Bill Burr Reviews Impressions of Himself | Vanity Fair

Vanity Fair
18 Apr 202408:36

Summary

TLDRThe transcript captures comedian Bill Burr's humorous and self-deprecating reactions as he watches various comedians perform impressions of him. Throughout the video, Burr reflects on his own career, noting the evolution of his stage persona and the nervous energy from his early days. He expresses both amusement and discomfort at the accuracy of the impressions, acknowledging the talent of his peers while also poking fun at himself. The video is a testament to the camaraderie and competitive spirit within the comedy community, as Burr appreciates the humor and skill of the impressions, even as they highlight his own quirks and mannerisms.

Takeaways

  • 🎭 Bill Burr appreciates the impressions of himself, despite some apprehension about how he is depicted.
  • πŸ˜‚ Burr uses humor to discuss the impressions, including his own insecurities about his appearance and mannerisms.
  • 🚫 He emphasizes the importance of not making derogatory comments about people's appearances, like calling someone 'fat'.
  • 🧘 Burr reflects on his past self, noting how he has changed over time, both in his comedy style and personal life.
  • πŸ—£οΈ The comedian acknowledges the talent of those who did impressions, recognizing the skill it takes to mimic another person's style.
  • πŸ“ˆ Burr discusses the evolution of his career, from struggling to get noticed to becoming well-known in the comedy scene.
  • πŸ€” He contemplates the idea that people may not necessarily vote for a candidate because they like them, but because they dislike the alternative more.
  • πŸŽ₯ Burr humorously reacts to the detailed observations people have made about his physical appearance and stage presence.
  • 🀝 He expresses gratitude towards the comedians who participated, showing respect for their craft and the effort they put into the impressions.
  • 🌟 Burr is flattered by the attention from other talented comedians and seems to enjoy the process more than he expected.
  • πŸŽ‰ The overall tone is light-hearted and self-deprecating, with Burr using the opportunity to poke fun at himself and the impressions.

Q & A

  • Who is the main person in the transcript discussing impressions of himself?

    -Bill Burr is the main person in the transcript discussing impressions of himself.

  • What does Bill Burr mention about his weight during the transcript?

    -Bill Burr mentions that he has gained weight during the COVID pandemic and wishes he could lose it.

  • What does Bill Burr think about people doing impressions of him?

    -Bill Burr finds it amusing and is flattered that other comedians have taken the time to do impressions of him.

  • Which comedian does Bill Burr mention as being particularly good at doing impressions?

    -Bill Burr mentions that Jon Lovitz is particularly good at doing impressions and that he loves his work.

  • What does Bill Burr say about the impressions of him being easy to do?

    -Bill Burr suggests that the impressions are easy to do because they capture his mannerisms and style without much difficulty.

  • What does Bill Burr think about the impression of him by Jay Pharoah?

    -Bill Burr appreciates Jay Pharoah's impression and finds it to be very funny and well done.

  • What does Bill Burr mention about his past self in the transcript?

    -Bill Burr mentions that watching the impressions made him recall his past self, including his nervous energy and career frustrations.

  • What does Bill Burr say about the potential for people to live 'off the L train' across the country?

    -Bill Burr humorously suggests that in five years, people might say they live 'off the L train' even in places like Wilmington, Delaware, as a status symbol.

  • What does Bill Burr mention about his podcast?

    -Bill Burr mentions that he has a podcast and that one of the impressions captured the casual, conversational style of his podcast.

  • How does Bill Burr feel about watching himself in old tapes?

    -Bill Burr expresses discomfort and says he finds it strange to watch himself in old tapes, as he questions his past actions and style.

  • What does Bill Burr say about the intelligence depicted in the impressions?

    -Bill Burr notes that none of the impressions so far have depicted him as particularly intelligent.

Outlines

00:00

πŸ˜„ Bill Burr's Self-Reflection on Imitations

In this segment, Bill Burr humorously reacts to various impressions of himself. He begins by discussing the appeal of seeing one's own impression and the difficulty of making such impressions without offending. Burr then comments on the ease of performing impressions and challenges others to try more difficult subjects. He provides feedback on each impression, noting the accuracy and the evolution of his own style over time. He also touches on the cost of living and the absurdity of certain lifestyle choices. The segment ends with Burr reflecting on his past performances and expressing a mix of amusement and discomfort with the process.

