Twenty One Pilots - Clancy Music Videos Premiere Livestream

twenty one pilots
23 May 2024109:32

Summary

TLDRThe video script details a live stream event where the band 21 Pilots premieres their new album 'Clancy', featuring a music video for every song. The band members, dressed in pajamas, engage with viewers while sharing insights into the album's creation, the stories behind the songs, and their experiences filming the videos. They also discuss their upcoming tour dates and express gratitude to their crew and fans for their support.

Takeaways

  • ๐ŸŽฅ The script is a detailed account of a live stream where the band '21 Pilots' premieres each music video from their newly released album 'Clancy'.
  • ๐ŸŽค The band members, including lead vocalist Tyler Joseph, engage in casual banter and share personal anecdotes throughout the live stream, creating an intimate and interactive experience for viewers.
  • ๐ŸŽฌ The live stream features commentary on the creative process behind the music videos, revealing insights into the band's artistic vision and the hard work that went into producing each video.
  • ๐Ÿ† The band expresses gratitude to their crew, management, and fans, emphasizing the collaborative effort required to create and release their album and music videos.
  • ๐ŸŒ The live stream is a global event, with viewers tuning in from different parts of the world, showcasing the international reach and fan base of '21 Pilots'.
  • ๐ŸŽต The album 'Clancy' consists of 13 songs, each with its own music video, highlighting the band's commitment to a comprehensive audio-visual experience for their audience.
  • ๐ŸŽน Tyler Joseph shares that he wrote many songs on the album using a ukulele, indicating the instrument's significant role in shaping the album's sound.
  • ๐ŸŽฌ The music video for 'Vignette' stands out as one of the band's favorites, with its unique narrative and cinematic qualities.
  • ๐Ÿ”— The song 'Navigating' is identified as a key track that continues the lore-based narrative the band is known for, connecting to their previous music video stories.
  • ๐Ÿšซ The band discusses the absence of a music video for 'Paladin' during the live stream, mentioning that it has been filmed and is in post-production, building anticipation for its release.
  • ๐Ÿช The live stream has a casual, sleepover-like atmosphere, with the band members in their pajamas, eating snacks, and engaging in light-hearted conversation, making the event feel personal and relaxed.

Q & A

  • What is the significance of the song 'Over Compensate' in the live stream?

    -The song 'Over Compensate' is one of the tracks on the album 'Clancy' by 21 Pilots, and it was played during the live stream as part of the premiere of every music video from the record. It sets the tone for the album's release and the band's interaction with their fans during the stream.

  • What does the lyric 'I fly by the dangerous BL, symol don't hesitate but maybe over compensate' from the song 'Over Compensate' suggest?

    -This lyric suggests a sense of risk-taking and the willingness to go beyond what is expected or safe. It reflects the band's approach to their music and possibly their life philosophy, as they are not afraid to push boundaries and 'over compensate' for any challenges they face.

  • Can you explain the meaning behind the song 'Midwest Indigo'?

    -The song 'Midwest Indigo' is a tribute to Ohio and the Midwest region where the band members grew up. It captures the essence of driving to school with poor visibility and the emotional connection to their roots. The song is a reflection on their journey and the feelings associated with their origins.

  • What is the concept behind the music video for 'Routines in the Night'?

    -The music video for 'Routines in the Night' explores the idea of walking through memories in the middle of the night while the world is asleep. It delves into the internal struggle and the space between painful memories and terrible dreams, showcasing the band's introspective side.

  • How does the song 'Vignette' relate to the theme of addiction?

    -The song 'Vignette' is interpreted by the band as a reflection on addiction. It discusses the struggle and the emotional turmoil that comes with it, portraying a season of addiction and the difficulty of overcoming it.

  • What is the significance of the song 'The Craving Jenna's Version'?

    -The song 'The Craving Jenna's Version' is a deeply personal track that was written on the ukulele. It represents a more intimate and raw version of the song, showcasing the band's versatility and their ability to convey emotion through different musical arrangements.

