Drake Actually Cooked

fantano
15 Apr 202415:11

Summary

TLDRAnthony Fantano, the 'Internet's busiest music nerd,' dives into the latest hip hop drama, analyzing the recent diss tracks and responses among top artists like Drake, Metro Boomin, Future, and Kendrick Lamar. He provides an in-depth review of Drake's new track 'Push-Ups Dro and Give Me 50,' examining its sound quality, lyrical effectiveness, and overall impact. Fantano discusses Drake's responses to various artists and evaluates the significance of their ongoing feuds. The video wraps up with predictions about future developments in this multi-artist conflict.

Takeaways

  • 🎤 Anthony Fantano discusses the recent drama in mainstream hip-hop, particularly the release of Drake's diss track responding to attacks from other artists.
  • 🔥 The song in question, referred to by fans as 'Push-ups Dro', is not available on streaming services but has been widely circulated on platforms like YouTube and Twitter.
  • 👂 Fantano's initial impressions of the track are positive, noting that Drake's delivery is engaged and the beat is well-chosen, though not revolutionary.
  • 🎶 Structurally, the song is well-organized, with good use of refrains, but Fantano questions whether it is as catchy as some of Drake's previous hits like 'Back to Back'.
  • 🚀 Drake's lyrics are analyzed for their substance and impact, with Fantano questioning whether they hold up to scrutiny and effectively address his detractors.
  • 💥 The script highlights specific lines from the track, such as 'I could never be nobody's number one fan' and 'Know my picture on the wall when y'all cook up', suggesting that Drake is asserting his dominance in the industry.
  • 🌪️ Fantano discusses the potential implications of the lines, such as the claim that other artists are giving up 50% of their profits to their labels, and challenges to reveal contracts.
  • 🔄 The response includes a critique of other artists' crossover moves into pop music, with Fantano pointing out potential hypocrisy in Drake's own past actions.
  • 🏆 Despite some potential overstatement and hypocrisy, Fantano concludes that the track is a solid response from Drake, showing he can stand on his own.
  • 🔮 Looking forward, Fantano predicts that Kendrick Lamar may respond to Drake's track and that the ongoing beef could continue to play out through proxies and additional diss tracks.

Q & A

  • Who is the speaker in the transcript and what is their online persona?

    -The speaker in the transcript is Anthony Fantano, who is known as the internet's busiest music nerd.

  • What recent event in mainstream hip hop has caused a lot of drama?

    -The recent release of the album 'We Don't Trust You' by Metro Boomin and Future, featuring Kendrick Lamar's verse 'Screw The Big Three', has caused a significant amount of drama in mainstream hip hop.

  • What was J. Cole's response to the drama?

    -J. Cole released a response to the drama, but later apologized for it and took it down from streaming platforms.

  • What is significant about Drake's 'Diss Track' in relation to the ongoing drama?

    -Drake's 'Diss Track' is significant as it is his official response to all the attacks and criticisms he has received, and it is not available on streaming services but has been circulating on platforms like YouTube and Twitter.

  • What are the three aspects Anthony Fantano wants to know about Drake's 'Diss Track'?

    -Anthony Fantano wants to know if the track sounds good, if it is solid as a song, and whether Drake's bars effectively target his attackers.

  • What is the overall quality of the sound and production of Drake's 'Diss Track'?

    -The sound quality of the track is good and solid by usual Drake songwriting standards. The beat choice is good, and the track has an eerie overtone that complements Drake's delivery.

  • What is the meaning behind the phrase 'Drop and give me 50' in the context of the 'Diss Track'?

    -The phrase 'Drop and give me 50' refers to the refrain in Drake's 'Diss Track' and is a play on the title 'God's Plan', which is one of Drake's popular songs.

  • What does Anthony Fantano think about the content and substance of Drake's lines in the 'Diss Track'?

    -Anthony Fantano believes that the content of Drake's lines is generally reality-based and holds up to scrutiny, although there are instances where Drake may be building himself up or being slightly hypocritical.

  • What is the significance of the 'Big Stepper' reference in the 'Diss Track'?

    -The 'Big Stepper' reference is an attack on an artist's height and stature, implying that they are not as significant or impactful as they may think themselves to be.