05:02

πŸ˜† Bill Burr's Podcast and Personal Style

This paragraph features Burr's commentary on his personal style and his podcast persona. He discusses his reluctance to watch himself and the uncanny experience of seeing his face superimposed on another person. Burr humorously contemplates the idea of being replaced by an AI version of himself. He also reflects on his changing appearance and the impact of life experiences on his demeanor. Throughout, Burr maintains a self-deprecating and humorous tone, acknowledging the absurdity of the situation while appreciating the talent of the comedians who have impersonated him. He ends by expressing gratitude to the comedians for their impressions and a humorous self-awareness of his own self-loathing.

Mindmap

Keywords

πŸ’‘Impressions

Impressions in the context of this video script refer to the act of imitating someone else, especially in a humorous or satirical manner. The video's theme revolves around comedian Bill Burr watching and reacting to various comedians doing impressions of him. The impressions serve as a central element, showcasing the humor and talent of the comedians as well as Burr's self-awareness and humor about his own persona.

πŸ’‘Stand-up Comedy

Stand-up comedy is a performance art where a comedian performs in front of a live audience, usually speaking directly to them. In the script, Bill Burr reflects on his own stand-up career, noting how watching the impressions made him recall his own past performances and the evolution of his comedic style.

πŸ’‘Cadence

Cadence refers to the rhythm or pattern of speech, which is a key element in performing stand-up comedy. In the script, Bill Burr and other comedians comment on the cadence used in the impressions, noting how it captures the essence of his speaking style and contributes to the overall effectiveness of the impersonation.

πŸ’‘Podcast

A podcast is a digital audio program that is available for streaming or downloading. Bill Burr mentions his podcast, indicating that the style of his podcast is more conversational and less formal than his stand-up performances. The script includes references to how one comedian captures the essence of Burr's podcast persona.

πŸ’‘Self-awareness

Self-awareness is the conscious knowledge of one's own character, feelings, motives, and desires. Bill Burr demonstrates self-awareness as he watches the impressions and reflects on his own comedic style, mannerisms, and career. He acknowledges his habits on stage, such as leaning on the mic stand, and how they are perceived by others.

πŸ’‘Comedian

A comedian is a person who seeks to entertain an audience, primarily through humor. The script features various comedians, each known for their unique comedic style. The impressions they perform are a testament to their skill in observing and replicating the characteristics of other comedians, in this case, Bill Burr.

πŸ’‘Vanity Fair

Vanity Fair is a magazine known for its feature articles, reporting, and fiction. In the script, Bill Burr addresses Vanity Fair, indicating that the video is likely part of a feature or segment by the magazine. Vanity Fair is presented as the platform hosting the impressions and Burr's reactions.

πŸ’‘New York

New York is a city with a rich history in comedy and is often associated with a distinct style of humor. The script includes several references to New York, highlighting the influence of the city's culture on the comedians' impressions and Bill Burr's own comedic style.

πŸ’‘Mannerisms

Mannerisms are distinctive ways of behaving or acting that are typical of a particular person. In the video script, the comedians' impressions focus on capturing Bill Burr's mannerisms, such as his gestures and speech patterns, to create a believable portrayal.

πŸ’‘Flattery

Flattery is the act of giving someone compliments or praise, often to make them feel good or to win their favor. The phrase 'Imitation is the best form of flattery' is mentioned in the script, suggesting that the impressions, while humorous, are also a form of respect and admiration for Bill Burr's work.

πŸ’‘Stand-up Tapes

Stand-up tapes refer to recordings of stand-up comedy performances. Bill Burr mentions his old VHS tapes of his performances, which he compares to watching the impressions. These tapes serve as a nostalgic reference point for the comedian, allowing him to reflect on his earlier career and style.

Highlights

Bill Burr humorously reacts to impressions of himself, reflecting on his own self-perception and the evolution of his comedy style.

He candidly discusses the impact of COVID on his physical appearance, referencing 'COVID weight'.

Burr invites a variety of comedians to perform impressions, providing a unique insight into how others view his comedic persona.

The comedian expresses a mix of flattery and discomfort as he watches the impressions, revealing his complex feelings about his public image.

