

have things that you were programmed to

12:04

think that you remember it's very

12:06

similar to like What's Happening Here

12:07

with this guy it's like oh well I have

12:09

the we have to get the sear back to my

12:10

mom to help her oh I I can't even

12:13

remember her face she's not real yeah

12:16

and the and the fact that she's not

12:17

there means that she probably didn't

12:18

exist in the first place right and so

12:21

what we're hearing from these n so he's

12:23

an NPC right so what we're hearing from

12:25

these NPCs is that they're programmed to

12:27

do their mission and they have like Back

12:29

stories and all this stuff but it

12:31

actually hasn't been programmed into the

12:33

game like this this is the limitations

12:34

of what he can do that's fascinating

12:38

this is going in some interesting places

12:39

I'm very very intrigued by this

12:47

right I want you to tell me exactly what

12:51

I

12:54

am

12:56

huh so pomy

12:59

knows at least a decent amount yeah

13:02

right like again even though she has no

13:05

memory she she seems to be aware of a

13:08

decent amount and and is not shying away

13:10

from these questions or is not confused

13:12

in the same way that he as like a a

13:14

computer program is confused curious

13:16

they cut away there and I wonder when

13:17

they eventually go back right what like

13:20

how how much of the end of that

13:21

conversation are we going to hear right

13:22

I I love the fact I love it when shows

13:25

cut away from the important part of

13:26

conversations you're like oh okay and

13:28

and I guess all conversation stopped at

13:30

that point I love when fudge splorch

13:33

that's also a great sound effect to be

13:34

honest oh the splorching of fudge

13:37

nothing nothing makes me happier or

13:39

hungrier what what would you say is a a

13:42

splorch like like like a about to hear

13:45

it okay

13:49

okay okay that's pretty splorchy I'd say

13:53

that was more of like a like an ooze and

13:54

a pop to be honest what what is a

13:57

splurch but an ooze and a pop

14:00

that's deep what is a what is the

14:02

essence of a splorch ash can you make a

14:05

splorch uh I'd prefer not

14:08

to we

14:11

recording please can you make

14:14

oh that's a good splorch thanks it's I

14:18

practiced I I feel like I feel like a

14:20

splurch would might be a little bit

14:25

deeper yeah there's like there's an

14:27

implied thickness the liquid that spores

14:30

right the viscosity of aity of the

14:32

splorch the viscosity of a splorch is

14:34

much this is another great food Theory

14:36

episode to be honest what food splorch

14:39

is and what viscosity does it yeah what

14:41

is the the most viscous splorch no and

14:45

the thickest gargle yeah thickest garle

14:47

can you SPL yeah viscous can and should

14:50

you splorch make sure you splorch

14:53

responsibly guys o is everybody okay no

14:58

oh Man Poor pomy I hope she's all right

15:02

poor pomy what is the density of a semi-

15:06

TR made out of graham cracker in so far

15:08

as it's able to float on a fudge River

15:11

and isn't it full of syrup no I get the

15:14

other truck is unless this is the tanker

15:16

which I don't think it is I think it's

15:18

the other but that's that's a that's a

15:19

food Theory again Santi needs to be up

15:21

here easy we give him so many ideas so

15:23

many ideas and he rejects them all every

15:25

single one I I'm still waiting for

15:27

Health it can you gargle unacceptable

15:29

how about poor us we're one tanker away

15:31

from being Augustus Gloop so they have

15:34

Willy Wonka in this

15:36

universe oh hey what's that do my eyes

15:40

to see me it's the fudge guy a delicious

15:42

gift from within the kingdom Gates Don't

15:45

Mind F to wao whoo whoa wao buddy we're

15:49

not food we're not candy we're none of

15:51

that you don't want to eat us oh you not

15:54

candy how am I expected to eat something

15:57

that's not made of candy

15:59

real asking the hard-hitting

16:02

questions right I saw this over the

16:05

weekend on on Reddit where it's like

16:07

isn't it unfortunate that humans evolved

16:09

in such a way that we just like are

16:11

primed to eat all the worst foods for us

16:13

and love the like awful fatty salty

16:16

foods and it's like oh this green thing

16:18

helps me survive and my digestive system

16:20

function properly or I could eat this

16:24

processed sugar that will kill me but

16:27

tastes good oh man but it tastes good no

16:29

it's that idea that like our like

16:32

Evolution hasn't caught up to where we

16:33

are right now where like it used to be

16:35

sugar it was super valuable and it was

16:38

one of those things that was rare to

16:40

come by in nature calorie den and and

16:42

it's like oh here's a whole days worth

16:44

of calories that I am going to expend

16:47

because I'm running across the plains

16:48

hunting this Mammoth right exactly and

16:50

so like it used to be like oh my gosh we

16:52

