In The Amazing Digital Circus, NOTHING Is Real! | The Amazing Digital Circus Episode 2

GTLive
6 May 202453:53

Summary

TLDRDans cette vidéo passionnante, les animateurs abordent le deuxième épisode de la série 'Amazing Digital Circus', qui a suscité une grande excitation chez les fans. Ils analysent les détails méticuleux de l'épisode, allant de l'animation aux références culturelles, en passant par les théories sur la trame de fond de l'histoire. Les discussions approfondies sur les personnages, les effets visuels et les implications narratives offrent un aperçu enrichissant de l'oeuvre. Les spectateurs sont encouragés à partager leurs propres théories et réflexions dans les commentaires.

Takeaways

  • 🎉 Le script discute de l'épisode 2 de la série "Amazing Digital Circus", qui a reçu un accueil enthousiaste avec 41 millions de vues en deux jours.
  • 📆 Il s'est écoulé six mois depuis la sortie de l'épisode 1, et les animateurs ont profité de ce temps pour préparer l'épisode 2.
  • 🎭 La série est admirée pour son animation 3D de qualité, sa faible polygonisation et ses textures simples qui captivent l'audience.
  • 😂 L'épisode aborde des moments humoristiques et des références culturelles, y compris des émojis populaires et des références à d'autres œuvres médiatiques.
  • 🤔 Les théoriciens abordent des questions sur la nature de l'intelligence artificielle dans la série et comment elle pourrait influencer l'intrigue.
  • 📡 L'interlacement est mentionné comme un effet visuel utilisé dans l'épisode, rappelant les anciennes techniques de diffusion télévisée.
  • 🚨 Des éléments de gameplay de type vidéoludique sont évoqués, comme la récupération d'une ressource précieuse volée, suggérant un parallélisme avec les jeux de rôle.
  • ⏲️ Les discussions incluent des théories sur la trame temporelle de la série et les implications de l'utilisation du terme "IA" dans le contexte de l'histoire.
  • 🛍️ Des conversations sur une éventuelle ligne de merchandising liée à la série sont eues, montrant l'intérêt pour un développement de produits dérivés.
  • 🎲 L'épisode présente des éléments de jeu, notamment la gestion d'un véhicule de guerre et la confrontation avec des ennemis dans un environnement de jeu vidéo.
  • 🌐 Des références à des espaces numériques et des mondes virtuels sont faites, suggérant que les personnages interagissent avec des environnements numériques.

Q & A

  • Quelle est la durée approximative de la vidéo analysée par les deux personnages principaux ?

    -La durée de la vidéo analysée est d'environ 25 minutes.

  • Comment les personnages principaux perçoivent-ils l'utilisation de l'interlacement dans l'épisode ?

    -Ils trouvent que l'interlacement ajoute un effet visuel intéressant et qu'il pourrait être utilisé pour donner une ambiance onirique ou pour souligner une certaine émotion.

  • Quels sont les éléments qui suggèrent une théorie potentielle sur la nature de l'univers dans lequel se déroulent les personnages ?

    -L'utilisation de l'interlacement, les références à des technologies anciennes comme l'AI, et la mention de la 'réalité' suggèrent que les personnages peuvent être dans un monde virtuel ou une simulation.

  • Quels sont les rôles respectifs des personnages de Pomy et de Kane dans l'univers de l'épisode ?

    -Pomy est perçu comme un personnage important et est associé à l'humour, tandis que Kane est considéré comme le leader du groupe, avec des connotations de 'Dieu' dans certaines scènes.

  • Quelle est la ressource précieuse volée par les bandits dans l'histoire ?

    -La ressource précieuse volée par les bandits est le sirop d'érable.

  • Comment les personnages principaux réagissent-ils à la découverte d'une pièce qui pourrait être une 'salle de développement' ou une 'pièce de développeur' ?

    -Ils sont intrigués par la découverte et supposent que c'est une pièce où les modèles 3D et les personnages sont stockés ou préparés avant d'être intégrés dans le monde du jeu.

  • Quels sont les éléments qui suggèrent une possible connexion entre les personnages et des algorithmes ou des profils de formation en AI ?

    -La mention de 'submissive and agreeable' et 'dominant and disagreeable', ainsi que la thématique de l'AI et des personnalités programmées, suggèrent une connexion avec les algorithmes de formation en AI.

  • Quelle est la théorie avancée par les personnages principaux sur le rôle de Kane dans l'univers de l'épisode ?

    -Ils théorisent que Kane pourrait être un personnage qui représente 'Dieu' dans l'univers de l'épisode, en se basant sur les éléments visuels de la fenêtre en vitrail et les colombes, symboles de paix et de spiritualité.

  • Comment les personnages principaux abordent-ils l'utilisation de l'AI dans l'épisode ?

    -Ils discutent de l'utilisation de l'AI comme élément de buzzword moderne et de son incorporation dans l'histoire, ce qui pourrait indiquer une fusion de technologies anciennes et modernes dans l'univers de l'épisode.

  • Quels sont les aspects de l'épisode qui suscitent le plus de questions et de spéculations chez les personnages principaux ?

    -L'interlacement, l'utilisation de l'AI, la thématique de la domination et de la soumission, ainsi que la nature de l'univers et des personnages, sont les aspects qui suscitent le plus de questions et de spéculations.

  • Quelle est la préoccupation principale des personnages principaux à propos du développement des épisodes suivants ?

    -Leur préoccupation principale est de savoir si les épisodes suivants pourront atteindre le même niveau de qualité et de complexité que le premier, en évitant le 'sophomore slump'.

Outlines

00:00

🎉 Retour sur les six mois écoulés et l'impact d'Amazing Digital Circus

Le présentateur revient sur les six mois écoulés depuis la dernière vidéo, soulignant l'impact phénoménal d'Amazing Digital Circus qui a attiré 314 millions de vues. Il évoque la progression de l'année et les réactions sur les réseaux sociaux, en particulier un post Twitter qui symbolise la vitesse à laquelle le temps passe. Il rend hommage à Glitch Productions pour leur travail exceptionnel et la manière dont ils ont captivé l'audience avec des animations 3D simples et des personnages bien écrits.

05:01

🤩 Lancement d'Amazing Digital Circus Episode 2 : Candy Carrier Chaos

Le script entre dans le vif du sujet avec la sortie d'Amazing Digital Circus Episode 2, intitulé Candy Carrier Chaos. Le présentateur discute de la popularité de la série, notant qu'il ne réagit pas à chaque contenu numérique mais seulement à ceux qui présentent un fort potentiel de théorisation. Il soulève l'importance de la loore qui se construit et des indices qui jalonnent l'univers de la série, invitant Lee à rejoindre la discussion pour une session de théorisation collective.

10:04

📺 Analyse détaillée des techniques de l'épisode 2 et des effets visuels

Le présentateur aborde l'effet interlaciné utilisé dans l'épisode 2, expliquant son fonctionnement technique et son utilisation dans le passé pour réduire la quantité de données transmises. Il compare l'effet à d'autres styles de l'horreur analogique et suppose que cela pourrait indiquer un rêve ou une séquence spécifique. La discussion porte également sur les références à des jeux vidéo, l'humour et la façon dont les personnages interagissent avec le monde numérique qui les entoure.

15:05

🧐 Théorisation sur les personnages et l'intégration dans le monde virtuel

Le présentateur et son invité analysent les dialogues des personnages, en particulier la phrase 'we're not all cut out for it', qui pourrait faire référence à la difficulté de s'intégrer dans le monde virtuel. Ils spéculent sur la nature de la réalité dans la série et la possibilité d'un développeur ou d'une intelligence artificielle être absorbé dans le jeu. La discussion explore également les interactions des personnages et les indices qui pourraient suggérer des changements de personnalité ou de pouvoir.

20:06

🚗 Aventure de Kane et analyse des implications morales

Le script décrit l'aventure de Kane dans l'épisode, où il est chargé de récupérer de la sirop d'érable volé par des bandits. Le présentateur note l'utilisation d'un langage moderne et la référence à des termes comme 'hype me up', suggérant une période plus récente que prévu. La discussion aborde également les implications morales derrière les actions des personnages, remettant en question les intentions des bandits et le rôle de Kane et de la Candy Kingdom.