  • What is the role of Mark Echelman in the creation of the music videos?

    -Mark Echelman from Real Bear Media has been the band's creative director since day one. He has been instrumental in directing and editing the music videos for the album 'Clancy', contributing significantly to the visual storytelling of the band's music.

  • What is the meaning behind the song 'Lavish'?

    -The song 'Lavish' is about embracing a lifestyle of excess and luxury, with lyrics that describe a world filled with material wealth and self-indulgence. It also serves as an opportunity for the band to explore different sounds and styles within their music.

  • Can you describe the music video for 'Navigating'?

    -The music video for 'Navigating' is a continuation of the band's lore, picking up where 'Over Compensate' left off. It is a narrative-driven video that adds depth to the story they have been telling for over a decade, providing fans with a deeper understanding of the band's universe.

  • What is the significance of the song 'Snapback' in the context of the album?

    -The song 'Snapback' stands out as it was the first music video shot for the album 'Clancy'. It features the band's lead singer with long hair, showcasing a different look and adding variety to the album's visual presentation.

  • What is the message conveyed in the song 'Oldie Station'?

    -The song 'Oldie Station' is a reflection on change and growth, discussing the fear of the past and the uncertainty of the future. It's about learning to let go of old habits and embracing the lessons that come with time, ultimately finding strength in resilience.

  • What is the concept behind the music video for 'At the Risk of Feeling Dumb'?

    -The music video for 'At the Risk of Feeling Dumb' is a creative exploration of the song's themes, using visual metaphors and symbolic imagery to convey the emotions and messages in the lyrics, resulting in a unique and engaging viewing experience.

  • What can fans expect from the upcoming music video for 'Paladin Straight'?

    -While the music video for 'Paladin Straight' was not shown during the live stream, fans can expect a continuation of the band's storytelling tradition. The video is set to be released soon after the live stream event, promising more depth and intrigue to the album's narrative.

Outlines

00:00

๐ŸŽถ Overcoming Struggles and Embracing Imperfections

This paragraph delves into the theme of overcoming struggles and embracing imperfections. The speaker reflects on personal experiences, highlighting moments of self-doubt and resilience. The narrative touches on the feeling of being overwhelmed and the importance of persevering despite uncertainties. The chaotic nature of the text mirrors the complexity of emotions faced during difficult times.

05:01

๐Ÿ›ค๏ธ Struggles with Change and Moving Forward

This paragraph explores the theme of struggling with change and the effort to move forward. The speaker recounts memories and emphasizes the difficulty of letting go of the past. The narrative portrays a sense of frustration and the challenge of starting anew. The imagery of yellow dashes in the street and interactions with strangers underline the internal conflict and the desire for stability.

10:01

๐Ÿ’ญ Inner Conflicts and the Craving for Connection

This paragraph focuses on the internal conflicts and the craving for connection. The speaker expresses a sense of isolation and the longing for someone to understand and reach out. The text highlights the fear of the unknown and the impact of past experiences on current emotions. The repetitive nature of the narrative emphasizes the persistent struggle to communicate one's needs and the hope for resolution.

15:03

๐ŸŽˆ Sense of Control and Destruction

This paragraph revolves around the theme of control and the potential for destruction. The speaker introduces a sense of authority over their world, coupled with the ability to destroy it at will. The narrative transitions into a live stream setting, featuring interactions with others and a preview of music videos. The blend of whimsical and serious tones reflects the duality of maintaining control while navigating public and private personas.

20:06

๐ŸŽฅ Live Stream Interaction and Music Video Previews

This paragraph continues the live stream interaction, providing a behind-the-scenes look at the creation of music videos. The speakers share anecdotes about the filming process, highlighting moments of tension and creativity. The narrative includes casual conversations and humorous exchanges, offering a glimpse into the camaraderie and dedication involved in their artistic endeavors.