got to seek out that and get it as much

16:54

as possible but now it's like we don't

16:56

it's everywhere now but we don't have an

16:59

off switch and that's hard he always

17:01

seems to miss the big loopy monsters who

17:04

are you anyway I am the F oh the F to

17:09

live within the kingdom walls but I was

17:12

baned by that rotten princess after too

17:16

many of the Del go ahead I was going to

17:19

I was going to say lots of uh oh the

17:21

good guys are actually bad the bad guys

17:23

are actually good but uh oh he got

17:26

banished cuz he ate people he ate people

17:28

yeah but also this is all a madeup

17:31

story true like that's that's the other

17:33

side of this right is because we've seen

17:36

the fudge down in the dev room he's yeah

17:39

he's not real he's just reciting what

17:41

he's supposed to recite what Kane told

17:43

him he did in his past has he actually

17:46

consumed too many delicious town fol

17:48

probably not none I I would I would

17:51

guess that this man has

17:53

zero NADA nil zil empty set of towns

17:58

Folk

17:59

has been consumed folk oh they were so

18:04

delicious sometimes I can hear them

18:07

calling to

18:09

me oh God that just sounds like murder

18:13

is it really murder it's delicious

18:16

answer me that you make a great Point uh

18:19

no bad point why don't you leave this to

18:21

me before I start thinking your hair

18:23

looks like

18:24

licorice oh wow it kind of does

18:29

you seem like an upstanding guy with

18:31

real noble goals oh I'm not you knew

18:35

what I did in my free time more You' be

18:38

seconden as I was saying I happen to

18:41

know a way into the kingdom walls if

18:43

you'd be willing to help us out in

18:45

return hey when did you high pocket oh

18:49

man you must be some kind of Master of

18:52

unlocking oh my

18:56

God so wow the deep cut reference Ash

19:00

Ash doesn't know this reference do you

19:01

Ash Ash did not have a visible reaction

19:03

to this W you were almost an ash

19:06

sandwich nothing wow nothing so old so

19:10

there was this video game called

19:11

Resident Evil yes yeah and in the uh

19:15

original Resident Evil it was a you know

19:16

one of those classic japanese games that

19:19

got ported over and the translations

19:21

back then were very cheap and very not

19:23

great so there was one character I think

19:26

it was Chris Redfield I believe so who

19:27

was like who whoa Jill you unlocked that

19:31

door so good you're like a master of

19:33

unlocking no no no it was a take this

19:36

key and you the master of unlocking will

19:39

be able to open the door yeah it's it's

19:41

pretty great then there there's also the

19:43

Jill sand well whoa you are almost a

19:45

Jill sandwich yeah it's real bad I mean

19:48

it's great in so far as it's it's

19:51

iconically memeable but uh but yeah it's

19:53

not not solid so little deep cut

19:56

reference to Resident Evil there was

19:57

also I know I actually know if this was

19:59

a de cut reference but in Skyrim if you

20:02

uh if you put a bucket on people's heads

20:04

they can't see anything you do so like

20:07

they're in joke in the community is you

20:08

just put a bucket on NPC's head and you

20:10

can just clear out their their like shop

20:12

and they just did that I was going to

20:13

say they just did that to which again if

20:16

this is a video game which everything

20:18

seems to be pointing to yes right if

20:20

this is indeed a realm of video games

20:22

all of these references to other video

20:24

games feels like intentional things that

20:27

Easter eggs that a Dev would put

20:29

oh hey we we get it we're in on the joke

20:31

how many one how many people are now

20:34

going to know master of unlocking from

20:36

this and not Resident Evil that is

20:39

pretty wild I mean Ash Ash did not know

20:42

master of unlocking things and now Ash

20:44

does but you thought it came here we're

20:47

spreading the good word Lee of the

20:49

Resident Evil 90s here oh yeah let's

20:51

just watch it but you know what what we

20:53

could explain it but we have the power

20:55

of the internet on our side I could show

20:57

you whatever I wanted

21:00

find anything Jill

21:03

nothing what is this all about I can't

21:06

figure it out at

21:08

all Beats me too now it's wesker's time

21:12

to disappear I don't know what's going

21:14

on well it can't be helped let's search

21:18

for him separately I'll check the dining

21:20

room again okay I'll try the door on the

21:24

opposite side this Mansion is gigantic

21:28

we could get into trouble if we get lost

21:30

voice AC that point we should start from

21:32

the first floor okay and Jill here's a

21:37

lockpick it might be handy if you the

21:39

master of unlocking take it with

21:42

you there it is definitely you the

21:45

master of

21:46

unlocking makes totally that's totally

21:49

the way people people talk very natural

21:52

absolutely dialogue so believable so

21:54

realistic

21:56

[Music]

