REMBLE - NOT LIKE US FREESTYLE (OFFICIAL MUSIC VIDEO)

Remble
21 May 202404:34

Summary

TLDRThe script is a raw and energetic rap monologue that reflects the artist's pride in his origins from San Pedro, not LA, and his streetwise experiences. It features vivid imagery and metaphors, such as 'catch a body' and 'shots fired', indicating a narrative of survival and triumph in a challenging environment. The artist asserts his authenticity, dismisses pretenders, and pays homage to fallen comrades, alluding to a deep sense of loyalty and loss. The language is bold, and the delivery is assertive, suggesting a no-holds-barred attitude towards his craft and life in the streets.

Takeaways

  • 📝 The speaker is from San Pedro, not LA, and emphasizes writing bars on paper as a form of expression.
  • 🎤 The music video features a strong street presence and a no-nonsense attitude towards those who are not from the same background.
  • 🔫 There is a mention of 'gleo shot clock' and 'weirdo', suggesting a tense and potentially violent environment.
  • 🚫 The speaker rejects comparisons to 'chomos' and emphasizes a distinct identity separate from others.
  • 🎵 The lyrics include a call to action, 'let me just set the record straight', indicating a desire to clarify their position or origin.
  • 🍗 There is a humorous reference to needing more chicken, which could be a metaphor for wanting more substance or recognition.
  • 🕒 The speaker challenges the listener with a '4 minutes dumb skip', possibly a test of loyalty or understanding.
  • 🏆 The mention of 'trophies' and 'Grand Avenue' suggests a competitive spirit and a sense of pride in achievements.
  • 👨‍👧‍👦 The speaker reflects on personal loss, mentioning 'T-Mac died' and 'free a street power', indicating a sense of community and shared struggle.
  • 💰 There is a boast about making a fortune from rap, showcasing ambition and success in the music industry.
  • 👊 The lyrics contain a strong element of defiance and a readiness to confront challenges or adversaries.

Q & A

  • What is the significance of 'San Pedro' in the script?

    -San Pedro is the hometown of the speaker, which is mentioned to distinguish it from Los Angeles (LA) and to establish the speaker's identity and background.

  • What does the term 'chomos' refer to in this context?

    -The term 'chomos' is not clearly defined in the script, but it seems to be used to refer to a group or type of people that the speaker does not want to be compared with, possibly indicating a negative connotation.

  • What is the meaning of 'gleo shot clock'?

    -The phrase 'gleo shot clock' is not a standard term and its meaning is not clear from the script. It could be a metaphor or a slang term specific to the speaker's context or culture.

  • What is the significance of the number 'three' in the line 'said on three but I just bounced out on zero'?

    -The number 'three' could be a reference to a countdown or a signal for an action. The speaker mentions bouncing out on 'zero', suggesting a deviation from a plan or an unexpected move.

  • What does 'Don't Wear No K cuz we go crazier on Heroes' imply?

    -This line suggests that the speaker and their group ('we') engage in more intense or 'crazier' behavior when they are 'on Heroes', which could be a reference to a specific place, situation, or substance.

  • What is the role of '4 minutes dumb skip' in the script?

    -The phrase '4 minutes dumb skip' is not clearly explained in the script. It could be a directive for time or a reference to a specific event or action that is to be skipped or avoided.

  • What is the significance of 'Grand H' and 'Grand Papa' in the script?

    -Grand H and Grand Papa appear to be names or titles of individuals or groups that are significant to the speaker, possibly indicating respect or authority within the context of the narrative.

  • What does 'T DC since T-Mac died' suggest about the speaker's feelings?

    -The line suggests that the death of 'T-Mac' has had a profound impact on the speaker, causing unhappiness and possibly a change in their behavior or outlook.

  • What is the meaning of 'free a street power'?

    -The phrase 'free a street power' is not clearly defined but could imply the release or empowerment of someone or something associated with the streets, possibly indicating a form of liberation or empowerment in a challenging environment.

  • What does the speaker mean by 'they rap like they was in the streets but they was far from me'?