25:07

๐ŸŒƒ Nostalgia and Reflections on Past Experiences

This paragraph delves into nostalgia and reflections on past experiences. The speaker reminisces about earlier days, emphasizing the emotional journey and growth over time. The narrative conveys a sense of gratitude for the support received and the challenges overcome. The mention of specific locations and personal anecdotes adds depth to the storytelling, illustrating the impact of these experiences on their present identity.

30:08

๐ŸŒŒ Embracing Change and Uncertainty

This paragraph explores the theme of embracing change and uncertainty. The speaker acknowledges the inevitability of change and the difficulty of navigating it. The narrative emphasizes the importance of adaptability and resilience, despite the fear of the unknown. The text highlights the ongoing journey of self-discovery and the effort to find stability amidst constant change.

35:27

๐Ÿ›ค๏ธ Reflections on Personal Growth and Connections

This paragraph focuses on reflections on personal growth and the importance of connections. The speaker discusses the challenges faced in maintaining relationships and the impact of personal growth on these connections. The narrative emphasizes the significance of understanding and support from others, while also highlighting the difficulty of balancing personal development with external expectations.

40:35

๐ŸŒ  Overcoming Isolation and Finding Strength

This paragraph addresses the theme of overcoming isolation and finding inner strength. The speaker reflects on moments of feeling alone and the journey towards self-empowerment. The narrative underscores the importance of resilience and the belief in one's ability to navigate difficult situations. The imagery of fighting against the odds and the hope for a better future illustrates the determination to overcome adversity.

45:40

๐ŸŽค Live Stream Interactions and Music Video Previews

This paragraph continues the live stream interactions, providing more insights into the creative process behind their music videos. The speakers share light-hearted moments and personal stories, offering a behind-the-scenes look at their work. The narrative blends humor and sincerity, reflecting the dynamic nature of their artistic journey and the effort involved in bringing their vision to life.

Mindmap

Keywords

๐Ÿ’กOvercompensate

Overcompensate means to make excessive corrections or adjustments. In the video, it is used multiple times to describe the behavior of trying too hard to counterbalance something, indicating a theme of struggle and imbalance. For example, the lyrics 'don't hesitate to maybe overcompensate' suggest a tendency to overdo things in an effort to make up for perceived shortcomings.

๐Ÿ’กClancy

Clancy appears to be a central character or persona in the narrative of the video. The line 'I am Clancy prodal Sun' suggests a self-identification and the birth or creation of this character. Clancy could represent a protagonist navigating through the themes and events described in the lyrics.

๐Ÿ’กFear

Fear is a recurring concept in the video, representing both a personal and universal struggle. The lyrics 'fear of the past and relative he Future's coming fast' highlight anxiety about both past experiences and future uncertainties. Fear serves as a barrier the characters must overcome.

๐Ÿ’กIsolation

Isolation is depicted through the character's feelings and experiences. Phrases like 'I don't want to be here' and 'I feel all alone' convey a sense of detachment and solitude, emphasizing the emotional distance from others and the struggle to find connection.

๐Ÿ’กJourney

Journey refers to the character's physical and emotional progression throughout the video. The repeated mention of 'making my way' and 'tracing out Al line' symbolizes the ongoing quest for purpose and direction. This theme is central to understanding the character's development.

๐Ÿ’กMemory

Memory plays a crucial role in the narrative, linking past experiences to current emotions. The line 'I remember certain things' signifies how past events continue to influence the character's present state of mind, creating a backdrop for the ongoing themes of nostalgia and regret.

๐Ÿ’กStrength

Strength is portrayed as a necessary attribute to face challenges. The lyrics 'strength enough fall one more time' and 'strength enough for one more time' indicate resilience and the inner power required to persist despite difficulties. It underscores the character's perseverance.