25:08

🛠️ Théorisation sur l'AI et la technologie dans le contexte de l'épisode

Le présentateur et son invité discutent de l'introduction d'un nouvel élément de technologie, l'intelligence artificielle, qui pourrait être un buzzword moderne mais qui a également été utilisé dans les jeux vidéo pour décrire le comportement des PNJ. Ils se demandent si la série fait référence à des algorithmes ou à des technologies spécifiques, et comment cela pourrait affecter la compréhension de l'univers de la série.

30:10

🎮 Références aux jeux vidéo et à la culture populaire

Le script mentionne des références à des jeux vidéo et à des éléments de la culture populaire, tels que des poses de combat inspirées de jeux de style Dance Dance Revolution. Le présentateur et son invité analysent également les personnages et leurs actions, en particulier la manière dont ils interagissent avec les autres personnages et l'environnement, et comment cela pourrait refléter des aspects de la programmation et de l'IA.

35:12

🌐 Théorisation sur l'univers de la série et la chambre des développeurs

Le présentateur et son invité se concentrent sur la fin de l'épisode, où les personnages semblent avoir quitté les limites du monde du jeu et entré dans un espace non texturé. Ils spéculent sur la nature de cet espace, suggérant qu'il pourrait être une 'chambre des développeurs' où les modèles 3D et les personnages sont stockés avant d'être intégrés dans le monde du jeu.

40:12

🔍 Conclusion de la session de théorisation et anticipation pour la suite

Le présentateur conclut la session de théorisation en remerciant son invité et en réfléchissant à la pression sur la suite de la série pour maintenir l'intérêt et la qualité. Il exprime son désir d'en savoir plus sur les personnages et leurs relations, en espérant que la seconde partie de la série les satisfera. Le script invite les téléspectateurs à partager leurs propres théories et réflexions dans les commentaires.

Mindmap

Keywords

💡Digital Circus

Un cirque numérique est une représentation virtuelle ou une animation 3D qui utilise des graphismes et des textures polygonales simples pour créer un monde attractif. Dans la vidéo, il est mentionné comme un spectacle très attendu et populaire qui a eu un impact considérable sur les spectateurs grâce à son utilisation de l'animation 3D primitive et de personnages bien définis.

💡Interlacing

L'interlacement est une technique utilisée dans les anciennes transmissions de télévision où les lignes d'un cadre vidéo sont affichées par paquets pour réduire la quantité de données. Dans le script, il est mentionné comme un effet visuel intentionnel qui ajoute une touche de nostalgie et d'atmosphère à l'épisode, rappelant les anciennes technologies de diffusion.

💡AI (Intelligence Artificielle)

L'intelligence artificielle fait référ à la capacité d'un système informatique de mimiquer ou d'excéder les fonctions cognitives humaines. Dans le contexte de la vidéo, l'AI est utilisée pour avancer l'intrigue et le monde du spectacle, suggérant un niveau de complexité et de modernité qui contraste avec les autres éléments plus anciens de la technologie présentés.

💡Theorizing

La théorisation fait référ à l'élaboration de théories ou d'explications pour des phénomènes ou des événements, souvent dans le contexte de fictions ou de jeux-concours. Dans la vidéo, les hébergeurs analysent et théorisent sur les différents éléments du spectacle, cherchant à comprendre les arcs narratifs et les mondes créés.

💡Maple Syrup

Le sirop d'érable est mentionné comme une ressource précieuse dans l'univers du spectacle. Il est utilisé comme un élément clé de l'intrigue, faisant partie des éléments humoristiques et des références culturelles qui enrichissent l'expérience de l'audience.

💡Candy Kingdom

Le Royaume de Bonbon est probablement un monde fictif où se déroule le spectacle. Il est présenté comme un lieu coloré et doux, mais aussi comme un environnement complexe avec ses propres défis et énigmes, qui sont explorés au cours de la discussion.

💡VR (Réalité Virtuelle)

La réalité virtuelle est une technologie qui permet aux utilisateurs d'interagir avec un environnement simulé de manière immersive. Dans le script, il est suggéré que les personnages du spectacle pourraient être des développeurs ou des créatures de l'IA qui ont été 'absorbés' dans un monde virtuel.

💡Emotes

Les émoticônes ou 'emotes' sont des animations ou des expressions qui permettent aux utilisateurs de communiquer des émotions ou des actions dans un environnement en ligne. Elles sont mentionnées comme un aspect amusant et populaire du spectacle, utilisées pour créer des réactions et des émotions chez les spectateurs.

💡Glitch

Un glitch est un dysfonctionnement ou une erreur dans un système, souvent dans un jeu vidéo ou un logiciel. Dans le contexte du script, le terme est utilisé pour faire référence à la société de production derrière le spectacle, suggérant également un thème récurrent de l'imprévu ou de l'inattendu dans le spectacle.

💡Deep Lore

La 'deep lore' fait référ à l'ensemble des histoires et des détails complexes qui se cachent sous la surface d'une œuvre fictionnelle. Dans la vidéo, les hébergeurs cherchent à explorer et à déchiffrer la deep lore du spectacle, cherchant à comprendre les arcs narratifs sous-jacents et les mondes plus larges qui sont suggérés.

Highlights

The Amazing Digital Circus has gained 314 million views, indicating its popularity and success.

Glitch Productions is recognized for creating a world that resonates with the audience's need for early 3D animation and simple polygonal shapes.

The show's writing is praised for its sharpness and the creators' deep understanding of internet culture.

The use of interlacing in the show is discussed as a possible intentional effect to create a dreamlike sequence.

The presence of AI in the show suggests a blend of modern technology with the early 2000s aesthetic.

The show's characters are analyzed for their potential representation of different aspects of personality.

The concept of a 'developer room' is introduced, where characters and assets are stored for easy access in game development.

The show's creators are commended for their detailed storytelling, with every moment and frame filled with intention.

The interplay between characters is explored, with some showing more complexity and depth than initially perceived.

The show's setting is compared to a Tron-like digital space, suggesting a meta-commentary on the nature of virtual worlds.

The use of religious parallels and references in the show adds a layer of complexity to the narrative.

The show's narrative is thought-provoking, with characters' missions and motivations being questioned.

The potential for a merchandise line based on the show is discussed, indicating its cultural impact and fan base.

The show's second episode is highly anticipated and discussed for its ability to maintain the momentum from the first episode.

The detailed animation and character design are noted as contributing factors to the show's appeal.

The show's creators are recognized for their ability to craft a lore that invites viewer speculation and theorizing.

The discussion highlights the importance of character development and the desire for more insight into their relationships.

Transcripts

00:00

any Kingdom need you

00:08

now no thanks I'm trying to

00:11

quit that's awesome

00:19

[Music]