Bill Burr's characteristic speech patterns and mannerisms are highlighted, with some impressions capturing his 'New York' style.

He reflects on the difficulty of watching himself perform, showing a level of introspection and self-awareness.

Burr humorously dismisses the idea of being flattered by impressions, suggesting they depict him as less intelligent.

The comedian's early career is discussed, with impressions reflecting his 'early Bill Burr' stage.

Burr appreciates the talent and effort of the comedians, acknowledging the skill required to perform an impression.

He shares anecdotes about his career and personal life, offering a candid look into his experiences as a comedian.

Bill Burr's changing appearance and style over the years are noted, with a focus on his evolving fashion sense.

The comedian's relationship with other famous personalities, such as Jon Lovitz, is explored through their impressions.

Burr expresses surprise and appreciation for the detailed and accurate representations of his comedy style by the impressionists.

The use of technology, such as face-swapping, in creating impressions is mentioned, adding a modern twist to the classic art of impersonation.

Bill Burr concludes by thanking the comedians for their impressions, showing a sense of humility and gratitude.

He ends on a humorous note, suggesting a newfound self-consciousness after seeing the impressions.

Transcripts

00:00

- Who likes to see an impression of themselves?

00:02

[laughing]

00:03

- It's like you can't just go around calling people fat.

00:06

- I wish I was still that animated,

00:08

I'd get rid of this [censored] covid weight.

00:10

Hey, Vanity Fair peoples, I'm Bill Burr,

00:12

and today I'm going to be watching people

00:15

doing impressions of me.

00:16

It's glued. - It's glued

00:17

to the back of his head.

00:18

- Bill Burr. - It's early Bill Burr.

00:21

- You do these easy impressions,

00:23

you know, you do your thing, you do them easy.

00:26

You know, they're easy to do, it's not hard.

00:29

You know, do somebody else,

00:31

somebody hard, somebody from Boston.

00:34

You know?

00:36

Do Burr!

00:38

- It's too much New York in that one.

00:40

[laughing]

00:43

Oh no, he is got like the cadence,

00:44

but he still has the, "Oh!".

00:46

- They're easy to do.

00:47

- Now I gotta like shit on another comedian.

00:49

You know, it's better than I could do

00:50

an impression of him, how about that?

00:51

That impression is me if I grew up in like

00:54

New York, like Queens or something,

00:57

like, "Hey, hey. Fucking standing there".

01:00

You know, the guys a little bit of that.

01:02

Jay should get on with his life.

01:03

There's no money in him doing an impression of me.

01:06

I would move on to Ben Affleck

01:08

or somebody a little better known.

01:10

- Okay, Shut the fuck up.

01:12

Sit down. Okay.

01:14

Alright. All right, look.

01:16

Okay. All right, look.

01:17

All right, you know, I'm not trying to be a dick. Okay?

01:20

I can hear [indistinct].

01:21

[laughing]

01:24

It's too fucking expensive to live here, you know?

01:26

Everyone wants to live off,

01:27

"I wanna live off the L train", you know?

01:28

- Wow. That guy takes it, man.

01:30

That was amazing.

01:31

I tell you what, it's weird of me out

01:33

people with hair doing it and they're skinny and shit

01:35

and I feel like I'm watching one of my old VHS tapes.

01:38

That guy is amazing.

01:39

- I feel like in five years

01:40

the L train's just gonna go across country,

01:41

you know? Just so people can say they live..

01:43

"Yeah, I live off the L train.

01:44

I'm off the Wilmington, Delaware stop" you know?

01:47

[laughing]

01:48

Oh, it's brutal. It's fucking brutal!

01:50

- Yeah, he had the whole thing.

01:51

He's doing me in like 2004, 2007.

01:55

I think I used to own that shirt.

01:57

I mean, he did the whole thing. Right?

01:58

I used to have it unbuttoned a little more,

02:00

back when I was single, you know?

02:01

Trying to attract people with my alabaster freckled chest.

02:05

[laughing]

02:07

That didn't work out for me.

02:08

No, that was amazing. Very talented.

02:10

I don't ever want to see those again.

02:12

I don't wanna be in my head about what it is that I...

02:14

I know I lean on the mic stand.

