Godzilla x Kong: The New Empire - movie Review

Jeremy Jahns
28 Mar 202407:11

Summary

TLDRThe video script offers a candid review of 'Godzilla Cross (X) Kong,' emphasizing the film's focus on Kong over Godzilla, and critiquing its narrative and visual effects. The reviewer notes the film's continuation of the Godzilla versus Kong storyline, with a humorous take on its script inconsistencies and CGI reliance. Despite its flaws, the script acknowledges moments of fun and action, mixed with a critique of the human elements within the story. The review concludes with a personal stance on rewatching the film, hinting at a preference for experiencing it in a more relaxed, possibly inebriated state, to fully enjoy its chaotic charm.

Takeaways

  • đŸŽ„ The film 'Godzilla cross Kong' (presumed title) continues the 'Godzilla vs. Kong' series, with a notable emphasis on Kong's character over Godzilla.
  • đŸ‘Ÿ The movie is perceived as a high-budget, CGI-intensive project, resembling a 'Grade B' film in its execution and narrative style.
  • 🔍 There's criticism of the script, suggesting it feels improvised and lacks coherence at times.
  • 👊 Kong is highlighted as the MVP, having more character development and screen presence compared to Godzilla.
  • đŸ€ The movie involves a team-up between Godzilla and Kong, rather than pitting them against each other as in previous films.
  • 💱 Action scenes are fast-paced, with a lot of emphasis on destruction and CGI effects.
  • 🎬 Directed by Adam Wingard, who also directed 'Godzilla vs. Kong', maintaining continuity within the franchise.
  • 📉 The human characters and subplots received mixed reactions, with some performances seen as engaging, while others detracted from the overall experience.
  • đŸŽ” The film's soundtrack, featuring 80s synth music, contributes to its unique vibe and atmosphere.
  • 📚 There's an underlying comparison with other monster movies and references to potential influences like 'Primal Rage' and 'Congo'.

Q & A

  • What does the X stand for in 'Godzilla X Kong' according to the script?

    -The 'X' in 'Godzilla X Kong' is interpreted to stand for 'cross,' similar to the usage in 'Street Fighter X Tekken,' indicating a crossover or collaboration between characters.

  • Who is highlighted as having the majority of screen time in 'Godzilla X Kong'?

    -Kong is highlighted as having the majority of the screen time in 'Godzilla X Kong,' although Godzilla also plays a significant role.

  • What continuity does 'Godzilla X Kong' belong to?

    -'Godzilla X Kong' is in the continuity of 'Godzilla vs. Kong,' continuing story elements such as the journey to the center of the Earth.

  • What critique does the script offer about the character development of Godzilla and Kong?

    -The critique offered is that Kong is given more character and soul, making him the MVP of the movie, while Godzilla is seen more as a mere monster with less momentum and character development.

  • According to the script, what kind of movie does 'Godzilla X Kong' resemble?

    -According to the script, 'Godzilla X Kong' is likened to a very expensive, high-budget Grade B movie, with a particular emphasis on CGI and action.

  • How does the script describe the action sequences in 'Godzilla X Kong'?

    -The action sequences in 'Godzilla X Kong' are described as fast and filled with CGI, requiring quick eyes to catch all the details.

  • What aspect of the film is criticized for lacking depth, according to the script?

    -The script criticizes the depth of the movie's script and some of its creative decisions, suggesting that some elements felt made up on the spot or lacking in logic.

  • Is there a specific scene or aspect of 'Godzilla X Kong' that the script praises?

    -Yes, a scene involving Kong and other apes, which is described as having no dialogue but effectively conveying a conversation, is praised for its ability to showcase character without words.

  • What tone does the script suggest 'Godzilla X Kong' aims for, and how successful is it?

    -The script suggests that 'Godzilla X Kong' aims for a hybrid tone that would fit in with movies from around 1984-1985, but it notes that the film sometimes struggles to find the right balance.

  • How does the script ultimately rate the re-watchability of 'Godzilla X Kong'?