21:58

oh Barry Berry that was too close you

22:02

were almost a Jill sandwich you're

22:08

right you're right you're right that was

22:12

awesome man anyway just fantastic from

22:15

my outdoor prison that's me all we need

22:18

you to do is help us bring some dirty

22:20

Bandits to

22:26

Justice I saw the r keep a wink at me

22:30

wait what just

22:33

happened okay we've we're returning to

22:35

the

22:36

conversation and we have learned nothing

22:39

nothing the whole thing happened off

22:46

screen

22:47

uh you want to try helping out at

22:52

all or are you

22:54

still going through an ex crisis

23:00

hey oh he's so sad are you

23:03

okay no oh you want to talk about

23:08

it what is that to talk

23:11

about I don't just want to leave you

23:13

here why

23:15

not I don't matter in the

23:18

slightest I'm nothing my life my

23:22

memories my

23:24

friends it's so fake

23:28

all right so it seems like she she

23:30

caught them up a little bit a decent

23:31

amount like hey you are an NPC in a

23:33

video game and what exactly that means

23:35

so there's the thing these things called

23:37

video games right I mean you're you're

23:38

having to start from a very basic level

23:41

right hey we are all computer they don't

23:43

know what computers are

23:45

presumably these boxes that have magic

23:47

worlds inside of right that is that is a

23:50

challenging thing to explain like you're

23:52

taking a lot of steps in that process

23:59

this may seem weird

24:02

but I think I know the

24:04

feeling not mattering in the slightest

24:06

maybe not the exact feeling

24:10

but feeling like you're nothing is kind

24:13

of normal I mean people even feel like

24:16

that in the world I came from so so it

24:19

seems like between episode one and

24:21

episode 2 there has been some catching

24:23

her up on the fact that she comes from a

24:26

different world and all this like she

24:28

knows so much more than she did in the

24:30

first one yeah and there's a big

24:33

knowledge Gap and I don't know if that's

24:35

you know off screen the the other

24:36

characters kind of filter in I I would

24:38

want to go maybe not right now but like

24:41

this is something I would do later like

24:42

go back to the beginning of the episode

24:44

and see like what is the exact language

24:45

used like how much time has passed yeah

24:48

was this a conversation that had over

24:50

the the uh um the dinner scene at the

24:54

end of the last episode is this a couple

24:56

days later it I believe it had to have

24:58

this this feels like it's happening in

25:00

the immediate aftermath cuz if you think

25:01

about ratha starts this episode being

25:03

like hey about the whole running to the

25:05

exit yeah don't worry about yeah which

25:07

implies that this is one of their first

25:09

interactions since the first episode

25:12

right where she abandoned her I don't

25:14

know so that line that kinger had where

25:16

it's like pomy always misses the gloopy

25:19

monsters I'm like isn't this just like

25:21

the second time that is a good point too

25:24

yeah interesting that is interesting

25:27

right but yeah right reg at the

25:29

beginning was literally like he 1545 we

25:32

can

25:34

1545 there she is hope you're doing all

25:36

right I know yesterday was yesterday

25:39

okay

25:40

soy it's

25:42

been 12 hours about the whole don't wor

25:46

about for it's perfectly understandable

25:48

what you were going through at the time

25:50

and there's no hard feelings sounded

25:52

like they they talked over dinner or

25:54

after dinner like there was time for

25:56

them to be able to do that right just

25:58

interesting right but it's yeah pne's

26:02

knowledge has scaled significantly where

26:05

she went from episode one like I have no

26:07

clue to like oh I I came from I I

26:10

literally come from a different world

26:12

which is also implying that like

26:14

everyone is kind of in on that act to

26:16

some

26:17

extent I think I know the

26:20

feeling well maybe not the exact feeling

26:26

but feeling like you're nothing is

26:29

kind of normal I mean people even feel

26:32

like that in the world I came

26:35

from

26:37

but you still care about your buddies up

26:40

there don't you I'm sure they still care

26:43

about you what does it

26:46

matter what do we have when you people

26:49

leave we're just

26:51

obstacles created to be defeated and

26:54

forgotten oh oh

26:59

you don't have to be so so it seems like

27:02

they're really playing off this idea and

27:04

I think this is one that you see in

27:05

media happening more and more right

27:07

which is this idea of like where does

27:10

the line sit

27:11

between like Humanity or like a

27:14

conscious being versus an AI program or

27:19

like I uh the other week I was uh before

27:21

we join you guys in in Los an Las Vegas

27:24

uh we were at Turtles all the way down

27:26

and like the the protagonist of turtles

27:27

all the way down as like what are my

27:29

thoughts I'm just composed of a bunch of

27:31

bacteria and so it's this like weird

27:34

Collective of bacteria and cells and

27:36

things that make me think that I have

27:38

thoughts like my thoughts aren't my own