  • What is the 'number one fan' line in the 'Diss Track' aimed at?

    -The 'number one fan' line is interpreted as a potential shot at Future, suggesting that many artists in mainstream hip hop have achieved their success through collaborations with Drake.

  • What does Anthony Fantano predict will happen next in the ongoing hip hop drama?

    -Anthony Fantano predicts that Kendrick Lamar will likely reply to Drake's 'Diss Track' soon, and that Metro Boomin may continue to inflame the situation indirectly through proxies.

Outlines

00:00

🎤 Drake's Response to Hip Hop Drama

Anthony Fantano discusses the recent drama in mainstream hip hop, particularly focusing on Drake's response to various attacks from other artists. He mentions Metro Boomin and Future's album 'We Don't Trust You', Kendrick Lamar's 'Screw The Big Three', and J.Cole's involvement and subsequent apology. Fantano outlines three key aspects he wants to analyze in Drake's diss track: the quality of the song, the effectiveness of Drake's bars, and the truthfulness of his lyrics. He praises the song's sound and structure, noting Drake's engaged delivery and the track's mean, eerie tone. The summary touches on specific lines from Drake's response, including shots at Future and the notion that many artists have achieved success through collaborations with Drake.

05:01

🔥 Dissecting Drake's Lyrics and Strategy

The summary delves into Drake's lyrics, suggesting that they reveal a sense of obsession with him by other artists in the genre. Fantano discusses Drake's mention of his influence on other artists' careers and the potential double standard in Drake's critique of Kendrick Lamar for pop collaborations, given Drake's own ventures into pop music. The summary also addresses Drake's claims about the financial aspects of the music industry, where he insinuates that other artists are giving up significant profits to their labels. Fantano critiques Drake's hypocrisy in mocking Kendrick for pop collaborations, considering Drake's own crossover attempts. The summary concludes with Drake's assertion of his continued dominance in the music industry and a challenge to reveal the financial details of other artists' contracts.

10:03

💬 Drake's Dismissal and Counterattacks

Anthony Fantano comments on Drake's dismissive attitude towards his critics, particularly Metro Boomin, and his assertion of representing Toronto better than The Weeknd. The summary highlights Drake's defense against the attacks, his claims of knowing secrets about other artists, and his reminder of his continued success and popularity despite the controversy. Fantano notes Drake's shift in focus to other artists involved in the drama, such as Rick Ross, and his provision of context for the ongoing feud. The summary also mentions Drake's claim that the tension has been brewing for a while and his final remarks on the comparative success and label contracts of the artists involved.

15:05

📈 Final Thoughts on Drake's Response

Fantano wraps up his analysis by stating that he liked Drake's response, finding it solid and respectable. He acknowledges that while it wasn't a complete dismantling of the opponents, it was a strong retaliation. The summary points out that Drake managed to address multiple artists in a single track, which is no small feat. Fantano also comments on Drake's self-aggrandizement and hypocritical moments but appreciates the witty replies and the overall quality of the diss track. He ends with speculation on potential future responses, particularly from Kendrick Lamar, and hints at continuing to cover the topic in future videos.

Mindmap

Keywords

💡Drama Monday

The term 'Drama Monday' refers to the beginning of a week marked by significant events or controversies in the music industry, particularly in mainstream hip hop. In the context of the video, it signifies the start of a series of dramatic developments involving various artists such as Metro Boomin, Future, Kendrick Lamar, and J. Cole. The phrase encapsulates the excitement and anticipation surrounding these events, as well as the impact they have on fans and the music community as a whole.

💡Dis Track

A 'Dis Track' is a diss track, a type of song primarily created to criticize or insult someone, often a rival in the music industry. In the video, Drake releases his own dis track as a response to the various attacks he has received from other artists. This track is a form of communication and a way for Drake to express his side of the story, as well as to defend his position in the music industry.

💡Metro Boomin

Metro Boomin is an American record producer, DJ, and songwriter known for his work in the hip hop genre. In the context of the video, Metro Boomin is one of the key figures involved in the recent drama, having collaborated with Future on the album 'We Don't Trust You,' which included a controversial verse by Kendrick Lamar. His role in this situation is significant as it sparked a series of responses and reactions from various artists in the music community.