02:15

What I'm doing is working for me,

02:17

I don't need these people to be pulling it apart, you know?

02:19

Take one thread out and then that's it.

02:21

Then all of a sudden I care about people. Right?

02:24

- [Producer] Imitation is the best form of flattery, no?

02:26

- No. Depends on how it's done.

02:28

None of these impressions so far

02:30

have me depicted as particularly intelligent,

02:32

I can tell you that.

02:33

[laughing]

02:34

It's me, ah, ah, eh.

02:36

Hm. What the fuck?

02:37

- The Republicans are like,

02:39

"How did 81 million people vote for Biden?"

02:42

It's like they didn't vote for Biden, all right?

02:45

They voted against Trump.

02:46

No, it's like they hated him, you know?

02:48

Nah, it's like they hated him

02:49

more than like a child molester.

02:51

You know? I've never seen anything like it, you know?

02:53

Then me ask them why,

02:54

you know, like, why do you hate Trump?

02:55

It's like, "Ah, I think he,

02:56

somebody told me that he called Rosie O'Donnell fat".

03:00

[laughing]

03:01

- Yeah, that's fantastic.

03:03

These people, they're doing a really good job.

03:05

I just was watching the mannerism.

03:07

It was really just, this guy and the last guy,

03:09

they just, I started remembering gigs

03:12

where I recorded myself and would go back,

03:15

'cause, you know, making a tape,

03:16

trying to get like a agent or something like that.

03:19

And during this period of my career,

03:22

I couldn't watch myself.

03:23

I'm like, "What am I doing?

03:25

Why am I moving around like that".

03:27

That, what he's doing there,

03:28

that was all like nervous energy, frustration

03:32

with where my career was at and all of this other stuff.

03:34

So, yeah. Wow.

03:35

These are all like Bill Burr fine wine.

03:38

[laughing]

03:39

That's a Bill Burr 2004 right there.

03:42

- Oh God. You know, you're saying all these,

03:44

these kind things to me, man.

03:46

Now I gotta, now I gotta be nice to you.

03:48

- That's a high pitch. - That's well...

03:50

- Like a soprano- - It's because

03:52

it's early Bill Burr.

03:54

It's early Bill Burr.

03:56

You gotta know.

03:57

- It's really good. - You gotta know.

03:59

- Yeah, that must have been really, really,

04:01

really, really early on.

04:03

Yeah, Marina's been breaking my balls for years.

04:06

So that was actually a lot nicer

04:08

than I thought it was gonna be.

04:09

[laughing]

04:11

I would add a little hopelessness,

04:13

but the euphoria that comes when you just don't care.

04:17

When the hell did we meet? Like 99, 2000.

04:20

So I think that just got burned into her brain.

04:22

So this is like wild, it's like watching my,

04:25

like I said, my old standup tapes, which I don't do,

04:28

but like, if I were to do that.

04:30

These are all very good. Marina did a great job.

04:32

- Oh dude, fuck it, this guy.

04:34

Jay Pharoah, love that guy. [laughing]

04:37

- This fucking guy, he's- - Pharoah.

04:40

- Fucking Pharoah. - His fucking beanie's

04:41

hanging off his head

04:43

like he's the summer winter for this guy.

04:45

- How the fuck does it stay on?

04:47

- Yeah, yeah. - What the fuck, is it glue?

04:49

Is it Gorilla Glue?

04:50

What's he doing? - It's glue.

04:51

It's glue. It's glue! - It's glued

04:52

to the back of his head.

04:54

[laughing]

04:55

- Well I mean, with the face swap, that was pretty wild.

04:58

Yeah I mean, that was pretty good. You know?

05:01

I have a choppy cadence, I guess.

05:03

- Summer, winter for this guy.

05:05

- This is why I didn't wanna do this shit,

05:06

'cause I don't wanna know what it is that I do.

05:08

I mean, I think that was the clean version of it,

05:10

that sounded like young me,

05:11

as opposed to beaten down by life that you now see,

05:15

which is why I'm wearing my happy blue sweater

05:17

to try to offset where I am mentally right now.

05:19

I mean, I don't really listen to myself.

05:20

It's not like I watch...

05:23

I think, no, it sounded good to me.

05:26

I think. I mean, I was too weirded out

05:29

by the fact that my face was on his face.

