THE HEART PART 6 - DRAKE - REACTION

ZIAS!
6 May 202417:03

Summary

TLDRThe video script appears to be a commentary on the ongoing rap feud between Drake and Kendrick Lamar, with the speaker, Zas Su, expressing his excitement and anticipation for the latest developments. Zas Su discusses the lyrical content and implications of Kendrick's song, speculating on the depth of the relationship between the two artists and the potential for further surprises in the feud. The speaker also touches on themes of manipulation, deception, and the use of controversial topics like pedophilia in their lyrics. Zas Su further comments on the impact of the feud on fans, the music industry, and the potential for other artists to join the conversation. The summary concludes with a mention of a product, Belo sticky glue, and an invitation for viewers to engage with the content creators on social media.

Takeaways

  • 🎤 The speaker, Zas Su, is discussing the anticipation around Drake's response to Kendrick Lamar's song, indicating a high level of excitement and engagement within the rap community.
  • 🔍 There's speculation about the depth of the relationship between Drake and Kendrick, with mentions of business partnerships and personal connections like a child's godfather.
  • 💬 The conversation touches on the strategy and tactics used by rappers in their lyrical disputes, suggesting that there may be intentional misinformation or 'moles' used to deceive the other party.
  • 🔑 Zas Su questions the validity of the claims made in the rap feud, expressing skepticism about the lack of concrete evidence and the nature of the allegations.
  • 🚫 The script alludes to the controversy surrounding R. Kelly's music being removed from streaming platforms and the potential hypocrisy if similar actions are not taken against other artists.
  • 🎶 There's a mention of Drake's use of wordplay and lyrical manipulation, which is appreciated by the speaker for its complexity and cleverness.
  • 🤔 Zas Su expresses confusion about some of the references and allusions made in the rap lyrics, indicating that the full context or meaning may not be clear to all listeners.
  • 👎 The speaker criticizes Drake for allegedly buying views and comments to inflate his online presence, suggesting a lack of authenticity in his online engagement.
  • 🚫 A strong stance is taken against the behavior of certain artists, with the speaker accusing them of being predators and hypocrites, particularly if they continue to support controversial figures.
  • 📉 The discussion suggests that there may be a shift in public opinion and fan support as a result of the rap feud, with some artists potentially losing credibility.
  • 🌐 The speaker acknowledges the global nature of the rap community and the potential for the feud to impact listeners worldwide, likening it to a battle within a larger war.

Q & A

  • What is the main topic of discussion in the transcript?

    -The main topic of discussion is the analysis of a song or a series of songs released by Drake and Kendrick Lamar, focusing on the lyrics, the artists' intentions, and the public's reaction.

  • Who are the two artists primarily mentioned in the transcript?

    -The two artists primarily mentioned are Drake and Kendrick Lamar.

  • What is the speaker's opinion on the Drake and Kendrick Lamar situation?

    -The speaker seems to be intrigued by the situation and believes that Kendrick might be leading in terms of the public's perception of their lyrical exchange.

  • What is the significance of the term 'Heart part six' mentioned in the transcript?

    -The term 'Heart part six' likely refers to a song or a series of songs by Kendrick Lamar, possibly indicating a continuation or a part of a series in his discography.

  • What is the meaning behind the phrase 'standing on business' in the context of the transcript?

    -The phrase 'standing on business' is used to imply that Drake is making a serious statement or move in response to Kendrick's song, suggesting a significant or impactful event in their ongoing narrative.

  • What does the speaker think about the rumors and speculation surrounding the artists?

    -The speaker acknowledges the rumors and speculation but expresses skepticism about some of the claims, suggesting that they are not entirely convinced by the narratives being presented.

  • What is the 'excavation' mentioned in the transcript referring to?

    -The 'excavation' is a metaphor for digging up old secrets or lies, suggesting that the artists are revealing hidden truths or past incidents through their lyrics.

  • Why does the speaker mention the cover art being taken down?

    -The speaker brings up the cover art being taken down to highlight the controversy and the impact of the artists' actions on their public image and the music industry.