💡Kendrick Lamar

Kendrick Lamar is a highly acclaimed American rapper and songwriter. In the video, he is mentioned for his involvement in the drama due to his verse in the song 'Screw The Big Three' from the album 'We Don't Trust You.' His lyrics are seen as a direct challenge or critique of other artists, including Drake, leading to a series of responses and further escalating the situation.

💡J. Cole

J. Cole is an American rapper, singer, and record producer known for his introspective and thought-provoking music. In the video, J. Cole is noted for his response to the drama, which included an apology for his initial reaction. His actions and the subsequent removal of his response from streaming platforms contribute to the ongoing narrative and discussion in the music community.

💡Drake

Drake is a Canadian rapper, singer, and actor who plays a central role in the video's narrative. He is the subject of various critiques and attacks from other artists and responds with his own dis track. The video analyzes Drake's lyrics, delivery, and the effectiveness of his response in the context of the drama, examining his position in the music industry and his interactions with other artists.

💡Push-ups Dro

The term 'Push-ups Dro' refers to the nickname given to Drake's dis track in response to the drama. It highlights the playful and combative nature of the situation, as well as the creative ways artists engage with each other. The title itself becomes a point of discussion and analysis within the music community, reflecting on the cultural impact of these exchanges.

💡Song Structure

Song structure refers to the organization and arrangement of sections within a song, such as verses, choruses, and bridges. In the video, the analysis of Drake's dis track includes a discussion of its song structure, specifically how the drops and refrains are used to break up the content effectively, allowing for a clear delivery of his message.

💡Lyrical Content

Lyrical content refers to the words and phrases used in a song, which convey the artist's message, story, or emotions. In the context of the video, the lyrical content of Drake's dis track is analyzed for its effectiveness, substance, and the accuracy of the claims made against his attackers. The depth and quality of the lyrics are crucial in determining the track's overall impact and relevance in the drama.

💡Artistic Influence

Artistic influence refers to the impact one artist has on another's work, style, or career. In the video, the concept is discussed in relation to how Drake has influenced other artists in the hip hop community, as well as how other artists like Future have their own distinct stylistic trajectories. The discussion of artistic influence provides insight into the interconnectedness of the music industry and the complex relationships between artists.

💡Industry Politics

Industry politics refers to the behind-the-scenes dynamics, power structures, and negotiations within the music industry. In the video, this concept is touched upon when discussing the contracts and profit distributions between artists and their labels. The mention of artists potentially giving up a significant percentage of their profits highlights the complex and often challenging nature of the music business.

💡Cultural Impact

Cultural impact refers to the influence that music, artists, or events have on society and culture at large. In the video, the cultural impact is discussed in relation to the drama involving Drake and other artists, and how this situation affects the perception and reception of their music among fans and the general public. The discussion of cultural impact also extends to the broader implications of these artists' actions and the narratives they create through their music and public interactions.

Highlights

Drake releases his own diss track in response to recent attacks in the mainstream hip hop scene.

The track is not on streaming services but has been unofficially released by his team and can be heard on YouTube and Twitter.

Anthony Fantano discusses three main aspects of the track: its sound quality, lyrical content, and effectiveness in addressing Drake's attackers.

Fantano believes the song's production and structure are solid, and Drake's delivery is engaged and energetic.

Drake's lyrics are seen as a reminder of past collaborations that helped other artists achieve success, not just because he's a fan.

The line 'Know my picture on the wall when y'all cook up' is interpreted as a comment on the obsession with dissing Drake.

Drake challenges the idea that he's only successful because of crossover appeal, pointing out that other artists also collaborate with pop stars.

Fantano finds Drake's criticism of other artists' contracts and profit margins to be a more impactful point than numbers comparisons.

Drake's mention of 'Pipsqueak' and comments on Kendrick's pop collaborations are seen as hypocritical given Drake's own mainstream appeal.

The phrase 'No chains are getting snatched' is used by Drake to show that he's not affected by the recent attacks.