    -The script implies that 'Godzilla X Kong' might not be highly re-watchable for the reviewer, suggesting they would not choose to watch it again sober, indicating it might be more enjoyable under the influence.

Outlines

00:00

🎬 Review and Analysis of Godzilla Cross Kong

The script discusses the movie 'Godzilla Cross Kong', highlighting its disregard for collateral damage and its place within the Godzilla vs. Kong continuity. Directed by Adam Weard, the film is critiqued for being more of a Kong movie, with Godzilla playing a lesser role. Despite being a team-up, Kong is seen to dominate screen time, a potential disappointment for Team Godzilla fans. The movie's script is criticized for its implausibility, yet it is acknowledged that Kong's character development and the portrayal of his interactions with other apes are strengths. The review humorously notes the film's embrace of its B-movie qualities and the mix of high-budget CGI with a script that sometimes feels made up on the fly. The incorporation of psychic elements and seismic activity as plot devices is questioned, and the overall impression is that while the movie has its moments, it ultimately feels like a chaotic blend of various influences, with a nod to potential for non-human-centered storytelling in future projects.

05:00

🍿 Character Focus and Human Element in Godzilla Cross Kong

This paragraph shifts focus to character dynamics, particularly praising Kong as the standout with the most presence and depth. The movie attempts to humanize Kong, showing him as not just a beast but a character with emotional layers, likened humorously to wielding a Power Glove. The human characters, played by Brian Tyree Henry and Dan Stevens, are commended for their engaging banter, which keeps the human side of the story interesting. However, the script critiques the addition of more human characters as detrimental, likening their quality to subpar '90s TV. The narrative's logic and the seemingly improvised nature of the storyline are criticized, suggesting a disconnection with the audience's expectations for coherence. Despite moments of enjoyment, the reviewer expresses a lack of interest in rewatching the film, suggesting it might be more enjoyable under the influence, hinting at its missed potential. The comparison of thematic elements like freezing and empires in blockbuster movies is made, ending with an invitation for viewers' opinions on the film and its place within the Godzilla-Kong series.

Mindmap

Keywords

💡Godzilla cross Kong

This term refers to a film that is part of the Godzilla versus Kong continuity, indicating a crossover or collaboration between the two iconic monsters, Godzilla and Kong. Unlike the 'versus' format that suggests a battle between the two, the 'cross' signifies a team-up for a common cause. The script mentions confusion around the title's interpretation, comparing it to 'Street Fighter cross Tekken', a video game that brought characters from two franchises together. This movie is highlighted as a sequel where Godzilla and Kong collaborate, moving away from their previous confrontational dynamics.

💡Continuity

Continuity in the context of this video script refers to the ongoing storyline or universe shared by a series of films, in this case, the Godzilla versus Kong series. The script mentions how 'Godzilla cross Kong' fits into this continuity, suggesting that events and elements from previous films, such as the journey to the center of the Earth and encounters with monsters, are relevant and impact the narrative of this new installment. This creates a cohesive universe where stories and character developments carry over from one movie to the next.

💡Lion Share of screen time

The phrase 'Lion Share of screen time' refers to Kong receiving the majority of attention and development in the movie, as opposed to Godzilla. This choice by the filmmakers to focus more on Kong is highlighted in the script to discuss character dynamics and screen presence. While Godzilla plays a significant role, the narrative and emotional depth are primarily driven through Kong, making him the central figure of this installment.

💡Character momentum

Character momentum refers to the development and engagement of a character within the movie's narrative. In the script, it is mentioned that Godzilla lacks momentum compared to Kong, who is shown having more depth and character development. This concept is crucial for understanding how characters evolve and interact within the story, affecting the audience's investment and connection to the characters. Kong's character momentum is highlighted through his actions, emotions, and interactions with other characters.

💡CGI

CGI stands for Computer-Generated Imagery, a significant aspect of modern filmmaking used to create visual effects. In the context of the script, CGI is mentioned in relation to the high-budget and visually impressive aspects of the movie, particularly the depiction of monsters like Godzilla and Kong. While the script critiques elements of the movie, the quality and impact of the CGI are noted as commendable, contributing to the spectacle and enjoyment of the film.