00:31

hey guys and welcome to GT not live

00:34

we're 6 months later and it's time for

00:37

probably one of the most hyped uploads

00:40

of 2024 has it been 6 months I think so

00:43

it's been oh my gosh I think it's been

00:45

six months I I believe don't here don't

00:48

I mean it's may now here I'm I'm pulling

00:49

it up right now we're going to we're

00:50

going to show it to you yeah six months

00:52

six months ago amazing digital circus

00:54

wow 314 million views good for them oh

00:57

yeah awesome incredible six mon it has

01:00

been half a year that's pretty wild

01:02

Justin timberl told me it was going to

01:04

be May and it is indeed may now it is

01:07

indeed May and what Happ like sometimes

01:10

this uh this this Twitter post pops up

01:12

on on various social media that's like

01:15

the the progress bar of the year and it

01:17

is so weird seeing it go by so fast

01:19

every year right we're like like oh gosh

01:23

45% of the way through this year what

01:24

happened yeah this year has flown by it

01:28

is nuts so

01:30

six months ago glitch glitch Productions

01:34

did something incredible they rocked the

01:36

world already wellknown for murder

01:38

drones they Rock the world with amazing

01:41

digital circus which just caught fire

01:42

like really tapped into whatever nent

01:47

need that we all had for like early 3D

01:51

animation kind of like simple polygonal

01:54

you know shapes and textures and this

01:57

and that and just like leaned into this

01:59

my L this fun characterization yeah the

02:01

writing was so sharp and like this is

02:04

something I really respect about them

02:05

and their animators and their artists

02:07

and and everything like they understand

02:10

the internet in a way that is super

02:11

powerful they had Gable moments I like

02:14

ash you and I just use like pomy gifs

02:17

back and forth because they're funny we

02:19

really do yeah the the one where like

02:21

it's the anime angle and her eyes are

02:24

crazy I'm was going to say the Crazy

02:25

Eyes one I feel like like that's the

02:26

that's the one I've seen circulated the

02:28

most to be honest is the crazy eyes yeah

02:30

oh yeah it's an emote in our company

02:31

Discord yeah it is that's amazing yeah

02:34

if if you were if you are if your

02:37

personality is represented by an amazing

02:38

digital circus character who are

02:41

you no pressure Ash do you have an

02:43

answer I don't want to say pomy but

02:47

you're pretty pomy I was going to say I

02:48

feel like that was accurate that that is

02:51

accurate you are the pomy in my life

02:53

yeah I oh thank you it's an honor I'm

02:56

kinger yeah I can see that this is I

02:58

feel like these are all accurate these

03:00

are both spoton 100% yeah just like kind

03:02

of sitting in the corner not really know

03:04

knowing what's like going on like I'm

03:06

happy to be here wait who are you happy

03:08

to participate like I exist as well

03:11

that's which does which plays into the

03:13

whole film Theory as a forgotten middle

03:15

child you're like I'm here too guys and

03:17

I guess you're CMO now cuz you've

03:20

retired I the clown who disappeared

03:26

I as portrayed by Jack Black yeah I was

03:29

going to say at least played by J me and

03:31

Minecraft Steve played by J same yeah

03:33

the same it's amazing yeah I'm the clown

03:36

who disappeared and then went rogue and

03:38

then just decided to like eat the world

03:41

right that's kind Happ to kmo it's kind

03:43

of crazy in episode one I feel like you

03:46

are primarily kmo and your secondary is

03:49

like bits and pieces of cane yeah cuz

03:52

you still that theatricality in you

03:54

right I I feel I feel like that's a good

03:56

mix yeah cuz Kane is the one that jumps

03:58

out to me but I'm little less chaotic I

04:02

feel like but I do have that ring leader

04:04

kind of

04:05

[Applause]

04:07

like Ryder gives me Kane oh Ryder is

04:09

absolutely Kane as well well Ryder

04:11

voiced Kane for us didn't he he did yes

04:14

uh so well that people thought it was AI

04:16

generated wait really yeah people

04:18

thought we we somehow voice modeled Kane

04:20

but no that was just writer being an

04:22

amazing voice actor yeah uh for those

04:24

you don't know Ryder former editor for

04:26

theorist as well as a successful

04:28

YouTuber own right foot of a feret

04:30

he uh frequent uh collaborator on the

04:33

couch but uh he's kind of our go-to for

04:36

all voice acting stuff in a lot of cases

04:38

he's our Mickey Mouse he's our anytime

04:40

we need something that's uh like a

04:41

Patrick warber Burton

04:43

adjacent wton adjacent yes that's he's

04:46

Arcane he was kind of Patrick warber I

04:48

was going to say that's pretty close

04:49

actually yeah but um but yeah so I'm

04:52

glad to hear

04:53

that the internet just looking for it

04:56

was like no seriously we we go the extra

04:58

mile but yeah like they've done episode

05:00

2 now yeah so that yeah so bring it all

05:03

the way back around 6 months and 28

05:06

minutes later after this after this

05:08

witty Panter it is finally time for the

05:10

amazing digital circus episode 2 to come

05:12

out and you know it is a very theorize

05:15

show right I we don't react to every

05:18

online digital piece of media that gets

05:20

uploaded but for the special ones and

05:23

the ones that get a lot of views and the

05:25

ones that have a lot of theorizing

05:26

potential to be honest like are the ones

05:28

that that we we react to right and as we

05:30

saw in episode one this is not only like

05:33

a fun memeable internet friendly world

05:36

that's you know obviously talking to a

05:38

lot of us and and really enjoyable to

05:40

watch but beyond that there's there's a

05:42

lore that's being crafted here that

05:44

needs to be solved right there are very

05:46

clear moments that have been dropped in

05:49

that are seeding out a wider Universe

05:51

the secret identities of these

05:52

characters that there is more under the

05:54

surface which means it is time for Life

05:56

Theory crafting and so that's why Lee's

05:58

on the couch with me so excited for this

06:00

to do some uh to do some group think do

06:03

some collective theorizing put our

06:05

brains together yeah with our brains

06:07

combined we equal one brain so we will

06:10

be that's that's very generous it's 78

06:13

of a brain GT live at 99% power is just

06:17

ash that I mean hold on now hold on now

06:21

fake it till you make it you know if you

06:24

say words long enough maybe some of them

06:26

will make sense exactly right all right

06:29

so without any further Ado I think let's

06:31

hop into amazing digital circus episode

06:32

2 this is candy carrier chaos also doing

06:36

doing pretty well for themselves 41

06:38

million views in two days that's pretty

06:40

good really incredible pretty Sol that's

06:42

pretty incredible pretty solid there

06:44

good job guys uh before let's see the

06:46

gang are back for a wack candy field

06:49

Adventure they also discovered that

06:51

their lives literally have no meaning

06:53

woohoo so wacky also they just dropped

06:56

the entire main digital circus oh

06:57

plushies o not that plushy game collect

07:00

plushies quick question yes have we

07:03

talked to them about doing a merch line

07:06

with

07:07

them maybe okay because if not I feel

07:11

like there's some cool synergies to be

07:13

had here I think we can make some cool

07:15

stuff for them there is absolutely some

07:16

cool synergies I think everyone's on the

07:18

same page there I would love to see a a

07:20

lumen product line that would be great

07:22

that would be based on them right yes

07:24

cuz cuz I know right now nice jacket oh

07:26

thank you it's it's Lumin official uh

07:28

same with the shirt it's Lum official

07:30

wow um yeah I know it's amazing um

07:32

available right now below this video uh

07:34

but it is one of those things where like

07:37

right now we're working on the poppy

07:38

playtime stuff and I think that's coming

07:40

together really really well or at least

07:41

like the initial Concepts have come

07:43

together we'll see how sample like this

07:44

so long in the process um but we have

07:46

some really good ones coming out later

07:47

this year but knowing how long it takes

07:50

to put these things together I'm like oh

07:52

hey I think that they're like I already

07:54

have in my mind some of the things that

07:56

like like cool jackets and hats and

07:58

things you can do designs really lend

08:00

themselves to to just great apparel and

08:02

like yeah rightfully so so without any

08:05

further Ado amazing digital circus

08:07

episode 2 25 minutes 25 minutes this is

08:09

a 15 parter I was about to say 15 let's

08:12

get into it okay so hold on right here

08:14

we're just going to pause you see here

08:16

the letters are spelling out the word

08:18

glitch which could be indicative of the

08:21

world that they're living in it is a

08:22

video game it is a video game or

08:25

alternatively it's the name of the

08:26

Production Studio too early to tell hard

08:29

hard to say guys hard to say wait can we

08:31

go frame by yeah let's let's go back

08:33

okay so here you'll see that it's

08:36

C

08:38

could see the the music here is

08:41

described as Peppe electronic music that

08:44

is the fourth best Star Fox

08:47

[Laughter]