Fantano notes that Drake's response is not a complete dismantling of his opponents but does elevate the situation with additional aggression and wit.

The expectation is that Kendrick will reply to Drake's track due to the direct mentions and the ongoing tension.

Fantano suggests that Metro Boomin may continue to inflame the situation indirectly through proxies, given his production influence.

Fantano concludes that Drake's response is solid and respectable, despite a few hypocritical moments.

The video ends with the anticipation of more responses and discussions on the topic in the future.

Fantano invites viewers to share their thoughts on the track in the comments section.

Transcripts

00:00

hey everyone Anthony fantano here

00:01

internet's busiest music nerd hope

00:03

you're doing well it's drama Monday

00:06

through Friday into the weekend the

00:09

drama has been non-stop as you guys know

00:12

since things in mainstream hip hop have

00:15

been heating up ever since Metro boomman

00:18

and future dropped their recent album we

00:21

don't trust you which had that Kendrick

00:24

Screw The Big Three it's just big me

00:26

verse on it that has caused everyone to

00:29

go as absolutely ballistic fans and

00:32

haters alike there was a jcole response

00:34

and then J.Cole apologized for it and

00:37

now it's taken down off streaming

00:39

there's way more context I could go over

00:42

right now in terms of how we got to this

00:43

point Rick Ross dropped a trash disc but

00:47

what's most important right now in this

00:49

video what we're going to go over

00:51

because the dust on all of this has not

00:53

settled yet is that Drake has come out

00:56

with his own Dis Track his own response

00:58

to all of this all the attack it's been

01:00

thrown out there unofficially by his

01:02

team it's not on streaming services

01:04

right now but uh people are hearing it

01:06

on YouTube hearing it on Twitter uh fans

01:09

are calling it push-ups Dro and give me

01:10

50 which is understandable given the

01:13

refrains and going into this disc into

01:15

this response there's three things I

01:17

want to know does it sound good is it

01:19

solid as a song are the bars that Drake

01:23

is lacing into this track do they work

01:26

do they go at his attackers here

01:28

effectively does he take them down a peg

01:30

or two and what he's saying the content

01:34

the substance of his lines is it

01:36

actually like reality or is it him just

01:38

kind of like living in his own head and

01:41

bullshitting us the words he's saying do

01:43

they hold up to scrutiny the first thing

01:45

I want to get out of the way because

01:46

maybe it's the quickest thing to address

01:48

is uh the sound of the song the quality

01:51

of the track overall just by you know

01:54

usual Drake songwriting standards I

01:56

think it's good I think it's solid uh

01:58

Drake's delivery it sounds engaged he

02:01

sounds awake clearly this situation has

02:03

lit a fire under his ass and he is just

02:06

uh completely locked in good beat Choice

02:08

as well definitely better than the beat

02:10

that was on 7 minute fraking drill I

02:13

mean it's not exactly the most

02:14

revolutionary trap beat you're ever

02:16

going to hear but it's got kind of a

02:17

mean Eerie overtone to it and there's

02:21

nothing about it that's too crazy or

02:22

attention grabbing that's going to draw

02:24

your ears away from what Drake is saying

02:27

structurally I think it's pretty good

02:28

too he breaks up everything he says

02:31

pretty well with this drop and give me

02:32

50 refrain though I will say to make an

02:35

obvious comparison here is this song as

02:37

catchy uh as let's say back to back no

02:41

not necessarily but that's not as

02:43

important as long as the content of

02:45

Drake's bars leaves a searing burn in

02:48

their aftermath okay let's start digging

02:50

into this uh Drake coming in hot on the

02:53

first few bars uh spitting some truth in

02:57

my opinion I could never be nobody's

02:59

number one fan uh your first number one

03:01

I had to put in your hand you won't ever

03:03

take no chain off of us how the [ __ ] you

03:05

big stepping with a size seven men's on

03:08

which I mean pretty obvious attack there

03:11

like you're a little guy I'm bigger than

03:13

you you're a tiny man height and stature

03:15

attacks are not the most deadly that are

03:16

out there but uh it's cool that he kind

03:18

of tied it into the big stepper thing

03:20