27:40

right and

27:41

so and and currently one of my

27:44

retirement I clearly retired uh

27:46

currently one of the games that I'm

27:47

playing as part of my retirement is near

27:49

automata which again which I'm so

27:51

excited about don't spoil anything for

27:53

me because I've stayed very blind to it

27:54

but like is very clearly showing this

27:57

like what is the between robots and

28:00

Androids and humans right and where do

28:03

these things cross over and where do

28:04

they like where do those lines sit and

28:07

and same thing here right if like if

28:09

you're an NPC computer program with

28:12

thoughts and feelings and belief that

28:14

you have a mom and friends and things

28:16

like that like what does existence

28:18

actually mean like is he not a valid

28:21

entity where does it sit do you have to

28:24

be human to have Humanity right ooh

28:27

that's deep thanks thank you deep thank

28:29

you deep thoughts this man it's that

28:32

it's that nice cardigan you're wearing

28:33

Smiley Day to you neighbor all right

28:35

moving

28:36

on the the circus the the place I'm from

28:41

well I oh I'm originally from somewhere

28:43

else oh okay okay okay that that keeps

28:46

that entire thought chain intact be my

28:49

home maybe it can be yours too the

28:53

people there are interesting at the very

28:56

least

28:58

maybe oh my gosh pom is

29:00

adorable animations are great be

29:03

somebody real

29:05

there this is great why are you trying

29:08

to this is really this beautiful how

29:10

does this benefit you at

29:12

all I guess I just don't want you to

29:16

feel like you're nothing interesting

29:18

parallel yeah ratha to her you don't

29:22

have to treat me like a child don't hype

29:24

me up yeah her to him why are you trying

29:26

to cheer me up want you to feel like

29:28

you're nothing oh that's interesting

29:30

good a good parallel yeah and I wonder

29:33

if she realizes it yeah I could see that

29:35

that's a really good call

29:38

out I don't want anybody to feel like

29:41

that but I'm not even a real person

29:44

would I even

29:46

belong I'm sure you wouldn't belong any

29:48

less than me and H I could use a

29:54

friend I'm sure you wouldn't belong any

29:57

less than me that's a that's a very

29:59

interesting line and I and I know that

30:00

it's it's leaning in on this idea of

30:03

like pomy feels like an outsider she

30:05

feels lesser she's dealing with

30:06

confidence issues so like that is the

30:08

like literal interpretation there is the

30:11

like meta interpretation or like oh

30:13

they're seating out stuff like where the

30:15

clues all match up at the end once

30:17

things are revealed is one of them is

30:19

one of them an

30:22

NPC is pomy an NPC it's it's one that's

30:27

that's one of those lines

30:28

that if in episode seven or eight it's

30:30

that's the r yeah you go back and

30:31

rewatch it and you be like you do the

30:33

Leo DiCaprio meme y i I'm getting that

30:37

sense right cuz a lot of this is like

30:39

why aren't you here where are you guys

30:42

I'm wondering if one of the main crew is

30:45

one or multiple of the main crew are

30:48

NPCs of that world and who it might be

30:51

and especially it's it's especially

30:53

interesting if it is pomy because maybe

30:56

the whole experiment here right is this

31:00

idea of can we make an NPC truly believe

31:03

that they are human like can you go the

31:06

whole way interesting that's very uh you

31:08

know what the Turing test is yes yeah

31:10

can it beat the Turing test yeah the

31:12

Turing test for people who don't know is

31:13

a classic thought experiment in

31:15

philosophy where like if you were

31:17

speaking to someone that you cannot see

31:18

and cannot hear so it's just like a text

31:20

chat if they can convince you that they

31:22

are a person they have passed the Turing

31:24

test yeah are they actually a person or

31:26

is it an advanced chat but this used to

31:28

be a lot harder yeah before uh it used

31:30

to be hard chat GPT this is something I

31:32

learned about like in 2010 yeah makes me

31:35

it makes me

31:36

wonder you're a strange little

31:39

character suppose

31:43

yeah all I ask is that we don't tell The

31:45

Lads about this yeah there are a couple

31:47

of broadard Y boys I don't want to drag

31:50

them down with me yeah that makes sense

31:54

What's Your Name by the way

31:56

gik wow

31:58

gumu about as dumb as my name what do

32:01

you have in mind in terms of my name is

32:02

giku it's a great it's a great name gumy

32:06

here in the Candy Kingdom I love it I

32:09

love his voice out of

32:12

here I don't know I love him right I

32:14

would for kind of glitch with the trucks

32:17

collisions she understands the the game

32:19

system like completely yeah the fact

32:21

that she know like the and and again

32:24

like this is one of those things for any

32:25

creators out there who are looking to

32:26

like how do I tell compelling stories or

32:28

how do I like what is the secret sauce

32:30

that's made amazing digital circus so

32:33

successful they have they've followed

32:36

the rule of Storytelling that you have

32:38