๐Ÿ’กDisassociation

Disassociation refers to a feeling of detachment from reality or oneself. The phrase 'I'm navigating I'm navigating my head disassociate' captures the struggle with mental clarity and the effort to remain connected to reality. This theme highlights the character's internal conflict.

๐Ÿ’กHope

Hope is a subtle yet significant theme, providing a counterbalance to the darker elements. The lyrics 'hope she looks for me' and 'hope that she would agree' suggest a longing for positive outcomes and connection, offering a glimmer of optimism amidst the struggles.

๐Ÿ’กChange

Change is a pervasive theme, reflecting both personal transformation and external circumstances. The lines 'can't change what you've done' and 'things always change' underscore the inevitability of change and the necessity to adapt, framing the narrative's progression.

Highlights

The premiere of the music video for 'Midwest Indigo', a song that means a lot to the band and represents their connection to Ohio.

A surprise cameo appearance by band member's wife Jenna, brother Jordan, and their dog Jim in the 'Midwest Indigo' video.

The song 'Routines in the Night' and its music video, which was almost not included on the record.

Emotional performance and music video debut of 'Vignette', exploring themes of addiction.

The 'Craving Jenna's Version' music video, featuring personal footage from the band's phones.

Discussion about touring plans for the album 'Clancy', including US, Australia, New Zealand, and Latin America.

The music video for 'Lavish', which stands out for its unique style and suits-wearing limousine ride.

The storytelling aspect of the 'Navigating' music video, continuing the band's lore and narrative.

A humorous moment where the band discusses the confusion between the Bandido and Torch Bearer characters in their lore.

The 'Snapback' music video, which was the first one shot for the album and features the band in an empty garage.

The challenging shoot for the 'Oldie Station' music video, which tested the band's physical limits.

A special shoutout to the crew involved in making the music videos, acknowledging their hard work and dedication.

The 'At the Risk of Feeling Dumb' music video, showcasing a progression of height as a central theme.

The final song 'Paladin Straight', with a placeholder for the upcoming music video, leaving fans in anticipation.

Emotional closing remarks from the band, reflecting on their journey and thanking their fans for their support.

Transcripts

00:27

wa what what

00:45

in my eyes don't sleep on a boy you can

00:47

fall asleep twice in the same night and

00:49

won't hesitate to maybe over compensate

00:53

said I fly by the dangerous BL

00:58

symol don't hesitate but maybe over

01:02

compensate and then by the time I catch

01:07

in

01:10

myate to make me over compensate where

01:14

am I from I was born right here just now

01:16

originated right in front of your eyes

01:18

if you can't see I am Clancy prodal Sun

01:21

running come up with want to and that

01:24

you pickle you serve your B of the

01:26

masses get kicked to the curb from

01:28

passing the classes half empty half save

01:30

half your taxes then overtake your

01:33

former C fly by the

01:37

dangerous symol don't hesitate to maybe

01:42

over compensate and then by the time I

01:46

catch in my

01:49

periperal don't hesitate to maybe over

01:54

compensate feel like a perfect length I

01:56

don't need them any longer but for

01:58

goodness sake do the years seem way too

02:01

for way

02:03

[Music]

02:04

[Applause]

02:09

[Music]

02:14

too track Jack your ear hes while you

02:19

react acting smack

02:21

don't maybe over I said I fly by the

02:27

dangerous V

02:30

he don't hesitate maybe

02:33

overate then by the time I catch

02:38

[Music]

02:41

myate maybe over compensate

03:04

[Applause]

03:21

stand up straight

03:23

now can't break

03:26

down graduate

03:28

now I don't want to be here I don't want

03:31

to be here it's a taste

03:34

test of what I hate

03:37

less can you die

03:39

of I don't want to be here I don't want

03:42

to be here what's about to happen what's

03:45

about to

03:46

happen I

03:48

remember I remember certain things what

03:53

I was wearing the yellow dashes in the

03:57

street I pray those lights would take me

04:03

home then I heard Hey kid get out of the

04:08

[Music]