    -This line suggests that others may pretend to have street credibility or experience through their rap, but the speaker implies that they are not genuine and are distant from the speaker's own authentic experiences.

  • What is the significance of the line 'I keep it real if I thought your career was promising'?

    -This line indicates that the speaker values authenticity and would only engage or associate with someone if they believed that person's career had genuine potential or promise.

Outlines

00:00

🎤 Rap Lyric Expression

The first paragraph of the video script is a rap verse that emphasizes the artist's identity and experiences. The lyrics detail the artist's origins from San Pedro rather than Los Angeles, his unique style compared to others, and his pride in his neighborhood. The artist also discusses his approach to music, suggesting that his bars are like cheat codes that can be 'typed up' to achieve success. There's a mention of 'Heroes' and a 'drake' that makes a 'Debo,' possibly referring to his music's impact or a metaphor for overcoming challenges. The artist also talks about his influence and the reactions to his music, indicating that he is well-known and respected in his community. The paragraph concludes with a series of metaphors and references to his street credibility, suggesting a life that is far from ordinary and filled with challenges and triumphs.

Mindmap

Keywords

💡San Pedro

San Pedro is a neighborhood in the city of Los Angeles, California. In the context of the video, the artist emphasizes his origin from San Pedro rather than Los Angeles, indicating a sense of identity and pride in his specific hometown. The mention 'I'm from San Pedro' is used to distinguish his roots and possibly to highlight the unique characteristics of the area that may have influenced his music and persona.

💡Galla

The term 'Galla' is not a standard English word and may refer to a nickname, a brand, or a term specific to the artist's local culture or slang. Without additional context, it's challenging to provide a precise definition. However, in the script, 'Galla' seems to be used in a possessive context, possibly indicating a close association or affiliation with the artist, contributing to the theme of loyalty and identity.

💡Chomos

The term 'chomos' is slang, often used in California, and it refers to a person who is considered a snitch or an informant to the police. In the script, the artist asserts 'compare me to no chomos,' which underscores his stance against betrayal and his commitment to the values of loyalty and integrity within his community.

💡Street clothes

Street clothes refer to everyday casual attire, as opposed to formal or work-related clothing. In the context of the video, 'street clothes don't' suggests that the artist is not to be judged or compared based on his appearance or the clothes he wears, which might be a commentary on not judging a book by its cover or the authenticity of one's street credibility.

💡Catch a body

The phrase 'catch a body' is a slang term that can imply attracting attention or notice, but it can also have a darker connotation related to violence or causing harm. In the script, 'I'm going to teach you how to catch a body' could be interpreted as a metaphor for gaining respect or recognition, although the exact meaning would depend on the artist's intended message and the broader context of the video.

💡T-Mac

T-Mac is likely a reference to a person, possibly a deceased friend or associate of the artist. The line 'since T-Mac died I ain't been happy' suggests a significant loss that has affected the artist's emotional state and may be a tribute or acknowledgment of the impact this person had on his life.

💡Rap

Rap is a form of music that involves rhythmic speech, often performed in time to a beat. In the script, the artist boasts about making a fortune off rap, indicating that this is his profession and a source of pride. Rap is also the medium through which he communicates his message and experiences.

💡Second Street

Second Street is mentioned as the artist's place of origin, similar to San Pedro. It could be a specific street or neighborhood within San Pedro that holds significance for the artist. The mention of 'Second Street' helps to further pinpoint his background and adds to the narrative of his upbringing and environment.

💡Professional

The term 'professional' refers to someone who is engaged in a profession or is highly skilled in a particular area. In the script, the artist mentions trying to 'keep that professional,' which could imply maintaining a high standard in his craft or behaving in a mature and serious manner despite any challenges or provocations.

💡Phase One

Phase One could refer to an initial stage or beginning of a process or journey. The artist says 'but can't get through Phase One,' which might suggest that his critics or opponents have not yet reached a basic level of understanding or competence, perhaps in relation to the artist's music or the street life he describes.