08:49

character it is the fourth best Star Fox

08:51

character it actually might be lower

08:53

honestly I feel like I'd let rank

08:56

Andross and Leon and pigma above

09:00

sorry

09:02

just wait what we were joking about oh

09:05

it's indicative of the world oh no

09:06

they're actually in the they're in

09:08

they're in the logo

09:11

glitch I appreciate the Restraint of not

09:13

doing uh every one of their properties

09:16

like like the DreamWorks and things

09:18

nowadays where it's like here's every IP

09:20

that we own like I could see them having

09:22

like cane pop up and then you know n or

09:24

something yeah from from uh murder

09:27

drones welcome to the amazing digital

09:31

circus oh here we

09:33

go I'm very excited about

09:37

this P pomy py so pomy is an important

09:41

character I get

09:46

now hello oh weird why are we getting

09:52

interlacing that that is a pretty

09:54

popular uh like visual effect on like

09:58

that I've seen on like Tik Tok and reals

10:00

and stuff so I do think what like let's

10:03

let it play out for like purposely

10:05

interlaced yeah because it it adds like

10:07

a weird kind of like

10:09

emotion I'll TR to play that for a

10:11

second and see if it's actually a

10:15

problem cuz episode one they didn't

10:21

interlace I know I I think it was a

10:22

purpose full effect kind of like adding

10:24

a I bet this is a dream I mean a very

10:27

dreamlike effect yeah no I would I would

10:30

I would agree with like it is

10:31

interesting though so okay so you as

10:33

movie expert right so I I remember the

10:35

early days of Game Theory whenever I

10:37

would try to do like live action footage

10:39

if you go back to like I think it was

10:41

the uh how to tell if someone's lying to

10:44

you episode based on LA Noir super deep

10:47

cut um or the episode about Zelda's

10:50

power potions and and that was like one

10:52

of the first live action ones too that

10:54

we did where it was like me and the

10:55

kitchen um but I had to teach myself

11:00

what interlacing was which is something

11:03

that I don't think a lot of people know

11:06

now and and so that's why it immediately

11:08

strikes me as as something that's yeah

11:11

worth calling out it's interesting that

11:12

it's a interlacing used to be this thing

11:15

that they do in broadcast television

11:17

back back before it you got everything

11:20

through a cordin wall or Wi-Fi they

11:22

literally broadcast like a TV signal

11:24

that you'd have to pick up on an antenna

11:26

and to make that data like less

11:29

cumbersome they what they would do is

11:31

they would cut up each frame like so

11:34

like there'd be a line of pixels and

11:36

then a line of nothing and then a line

11:37

of pixels and a line of nothing then the

11:39

next frame would have line of a line of

11:42

pixels yeah the reverse yeah basically

11:44

yeah it it it it's it cut the amount of

11:46

frames that you needed basically in half

11:48

right it count cut the amount of data

11:50

that you need in half cuz you would have

11:52

like half of the picture on one frame

11:54

half of the picture on the other frame

11:55

basically and that's why you get this

11:57

it's not seamless right so you see it on

11:59

screen SC right now where it's not

12:01

seamless because they you're missing

12:04

kind of a piece in the middle right and

12:06

so you're getting 50% of the data here

12:07

50% of the data there and it's being

12:09

interlaced together literally woven

12:11

together to create one image but it

12:14

gives you this sort of effect right and

12:16

if you're not if your settings aren't

12:19

right if you're dealing with liveaction

12:20

footage and this is what I learned when

12:22

I was working live action footage into

12:24

the animations of of Game Theory if the

12:27

if the settings aren't right you get

12:28

this kind of like weird interlacing

12:30

effect which creates like a lower

12:31

quality final product have you ever seen

12:33

like

12:34

1080i and versus 1080p I is interlaced p

12:38

is Progressive yes Progressive being you

12:39

get all of the data all at once in one

12:41

frame exactly so at this point I don't

12:44

think anything really does this could be

12:48

I I don't know but like I don't see why

12:50

anything would necessarily interlace

12:52

anymore it feels like everything has

12:53

gone Progressive it has become it has

12:56

become an intentional effect you add

12:57

kind of similar to like VHS effect

13:00

is

13:01

achf that Isam and weird and Whimsical

13:04

and

13:04

nostalgic and and and specifically of an

13:07

era and I think like that I think I

13:09

think your comparison to analog horror

13:11

is interesting right because for a long

13:14

time we've been in this like 1980s early

13:17

1990s VHS aesthetic right now we're kind

13:20

of moving into the late 90s early 2000s

13:22

yes and and one of the things that we

13:24

and so with the old VHS aesthetic right

13:26

you get the scan lines and you get the

13:28

the tracking

13:29

the the all those kind of like glitches

13:31

and artifacting that you see on VHS

13:33

tapes those are like tracking lines

13:35

right and the old I don't know if you're

13:37

old enough to remember this but like on

13:39

the on the remote controls with the VCRs

13:41

there was literally a button that you

13:42

would use to shift where the Magnetic

13:45

Tape was playing in the cassette to get

13:47

rid of those SC those lines right that

13:49

was the tracking lines and it just meant

13:51

that the tape was like out of whack that

13:52

was just a little bit before me yeah so

13:55

uh it was I mean it was the tail end of

13:56

me too to be honest but we had an old

13:58

VHS and we had to do that right and so

14:01

now and and I think one of the things

14:03

that really hit about maing digital

14:04

circus and I think that they're

14:05

continuing to lean into here is we've

14:09

seen this we've we've done it but we're

14:10

into we're in a generation now who have

14:12

grown up in the early like late '90s

14:14

early 2000s where now you're talking

14:16

about interlacing and you're getting

14:18

digital effects like this which is very

14:20

different but also you know is kind of

14:22

the next generation of that analog

14:24

horror aesthetic which is cool like it

14:27

again it's it's incredibly smart

14:29

storytelling it immediately sets you in

14:31

a tone and it's different it's the same

14:33

idea that we've been playing with with

14:34

analog horror for years but it's updated

14:37

for a new decade through

14:40

[Music]