  • What is the significance of the mention of 'Whitney' and 'the kids' in the transcript?

    -The mention of 'Whitney' and 'the kids' is likely a reference to personal aspects of the artists' lives that are being discussed or alluded to in the songs, indicating a deeper level of personal conflict or revelation.

  • What does the speaker mean by 'the angle was the [__] I expected'?

    -The speaker is suggesting that the approach or theme taken by the artists in their songs was unexpected or surprising, possibly in terms of its depth or the issues it addresses.

  • What is the speaker's view on the potential for other artists to get involved in the situation?

    -The speaker speculates that other artists like ASAP Rocky or Future could potentially get involved, which would add another layer of complexity to the ongoing narrative between Drake and Kendrick Lamar.

Outlines

00:00

🎤 Drake's Business and Kendrick's Banger

The speaker, Zas Su, is discussing the anticipation around Drake's music and the recent song released by Kendrick Lamar. He talks about the edge-of-the-seat excitement and the rumors surrounding Drake's music and personal life. There's speculation about Drake's relationship with a certain individual, possibly a business partner or a close friend, and how deep it goes. The conversation also touches on the lyrics of the song 'Heart Part 6' and how Drake's lyrics are being analyzed for hidden meanings, including the idea of a mole within Kendrick's camp. The speaker is skeptical about the claims made in the song and questions the validity of the allegations.

05:02

🔍 Speculation on Cover Art and Allegations

The speaker continues to dissect the lyrics and the cover art of the song, which was taken down from platforms like Apple Music. There's a discussion about the metaphorical 'digging up of bones' which could refer to uncovering old lies. The speaker also addresses the personal allegations against Kendrick, questioning why Whitney, presumably a significant other, isn't denying the allegations and why there's a lack of interaction with the children. The conversation veers into a more personal and emotional analysis of the song's lyrics, touching on themes of trauma, neglect, and the impact of such experiences on an individual's behavior and relationships.

10:04

🤔 Word Play and Hypocrisy in the Music Industry

The speaker praises the wordplay and lyrical prowess in the songs, noting the clever use of language and references to minors and other controversial topics. There's a critique of Drake's actions, accusing him of buying views and comments, and a discussion about the hypocrisy in the music industry, particularly in relation to the treatment of artists like R. Kelly. The speaker also mentions the potential for other artists to enter the fray and how it could escalate the situation. The paragraph ends with a commentary on the need for authenticity and the speaker's personal enjoyment of the back-and-forth between the artists.

15:06

🚨 The Battle and the Larger War in Hip Hop

The speaker reflects on the ongoing feud in the music industry, comparing it to a battle within a larger war. They suggest that the conflict between the two artists is just a small part of a bigger picture, with many more people potentially involved. The speaker also promotes their own content, encouraging listeners to engage with them on social media and to stay tuned for future live streams. There's a call to action for supporters to text a given number and join the conversation on Twitter, emphasizing the importance of community and engagement.

Mindmap

Keywords

💡Drake

Drake is a Canadian rapper, singer, and actor who is a central figure in the video's discussion. The script mentions him in the context of his music, his business acumen, and his interactions with other artists. For example, the speaker talks about Drake's anticipation for a song release and his strategic moves in the music industry.

💡Kendrick Lamar

Kendrick Lamar is an American rapper and songwriter who is mentioned in the context of his music releases and the impact on the speaker and presumably other listeners. The speaker discusses Kendrick's song that is considered a 'banger' and the strategic titling of his works, indicating the competitive nature of the music scene.

💡Mole

In the context of the script, a 'mole' refers to a spy or someone who infiltrates a group to gather secret information. The speaker discusses a hypothetical scenario where Drake might have planted a mole in Kendrick's camp to feed him false information, highlighting the complexity and drama of the situation.

💡Pedophile Allegations

This term refers to accusations of sexual interest in children, which is a significant and controversial topic within the script. The speaker discusses these allegations in relation to both public figures and the impact on their reputations, using it as a point of contention in the discussion of the artists' public images.