okay the number one fan thing uh genius

03:23

and many fans allege is a shot at Future

03:27

uh saying that Drake is a fan of his

03:30

which could be true but the funny thing

03:31

about that line is that it applies

03:34

pretty widely across mainstream hipop a

03:37

feature from Drake or a collaboration

03:39

with Drake uh was the first number one

03:42

or the first major chart elevation uh

03:45

for a lot of artists who are popular in

03:47

rap music today so to me it does make

03:49

sense for Drake to kind of like you know

03:51

serve a lot of these guys with a

03:53

reminder that we've crossed over in the

03:55

past we have collaborated and it just so

03:58

happens that many of the most successful

04:00

or maybe the most successful moment in

04:02

your career uh was tied to me with that

04:05

being said though I wouldn't attribute

04:07

all of future for example success to

04:11

Drake especially considering like uh

04:13

future is one of the bigger mainstream

04:15

artist out there who who I would

04:17

actually say kind of has his own sound

04:19

and stylistic trajectory outside of the

04:22

Drake bubble I mean stylistically and

04:24

aesthetically Drake has proven to be a

04:26

pretty massive force in hipop over the

04:28

past 10 years in terms of just like

04:30

influencing just about Everybody's

04:33

Records everybody's sound but Future For

04:36

Better or For Worse because I haven't

04:37

really loved all of his discography

04:40

obviously he's somebody who is very

04:42

provably on his own path and isn't

04:44

necessarily like you know taking notes

04:46

from Drake if we were actually to do a

04:49

big three of like you know the main

04:51

sounds or Pathways Lanes in mainstream

04:55

hip hop that we hear today and it wasn't

04:56

going to be Drake Kendrick Cole uh

04:59

should be something more like Drake

05:01

Kendrick future or Travis Scott someone

05:04

who's going to come in and represent

05:05

like that you know different drug out

05:08

kind of psychedelic trap wing of the

05:10

genre and there are numerous points in

05:12

Drake's career where where he absolutely

05:14

has taken a stylistic notes from future

05:17

and while Drake does make a point here I

05:20

wouldn't necessarily argue that making

05:22

another artist sound more marketable is

05:24

like a flex per se the image he portrays

05:28

in this other bar a bit f further down

05:30

though is very funny know my picture on

05:32

the wall when yall cook up I feel like

05:34

Drake is making a valid point here

05:36

because um that there is a certain sort

05:39

of obsession that is inadvertently being

05:43

portrayed by everybody going at him

05:46

right now in the fashion that they are

05:48

because even if Metro future and whoever

05:51

else comes out of the woodwork even if

05:53

they are making valid points about Drake

05:55

and the quality of his music and and so

05:57

on and so forth the fact that all of you

05:59

you are going at him all at once in the

06:02

way that you are and that it's so

06:04

orchestrated it is giving Obsession and

06:08

look I know Drake can be conceited I I

06:10

know he can be egotistical I know he can

06:12

be a dick that's not my personal

06:14

experience as you know that guy in the

06:17

past has sent me cookie recipes he's

06:19

only ever been nice to me but at the end

06:21

of the day like even with all of his

06:23

Subs all of his uh weird Behavior here

06:26

and there he's just a guy like does

06:28

dissing him or taking him down a peg

06:30

really necessitate uh clicking up and uh

06:33

being like yeah you're going you're

06:35

going to do this and then I'm going to

06:37

put out this other song yeah it's just a

06:39

little schoolyard it it really is in

06:41

this next couple of bars Drake throws

06:43

out the drop and give me 50 thing but

06:46

he's he's really kind of going at um the

06:49

numbers behind the scenes in the

06:51

contracts of either Kendrick or maybe

06:53

even some of the other artists who are

06:55

attacking him here saying that they're

06:57

allegedly giving up 50% of their profits

06:59

of their uh whatever in the money that

07:02

they're making off of their records off

07:04

of their songs to their labels to the

07:05

music industry which honestly is kind of

07:08

a harder pill to swallow than you know

07:10

any numbers comparison we could be doing

07:12

here cuz if you're losing that sort of

07:15

money to your label in the process of

07:17

making music and no matter what the