to do to help an audience understand the

32:40

logical flow which is pomy woke up she

32:44

glitched into a block and she's launched

32:46

out of the block so that's your that's

32:48

your first setup right you've set up

32:49

this idea of like people clipping into

32:52

things and getting launched out of them

32:54

they follow it up and they reinforce

32:56

that idea a second time with the truck

32:58

right with the trucks hitting the wall

33:00

and glitching between the the level and

33:03

one gets launched up and they get

33:04

launched down right so that's two

33:06

they've they've reinforced that idea of

33:07

like oh objects can cross into each

33:09

other and launch in a direction and so

33:11

now it seems like number three is the

33:13

payoff here where they're going to like

33:16

actually intentionally use that as a

33:17

tool to be able to escape Tron land

33:20

exactly and so again from a storytelling

33:23

standpoint I as an audience member even

33:25

I've never heard of no clipping or don't

33:27

understand this at all or whatever they

33:29

have done a really good job of making

33:30

this accessible to a normal viewer that

33:33

oh in this world this is the rule set

33:35

and we've shown you how it happens

33:37

multiple times so that way when it

33:38

becomes important to the story it it's

33:40

part of it and i' I I understand what's

33:42

going

33:44

on all right I'm just throwing stuff at

33:48

the wall here if this doesn't work we

33:50

can try something else you're the expert

33:52

here I'm really not but let's see how it

33:55

goes

33:57

[Music]

34:00

I just realized this might be a little

34:04

vient

34:07

awesome that's great I love

34:10

this oh oh man are they going to hold

34:16

hands oh I can I can see the shipping

34:19

from here

34:22

right they've set sail that's awesome

34:27

[Music]

34:30

so many tea

34:32

kettles teap pots technically kettles

34:34

the ones that heat

34:36

up these are more of the steeping

34:38

mechanisms let's be honest got to say

34:42

this is a lot more anticlimactic than I

34:44

was hoping it'd be what were you hoping

34:46

for you know like one big final battle

34:50

Bloodshed death chaos whatever are you

34:54

sure they disappeared it wasn't that

34:56

they fell off or something thing I I

34:58

can't say for sure but uh yes definitely

35:01

it's not like the bosson with clown very

35:03

unusual well that's

35:06

concerning well if worst comes to worst

35:09

we could always ask C to find her I'm

35:12

more worried she's having another

35:13

horrible experience she still seems

35:16

really upset about what happened

35:17

yesterday I don't think she really likes

35:20

me that much it's a lot for anybody to

35:22

go through don't take it too personally

35:24

interesting that that's what she's

35:25

worried about right that she doesn't

35:27

like

35:28

it's that it is an odd thing to call out

35:31

in this world where you're in danger of

35:33

turning into like a cthulu glitch

35:35

monster yeah and but she might not like

35:39

me it's it's an

35:41

interesting it's interesting what the

35:43

people's priorities are like Jax is very

35:46

much like hey I I just want the violence

35:49

this is all game whatever and ragi is

35:52

like building the Rel like concerned

35:54

about the people and what they think

35:55

about her which is one of the reasons

35:57

why I'm wondering like is that her role

36:00

in this so like is Jax the instigator

36:03

and is the is the entity that is like

36:05

kicking off Adventures or like he's he's

36:08

the agent of chaos right he is the one

36:10

who is causing the situations to happen

36:13

and be exciting for the player I I

36:15

wonder if there's like game design

36:17

terminology around this sort of stuff

36:19

right whereas ratha is your like is is

36:24

programmed into the game or is her role

36:26

in this whole world is is as best friend

36:29

advisor Mentor maybe the guy in the

36:31

chair yeah the yeah the guy in the chair

36:33

for lack of a better word 100% um I'm

36:36

wondering if if we look into game design

36:38

if we can track kind of what the

36:42

stereotypes or what these roles would

36:43

fit into because it does seem like they

36:46

are fitting into like one's relationship

36:48

one's action slash Adventure yeah one of

36:51

them like is one of them the skull kid

36:53

and one of them is the na'vi yeah

36:54

exactly right exactly for you to adjust

36:57

oh yeah to personally I remember how

37:01

long it took for you to adjust oh yeah

37:04

I'm we knew ker was there first that

37:07

remember

37:09

what

37:12

H do you guys have a second truck that

37:15

flies yeah oh wait no we don't no not

37:21

all I

37:24

go rip

37:28

those poor

37:31

Jers huh she pukes some black de she did

37:35

that in the first episode too oh that's

37:37

right yep y when she like uh is being

37:40

pulled

37:44

around we're not so different you and I

37:46

all this stuff pomy are you okay well

37:49

what happened yeah I'm fine I uh I made

37:53

a new

37:55

friend boss where have you been we got

37:58

fudged you don't want to know good to

38:00

see you

38:01

LS a oh gummy goo love this guy two bad

38:07

guy

38:10

[Music]