💡Rumors

Rumors are unverified stories or pieces of information that circulate informally, often creating confusion or speculation. In the script, the speaker mentions rumors surrounding the artists, contributing to the narrative of uncertainty and the need to decipher truth from falsehood in the music industry.

💡Beef

In the context of hip-hop culture, 'beef' refers to a conflict or rivalry between artists, often manifested through their music. The speaker alludes to an ongoing 'beef' between Drake and Kendrick Lamar, which is a central theme in the discussion of their music and public interactions.

💡Cover Art Controversy

Cover art refers to the visual imagery associated with a music album or single. The controversy mentioned in the script involves the removal of cover art from a music platform, possibly due to its content or the implications it carries. This incident is tied to the broader narrative of artist expression and censorship.

💡Streaming Data

Streaming data pertains to the statistics related to online music listening, such as the number of plays a song receives on platforms like Spotify or Apple Music. The speaker dismisses the importance of streaming data in favor of the quality and impact of the music, indicating a critique of the digital metrics that drive the music industry.

💡Word Play

Word play refers to the use of different meanings of a word or the use of words in different ways to create humor or enhance literature and speech. The speaker appreciates the complexity and cleverness of word play in the artists' lyrics, which contributes to the artistic value and the intellectual challenge of understanding their music.

💡Trauma

Trauma is deeply distressing or disturbing experience that leads to long-lasting mental or emotional effects. In the script, the speaker interprets some of the lyrics as confessions of past trauma, suggesting that the artists' music may be a form of therapy or a way to confront and express difficult experiences.

💡Hypocrisy

Hypocrisy refers to the state of pretending to have beliefs, virtues, or feelings that one does not actually have. The term is used in the script to criticize someone for their actions or statements that contradict their claimed moral stance, particularly in the context of music industry practices and public figures' behavior.

Highlights

Zas Su and Taloo discuss the anticipation around Drake's response to Kendrick's recent song, indicating a high-stakes moment in the rap community.

The hosts speculate on the depth of the relationship between Drake and Kendrick, suggesting various roles such as business partners or godfathers.

They analyze the title 'Heart Part Six' by Kendrick, comparing it to Drake's previous 'Hard Part' titles, indicating a continuation of their lyrical rivalry.

The discussion touches on the idea that Drake may have planted a mole within Kendrick's camp to feed him false information.

Zas Su expresses skepticism about the veracity of the claims made in the rap feud, questioning the lack of concrete proof.

They mention the removal of the cover art from certain platforms, suggesting potential legal or ethical issues related to the content.

The hosts debate the implications of the lyrics, with one suggesting that the 'bones' refer to skeletons or lies that have been 'dug up'.

They discuss the potential for other artists like ASAP Rocky to enter the fray and how it could escalate the situation.

Zas Su and Taloo reflect on the impact of the feud on fans, noting that despite the controversy, listeners are getting new music.

The conversation includes a critique of Drake's strategy, accusing him of 'triple downing' on a false narrative.

The hosts question the sincerity of the feud, suggesting that it might be a publicity stunt to drive album sales.

They express admiration for the lyrical wordplay and the intellectual challenge it presents to listeners.

Zas Su and Taloo consider the broader implications of the feud on the music industry, including discussions of hypocrisy and moral standards.

The conversation ends with a call to action for listeners to engage with the content, share their thoughts, and stay tuned for further developments.

Transcripts

00:02

[Laughter]

00:08

what the doe what's good YouTube it's

00:10

your boy Zas Su and

00:16

taloo I'm dress for the occasion what's

00:19

the

00:21

occasion Drake standing on business

00:23

today bro you feel me I'm he he's

00:25

standing on business bro I ain't never

00:27

been this much on the edge of my seat

00:30

bro this [ __ ] Drake and I I ain't going

00:32

to lie today when I was going I was

00:33

chilling today right yeah I'm like bro I

00:36

think everybody chilling today I thought

00:37

people went to church I'm saying said

00:40

they thanks and was nothing going on in

00:42

I'm like everybody going to let every we

00:43

going resume we going to resume the

00:44

following week you feel what I'm saying

00:46

no bro I'm on you right now that [ __ ]