💡Script

In the video script, 'script' refers to the written text of the movie 'Godzilla cross Kong', including dialogue, action descriptions, and story structure. The script is critiqued for its perceived weaknesses, particularly in terms of narrative coherence and dialogue. Moments in the movie that seem improvised or poorly explained are attributed to script issues, highlighting the importance of a well-crafted script in achieving a compelling and coherent narrative.

💡Visual effects

Visual effects, often abbreviated as VFX, refer to the creation of imagery using computer graphics (CG) in filmmaking. The script praises the visual effects in 'Godzilla cross Kong' for their quality, despite criticizing other aspects of the film. The VFX play a crucial role in bringing the titanic characters of Godzilla and Kong to life, enhancing the action scenes and the fantastical elements of the movie's setting.

💡Empire

The term 'Empire' in the script likely refers to a thematic or narrative element in 'Godzilla cross Kong' involving dominion, control, or a significant conflict centering around an empire. While not detailed extensively in the provided text, it suggests an overarching plot or setting element that contributes to the movie's stakes and the motivations of the characters or factions within the story.

💡Psychic messages

Psychic messages in the script refer to a plot device where characters receive or send information through psychic or supernatural means. This concept is critiqued in the script as an example of the movie's reliance on less plausible elements to drive the narrative, contrasting more grounded or realistic explanations like seismic activity. Psychic messages are used to advance the plot or explain characters' actions, reflecting the film's fantastical elements.

💡Hybrid of tone

The 'hybrid of tone' mentioned in the script refers to the movie 'Godzilla cross Kong' mixing different styles or atmospheres, such as serious action with moments of humor or light-heartedness. This blending can affect how the audience perceives the film, making it feel like a combination of genres or influences. The script suggests that while this can work well, finding the right balance is challenging, and the movie sometimes struggles to maintain a consistent tone.

Highlights

The movie, Godzilla Cross Kong, disregards collateral damage, likening news reports to messages from Naboo with catastrophic death tolls.

Directed by Adam Weard, Godzilla Cross Kong continues the Godzilla vs. Kong continuity, focusing more on Kong.

Kong gets the lion's share of screen time, though Godzilla also plays a significant role in the movie.

The movie is seen as a high budget, CGI-heavy Grade B movie with emphasis on visual effects rather than script quality.

There's a critique of the script feeling improvised and a scene highlighting Kong's emotional depth without dialogue.

The concept of having a movie without human focus is discussed, suggesting a shift towards character-driven stories among monsters.

Godzilla Cross Kong is described as a hybrid of tones, finding its unique space while sometimes misstepping.

The action scenes are fast-paced, with a mention of the environmental and human costs being glossed over.

The film incorporates 80s synth music to enhance its desired vibe, aligning with the aesthetics of the era.

Godzilla's and Kong's team-up for the climax is highlighted as undeniably fun and engaging.

Human characters and their interactions receive mixed reviews, with some performances standing out more than others.

The movie's approach to narrative and character development is critiqued for feeling haphazard and unfocused.

Despite its flaws, the movie is considered entertaining under certain conditions, like being watched with friends or in a relaxed setting.

The review questions the originality of the movie's themes, especially regarding the use of freezing and empire-related plots.

The reviewer muses on the naming convention of Godzilla Cross Kong, relating it to Street Fighter Cross Tekken and its place in gaming history.

Transcripts

00:00

man you got to respect the movie that

00:01

disregards the little things in life

00:03

like collateral damage the news reports

00:06

about this event must have looked like

00:08

an incoming message from Naboo a death

00:10

toll is

00:11

[Music]