38:13

trucks this one's full of syrup too oh

38:16

yeah suppose it is well you know that's

38:20

funny so yeah they they used a different

38:23

model but it's like again it's like it's

38:26

like an idal Cofe is an identical copy

38:28

that's funny where's my mates here could

38:30

I take this one back to the Village

38:32

could they I guess since there's two of

38:34

them be no real harm breaking the game

38:38

I'm so unbelievably disappointed right

38:41

now well maybe there will be blood death

38:44

and violence in the next adventure ha

38:47

how wholesome uhoh yeah uh this is Gummy

38:51

goo he's going to come back to the

38:53

circus with us oh uh is that allowed

38:58

his reality was kind of completely

39:02

shattered I feel like look at the

39:04

friends in the background right friends

39:06

in the background are great I also love

39:07

gumy goo's subtle knot of like yeah my

39:09

reality was shattered yeah yeah I can

39:11

relate to this at least I could offer

39:13

him opposed to just leaving him behind

39:16

look him hey that's good of you P let's

39:20

take this dumb truck to the dumb Kingdom

39:22

I

39:25

guess thanks to you Brave Knights our

39:28

kingdom will once again Thrive I'm sure

39:31

it was no easy task you have no

39:35

idea farewell Brave Knights have fun

39:38

executing that Bandit fella yes that is

39:42

what we're

39:44

doing jeez oh hey maybe I didn't leave

39:47

the gate unlocked for nothing after all

39:50

what I thought he was dead you still did

39:52

that okay wait you did what now well

39:55

love to help you again sometime bye

39:58

H so again yeah he is I mean he's just a

40:01

jerk one and he could just be like a

40:03

trickster but there is also a world

40:05

where he like his his intention is to

40:09

cause issues in the program in some way

40:12

or to create scenarios that are exciting

40:15

and like gamified interesting that they

40:17

immediately left though that is true

40:20

yeah but I I still think you're right

40:22

like I bet he would have loved to have

40:24

been there for that

40:26

like like begin with but yeah

40:28

interesting welcome back my little hard

40:31

sheld hamburgers new main so this is the

40:33

circus huh not going get used to this

40:36

looks like one of these guys made it

40:37

through wait what no me

40:41

go no

40:45

no

40:46

no wait what I know you guys love your

40:51

NPCs but if I start losing track of

40:53

who's a human and who's an NPC who knows

40:56

what could happen

41:00

okay pause it real quick yeah yeah no of

41:02

course that I feel like that I I am like

41:04

Jack right now where I am so

41:05

unbelievably disappointed yeah I loved

41:07

gummy goo Gummy goo was an All-Star I he

41:12

better come back if not he had a plush

41:15

oh he does have a plush he had a plush I

41:16

went and looked at the plushes and I was

41:18

like oh he has a plush he does have a

41:19

plush that's right yeah I want a gummy

41:21

goo plush I'm probably going to go buy a

41:22

gummy goo plush you should show your

41:24

support to gummy goo man un maybe

41:27

they'll bring them back

41:29

unacceptable oh that's so sad but yeah

41:31

okay I think you were spoton earlier

41:34

with your analysis about like oh hey

41:36

there's a lot of talk about like uh

41:39

We're Not So Different you and I why do

41:41

you even care right uh is one of the

41:44

group an NPC in a similar way that was

41:46

like the the biggest I was going to say

41:49

hint possible where he's like oh if I

41:52

lose track who knows what could happen

41:54

right so definitely one of them is I was

41:56

going to say yeah it seems seems like

41:58

he's speaking from experience in some

42:00

way or like he's speaking from this like

42:02

whoops this this happened at one point

42:04

and I need to make sure that this

42:05

doesn't happen again kind of thing so

42:07

yeah I'm wondering if if that's truly

42:09

the case feels like a very big

42:13

hint oh no P's going crazy

42:17

[Music]