04:15

road I don't want to be here I don't

04:18

want to be here can't feel my

04:21

legs I might

04:23

suffocate there's a pressure in my chest

04:27

I don't want to be here I don't want to

04:29

be here what's about to happen what's

04:31

about to

04:33

happen I

04:35

remember I remember certain things what

04:39

I was wearing the yellow dashes in the

04:43

street I pray those lights would take me

04:50

home then I heard Hey kid get out of the

04:58

road wo

05:00

[Music]

05:08

can't

05:09

[Music]

05:17

change I

05:19

remember I remember certain things what

05:23

I was wearing the yellow dashes in the

05:27

street I pray those lights would take me

05:34

home then I heard hey can't get out of

05:37

[Music]

05:40

the and

05:46

then R down his

05:53

window

05:56

you stop

06:00

[Music]

06:20

it's a taste

06:22

taste of what I hate

06:26

less I don't want to be here start fresh

06:30

with a new

06:34

[Music]

06:48

year can't change what you've

06:53

done start fresh next semester

06:59

[Music]

07:23

I don't want to

07:27

[Music]

07:36

rap race place the place adding weight

07:39

Tes repeating benefit from a shoe with

07:43

no lace take the seat with the crease in

07:46

it I don't mind if it's lonely I don't

07:50

mind if it's

07:52

fair I don't care you control me leading

07:56

me anywhere I don't want to back Li to

08:00

where I've started from there's no

08:04

chance I will shake this

08:07

again cuz I feel the pool water's over

08:12

my head strength enough fall one more

08:16

time reach my hand Above the Tie and

08:20

I'll take anything you have if you could

08:23

thr me alive I should have loveed you

08:27

better do you think then now the time

08:31

you should let go it's over my

08:37

head bad place on a $100 base kind of

08:41

wishing that I never did sat is that a

08:44

you should change how you doing good did

08:46

you solve all of your problems thanks

08:48

for asking in a way but accidentally

08:50

uncovered the new one yesterday what

08:52

happened to what I bur under the rug I

08:54

used to be the champion of a world you

08:57

can't see now I'm drowning in I don't

09:00

want to back slide to where started from

09:05

there's no chance I will shake this

09:09

again cuz I feel the pool Waters over my

09:14

head strength enough for one more time

09:19

reach my hand above the ti I'll take you

09:24

have if you could thr me alive I should

09:28

have you do you think now the time you

09:33

should let

09:36

go my I don't

09:39

mind I

09:42

don't

09:44

me anything you have if you could throw

09:49

me alive I should have L you better do

09:53

you think that Now's the Time you should

09:56

let go it's so my

10:00

head you should let go it's over my

10:06

head I don't want to

10:10

[Music]

10:44

[Music]

10:58

m

11:02

seems I get in my own way more I think

11:06

the less I say I hope I communicate the

11:13

craving now I see intentions don't mean

11:17

[Music]

11:28

much say enough say enough did I let it

11:32

know let it know if I found my body in

11:38

Chains i' lay down and

11:41

wait and hope she looks for

11:46

[Music]

11:47

me in she looks for

11:51

[Music]

11:55

me she just wants to get you away right

11:59

R it out to the end of a days I hope

12:02

that I can satiate the

12:06

[Music]

12:07

craving now I see you justest don't mean

12:12

[Music]

12:13

much say enough say enough did I let it

12:17

know let it know if I found my body in

12:23

Chains i' lay down in

12:26

wait and hope she look for

12:32

me and how she looks for me

12:50

[Music]

12:59

say enough say enough did I let it know

13:03

let it know if I found my body in Chains

13:09

i' lay down in wait cuz it's the fear of

13:13

the unknown the cripples every step we

13:17

take and I just hate to put this on her

13:21

but I swear that I will

13:24

give more than I take

13:30

[Music]