💡Trish belly

A 'Trish belly' is a slang term that refers to an overweight or protruding belly, often used in a derogatory manner. In the script, the artist uses this term to describe someone, possibly an opponent or critic, indicating a lack of respect or to mock their physical appearance.

Highlights

Trimble clarifies he is from San Pedro, not LA, emphasizing his unique identity.

He uses the metaphor of 'cheat codes' to describe his songwriting process, suggesting it's a strategic approach.

Trimble distinguishes himself from 'chomos' and 'GLS', asserting his individuality and rejecting comparisons.

The mention of 'gleo shot clock' and 'weirdo' might indicate a specific event or inside joke within the lyrics.

Trimble boasts about his influence, suggesting his music is played on repeat and has a significant impact.

He references 'T DC' and 'T-Mac', hinting at a connection to a deceased individual and a sense of loss.

Trimble criticizes those who 'fake' and promises to expose them, showing a disdain for inauthenticity.

He uses the term 'beast' to describe his team, indicating a fierce and competitive nature.

The mention of 'Second Street' and 'Germany' could be a geographical reference or a metaphor for a specific situation.

Trimble talks about 'shooting M70 like a Serbian', which might be a cultural or historical reference.

He criticizes those who 'play cool' and then 'switch up', showing a dislike for inconsistency.

Trimble mentions 'breaking ornaments' and 'cancel Christmas', possibly indicating a disruption or rebellion.

He emphasizes the importance of being oneself and not conforming to others' expectations.

Trimble discusses the consequences of actions, suggesting a theme of accountability.

The mention of 'blue pesos' and 'Draco Jay' could be references to specific individuals or groups.

He talks about making a 'fortune off rap', indicating financial success from his music career.

Trimble uses the metaphor of 'Phase One' and 'Phase Two' to discuss progress and the inability of others to keep up.

He ends with a critique of those who are 'fake' and a promise to maintain authenticity.

Transcripts

00:00

[Music]