14:43

this but yeah no I agree with you I feel

14:45

like this is a dream sequ we'll see it

14:47

I'm

14:48

sure they're about to kill the character

14:50

so

14:51

like their main character I doubt it's

14:54

a not a dream right or they could be

14:57

just incredibly Brave first episode of

15:00

CSI killed off the main character spoil

15:02

looks like our new friends already

15:04

abstracted well I guess we're not all

15:06

cut out for it I don't even remember her

15:09

name

15:12

honestly that's a that is a great

15:14

reaction image another great reac next

15:15

emote for the Discord not ready for it

15:18

what is it for like well I guess we're

15:21

not all cut out for it like surviving in

15:24

this space is that what it is that's

15:26

what my my gut would say but

15:30

it feels very intentional based on our

15:33

previous theories yeah maybe it is hell

15:35

no maybe it is the um like the reality

15:40

of like having your brain kind of like

15:41

copied into this world yeah and like

15:44

integrating into it right it feels like

15:46

it is it the the use of the word it I

15:49

guess we're all we're not all cut out

15:51

for it feels like it's intentional to a

15:53

process it doesn't it's if it was like

15:55

cut out for this world or this G you

15:58

know the circus itself or like whatever

16:01

this space is that I you would it

16:04

wouldn't be it it feels like a process

16:06

or a specific Mission or moment or goal

16:09

right it's it's a

16:11

very specific

16:14

word and it's interesting that it's

16:16

these three who are the ones talk who

16:18

are apparently part of it you know and

16:22

at the end of the last episode right we

16:24

saw that there's a real life computer

16:26

screen and you know a VR head that has

16:29

been kind of abandoned and left behind

16:31

and so is this a world where one of our

16:35

theories has been hey did a developer of

16:37

this game somehow get absorbed into the

16:39

game or are they an AI recreation in

16:42

this game or something like that I think

16:44

it's interesting that it's also like

16:46

Kane who is the ring leader yes but also

16:49

ratha and Jax who are very much like the

16:51

angel and devil on the shoulder yeah

16:53

that's interesting I guess we're not all

16:55

cut out for it I don't even remember her

16:57

name honestly it's interesting too

16:59

because ratha has been very kind kind

17:02

and also kind like not naive

17:05

but this implies a level of of awareness

17:09

and control over the

17:11

situation that that has not been implied

17:13

in her other dialogue it implies

17:15

strength and yeah strength and control

17:17

which in episode one we did not see a

17:19

lot coming from her so to see her in

17:22

this kind of power position like you

17:24

said kind of as an antithesis to Jax

17:26

who's literally snapping people away in

17:27

episode one or whatever like that's

17:29

really

17:38

interesting this is so fun this great

17:42

already so much to talk about dream

17:46

okay wait was she was she clipping into

17:48

she was clipping into the the block I

17:50

love that it's very specific uh like

17:54

very similar to like the era of humor

17:56

it's very Source engine valve halflife

17:58

too yeah I love it I mean it really is

18:01

speak to me specifically it it is it's

18:03

it's that style of of joke and humor

18:05

that exists it's

18:07

great and it launches you away because

18:09

it has to like figure out what the

18:11

Collision detection actually

18:14

is oh yeah okay say anything I was going

18:17

to say anything with the XT e q q right

18:21

is that a Q looks like a nine for a it's

18:23

like a backwards key that's interesting

18:25

it is weird so this is a correct que

18:27

this is a revers Que yeah maybe it's a

18:29

nine the C's are also in different oh

18:32

yeah okay I wonder the C's are in

18:34

different or it's weird that some are in

18:36

correct orientations a a the B's the X's

18:39

the e m looks to be n's I guess are

18:43

different but yeah C and Q are different

18:45

that a z could be a z any hey pomy how'd

18:49

you sleep doors this hallway is always

18:53

important that was uh Kingler the female

18:58

Kingler Queeny Queenie that was it from

19:00

last time I think by the way uh a name

19:02

we guessed correctly yeah uh gooseworks

19:05

the Creator revealed the name on Tumblr

19:08

uh I think probably before our episode

19:10

went up but but so so when you say we

19:13

guess correctly but it was a name that I

19:16

wrote down being like kinger it's

19:18

probably Queenie yeah well there you go

19:20

thank you very much thank you very much

19:23

it is nailed very much it is what it is

19:29

take you take the winds when you can get

19:30

them are you dog I'll let you get back

19:34

not not the queen there's like a dog

19:35

character is in there oh is it okay I

19:38

think so cuz Like Queenie was like a

19:40

black be of the chest oh you're right it

19:41

was yeah no you're right it was a

19:43

different one that's right how' you

19:44

sleep good call are you still sleeping

19:47

I'll let you get back to it if you

19:50

are there she is hope you're doing all

19:53

right I know yesterday was a bit of a

19:55

doozy a doozy oh and don't worry about

20:00

the whole abandoning me for the exit

20:02

thing it's perfectly understandable what

20:04

you were going through at the time and

20:06

there's no hard feelings you're all good

20:09

there are definitely hard

20:11

feelings read

20:13

the

20:15

anytime anytime someone says no hard

20:17

feelings shorthand there is hard

20:19

feelings almost guaranteed if you have

20:22

to specify that's Pro tip life life Pro

20:25

tips happen to youday if there are

20:26

actually no hard feelings just don't say

20:28

anything there's nothing to said at all

20:29

you don't have to address

20:31

it

20:33

huh uh well let's forget about all that

20:37

Kane's got a new adventure today and

20:39

judging by what he's been teasing it

20:41

seems like it's going to be a fun

20:43

one today's adventure is candy carrier

20:48

chaos the

20:51

candy

20:53

thing's been robbed of their most

20:55

valuable resource maple syrup oh no to

20:59

bring the hold up what was sorry what

21:01

was that it said the the syrup say m MP

21:09

pep right MP pep I need new

21:13

glasses that's what I'm learning right

21:15

now yeah you can't you can't read it I

21:17

see the M

21:19

and P yeah it seems like that is that

21:23

what you're getting

21:24

Ash

21:26

bip is what I'm seeing you're saying

21:28

what

21:31

so okay that might be a specific like

21:32

grade of maple syrup or something

21:35

maybe or like uh it might be alluding to

21:40

a location or some deep lore I mean deep

21:42

lore you know you know me I'm always

21:45

going to lean into the the maple syrup

21:46

deep FL I mean hey santi's here we can

21:49

go get him and ask him specific maple

21:51

syrup gra cuz I know there are grades to

21:54

maple syrup right here well now you now

21:57

that you've prompted me grades of maple

22:00

Sy I know that there's there's one

22:02

that's like sounds it's like leather

22:04

where it's like it sounds good yeah but

22:06

it's not like genuine leather is just

22:08

like regular leather okay here you go

22:11

yeah yeah they they all like became the

22:13

same grade and like they're maple syrup

22:16

snobs being like Oh my gosh everything

22:18

everything's a Grade A maple syrup now

22:20

why can't I I just want to make this

22:22

large oh my gosh I just want to make the

22:24

image

22:26

large show me the image here we'll pull

22:29

up this one instead since the other ones

22:30

abandoned me multiple times just let me

22:33

down you're and you're oh open the image

22:36

in a new window open image in new tab

22:38

there we go there we go thank goodness

22:41

okay none of these have the letters none

22:43

of them are inep

22:45

noep all Grade A maple syrup must also

22:48

meet the following requirements meet

22:49

unfermented even in color sediment free

22:52

this is very important this is important

22:55

I'll look into this please later thank

22:57

you this is super important let's do a

23:00

whole episode on the amazing digital

23:02

circus just about the maple syrup and

23:04

what type of maple syrup they're they're

23:06

talking about here all right that's the

23:07

end of today's episode thank you guys so

23:08

much for watching and as always

23:11

remember doing great it's up to you to

23:13

bring the Roden Bandits who stole it to

23:16

Sweet buttery Justice an entire Kingdom

23:18

of candy sounds sticky very sticky

23:22

indeed sounds

23:25

[Music]

23:29

bubble you can't say

23:30

[Music]