13:37

away the

13:40

craving now I see intentions don't mean

13:44

much

13:48

oh that's a

13:50

Miss next

14:28

hello

14:31

how are

14:33

you hey you come in

14:36

closer yeah

14:38

you a little

14:40

closer turn up your

14:42

volume turn up the volume on your

14:45

phone or your

14:48

tablet or your computer turn it

14:52

up a little bit

14:55

more I going to tell you something

15:00

I created this

15:03

world to feel some

15:07

control destroy it if I

15:10

want so I'll sing

15:15

[Music]

15:45

did you hear that what the heck was that

15:48

did you hear the leak the air that

15:51

leaked out of the

15:52

balloon did you hear the

15:56

leak the air that leaked out of the

15:58

balloon

15:59

did you hear the

16:01

leak are you did you hear the leak I

16:03

didn't hear the

16:04

leak I didn't hear the leak you guys

16:06

leak leak

16:09

listeners I didn't hear any

16:16

leak Welcome to our live stream where

16:19

we're going to uh Premiere every music

16:22

video that we have in store for this

16:24

record Clancy

16:27

um listen there's two other people here

16:30

with me today to my right we have Josh

16:32

junn Josh tell us about yourself hello

16:35

I'm Josh

16:38

also we have that's really about it we

16:41

also have another very important person

16:43

I want to explain to you actually I'm

16:45

GNA let him do that that we have Mark

16:46

echelman of real bear media he's been

16:48

our creative director since day one um

16:51

Mark introduce

16:54

yourself sorry Mark we've been working

16:57

on videos for a long time

16:59

my name is Mark I've been working with

17:01

these guys since what 2011 oh yeah and

17:05

uh listen it's

17:07

late we're in our

17:11

jammies we're ready for bed I gotta get

17:14

I got to get the bed yeah I'm exhausted

17:18

I brought my sleeping

17:21

bag um all right listen we've got a

17:25

bunch of videos to show you guys we

17:27

played over compensate next semester

17:29

backslide the craving single version

17:31

which are all videos that have already

17:32

been

17:33

released um let's just get into it the

17:36

next song on the record after backslide

17:39

is Midwest Indigo and so I think this is

17:42

the world premiere so as we're what

17:46

we're what are we doing we're going to

17:47

play every music video from this record

17:50

uh we shot a music video for every

17:52

song and the music video shouldn't be up

17:57

until uh we play it here on the stream

17:59

so at least that's what I'm being told

18:02

so this is the premiere of Midwest

18:03

Indigo and the song that means nobody's

18:06

ever heard this song before so you're

18:09

welcome for your first listen ever with

18:11

us in our Jamies heard you've never

18:12

heard this yeah Midwest indigo

18:18

[Music]

18:51

reaching out on my way home you be so

18:56

good I'll try again you make me Sil I

19:01

can guess myself could be so cold in the

19:06

go late

19:10

IED windsh like my belly

19:14

scraping

19:15

iate a little in thece seems to be as

19:20

wide as our

19:24

chances did pull up not yet

19:28

did you forget we TI on time reaching

19:33

out on my way home could be so cold I'll

19:38

try again you make me sad and second

19:42

guess

19:44

[Music]

19:47

myself Clover match my to a KNE I

19:51

request coun with the counselor any

19:54

canel

19:55

twice it's a different blue it's deep

19:58

that it's been I'll be pulling into the

20:01

parking lot before the heat kicks

20:05

in what's your

20:09

ETA chill out we're right on

20:13

timeing out on my way

20:17

home be so cold I'll try again you make

20:22

me silence I can guess myself could be

20:26

so cold in

20:28

[Music]

20:37

go I want in sunny days I'm a too to run

20:45

away you make me S and I gu myself you

20:50

can be so cold

20:54

[Music]

20:59

soid

21:02

[Music]