00:48

crazy bro I ain't going to lie bro cuz

00:50

Kendrick he's coming

00:54

I that song Kendrick drop is a banger

00:57

though hey they not like uh

01:03

I was kind of curious what angle Drake

01:04

was going to take though cuz it's like

01:06

what else do you say n and that's what

01:08

I'm saying bro cuz like I'm looking at

01:11

the

01:12

thumbnail and I

01:14

see it's

01:20

spooky cuz it was it was it's a lot of

01:23

uh like you say a lot of rumors and

01:24

stuff going around which nobody knows

01:26

you know what I mean so that's a day

01:28

free that's Kendrick like long time

01:30

partner like his business partner

01:31

whatever yeah cuz that's what Drake

01:33

Drake was saying something about

01:34

remember free that other song right but

01:37

I'm saying if that's his longtime

01:38

partner that could also be his like his

01:40

kids Godfather or something you feel me

01:41

like yeah I mean that's I don't know how

01:43

deep the relationship is but like you

01:45

say [ __ ] it's it's it's it's it's it's

01:48

it's it's it's is is it's getting crazy

01:52

all right the Heart part six that's uh

01:55

that's one I see what he did though what

01:58

like the that's kend [ __ ] that's

02:00

Kendrick titling like the hard

02:03

part Kendrick got the Heart part five

02:06

Drake

02:14

[Music]

02:16

fli all

02:20

right the pull a prize winner is

02:23

definitely spiring I got your [ __ ]

02:25

lies tapped I swear that I'm dialed in

02:27

first I was a rat so where's the proof

02:29

of the tri in

02:31

theet okay he coming on some calm [ __ ]

02:34

I'm

02:35

sayig have to like you know what I'm

02:38

saying might get get get a little closer

02:41

let's do what he's saying you feel let's

02:42

do it all right come

02:44

on prize winner is definitely spiraling

02:48

I got your [ __ ] lines tapped I swear

02:49

that I'm dowed in first I was a rat so

02:52

where's the proof of the tri in where's

02:54

the paperwork of the cabinet is filed in

02:56

1090 Jake would have took all the walls

02:58

down the streets would have had me

03:00

hiding out in a small town my Montreal

03:03

connect stand up not far down the ones

03:05

that you getting your stories from they

03:07

all clowns I am a War General

03:10

preparation my jacket covered inals

03:12

honor and decoration you waited for this

03:14

moment over the desperation we plotted

03:17

for a week and then we fed you the

03:18

information a daughter that's 11 years

03:20

old I bet he takes it we thought about

03:22

giving a fake name or a destination

03:25

thirstday you not concerned with

03:27

investigation instead you in advant

03:29

studio

03:31

CRA you hear what he saying bro I

03:34

think like no no no I'm thinking I know

03:37

what he said what' he

03:43

say you got to listen be l no I'm bro

03:46

I'm listening as hard as I

03:51

can you know how Kendrick is trying to

03:52

say like [ __ ] I got a mle in your Camp

03:55

yeah yeah that's revealing all this

03:56

information to me that you don't even

03:58

know about yeah oh we

04:00

[ __ ] yeah Drake trying to say like [ __ ]

04:02

that's our mode [ __ ] we put him in your

04:04

camp on

04:06

purpose and he fed you lies damn bro he

04:10

moving like the US government or

04:11

something some crazy [ __ ] secret spy you

04:14

know what I'm saying Secret Agency and

04:16

[ __ ] that's crazy but do you believe

04:18

that though that's what I'm saying

04:19

though I don't believe that I'm not

04:21

buying that I ain't going to lie cuz

04:22

like think about it why would you have

04:24

him feed him them type of lives like the

04:26

pedophile and the uh you know all that

04:29

other [ __ ] you feel what I'm saying also

04:31

too if you really did have a mo you

04:33

would have been came out and said [ __ ]