23:32

that wait I'm testing out a new AI in

23:35

this one ah there we go whoa whoa whoa

23:39

huge L drop right there testing out new

23:42

AI okay so Ash you seem excited you want

23:46

you want talk about that I am shocked

23:47

About That Shook I am shook to my core

23:51

all right so you know we'd have this

23:53

assumption based on the technology that

23:54

we' seen in the general aesthetic of the

23:56

amazing digital circus that this was

23:58

like a early 2000s late 90s sort of deal

24:00

sure AI That's a very modern thing it is

24:03

that's a lot of the discourse that we're

24:05

seeing today so I see that and I

24:07

immediately am thrown into some time

24:09

confusion sure well well oh me up his

24:14

glasses go for it go for it no

24:17

legitimately I wonder like I mean AI is

24:20

is the buzz word of today yes correct

24:21

yes but I mean like AI has been used in

24:24

video games like as the descriptor for

24:26

just like n PC Behavior for forever and

24:29

I wonder like it's an interesting thing

24:31

to use in the show that is coming out

24:34

today right because it has that buzz

24:36

word right around it like the meaning of

24:38

AI has changed that that is I think

24:40

that's a really good point to call out

24:42

right which is I think you see this in

24:44

the context of 2024 and you're like aha

24:46

AI generated artwork and AI generated

24:48

video and AI generated voices and this

24:50

and that what you're talking about now

24:53

is artificial intelligence trained on

24:55

data from a bunch of different sources

24:57

and going out and like recreating things

25:00

or mimicking things right it's the mimic

25:03

sorry obligatory FNAF

25:05

reference back in the day is like if

25:08

this then this it was code but exactly

25:10

to your point in if this if we're not

25:13

talking about

25:14

Technologies you know Technologies kind

25:17

of like being a little bit wibbly wobbly

25:19

with with their

25:20

timelines what this would could be

25:22

referencing is just like a bunch of if

25:24

then statements you know it is literally

25:26

coded in like hey bubble if I say this

25:28

then do this if if we're introducing a a

25:32

new adventure then say this or whatever

25:34

again figuring out what the time period

25:36

is of this and kind of like what te what

25:38

the technology we're dealing with here

25:40

is is really fascinating in this one it

25:43

should be 57 times more immersive Todd

25:46

Howard you don't want to mess with the

25:48

new AI zie oh they're really leaning

25:49

into the AI stuff like they're really

25:51

signaling it hard which is fascinating

25:54

it also seems to suggest that there's a

25:58

difference between these characters and

26:03

bubble right

26:08

NOS right fourth there's there's a lot

26:10

to talk about there's a lot to talk

26:12

about yeah cuz je so he did that in the

26:14

first episode too that that was a point

26:16

I remember writing and we just didn't

26:18

have time yeah we didn't cut it but it

26:19

is worth mentioning right is that he

26:21

knows that he's on camera in a similar

26:23

ways like Rick breaks the fourth wall

26:25

all the time interesting what do you

26:26

think pomy

26:28

so our entire existence here is just

26:34

laring well why are you all just

26:36

standing there Canyon Cy I like that I

26:39

like that they're avoiding that that's

26:41

amazing but no it's they're they're

26:43

addressing it right and they keep kind

26:44

of diving away from what this actually

26:46

is it's really interesting that's a

26:47

great image of Kane great clip for a

26:50

thumbnail toet you now

26:59

no thanks I'm trying to

27:02

quit that's awesome that's

27:06

awesome this is cool this is very

27:11

cool oh YouTube does not like confetti

27:14

no certainly not okay so we get more of

27:16

the mannequins which I know last time we

27:18

had called out like there were a couple

27:19

doors dedicated to like the these

27:21

mannequins yeah and like the idea being

27:24

that they blank slates that that are

27:26

then transformed into characters as

27:28

yes so interest interesting here I guess

27:32

it's a crowd shot so like no real need

27:34

for like indidual like even just on a

27:37

realistic production like like real

27:39

world perspective yeah that'll take a

27:42

lot of effort to oh yeah this is

27:47

acceptable oh yeah oh yeah

27:53

that that's a gummy elephant right there

28:03

I feel that

28:04

graphic hing's

28:06

tall wow ker check out this Castle it's

28:10

amazing they've even got little candy

28:12

bugs here it's so beautiful yeah this

28:15

place is great it's the

28:18

[Applause]