42:18

again well I'm going to go drink water

42:22

it's been a while since I've done

42:24

that good stay hydrated I was about to

42:27

say she never leave I'm really sorry

42:30

about that PNE at least you tried you

42:33

know he might be back in a future

42:35

Adventure okay I know okay assum

42:37

assuming he sells enough Plushies that

42:39

is assuming that you've all felt strong

42:42

enough about gummy goo's emotional

42:44

journey to want him back the number of

42:47

fan fictions written will

42:49

determine their glitch glitches tracking

42:52

that behind the scenes I wouldn't be

42:53

surprised I mean good as they should so

42:57

okay

42:59

yeah I completely lost what I was going

43:01

to say so cool move on awesome I think

43:04

is likes to reuse in PCS that is an

43:06

important oh I know Kane likes to read

43:08

that is interesting the thing I was

43:10

going to call out was the fact that this

43:11

is now the second episode in a row where

43:12

pomy has had like some sort of emotional

43:14

break or like a crazy maniacal laugh

43:18

yeah crazy and so I'm

43:21

wondering again if she's an NPC or if

43:25

you know even if she's a just normal

43:26

person like it feels like these

43:28

psychological breaks are doing

43:30

something that is distancing her from

43:33

the program or is going to it's going to

43:36

come to a climax right where she's going

43:38

to Rebel at some point Kane sometimes

43:40

likes to reuse

43:42

NPCs

43:45

H again awkward

43:48

pause hey you at least want to join us

43:51

for cmo's

43:53

funeral we like to have a little funeral

43:56

service to remember the people who

43:59

abstract this one just got pushed

44:01

around

44:03

and

44:05

orct it's like upset a little funeral

44:09

service to remember the people who

44:11

abstract

44:14

why huh this one just got pushed around

44:17

a bit with your arrival and everything

44:19

it's the least we can do to honor their

44:22

memory huh right why would why would Jax

44:25

react that way also uh per the last

44:28

episode this is clearly my funeral so

44:30

thanks a

44:31

lot I remember him well yeah as you

44:34

should lived fast died

44:36

hard died the way he lived Bruce Willis

44:40

right died the way he lived two fish now

44:42

something I just realized a

44:44

fork what was it two fish a carrot a

44:47

carrot two fish a carrot and a fork

44:49

makes my Kawaii taste buds go doy doie

44:52

doky doie I just realized no they

44:57

great they they haven't done anything

44:58

with her hand that glitched I well that

45:01

was the start right

45:02

wasam that was the dream sequence that

45:04

her hand is still glitching but I'm not

45:06

I I I think it's weird that they have

45:08

not shown what it looks like now out of

45:12

a dream sequence I do know there were

45:14

other interpretations other than our

45:16

like the way I interpreted the end of

45:17

the last episode was that ratha got

45:20

fixed yeah but pom did not it does not

45:22

seem like she got fixed at the end that

45:23

was my interpretation I did see other

45:25

ones that were like oh he just fixed all

45:28

which I I obviously don't agree with uh

45:32

and I think makes for a a less

45:35

interesting setup yeah but it is

45:37

interesting that you know hey we still

45:39

have another minute and a half but they

45:41

didn't do anything with it no they this

45:43

episode other than the dream I was

45:44

wondering if they would pay it

45:47

off po cough mil we didn't even get a

45:51

single Jack Black line no

45:54

right oh man still waiting for that

45:56

flash I always think I'm prepared for

45:57

these things but then you set up the

45:59

picture and well I'm already

46:03

breaking breaking

46:08

right right

46:10

breaking just like breaking down

46:12

emotionally breaking as a computer

46:13

program or breaking like the fourth

46:15

wall like I'm I'm breaking character or

46:18

a little of a and c I mean it could be

46:20

all of those right cuz like breaking is

46:21

usually like haha we're in a comedy show

46:23

and we're supposed to be like a straight

46:25

character but I'm looking at me laughing

46:27

SNL I'm laughing cuz I can't yeah

46:30

exactly I'm in on the joke too and so

46:33

I'm wondering yeah if that's and we saw

46:35

earlier in in the first half of this

46:37

episode with Jax breaking the fourth

46:39

wall to us the camera and so I'm

46:41

wondering is ragi breaking character I

46:44

need to go back and rewatch I don't

46:45

think I think Jax is the only one who

46:47

has like I think so U Kane has as well

46:50

yes Kane right but that's more expected

46:53

I guess interesting that that would

46:54

connect them though yeah anyway no no I

46:56

think that's a good call

46:57

[Music]