04:35

this is the [ __ ] we had that you was

04:36

talking to you would have been shown

04:37

proof like this is the what saying he

04:40

would even got out this far yet what I'm

04:41

saying you would have shown proof of

04:42

conversation that your

04:44

mole had with whatever you feel what I'm

04:47

saying like the conversation and the mo

04:49

would have been came out like nah [ __ ]

04:50

you thought I was a mo [ __ ] you feel

04:52

what I'm saying I'm team overo [ __ ] we

04:54

played you that person with a B came out

04:56

a b said this is the [ __ ] you talking

04:58

about you feel what I'm saying believe

05:00

it I'm not buying what y'all

05:01

think and impatient your fansing

05:05

thinking is my even you use the jokes

05:08

and the medication the glove and the

05:11

drug Master manipul you B on a

05:14

speculation but why did the cover art

05:16

get took down though you know what I'm

05:18

talking about the cover art got took

05:20

down I heard on like apple music or

05:21

something like that um I'm not positive

05:25

but if I'm not mistaken it has something

05:28

to do with like the um

05:31

the

05:39

um what about the bones we dug up in

05:41

that excavation and why isn't Whitney

05:43

denying all of the allegations why is

05:46

she following and I miss the mor you

05:48

haven't seen the kids in months the

05:50

distance is

05:53

wild where you been

05:55

Kendrick where you been Kendrick

06:00

what the [ __ ] cuz no no no listen to

06:03

what he said though zek he said dug up

06:08

the bones in the excavation you know

06:10

what excavation

06:12

is excavation is when they put the stuff

06:15

in the ground and they dig right they

06:18

dig and and and he saying they like they

06:20

dug deep for the bones but the skeletons

06:23

that means like the Bones is like the

06:26

skeletons like the lies that's like you

06:28

feel me so we digging up old bones and

06:31

that's like the lies boom send that back

06:34

to Kendrick like bro we dug the we dug

06:37

it up excavation and then what he say

06:40

what he say after

06:44

that Whitney denying all of the

06:47

allegations following day free and I

06:50

miss the morale you haven't seen the

06:51

kids in 6 months the distance is Wilding

06:55

emis the childing anything with get hold

06:59

on

07:00

this EP angle was the [ __ ] I expected

07:03

Tik Tok videos you collected and dissed

07:06

instead of being on some sh you rather

07:09

[ __ ] grab your

07:11

[Music]

07:14

and

07:16

mother wa a second instead of being onir

07:20

[ __ ] you rather [ __ ] grab your pen

07:22

andir [ __ ] my mom came over today and I

07:25

was like mother ey mother I mother ey

07:29

wait a second that's that one record

07:31

where you say you got molested a [ __ ] me

07:34

I just made the whole connection this

07:36

about to get so depressing is tra your

07:39

own confs your father leave home alone

07:42

with hold on bro this then he was about

07:45

to say when your father leave you alone

07:46

with no protection Kendrick never said

07:48

he got a molested though where did he

07:49

get that from though that's what I'm

07:51

saying I'm trying to figure out where it

07:52

came from p and misir [ __ ] my mom came

07:56

over today and I was like mother I

07:59

mother ey

08:00

mother wait a second that's that one

08:02

record you say you got molested [ __ ] me

08:05

I just talking about oh he talking about

08:07

he's talking about he's he's talking

08:09

about

08:10

um from uh that album Mr Morales in the

08:13

big

08:14

St that

08:16

song M

08:18

so I guess he saying on that song he he

08:21

admitted that he got molested but I

08:22

don't recollect that though yeah yeah

08:24

conf lyrics when he say that that's what

08:26

I'm saying is that in the lyrics though

08:29

this about to get so depressing this is

08:32

Trauma from your own confessions this

08:34

when your father leave you home alone

08:35

with no protection so neglected that's

08:38

why these pedophile raps and [ __ ] you so

08:40

obsessed with it's so excessive they

08:42

acting like it's so aggressive but you

08:44

just never known affection I don't want

08:45

to diss you anymore this really got me

08:47

second guessing Touch My Body by Mariah

08:50

car play you probably start reflecting I

08:52

never been you he what he say you what

08:54

he say you he what he say you what he

08:56

say give me right you got to give me

08:57

right

09:03

tou my body put me on the

09:06

B give me some

09:07

[Music]