07:19

numbers you're doing are you're just

07:20

kind of like stuck on a treadmill a few

07:22

bars later he's even challenging for a

07:24

contract reveal and the way you do in

07:27

splits [ __ ] your pants might rip the

07:29

these next couple of bars though I'm not

07:31

sure if I Vibe with too much it kind of

07:33

seems like a pot calling the kettle

07:35

black kind of situation with Drake

07:38

mocking Kendrick for doing verses for uh

07:41

Taylor Swift and Maroon 5 wait a second

07:44

wait a second wait a second like if

07:46

there's any Dude any dude in hip-hop who

07:49

is like desperately looking for a pop

07:52

crossover and looking for ways to stay

07:55

in the hip-hop Lane

07:58

stylistically but aesthetically appeal

08:01

to listeners of pop and pop audiences it

08:04

is you on top of that weren't you also

08:07

like lip syncing to bad blood in the

08:09

workout like was that not a crossover

08:12

was that not promo I mean at least in

08:14

the case of Kendrick he has the

08:16

versatility and the ability to do a

08:19

little bit of a pop appearance you know

08:21

do an appearance on a record where he

08:23

appeals to a larger more massive

08:25

audience but when he goes back into

08:26

album mode he's back in kind of pure

08:28

Kendrick territory

08:29

he's going for that Artistry he's

08:31

hitting us with that depth meanwhile

08:33

much of what Drake is giving us

08:35

regardless of if it's a feature or if

08:37

it's an album uh it's it's surface level

08:40

mode it's in Middle brow mode so to me

08:43

this set of bars is just kind of silly

08:45

and hypocritical calling him a pipsqueak

08:47

again and then uh basically saying there

08:50

are many other artists in the music

08:51

industry not just Drake uh that have

08:53

Kendrick totally washed artists like 21

08:55

Savage Travis artist on his own label

08:57

like siza I think this bit of of word

08:59

play to follow is pretty clever as well

09:01

as many know uh TDE is just a sub of

09:05

Interscope Records Interscope Kendrick's

09:07

inos scope and then from here Drake

09:10

addresses the fact that he's uh being

09:12

attacked so widely by everybody and

09:15

actually gives a really solid retort uh

09:17

to the prince outlived Mike Jack uh line

09:20

with him uh kind of starting here big

09:22

difference between Mike then Mike now

09:24

and then what's a prince to a King he's

09:26

a son although once again get more love

09:29

in the city that you from which I think

09:32

is

09:34

also kind of fudging the numbers a bit

09:36

that's kind of a difficult thing to

09:38

quantify especially when you're talking

09:39

about artists who are at this huge point

09:43

of success and let's not also forget uh

09:45

that that footage of Drake getting booed

09:48

at uh Camp fogna so I mean it's not like

09:51

Drake is just kind of universally

09:54

beloved here Drake kind of switches

09:56

sites changes gears here to follow and

10:00

while I don't think uh this bar here is

10:02

necessarily a super cutting in terms of

10:04

word player Drake digging anything up uh

10:07

him kind of jumping to the side just to

10:09

say uh Metro shut your ass up and just

10:12

get on the drums it's kind of hilarious

10:15

it's just like dismissive in a way that

10:17

makes it feel like Drake sees him as

10:19

like not even worthy of dismantling it's

10:22

just like what are you doing this is

10:24

such a waste of time this is ridiculous

10:26

Drake seemingly goes at Abel the weekend

10:29

as well and his team uh saying a few

10:31

different things but I I think most

10:33

notably uh that he kind of represents

10:35

the six in the area that he's from in

10:36

Toronto better than he does and then

10:39

finishing things off in the first verse

10:40

he is focusing more on Metro on future

10:42

on Kendrick uh seeing these threats he's

10:44

he's throwing them off he's casting them

10:46

aside no chains are getting snatched I'm

10:49

going to have my own bodyguards too and

10:51

with the baby mom mentions he also kind

10:54

of throws out reminders that I know

10:56

things about you guys you know things

10:57

about me there are skeletons in your

10:59

closets as well then there's a second

11:01

verse because Drake has his work cut out

11:04

for him and more people to address Rick

11:06

Ross who as I said earlier jumped into

11:08

this whole thing and has his own trash

11:11

dis out there where he's just obsessing

11:13

over uh Drake's nose and uh calling him