21:32

that was Midwest Indigo and um Josh has

21:35

got popcorn guys thanks for staying up

21:38

late with us um I guess what is it

21:40

midnight here in in Ohio um Tyler's got

21:44

some good video work those shots that

21:46

you did on the uh ice skates out there

21:49

fun fact that ice actually was cracking

21:51

and breaking as we were filming that

21:54

Mark I know that you were out there with

21:56

the camera and a bunch of gear and kind

21:59

of kind of pissing yourself a little bit

22:01

well the thing that would happen is that

22:03

we would need to discuss the next

22:06

shot I love what you're wearing and so

22:10

like me and my producer Nathan and some

22:12

people we'd like get together and be

22:14

like well I think for the next shot and

22:15

all a sudden we heard yeah and then Mark

22:17

say get away from me yeah get away from

22:20

me um scary but didn't it just

22:23

completely thaw the next day it was

22:25

perfect timing yeah we we couldn't have

22:26

shot that video the following day he it

22:28

actually melted um a little uh surprise

22:32

Cameo from my wife Jenna your brother

22:35

Jordan and Jim your your dog yeah sorry

22:39

um I didn't know you were going to want

22:41

to ride in the front at least yes but um

22:44

actually in the beginning of the video I

22:45

held up uh a guitar pick with Jim a

22:48

little cartoon Jim face on it that's

22:50

what that was yeah the original edit was

22:53

just that like wide shot pushing in and

22:54

you're like let me see all the footage

22:56

and you're like I really like that part

22:58

of it which I think is what makes these

22:59

videos so good is that like we sat there

23:01

and we watched all the takes and we just

23:02

spent so much time finding personal

23:05

moments can you hear Josh chewing or is

23:08

that just

23:09

me I was hoping that everyone could hear

23:12

but if it's only you then I'll stop

23:14

doing that you don't want any corn ah it

23:18

gets in my teeth all right I don't know

23:21

do you like popcorn this is going to be

23:23

a really long stream if we do this

23:25

that's true we have a lot more videos to

23:26

get to um the next one is routines in

23:29

the night before we get to that though

23:31

more on Midwest I wanted to mention um

23:35

the song itself I guess in a sense it

23:37

was a song to Ohio and where we grew up

23:41

and the Midwest specifically and that

23:44

feeling of driving to school um and

23:46

barely being able to see out the window

23:48

um this is one of the songs I'm most not

23:51

most I guess I don't know I'm I'm very

23:53

excited to play this one live um the

23:55

idea which I haven't told you is that

23:58

actually if we can get you and Mike live

24:01

and you sing the part that what I call

24:03

the precour did you pull up yet oh oh I

24:06

like that you well pack this baby up

24:09

take outour can you can you give us a

24:10

little uh Little Taste do you know the

24:13

song do you know any words I know I know

24:16

the

24:17

drum we'll work on it don't don't worry

24:19

about it did you pull up yet I love it

24:21

when we were shooting that part where he

24:23

had to say not yet into the phone he

24:24

kept on asking me like what's the line

24:26

again yeah they I don't know hey and

24:29

just so you guys know I know we're

24:30

getting our our bearings um Mark is in

24:32

the same room with us he's right over

24:33

there so when I turn like this I'm

24:34

actually looking at him I know you don't

24:36

want me to do that cuz it's no I've been

24:38

I said I was you were taught in film

24:39

school or whatever but well my film

24:41

school doesn't exist anymore they Clos

24:43

down it closed down after I gra does

24:45

your diploma go away when that like did

24:47

you have to take it off the wall I asked

24:49

my mom if she had it cuz I was nervous

24:51

and she said it disintegrated it just

24:52

poofed it was like a mission impossible

24:54

letter um yes so next song we have

24:57

routines in the let's just uh let's just

24:59

this is I guess the fifth song on the

25:01

record um and in case you tuned in a

25:04

little late Welcome to our live stream

25:06

we're 21 Pilots we're debuting our