09:12

hair is that not it hell

09:15

no I never been with no one underage but

09:18

now I understand why the angle that you

09:20

really mess with just for clarity I feel

09:22

disgusted angle though that whole

09:24

pedophile

09:28

angleo sugested but that's not the

09:30

lesson clearly there's a deeper message

09:32

deep cuts that never healed and how they

09:34

got infected like if da really [ __ ]

09:36

your girl and got a pregnant talk about

09:38

Brea resentment how to e

09:41

the I'm praying you recover from both

09:43

inci but you a piece of

09:47

sh he call that [ __ ] a piece of [ __ ]

09:50

Bro Drake snapping on his ho that's a

09:53

white boy insult you piece of [ __ ]

09:59

ain't that how white boys ins yeah you

10:01

piece of [ __ ] like yeah like you you you

10:03

uh you

10:05

prick you know what I'm saying like

10:08

like a name that you going see on no sex

10:11

offender list e does it you mention a

10:14

minor but [ __ ] got to be and the fans

10:16

who was it you

10:20

FL that was hard Bel that was wh you

10:23

hear that what that was hard what was it

10:26

[ __ ] what

10:29

Drake is not a name

10:35

sex you mention that remember A Minor

10:38

remember A Min Min look

10:48

howar not listen listen listen listen oh

10:51

I see put it together I see put it

10:53

together does it you mention a minor but

10:55

[ __ ] got a B sharp and tell the fans

10:57

who was it you thought you

11:01

FL n no no that's hard that's hard

11:03

that's hard that's hard oh everything I

11:05

like that Dr that was hard that was hard

11:08

like the

11:10

word c d e f I'm like he put that [ __ ]