00:16

catastrophic so Godzilla cross Kong I

00:18

believe the X stands for cross if we're

00:20

going on Street Fighter cross Tekken

00:22

though when never ever heard anyone talk

00:23

about this movie they just call it

00:24

Godzilla Kong ignore the ACT entirely

00:26

probably has to do with English

00:27

translation of Japanese characters I

00:29

digress we got a movie to talk about

00:30

here it's directed by Adam weard who

00:32

directed the previous movie Godzilla

00:34

versus Kong and this is a Kong

00:36

movie oh yeah and Godzilla's in it too

00:39

yes is this is Godzilla and Kong again

00:41

but teaming up this time it's undeniable

00:43

that Kong gets the Lion Share of screen

00:45

time here although Godzilla is in it has

00:47

a couple things to do it's nowhere near

00:49

Kong so if you were team Godzilla when

00:51

they were getting those hashtags

00:52

trending might be a little disappointed

00:54

here then again if you were team

00:55

Godzilla you did get Godzilla minus one

00:57

just a few months ago so I feel like you

01:00

really win here though everyone loves

01:02

that movie so I guess everyone wins a

01:03

point is that Godzilla cross Kong is in

01:05

the Godzilla versus Kong continuity so

01:08

that whole Journey to the Center of the

01:10

Earth in the upside down but the upside

01:12

down in the center of the earth that's

01:13

all there a team led by Rebecca Hall

01:16

they're stranded down there so the

01:17

audience can go great let's get back to

01:19

Kong again I may have given Godzilla a

01:21

little flag leading up I mean he he

01:23

takes out a couple of monsters sure but

01:26

he doesn't have any there's no momentum

01:28

there's no character with him you get

01:29

all this character with with Kong and

01:33

you see him actually have a soul and

01:36

Godzilla's this monster out there you're

01:38

like okay well this it's definitely his

01:40

movie they kind of had fun with it at a

01:42

point I was like this is a very

01:45

expensive very CGI very high budget

01:49

Grade B movie was funny cuz the visual

01:52

effects that that's not actually what

01:53

made me roll my eyes in this movie it's

01:55

well it's the script it's never Madam

01:58

web or anything like that but there were

02:00

moments where I was like are you making

02:01

this up as you're just going along

02:04

an example of when they're leaning into

02:06

it they're just rattling off a bunch of

02:07

stuff they need to do and this one

02:08

dude's like all right well we're just

02:10

throwing stuff to the wall to see what

02:11

sticks I'm going to go do this thing I

02:13

was like okay so you know like you all

02:16

know so I at least appreciate that

02:17

doesn't change the fact that when it was

02:18

getting going man it was some ridiculous

02:22

setting this movie up there's

02:23

little girls having psychic messages I

02:26

was like or you could have just had

02:27

seismic activity and been like

02:29

something's going on we're getting some

02:30

readings from down there we got to go

02:32

down there or a psychic little kid why

02:34

not I will say in Kong being the MVP

02:36

there's a scene in particular that

02:38

absolutely showcases that there's no

02:40

dialogue of course cuz it's Kong these

02:42

other apes they're arguing but you know

02:45

the conversation you get it all that's

02:47

no small feat that's kind of an amazing

02:49

scene because of that I was like imagine

02:52

if they big robots who actually had

02:54

words God willing we can press forward

02:56

in life and have Transformers movies

02:58

that don't feel they have to revolve

03:00

around humans or if we're talking about

03:01

proof of concept maybe that whole scene

03:03

was just to give someone the idea okay

03:06

so we can do a Primal Rage adaptation

03:08

right liveaction Primal Rage movie it

03:10

can happen it doesn't have to revolve

03:12

around humans it happened in the new

03:14

Godzilla Kong movie that's chaos versus

03:16

blizzard what's our budget also saw a

03:18

little bit of Congo in there yeah it's

03:19

not just Godzilla cross Kong his Journey

03:21

to the Center of the Earth cross Congo

03:23

but when Godzilla comes in to join Kong

03:26

for the big Fry at the end my God it's

03:29

undenied ibly fun I was cracking up in a

03:32

couple of scenes but just in that

03:33

gleeful yay destruction kind of way the

03:36

action is a bit fast man you got to have

03:38

a

03:39