28:19

princess ah you must be the brave knight

28:23

sent To Us by God to help us with our

28:26

recent catastrophe interesting that

28:28

that's

28:29

interesting

28:31

huh Kane is God Kane is

28:35

God so again this is going back to one

28:37

of the things that you called out which

28:38

I to be fair I was skeptical about when

28:40

when you pitched me on it's literally

28:43

hell well that's literally hell or like

28:45

a lot of the religious stuff that you

28:47

called out right oh yeah the Kan and

28:49

abble yeah cuz you cuz you called out

28:51

Kan and abble with at the end of the

28:53

last episode you're running through this

28:54

real world kind of like C yeah this real

28:57

world setting with offices and then they

28:59

pan up at a certain point you see CNA

29:01

Industries right and you called out CNA

29:04

Kan there's Kane maybe it's Kane and

29:06

able and I'm like I don't know that like

29:08

proved to me more and and we were able

29:10

to C I think we were able to piece

29:11

together a lot of other like enough to

29:14

mention it as really yeah I I think it

29:16

was a a fun idea that was a cool like

29:20

shot in the dark plus some of the other

29:23

like religious parallels that we could

29:24

draw for that theory I thought that was

29:26

a really solid one um that we were able

29:28

to get it there but I was still like I I

29:30

have the theories that I really believe

29:32

in and then there were some ones that's

29:33

more of stretch and that was more of a

29:34

fun like interesting thought experiment

29:36

but it's fascinating to see potentially

29:39

more like the fact that they're

29:41

literally calling him God with imagery

29:43

of stained glass window which is

29:45

immediately calling into like Cathedral

29:48

SL like church imagery and doves as like

29:52

peace and and as signs again like

29:55

there's a lot of bird imagery in the

29:56

Bible and things like that it's

29:57

interesting too that

30:00

Cain if I'm remembering correctly not

30:02

the good one in that situation no right

30:05

no Kane is the one who commits the first

30:07

murder yeah in biblically speaking Cain

30:10

is the first murderer and introduces

30:12

like death to to the yeah to the world

30:15

yeah so interesting that that is the

30:17

character elevated to godhood if that is

30:20

indeed the parallel they're running here

30:21

right exactly the recent catastrophe

30:24

that's us ma'am your Kingdom's Awesome

30:26

by the way love the vibe

30:28

I lock you already look paly we're

30:31

already friends with the princess I'm

30:33

not a child you don't have to Hype me up

30:35

I assume you've

30:37

been

30:39

interesting well that that gives us P's

30:41

not a child confirm

30:44

confirm your mission the bandits that

30:46

robbed us use a modded syrup tanker so

30:49

we figured the best way to go

30:50

head-to-head with them is to give you a

30:51

war rig of your

30:54

own awwesome Mad Max

30:58

time period is this supposed to be again

31:00

he has the key back into the that's what

31:02

I'm asking right p is asking the

31:04

questions that we all need I was the

31:07

phrase forgive me if this sounds very

31:10

silly the phrase hype me up yes also

31:13

lends me to believe that this is more

31:14

modern than initially thought that is

31:16

fair yeah that's actually a more modern

31:18

phrasing of that like you wouldn't be

31:20

saying that back in like the early 90s

31:24

or whatever yeah you'd be saying like

31:26

I'm getting down with it oh jeez oh jeez

31:30

there there is a uh oh jeez there is an

31:33

episode of Buffy the Vampire Slayer a

31:37

show I love dearly where with completely

31:43

unironically completely unironically

31:46

Sarah Michelle Geller says oh get down

31:49

with your bad self in that

31:52

intonation and I and I'm like

31:55

wow never change the K the goods I trust

31:59

you not to let it fall into the wrong

32:01

hands You Can Count On Me Your Highness

32:03

oh please call me Lou will'll do Lou I

32:07

call shotgun like how induit it ragath

32:09

it is right that's that was actually one

32:12

of the things that I'm I'm thinking

32:13

about here she's for being so kind of

32:16

like underwhelmed or she wasn't this

32:18

active in the last episode and so her

32:20

attitude in this world and either in

32:23

this world or for this mission is an odd

32:26

jump from where she was last time and I

32:28

don't know if that's just like Hey we're

32:29

seeing more of this character maybe

32:31

they've made like creative choices to

32:33

kind of like change the way that she's

32:35

engaging with the I do I will say I know

32:37

all the episodes of the show were

32:38

written before really yeah oh wow so I

32:42

things could have changed there were

32:44

versions of these scripts all written

32:46

before the pilot came out so oh wow how

32:48

many episodes do you know eight okay oh

32:50

God is that the horn that sucks would

32:53

you go back and I I didn't hear it oh

32:54

sorry

32:55

yeah oh God is that the horn that sucks

33:00

gangle you

33:02

drive farewell good nights I have every

33:06

faith in

33:09

you you got to inflate those tires man

33:12

those tires are sagging a little bit

33:14

you're you're sacrificing a lot of my oh

33:16

and they're running over people there

33:18

that turn the sand gangle can drive no

33:22

gangle just killed no less than three

33:25

people do you think your mom's going to

33:27

through if we get all this back to the

33:29

Village I'm sure she will this much

33:31

syrup would save hundreds of people look

33:32

how specifically they called out the

33:34

Australian accent yeah it's very funny I

33:36

mean they are they are riing off the

33:37

crocodile done hat too appreciate that

33:40

an Australian

33:41

Studio that also makes

33:44

sense do you think your mom's going to

33:46

pull through if we get all this back to

33:48

the Village I'm sure she will this much

33:50

syrup would save hundreds of people so

33:53

so these guys are like it's it's they're

33:55

villains cuz they stole the maple syrup

33:57

but its that were pointed out at the

33:59

beginning of the episode yeah but like

34:01

yeah they are clearly trying to help

34:03

people right also interesting that like

34:05

the res the valuable resource that they

34:07

were talking about that syrup is the

34:09

valuable resource very video gameing and

34:10

that it's if it's there to save his mumh

34:14

it is like an HP restoring thing like an

34:15

old video game again that is true but to

34:18

your point about Kane being the the bad

34:19

one or the evil one it's interesting

34:21

that their mission is to recover the

34:23

maple Serpent and granted these guys

34:25

stole it from a kingdom and this and

34:26

that so they are villains or they are

34:28

Bandits right but they the the show is

34:31

very clearly showing that their

34:32

intention is for good right to save

34:35

people save your mom you know we'll save

34:37

hundreds of of lives with this maple

34:39

syrup but now here comes the gang to

34:41

stop that which implies that the kingdom

34:44

The Candy Kingdom and cane by proxy as

34:47

the one who sent them off on this

34:48

mission is not doing the right thing

34:52

they're enacting bad or evil or or

34:56

aiding in the killing of a lot of

34:58

individuals in whatever this fictional

34:59

world is we won't know for sure until we

35:01

get back to the Village she's a f there

35:04

she taught me everything I

35:06

know I love his voice good voice don't

35:09

get too comfy Lads looks like they've

35:11

sent someone after us looks like the

35:13

most delicious Gummy Bears ever it's the

35:16

translucent yeah gummy

35:19

crocodiles all right GLE when we catch

35:21

up to them I'll jump over crawl inside

35:23

and shoot them repeatedly until they're

35:25

unrecognizable I feel like that viol

35:28

some kind of convention you're violating

35:30

my ears with your clapback get driving

35:32

driver so pomy I'm sure there's some way

35:35

you could help out here maybe when we

35:37

catch up to them we could be assertive

35:39

like this hey oh jeez

35:43

Jack oh they caught up oh that was very

35:47

fast that's oh my God just hold that

35:49

pose I got to get something Spider Man

35:52

right I was going to say yeah very very

35:53

much

35:54

though you know I you know what's what's

35:57

interesting got to get

36:00

something so so when pomy swears she has

36:05

the bar but when bub Bubble didn't yeah

36:07

didn't right cuz because again if if if

36:11

what you're telling me is that there

36:13

there are eight episodes of this already

36:14

written and they know where the story is

36:16

headed and I mean very clearly they're

36:19

they're at a level of detail where

36:21

they're doing these like cool

36:22

interlacing effect like this is a very

36:24

wellth thought out show and when you're

36:26

animating you're here in every second so

36:30

like you get you're sick of the it's so

36:32

intentional every moment is full of

36:34

intention and and detail and you know

36:36

every frame right and so for you to have

36:40

one character who who swears and goes

36:43

off on this kind of like exploitive or

36:46

you know whatever diet tribe and doesn't

36:50

have this specific sensor but here you

36:52

have a cane specific sensor I mean

36:54

obviously it implies that there's a

36:56

difference between bubble and pomy which

36:58

again is kind of leaning

37:00

into cuz we heard the we did hear the

37:02

beep for for bubble yes but this to me

37:05

implies that this is Kane being like no

37:07

you can't can't do that but like Kane

37:09

was surprised with bubble and there was

37:11

no bar right there had to be this level

37:15

of expectation with it then right yes

37:17

that would imply that K knows it's

37:18

coming that tells me that bubble had

37:22

access kind of like what you were saying

37:23

before to some kind of like training

37:25

material or like that he just wasn't

37:29

looped in with yeah he wasn't expecting

37:31

maybe bubble maybe bubble wasn't

37:32

swearing maybe it was a secret that was

37:35

being revealed that's interesting I mean

37:38

I'd have to revisit that moment of the

37:39

scene to see like what how exactly it's

37:41

set up in phrase

37:43

but you know I swear there was some kind

37:46

of bazooka back here but I'm having such

37:49

trouble finding ity take

37:53

that that was awesome great and I'll

37:56

cross over you

38:00

K nice going PNE now I have no Bridge ah

38:11

gotcha what this like Matrix music we

38:14

got this is really fun this Lots

38:17

trouble let's see how that rig does on

38:19

those rocks around

38:20

there the arms aren't short enough to

38:22

shift

38:26

again I love that one has arms that are

38:28

too long and one has arms that are too

38:30

short one has arms that are just right

38:35

right what is this this is a reference

38:38

is this a reference to the video games

38:40

where you're doing like style

38:45

moves a very like DDR almost not not not

38:48

NE no it anyone in the comments let me

38:51

know cuz this is a very specific thing

38:55

where you hit the different poses and

38:56

you either rack up points so you do

38:57

extra damage and I'm having a hard time

39:00

pulling up where in like the reference

39:01

library it is in your mind Palace yeah

39:04

in my mind Palace I can't quite like

39:05

pinpoint it but I know that this is like

39:08

a specific thing that I've seen before

39:09

sure enough to Shi

39:13

again Rocky Road

39:15

also top tier ice cream as long as you

39:18

replace the nuts with uh like chocolate

39:21

pieces hey ribons hopping at him I don't

39:24

think we aren't you supposed to be

39:25

submissive and agreeable move it get out

39:27

of here get out of

39:30

here

39:32

yikes get out of here Ash you have

39:34

thoughts

39:36

feelings gosh these

39:39

writers knew exactly what they were

39:42

doing with that oh yeah

39:45

absolutely I will call out and and again

39:47

this is I I yes 100% they knew what they

39:50

were doing yes I also wonder though

39:54

Beyond just like the you know the the

39:56

reference

39:58

um I do wonder if there's if that's also

40:02

a reference to again these these

40:04

algorithms and training profiles right

40:08

cuz at this point Netflix has no really

40:10

like no no I'm with you I'm with you

40:12

Netflix all all the algorithms have

40:14

different like qualifiers for shows

40:18

programs or things that they see it

40:20

knows your viewing habits yeah and they

40:21

probably have a label for you no and

40:23

it's and it's really you know depressive

40:26

geek out or whatever like there's a lot

40:28

of like it's your it's your Spotify

40:31

daily playlist name submissive and

40:33

agreeable yes and so if if so if this is

40:36

a world submissive and agree how you

40:39

feeling today I'm feeling submissive and

40:40

agreeable oh God uh but it is one of

40:44

those things where if this is a world

40:46

where there's a bunch of like AI

40:47

characters or you know there's something

40:50

is being programmed in I as the

40:52

developer the programmer whatever can

40:54

say like hey here's the data and the way

40:57

that you approach it is you are

40:59

submissive and you agree right I don't

41:02

know if submissive then agree it it goes

41:05

back to one of the other GG live series

41:06

that that we we've really enjoyed Ash

41:08

which is suck up

41:12

[Music]

41:15

right great awesome interesting right

41:19

that that his head just tracks go back

41:21

for a second that was very cute I love

41:24

it it's very catlike Behavior this is

41:27

great that the fact that his head is on

41:29

like steady C it's like the chicken yeah

41:33

that's Adell is just when to quit do

41:37

that hey qu looking about and get back

41:40

up here oh yeah right his voice is very

41:42

similar to another voice actor I can't

41:45

question I could hear you over the

41:47

knives hey GLE you should Ram into him

41:50

what you should not Ram them Tom's still

41:53

on board do it'll epic Jack's Jax is a

41:57

special level of like aggressive in this

41:59

one it feels like I in the first one he

42:01

was a jerk right like but now he's like

42:03

mean like in the first one he was a jerk

42:05

but you were kind of like oh he's like

42:06

oh he's just kind of like bad bad boy

42:08

and like his Mischief was like ended up

42:11

helping people in the end but here he's

42:12

like Ram them with the truck yeah he's

42:15

like dominant and disagreeable yeah if

42:17

right yes exactly basically the

42:20

antithesis yes right right that's that's

42:23

his Spotify playlist dominant

42:25

disagreeable Wednesday oh I like it here

42:29

do it or I'll tell ratha about the

42:31

figurine

42:34

thing what's the figurine thing right

42:37

what is the figurine thing Wonder find

42:41

out this guy's a wack

42:43

UPS let's give him some of

42:46

this W more ramming guess I have to tell

42:50

ragi about the thing now oh he still up

42:54

here nice py take this

42:59

awesome hey kers that

43:04

will no let me

43:07

check

43:09

awesome

43:11

oh I like how nonchalant that

43:15

is didn't even lose any HP it looks like

43:19

No And and she's filled with

43:21

stuffing I

43:23

guess yeah yeah interesting

43:28

[Music]