11:15

together bro I ain't going to lie that

11:16

word play bro

11:18

like word I like when [ __ ] play with

11:21

it bro like stop stop stop stop stop

11:24

stop stop bro what what made

11:29

I your thr with and rck like that one

11:33

flight from I'm your baby screen that

11:36

was crazy that that

11:39

flight teenag I'm a [ __ ] hit maker

11:42

not

11:43

aaker yeah bullets that I'm stuffing in

11:45

each chamber your ass in extreme danger

11:48

stop buying views and B comments you may

11:50

as well keep the paper [ __ ] you about to

11:52

need for later I give a [ __ ] about your

11:54

streaming data you could drop a 100 more

11:56

records I'll see you later yeah maybe

11:59

when you meeter I don't want to fight

12:01

with a

12:06

be deleted your is going a

12:11

hypocrite Dam that's what I'm saying

12:13

he's saying a lot of words we got we got

12:16

hey you got you got to SC in he talking

12:18

I ain't trying to miss nothing for

12:22

sure give a [ __ ] about your streaming

12:24

data you could drop 100 more records

12:27

I'll see you later yeah maybe when you

12:29

meet your maker I don't want to fight

12:31

with a woman beater it feeds your nature

12:33

if you still bumping our Kelly you could

12:35

thank the Savior said if they deleted

12:37

his music and your music is going to a

12:40

hypocrite I don't understand why these

12:42

people you sound like I like that see I

12:45

like them I like how [ __ ] is flipping

12:47

each other's angles bro like Kendrick

12:49

calling him a pedophile he's saying like

12:51

[ __ ] remember like back in the day when

12:53

they was going to take uh it was

12:55

something I think it was something like

12:56

it was something like it was something

12:58

about like Spotify

12:59

taking down um R Kelly music and uh oh

13:02

yeah yeah yeah yeah yeah yeah it was

13:04

kind of like a strike like Kendrick

13:06

saying

13:07

like if you take down Kelly music then

13:11

like take down his [ __ ] it's like a he

13:14

made a stance you what I'm saying yeah

13:16

like like like he was standing with it

13:17

or something yeah yeah yeah yeah he's

13:18

saying like [ __ ] that's that's you a

13:20

hypocrite

13:23

yeah I'm lost

13:26

still [ __ ] I like I'm still lost cuz

13:29

I'm still lost when he need some paper

13:33

album dropping soon no wonder you turn a

13:35

clout Chaser instead of doing hard label

13:38

[ __ ] I see you when I see you like

13:39

Fantasia Whitney you can hit me see

13:43

you I

13:45

see that's heyy I'm sming that song

13:50

[ __ ] yo I'm not going to lie this [ __ ]

13:53

was some some good exercise like it's

13:56

good to get out get the pen working he

13:58

he was talking

13:59

no no no for sure for sure really a

14:01

predator and you weren't [ __ ] lying

14:03

to every blogger and editor

14:05

but it is what it

14:07

is you definitely got this [ __ ] burnt

14:09

the [ __ ] out though like you got 10 more

14:13

records to drop the one before the last

14:16

one we finessed you into telling a story

14:18

that doesn't even

14:19

exist and then you go and drop the West

14:22

Coast one and try and cover that up I

14:24

would like that one that that that would

14:26

be some [ __ ] yeah [ __ ] cuz that was a

14:28

banger [ __ ] that [ __ ] was a listening

14:31

like a mug yeah hey that listen I don't

14:33

give [ __ ] who you is [ __ ] that you not

14:36

like us you not like us you not like

14:40

us

14:42

hey [ __ ] tripling down on some whole

14:45

other [ __ ] but you know at least

14:48

your fans are getting some raps out of

14:51

you I'm happy I can motivate you that

14:53

that is fact n no no I ain't going to

14:54

lie CU hey everybody eating you feel me

14:57

everybody eating right now bro I'm not

14:58

mad

14:59

me we needed this content [ __ ]

15:01

everything in my [ __ ] is

15:03

facts I'm waiting on you to return the

15:05

favor like let us know in the comments

15:08

what y'all think about the response so

15:10

let me tell you let me tell you how d i

15:12

I still think Kendrick's in a lead my my

15:14

personal opinion I still think

15:15

Kendrick's in the lead you know what

15:17

would be a real curveball what if ASAP

15:20

Rocky drop a this like [ __ ]

15:22

oh if if cuz you can't forget about

15:25

[ __ ] [ __ ] if future drop a this bro

15:27

it's going to turn up you feel me

15:29

and like really get on that [ __ ] though

15:31

like [ __ ] start rapping rapping like [ __ ]

15:33

going to turn it up damn that would be a

15:34

curve ball bro this SK get in that's

15:37

what I'm saying this this might be a

15:39

battle bro but it might not be the

15:43

war do you feel me elaborate Bel I got

15:47

to Zeke so

15:50

like this is like say they battling over

15:54

here right but it's still a whole

15:56

country around it you know what I'm

15:58

saying cuz you got two different sides

16:00

that's like beefing so you got this

16:02

amount of number and you got this amount

16:03

of number and they going at it so like

16:06

why they like arguing over here and like

16:09

say one of them defeats the other

16:11

there's more people coming you feel me

16:13

because there's an army of people like

16:16

on both sides so like the war is not

16:18

done until they actually

16:21

like take over like the whole like thing

16:26

you know what I'm

16:27

saying hey no bro bow delivering in the

16:32

all 50 states legally man if you ain't

16:34

got nothing to do make sure you roll up

16:35

some of that Belo sticky glue we about

16:37

to start streaming on here y'all so make

16:38

sure y'all turn your post notifications

16:39

on so y'all know when we go live if you

16:41

a supporter you want to tap in with us

16:43

daily make sure you text our number um

16:45

it's a free line text us ask us

16:47

questions send us [ __ ] ask us advice all

16:50

that man um if you on Twitter with it

16:52

make sure you join the Twitter com you

16:54

lit over there no what I'm saying that's

16:55

where we active at

16:59

wow helloow helloow hello

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