47:09

up still haven't done much with

47:12

zubel interesting that uh she was just

47:14

straight up like I'm not doing this yeah

47:16

right

47:20

a is that gummy goo that was uh all of

47:23

the different hands of like these

47:25

characters I'm pretty sure

47:27

oh let's see yeah that's ragath Z and uh

47:32

gangle gangle no kinger interesting well

47:35

you can kind of see his hand never mind

47:36

he doesn't have an arm oh yeah there's

47:38

there's kinger notice that Jax is

47:42

absent I think he's an

47:46

antagonist or an antagonist one of the

47:49

two yeah no I I think that that's

47:52

definitely setting him up also Kane's

47:54

not there which you wouldn't necessarily

47:55

expect but of the characters and no

47:58

bubble no bubble either

48:06

CH this is a very nice arrangement of

48:08

this theme right given given how many

48:11

times I've heard it cuz it's a meme now

48:13

yeah right everywhere and yeah that that

48:16

was nice that was a good episode is that

48:25

it what are we getting

48:28

that's plushies plushies plus they knew

48:30

they knew that people are going to love

48:31

gummy goo oh gummy goo man how could you

48:34

not love gummy

48:36

goo that was a really good episode that

48:38

great like we mentioned last time about

48:41

like how difficult it has how how much

48:43

pressure you have to be under to like

48:45

live up

48:47

to what probably should have been the

48:49

video YouTube video of the year last

48:51

year yeah absolutely and like in their

48:54

sophomore

48:55

effort I

48:58

I think that they did as good as you

48:59

possibly could have catching that

49:00

lightning in a bottle a second time that

49:02

was a very good episode no it was a very

49:03

good followup cuz at a certain point

49:05

right you you have to enter into a state

49:08

of normaly right like you have episode

49:10

one or you have a pilot or a viral video

49:12

that takes off and it's great but at a

49:13

certain point you have to set like not

49:15

every episode can do that and you have

49:16

to settle into like this is the rhythm

49:18

of the show this is what it's going to

49:20

be and yeah there might be like

49:22

fluctuations but for the sake of like

49:24

telling a story or making a brand or

49:26

whatever ever it has to kind of exist

49:27

here and yeah I thought this was a

49:30

really good followup the um the ultimate

49:33

in history of like the the sophomore the

49:36

sophomore installment and you're like

49:37

how are they going to follow it up size

49:39

gagum style I remember the internet was

49:43

so excited to see what his followup to

49:47

gagum style was going to be I don't even

49:48

remember what it was and that's point no

49:51

it was uh gentlemen which I don't know

49:54

if you ever heard of NOP n size

49:57

gentleman it is it you can see that it

50:00

very clearly is trying to like follow

50:01

like that he was trying to capture

50:03

lightning in a bottle again there's like

50:04

the simple goofy there's the simple

50:06

goofy dance there's you know the easy to

50:09

sing long bits it's kind of LOL random

50:12

in certain places but uh just no didn't

50:15

hit the same way Ash do you have

50:16

feelings about size gentlemen that takes

50:19

me back it does it was a simpler time it

50:22

was a simpler time I mean that was back

50:24

when that was back when what was it

50:26

Gangam sty was the first video to hit a

50:27

billion views yeah yeah wow times have

50:30

changed everyone was so excited about

50:33

that and then everyone's like oh all

50:35

right moving on don't know what we

50:37

expect no but here like and and that's

50:39

just say like that was a very difficult

50:41

one to follow up and maybe was

50:43

underwhelming this is great I think this

50:44

that they hit exactly what they needed

50:47

to do there is a lot of really

50:49

interesting stuff for us to discuss and

50:50

for the you know the the team to put

50:53

together I I think that they've proven

50:54

that like not only can they continue to

50:57

make interesting characters they they

50:58

instantly made a they character they

51:00

made a character that we instantly

51:02

attached to again yes which very

51:05

difficult yes uh their character design

51:07

still on point yep and I'm super excited

51:09

to see where this goes yeah it I'm also

51:12

curious to see how the character again

51:13

how the characters continue to evolve

51:15

because this one we spent a lot of time

51:17

with with pomy and gummy goo as a

51:20

character who is gone right like

51:22

presumably and and even if they come

51:24

back it probably won't be the same gummy

51:25

goo yep exactly l so I'm really really

51:28

curious about what what it kind of goes

51:30

to from here so I guess we got 6 months

51:33

to wait maybe less or maybe more like

51:37

here's the thing I'm in no rush I'm

51:38

eager to see what the next thing is but

51:40

also take your time that's always what

51:42

it is rushed game yeah uh done is better

51:45

than perfect but good is better than bad

51:47

indeed that's very deep yes Ash as the

51:50

time that we are filming this there are

51:52

presently about 50 Fanfictions featuring

51:55

gummy goo on the between Archive of Our

51:57

Own and W pad.com really only 50 it it

52:00

has been two days yeah we're hitting

52:03

this pretty early we are hitting this

52:04

early however at the same time there's

52:06

almost 50 million views so that's only

52:08

one in a million here's here's what I'll

52:10

say I think that structurally the

52:14

amazing digital circus is so good that

52:17

it is almost hard to write fanfiction

52:19

about because it feels so complete in

52:22

its own way ooh that's deep where

52:24

engaging with this media is watching And

52:27

discussing it yeah where instead of

52:30

wanting to build more on top of it I

52:32

think people are just eager to see more

52:34

yeah that's fan fictions have Jacks

52:37

let's see oh um currently at least on A3

52:42

um

52:44

1,400 it's four digits I think people

52:47

like the bad boy they always love a bad

52:48

they always love a bad boy they think

52:50

they can fix

52:52

him I can fix him Jack's fan

52:55

fiction Jack's xreader yeah you may you

52:58

may be broken yeah but I'm a coder so oh

53:01

man it's a beautiful thing let's fix

53:03

this a computer scientist falls in love

53:06

with Jack that's crazy done yo I I just

53:09

figured out your plot well done there

53:11

you go a film pitches but hey that's

53:14

just a pitch a mediocre

53:17

pitch thanks for watching thanks for

53:19

funding and speaking of uh thank you for

53:21

watching along with us today thank you

53:23

for the funding us through your view

53:26

because that's ultimately at the end of

53:27

the day what you do you Empower us to do

53:29

what we do by just viewing us so thank

53:31

you um and you know might not have 50

53:35

million views to show for it after two

53:37

days but it's quality over quantity

53:41

that's what I like to think absolutely

53:43

the quantity is also sometimes nice

53:45

anyway thank thank you guys so much for

53:47

watching uh and as always remember this

53:50

one it wasn't a video or was shoot it

53:52

was a video it wasn't a live stream it

53:56

but it was was a video a video for you a

53:58

video for you and you and you and me and

54:01

you and you and you and you and you and

54:04

you and you and you and you and you and

54:07

you and especially you see you

54:12

[Music]

54:28

w

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