11:16

white he pretty much casts Ross off in

11:18

the same way he does everyone else I've

11:20

given you hits and then Drake tries to

11:22

provide more context for what he thinks

11:24

about uh this whole beef to begin with

11:27

he does not care what Cole thinks about

11:29

how great Kendrick is Drake uh not

11:33

impressed does not care and he claims

11:35

that this uh stuff this tension this

11:38

beef didn't just come out of nowhere

11:40

it's been brewing up which if you've

11:42

been paying attention yes it very much

11:45

has but who started feeling some type of

11:47

way first over what other person is

11:51

unclear and the answers to that will

11:54

most likely vary depending on who you're

11:55

talking to I mean he finishes things off

11:57

with a valid remind remers that um

12:00

numbers wise these other guys are not

12:02

creeping up they're not catching up

12:04

Drake is still on top your numbers are

12:06

not my numbers your success is not my

12:08

success and you're giving 50% of your

12:10

[ __ ] away to the label and yeah that's

12:12

pretty much the track that's pretty much

12:14

the disc that's the response and I'll

12:16

say uh overall I liked it I think it's a

12:19

solid response I think it's respectable

12:20

I mean it's not a complete dismantling

12:23

of anybody that Drake was addressing

12:26

however when you consider what Kendrick

12:28

was saying Ling on like that I mean that

12:31

track wasn't even a complete dismantling

12:33

of Drake it was a shot it was an attack

12:35

a surface level one that had some good

12:37

word play and some solid bars in it some

12:39

good writing but like it wasn't a

12:41

complete takedown of Drake from top to

12:45

bottom so the level of detail and

12:47

aggression Drake showed here it just

12:49

kind of elevated things just a bit just

12:52

a touch he responded in kind and with a

12:55

little bit extra and also frankly did

12:57

Super well considering he had many many

13:00

people to fire back at in this one shot

13:03

I mean it's hard enough to make a diss

13:05

track against one single guy and Drake's

13:08

got to talk about four three five six

13:10

seven different dudes on a couple of

13:12

verses once again there were a few

13:14

instances in the bars here where I think

13:16

Drake you know is kind of just being a

13:18

legend in his own mind building himself

13:21

up a bit too much or being slightly

13:22

hypocritical but his delusions through

13:25

this track for the most part remained at

13:27

a minimum he had some witty replies he

13:29

stood on his own two feet and made

13:31

lemonade with the lemons he had been

13:32

given now moving on from here what are

13:34

we likely to see I mean considering how

13:36

much he mentions Kendrick literally by

13:39

name throughout this track uh we're most

13:41

likely going to see a reply from him uh

13:44

down the road very soon maybe

13:46

considering the anger and bitterness

13:47

Kendrick entered into this whole thing

13:50

to begin with and now he finally has a

13:53

drake response a drake reply he's likely

13:56

to go Full Throttle from here with him

13:59

meanwhile Metro I don't think he has any

14:01

reason at this point especially since

14:03

he's gotten this reply uh to stop going

14:05

at Drizzy right now but most likely how

14:08

that's going to play out into the future

14:10

as we've seen recently with ASAP Rocky

14:13

and the weekend he's probably going to

14:16

continue inflaming things just through

14:18

like proxies just dragging other artists

14:21

out of the woodwork to have them dis

14:24

Drake on his behalf which there's any

14:26

number of artists he can probably

14:29

put up to doing that at this point with

14:31

his production so I mean as of right now

14:33

I'm not sure if I see this uh ending uh

14:38

with another couple of tracks honestly

14:40

I've been going on too long though I

14:42

have to leave it there because most

14:43

likely this is not going to be the last

14:44

video I'm making on this topic there's

14:46

going to be more to say more responses

14:49

more everything and I will address it as

14:52

it comes out but uh again overall I

14:55

think the stake response it it's solid

14:57

what do you guys think about this track

14:59

down in the comments let me know you're

15:01

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15:02

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15:06

channel Anthony fantano Drake push-ups

15:10

forever