05:31

Yeah, it was like, I used to have hair.

05:33

Oh shit, is he my AI replacement?

05:35

[laughing]

05:37

AI Andrew Santino was gonna come kill me one night.

05:40

"The Illuminati liked you better when you had hair",

05:42

and then that'll be the end of me.

05:44

But that'll be good,

05:45

'cause I won't have to go to LAX anymore. Fantastic.

05:47

I'm gonna leave my doors unlocked tonight.

05:48

- We could get off of it.

05:50

Bro, nobody gives a fuck. - This is podcast me.

05:53

- Fucking Cordyceps, I barely eat mushrooms as is.

05:56

- There you go.

05:57

See now that makes me feel like he listens to my podcast.

06:00

- I mean, you want to talk on a podcast

06:01

about something else. Everybody's

06:03

just losing their mind.

06:05

- Yeah. That was a good one.

06:06

Well he did say talk,

06:08

so he got a little New York in there.

06:09

I got a lot of New York guys doing impressions of me.

06:11

That's pretty cool.

06:12

What I liked about this one

06:14

is I feel like he was doing, not me doing standup,

06:17

he was doing the podcast

06:19

where it's just more like you're hanging out

06:20

and I'm just like talking

06:22

and you're listening for whatever reason,

06:23

getting through your cardio

06:24

or some awful Southwest flight,

06:26

whatever the hell it is you're doing.

06:27

That's almost cigar, smoking a cigar with me.

06:30

I slouch down the seat like that,

06:32

I'm like, "Yeah, yeah, it's all bullshit.

06:33

All these fucking people out here.

06:35

What are you gonna do?". [laughing]

06:37

Acting like I'm saying something when I'm not.

06:39

Yeah, that was a great one.

06:40

I thought this was gonna be a lot more painful.

06:42

I'm enjoying this. I was just like, you know,

06:44

thought the self-loathing was gonna come up,

06:46

but they're actually, these are really funny.

06:48

- This is your whole act.

06:49

Albert Einstein's a genius.

06:51

What do you think, Bill?

06:52

"Um, I don't, is he, is he? Really?

06:55

He couldn't even get a decent haircut. What's that?

06:58

His mustache, he couldn't trim it.

07:00

The guy who had...

07:01

He was just, you know,

07:02

how'd you come up with your stuff, Albert?".

07:06

- That's one of my favorite people

07:07

I have met since I got in this business.

07:10

I love Jon Lovitz. He's old school, old school guy,

07:13

like, I can't argue anything that he's saying about my act.

07:16

If there weren't so many ass holes in the world,

07:18

what would be a great show

07:19

would be our phone conversations and our text messages

07:22

because that podcast,

07:24

which I highly recommend you check out,

07:26

'cause Jon was on fire that day trashing me,

07:28

it is nowhere near what we do on the phone.

07:30

- [Producer] You liked Jon's impression of you?

07:32

Is that your favorite? - I can't pick favorites here,

07:34

I gotta run into all these people down at the club,

07:36

you're gonna create all this drama.

07:38

I liked, for different reasons,

07:40

I love Jon because,

07:42

you know, he just, he gets like right to it,

07:44

he's like a surgeon

07:45

and he just goes right for the nerve.

07:47

So I like him, 'cause he was being funny,

07:49

but he is also really trying to trash me, so.

07:51

And he's also a legend, so I love that one.

07:54

I love Marina's, 'cause I know her from way back in the day.

07:57

Andrew Santino, as far as creepy factor

07:59

with the face swap was incredible.

08:01

The one kid who came out with the shirt.

08:03

I mean, I liked them all, they were really good.

08:06

I'm flattered that people that funny

08:09

have listened to me enough,

08:10

taken the time to listen to whatever it's I'm doing

08:11

that they can do an impression.

08:14

All right, I just want to thank all the amazing comedians

08:17

that took time out of their

08:18

busy schedules [upbeat music]

08:19

to do an impression of me.

08:20

I'm very flattered, y'all did a great job

08:22

and now I hate myself even more.

08:24

Thank you. Thank you Vanity Fair.

08:27

I wore a sweater for you guys

08:28

to feel even worse about myself.

08:31

[upbeat music ends]