00:02

it's Trimble I'm not from La I'm from

00:04

San Pedro write my bars on the paper

00:06

they be like cheat codes type to pull up

00:08

to the me Galla and street clothes don't

00:09

compare me to no chomos or we GLS pop

00:12

goes the gleo shot clock the weirdo they

00:14

said on three but I just bounced out on

00:16

zero Don't Wear No K cuz we go crazier

00:18

on Heroes I got a drake that make a Debo

00:20

go limbo my Blue Rag official a street

00:22

to

00:23

cabillo let me just set the record

00:26

straight I'm not from La I'm from San

00:28

Pedro just at but I need more chicken

00:30

I'm going to teach you how to catch a

00:32

body give me 4 minutes dumb skip

00:34

the state and you got more with it Grand

00:35

H that hit the county and got

00:37

tormented dumb Grand Papa op

00:39

another fundraiser you ain't seen

00:40

nothing yet I'm not tripping I'm just

00:42

frustrated if you too high to squabble

00:43

up then why you come faded you not going

00:45

to blow so cut it out with all that pump

00:47

faking trible never prayed on the week

00:49

but if you swing I'm might have to put a

00:51

brain on the street I'm from the team

00:52

better learn how to behave with a beast

00:54

sitch every time I drop I'm going to get

00:55

played on repeat crib every time I left

00:57

they wish I stayed on the beat anybody

00:59

formed to against me get displayed on

01:01

the T DC since T-Mac died I ain't been

01:03

happy been talking to Draco like why you

01:05

leave me here with Ralphie remember they

01:08

tried to take me free Cowboy free

01:09

newborn free Hellcat free a street power

01:11

up don't make me a it at the whole crowd

01:13

you going to go up you not with

01:14

us let us know now we lost the roller as

01:17

depressing as it is good finesse don't

01:18

got no squabble Dro you like a s

01:21

like what the this Ralphy

01:22

throwing kicks they running laps what

01:24

type of Buster is this how many of

01:26

us is it sliding like grety Calvin's a

01:28

square and Angels just straight Z

01:30

all I know about K7 he look musty

01:32

with my dir but that fat not going

01:34

to punk me all that fake up on the

01:36

net really disgust me you Dusty I

01:38

can't respect that hey go back to your

01:41

Jeweler get your bread back long live

01:42

the ruler he was here he would have bled

01:44

y uh-oh shots fired Stand Tall hey

01:47

what's them signs he throwing up blow

01:48

his hands off drop piy on a

01:50

Zack Randol I've been tripping since a

01:52

young playing handball remember

01:54

calling duty on some no Vanguard

01:56

no bunny but this byy got a black card

01:58

don't got no money get this up out

02:00

my black truck them boys turn into city

02:02

girls when we act up I'll slap a silly

02:05

fat you could be by plenty

02:07

and don't crack nothing it ain't to

02:09

turn it back up take them to school I'm

02:11

going to send them with a packed lunch

02:13

and bystanders get a portion if they

02:14

that tough no back and forth I made a

02:16

fortune off this rap stuff I'll bet my

02:19

life they can't rap with me take it back

02:20

I'll smoke some spice with you actually

02:22

wake your game up before you your

02:24

name up always acting like they

02:25

want to dance but can't Crump not going

02:27

to be no phase two cuz they can't get

02:28

through Phase One 7 to lose some weight

02:30

that niggaer built like fa on he fat cuz

02:32

that ain't no walk that's a Trish belly

02:35

he'll put them perks down eventually

02:37

although I don't let nothing get to me

02:39

y'all was playing cool so the switch up

02:41

offended me anyway oh it's some

02:43

on me more dog than your

02:45

little homies big homie my grandchildren

02:47

just witnessed a victory I'm from Second

02:49

Street welcome to Germany shoot that M70

02:52

like a Serbian get that boy over here

02:54

like I'm scorpion hey nerves

02:56

could have played the accordion hey

02:58

cancel Christmas I'll be breaking the

03:00

ornaments get up come on you got

03:01

to be more practical just be yourself

03:03

you don't got to be on testicles I seen

03:05

that tweet I'm like that boy right on

03:07

schedule gu side to trying to keep that

03:09

professional you ain't listening to

03:11

the last round Meathead pay attention

03:13

you saying the same that he said

03:15

blue pesos will never be Draco Jay Dy

03:18

got Barney on payroll house party it's a

03:20

concert in the back Hur that girl was 16

03:22

and y'all was grabbing on her ass all

03:24

bad hope it didn't get no crazier than

03:26

that oh man don't try to tell me you was

03:27

faded off the act when I see you it

03:30

ain't nothing you can say to me ball

03:31

your fist take your ass whooping

03:33

gracefully par don't think you know what

03:35

I'mma do to you them know I ain't

03:37

sure about that funeral hey but suckers

03:39

be on sucker as usual no disrespect

03:41

to the fam it was beautiful it's been a

03:43

minute since the band made a musical you

03:46

probably make a few more bands in a

03:47

cubicle walking this down as if I didn't

03:49

have a vehicle sir the condition that

03:51

you're in is looking Critical with

03:53

triple A but I'm a product of the

03:54

general apologizing it might not have to

03:56

get physical like psych you might

03:58

just spot me in your living room

04:00

Double C I'm from the dece I need

04:01

collateral stuff CZ in the back of a hum

04:03

be and make it flammable grab me gas

04:05

another drop another article put scope

04:07

on the chopper for any think they

04:08

Sparky Grand Avenue trophies go ask

04:10

about this we be parking I'm from

04:12

the city where tough titties turnning

04:13

carcasses they rap like they was in the

04:15

streets but they was far from me

04:17

stop playing before I start

04:18

something somebody better check his post

04:20

make sure it's heart pumping keep

04:21

playing with the waters till you see a

04:23

shark coming threw some right crosses at

04:24

they draw like I was shot putting I keep

04:26

it real if I thought your career was

04:27

promising same song a 100 different that

04:30

should be comedy

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العلامات ذات الصلة
Street LifeTrimbleRap LyricsUrban CultureSan PedroReal TalkMusic ScriptCultural IdentityHip HopArtistry
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