43:31

very non plused about it right yeah no

43:35

big deal

43:39

no awesome I blame you for this seems

43:43

like physics doesn't affect him normally

43:47

no I don't know how much of that is

43:49

stylistic

43:52

oh really leaning into the like the the

43:55

no clip it's clipping through

44:08

everything man a teapot thing is a deep

44:11

cut is it it's um in 3D modeling um

44:17

that's a model of a teacup or a teapot

44:20

yeah that is very common and people use

44:23

it to like test lighting really it it's

44:26

a very

44:27

simple simple like to program design

44:31

that is very visually complex so you can

44:33

test Lighting on it very easily it is a

44:36

they know there these glitch people I

44:39

think I think they know their stuff yeah

44:40

you think so you think they they know

44:43

good I'm

44:44

glad also hey we're in a digital we're

44:46

in like a Tron space well well that's

44:48

what I was going to say it feels like

44:49

we're in the

44:51

um like out of bounds kind of like

44:53

you're you're beyond you're into the

44:55

kind of like that P the invisible wall

44:58

yeah right you're you're in that kind of

45:00

like developer space you're out of

45:02

bounds exactly to your

45:06

point it's not it's not textured anymore

45:10

yeah it's like the default textures of

45:17

everything so he got here from what they

45:20

like clipped out of bounds is that what

45:23

it is so he clipped out of bounds was

45:24

that what it was so like so they were

45:26

they were saying yeah like kind of went

45:29

below the Earth and I'm guessing they

45:30

fell off okay so half okay half went

45:33

below the map

45:35

basically okay oh the whole truck went

45:37

down yeah I was going to say the whole

45:38

truck fell

45:41

through interesting okay so they shoved

45:44

it through it it gets clipped out it Go

45:46

and it falls down oh and then it bounced

45:48

up bounced back and went back up it like

45:51

yeah the truck bounces up but the

45:55

crocodile he yeah went out he did he

45:57

clip out of

46:01

it yes interesting so he uh just went

46:05

through the window is that a window

46:06

that's a window so he goes out the

46:11

window then just Falls so okay so presum

46:14

subtitle right it's great

46:17

[Music]

46:18

same there's your

46:21

teapot huh okay so this is kind of like

46:24

the the realm Beyond if we've truly

46:27

fallen out of the

46:31

map

46:50

[Music]

46:53

L

46:54

huh so there's the mannequins

46:59

oh man oh and they're ooh and they're

47:01

doing

47:02

like the the uh the t- pose yeah it's uh

47:07

t- pose is very specifically with the

47:08

arms out and then that's I forget the

47:10

name of this pose but it's like a the

47:12

like default position that a lot of like

47:15

you know 3D models are in it's not quite

47:18

a t pose but like also what the heck is

47:19

that that so that's it's not the same

47:23

thing it's the the glor the GL the it

47:26

isn't the glink the glink had eyes all

47:28

over it I think if I'm remembering right

47:31

yeah we have the power to check right we

47:33

can do this only there was a way to

47:36

double check what was going on

47:40

Glo yeah kind of kind of had eyes all

47:42

over but it's not the same monster it's

47:43

not the same and it is more candy yeah

47:46

so you have like candy corn but it is

47:49

similar yeah cut of the same

47:53

cloth you know what reminds me of huh uh

47:56

did you ever play conquers bad for the

47:58

Great Mighty Poo yeah the Great Mighty

47:59

Poo I am the Great Mighty Poo yep

48:03

absolutely um so it seems like this is

48:07

where they're keeping just their like

48:09

default models of things or like their

48:12

they're kind of like a storehouse of

48:15

characters this is where my experience

48:17

modding games like uh the Elder Scrolls

48:20

and Fallout comes into play great please

48:22

enlighten us and in a lot of games like

48:24

this there will be what are called like

48:26

developer rooms M where basically it's

48:28

like here's a room with just oh we need

48:31

something it's here it's here and we can

48:33

very easily either go and pull it to put

48:36

it somewhere else in the world or we can

48:37

reference back to it or something like

48:40

that is what is striking me like of of

48:42

this right where it's like oh do we need

48:45

uh a candy crocodile man all right well

48:49

his information is here pull them out

48:51

and put them back in the into the world

48:53

yeah so it's basically like kind of like

48:55

an asset story

48:57

the world game in a lot of ways uh and

48:59

and very it's just a very easy reference

49:02

library like you said to like if we need

49:04

this then yeah go get it from here pull

49:06

it on there that's very cool also

49:09

interesting that

49:10

uh they're all there but uh none of the

49:14

uh right none of the cast are well right

49:17

and which implies that this is a this is

49:20

different a Dev room or you said

49:22

developer room yeah developer room yeah

49:23

so like that this is a developer room

49:26

for for Candy Land or what you know the

49:29

Candy Kingdom level this this world

49:32

right so I wonder if there would be if

49:34

those characters would show up in a

49:36

similar room for the circus right that's

49:39

the

49:40

question oh man existential crisis what

49:43

am

49:44

I

49:46

oh oh this poor man oh this is huge

49:52

that's cool

49:59

kind of teing for

50:00

dominance he's feeling dominated right

50:04

now dominant and

50:06

[Music]

50:10

agreeable is oh this

50:16

deep that's interesting yeah there's a

50:19

it's filled in on one of them yeah I can

50:21

we go full screen please oh sorry Ash I

50:23

forgot my bad

50:27

here I'll go full screen for

50:31

you this is so well done this is great

50:34

even just like the lighting mhm oh it's

50:39

beautiful

50:40

right right why is one's eye empty it's

50:44

like one of them one of them's alive

50:46

yeah right interesting I feel like that

50:50

is probably a good place to break that

50:52

feels like a really big moment this

50:54

feels like a significant something is oh

50:56

yeah yeah there the conversation's going

50:58

to happen yeah this seems like it's

50:59

going to go on for a little bit here

51:02

let's wrap it there cuz that feel felt

51:05

like a good first big chunk we've gotten

51:08

a lot of discussion out of this this is

51:10

there's so much again this is the reason

51:13

why you know this makes sense for us to

51:16

to react to her life Theory craft about

51:18

because there is so so much layered in

51:21

here if this was us watching like

51:22

Invincible or something we'd just be

51:24

like oh funny yeah whereas like brutal

51:28

but but literally every I mean we've

51:31

been going for what like an hour Ash uh

51:33

yeah about an hour five that's plenty of

51:36

time you know in 10 minutes we've had an

51:38

hour of discussion around like all these

51:39

details honestly yeah right we're flying

51:42

through this this is a short one anyway

51:45

this is cool uh so we'll be back with

51:46

more uh amazing digital circus like live

51:48

Theory crafting coming up shortly uh but

51:52

across the board it's anytime you have

51:55

like such a huge VI Al standout hits

51:58

there's a lot of pressure on on the next

52:01

installment right yeah and there's a lot

52:04

of you know can you can you hit the same

52:06

marks is it going to be similar are you

52:09

going to hit the sophomore slump I think

52:11

that's the like phrase and yeah so far

52:14

yeah I'm liking this no I think it's

52:16

great I think I think it's giving us

52:17

exactly what we wanted which is more of

52:19

these characters more of this world I do

52:23

want more time with the characters like

52:25

I think that's the only thing that I've

52:26

been missing so far is we've been thrown

52:28

into the adventure so quickly that you

52:31

know and we we've seen pomy being a

52:32

little bit Moody we've seen jck being a

52:33

jerk but like and we've seen reatha

52:35

being oddly positive but I'd love to

52:37

spend a little bit more time just

52:38

talking with them like this has been

52:40

action action adventure and Easter eggs

52:43

a lot of stuff there but I want to get

52:45

to know these characters more and I want

52:47

to see their relationships a bit more so

52:48

that's where I'm hopeful that we get to

52:50

in in the second half of this so anyway

52:53

that is uh all for today my friends

52:55

thank you Lee for joining me on the C

52:56

absolutely thanks for having me

52:57

hopefully this has giving you plenty of

52:59

things to think about I am excited about

53:01

what whatever theory is going to come

53:02

out of this right I I'm curious to have

53:04

that discussion with you probably later

53:07

this week exciting uh and uh Ash as

53:10

always thank you for being here thank

53:12

you and as always most importantly of

53:14

all thank you for being here hope you

53:16

enjoyed the Life Theory crafting let us

53:17

know down in the comments below your own

53:19

theories and what thoughts you have

53:21

about the series and as always my

53:23

friends remember it wasn't a live stream

53:25

but it was a video a video for you see

53:28

you oo nice timing well done thanks I've

53:30

been trying to get better at that it was

53:32

great it was on point

53:39

[Music]

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Tags associés
Amazing Digital CircusThéorie du jeuIntelligence ArtificielleAnimation 3DCroisière de discussionPrésentation de personnagesEffet InterlacementHumor de l'ère numériqueRéflexion philosophiqueCinéma des années 90Aventure virtuelle