fast it's kind of like the new Roadhouse

03:42

with big titan monsters instead big

03:44

titan monsters smashing into a lot of

03:46

buildings that definitely had a lot of

03:49

people in them the death toll is

03:50

catastrophic it's Unthinkable if your

03:53

eyes is quick enough to pick up on all

03:54

the CGI action going down at the end of

03:57

this movie you're probably quick enough

03:58

to pick up on whatever video magicians

04:00

coming up on your feed while they do

04:01

their slight of hand magic trick before

04:03

they do it again and show you how the

04:05

Trick's done ruining magic for everybody

04:06

stop doing that you're ruining it for

04:08

everybody quick turn on some 80 synth

04:11

music that's in there too that actually

04:13

heightens the vibe that this movie's I

04:15

think going for which is this movie

04:16

would be right at home coming out in

04:18

about 1984 885 but it is a weird hybrid

04:22

of tone sometimes it finds that

04:24

goldilock zone sometimes it ziggs when

04:27

it should have zagged which is to say

04:28

it's like are you did did you just pull

04:30

that from a taaay TD Thor movie I'm

04:33

pretty pick either one but I'm pretty

04:36

sure I saw that or specifically I mean

04:38

it's not like it's exactly the same

04:39

scenario but same energy as they say

04:42

right you get what I'm saying don't go

04:44

into this looking for Godzilla minus one

04:46

it's kind of unfortunate that the

04:47

trailers for this movie really started

04:49

to pick up after Godzilla minus one hit

04:52

theaters here in the US like huh in the

04:54

wake of that here a different vibe

04:56

entirely we all knew it would be I mean

04:58

the actor with the most screen presence

05:00

in Charisma in this movie by

05:03

far

05:04

Kong it's not even close it's not even

05:07

necessarily A Bad Thing Kong stuff was

05:09

fun but you also see some Humanity

05:12

behind the Beast the man wears Bumblebee

05:14

as a Power Glove not really that's what

05:17

it looked like to me I want to say the

05:18

human scenes in this movie were better

05:20

but what I mean are Brian Tyree Henry

05:22

and Dan Stevens made it work they have

05:25

the banter they lean into it and they

05:26

have fun to a degree that kept me

05:28

engaged for the most part with the human

05:30

scenes then more humans are just kind of

05:32

dumped into this movie and it just gets

05:34

worse it gets bad we're talking made for

05:37

TV in the 9s bad not saying all TV in

05:39

the 9s was bad but when I say that you

05:42

know what I mean felt like they didn't

05:44

know what they wanted to do with it they

05:45

were like all right we're just going to

05:46

ride it as we go along we're not even

05:48

going to know where it's going to go

05:49

until we're done filming it we got to do

05:51

something cuz we know the audience is

05:52

going to start asking very logical

05:54

questions like why is this kid here it's

05:57

like this it's dumb at times it's it's

05:59

dumb fun at times movies like this I

06:01

asked myself would I watch it again like

06:04

if my friends hit me up and they were

06:05

like Hey we're all going to watch the

06:07

new Godzilla Kong the new Empire movie

06:10

you want to go with I'd probably be like

06:13

how about this you go and then we'll all

06:15

I'll meet you to catch a bite afterwards

06:17

we can all go eat somewhere in that no I

06:19

guess I wouldn't watch it again not

06:21

sober anyway cuz it's probably a better

06:24

time if you're drunk yeah now it's the

06:27

new Empire not a frozen Empire though

06:29

the freezing in this movie two weeks two

06:31

Blockbusters both with freezing both

06:33

with Empires one could say both with

06:35

frozen Empires who cheated off of who's

06:37

payer right so Godzilla Kong the new

06:39

Empire have you seen it what did you

06:40

think about it or do you also call it

06:42

Godzilla cross Kong which is also to say

06:44

do you consider Street Fighter cross

06:46

teeken an underappreciated gem whatever

06:48

you think comment below let me know and

06:49

as always if you like what You' seen

06:50

here and you want to see more click

06:51

right here to see

06:55

[Music]

06:58

more

07:01

[Music]

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Tags associés
Movie ReviewGodzilla KongCGI SpectacleEpic BattlesKong MVPVisual EffectsCharacter DepthScript CritiqueHuman ElementAction PackedSci-Fi Genre
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