25:08

record that came out just now uh it's

25:11

called Clancy there's 13 songs on it we

25:13

have a music video for every song um and

25:18

we are premiering each music video here

25:20

tonight uh overcompensate next semester

25:23

and backslide are the first three songs

25:24

on the record they those music videos

25:26

already existed uh they were already out

25:29

so we started on the fourth song which

25:30

was Midwest Indigo which we just watched

25:32

this is all for our moms by the way I

25:33

think just to make sure that they're on

25:35

the same page and Mom's just because you

25:38

haven't heard the album yet because it's

25:40

just coming out now it's an amazing

25:42

album our moms didn't listen to the leak

25:44

no no way I think they're going to be

25:46

proud of leak leakers no they're not you

25:49

leak leakers you leak

25:51

listener at the risk we got to pull up

25:54

that that's a commercial right yeah l l

25:57

lit Linker oh

25:59

yeah anyway this next one track number

26:01

five on the record it's called routines

26:03

of the night it's got a music video for

26:04

it um yeah let's go let's do this

26:07

[Music]

26:13

one stay spray ped and while all the

26:18

world asleep I walk around instead

26:22

through the memories down the halls of

26:25

my head walk a layout rots in the night

26:30

so do i' stay I spray ped and white

26:34

while all the worldle I walk around

26:38

instead

26:40

theories down the HS of my head here

26:44

comes a new night but I'll send it

26:47

through I'll probably jump on the next

26:51

one I'm testing the limits of what a

26:55

mind can do I'm keeping my eyes it's up

26:59

no matter what so

27:02

beautiful the space between a painful

27:06

Remer and a terrible dream I've been

27:10

here before and I've got time I'll give

27:14

you the show you why I the

27:19

lay in the

27:21

night stay

27:24

out white while all the ones asleep I

27:28

walk around instead

27:31

theories down the H of my head re keeps

27:35

coming around skip

27:37

night reassuring coming around it's to

27:41

find

27:42

good

27:44

reing I'm stillar what

27:48

this just keep

27:51

me so

27:53

beautiful the space between a painful

27:57

reminder around a terrible dream I've

28:01

been here before and I've got time I'll

28:05

give you the show you

28:09

I I'll show you

28:14

why I'll show you

28:19

[Music]

28:27

why walk around instead

28:30

theories down the HS of my head

28:35

walk in the

28:38

night

28:41

St all the world I around through

28:47

theories down the HS of my head

28:54

[Music]

29:09

[Music]

29:19

[Music]

29:24

that was routines in the night Josh has

29:26

got another snack oh it's getting later

29:29

every video we

29:31

show it seems to just keep getting later

29:34

and somehow it feels like this is a

29:36

Morning Show look how look how we are

29:39

are you guys in your jammies what are

29:41

you sleeping in like a you know like a

29:45

like not a creepy like a cool like an

29:48

uncle way to ask this

29:52

I I showed up and you guys started

29:54

laughing like oh dude good good bit and

29:57

I was like what are you talking yeah is

29:58

that hot or cold I can't I can't it's

30:01

very breathable is it lot going on

30:03

underneath yeah it just it lets all the

30:05

dreams and Mark really hon you m me mes

30:08

every

30:09

night yeah I don't know what that is

30:12

that's a way that uh that's the way you

30:14

snore walk around with

30:17

candlestick I have just enough cats to

30:20

where I HW shoe M me me that's just like

30:22

a cat owner thing

30:24

yeah um all right so we just uh you know

30:28

again I don't you know how people always

30:29

be like in case you're tuned in late and

30:31

they always give a little you know yeah

30:33

recap double and back yeah I don't I'm

30:35

not going to do that every time but in

30:37

case you're tuned in late we're 20 own

30:39

Pilots this is our live stream where

30:41

we're debuting every music video on this

30:43

record Clancy that dropped tonight at

30:46

midnight

30:47

Eastern what time is it in the UK oh

30:50

dang like 7 a.m. 6: a.m. oh so she they

30:53

should be up that's true ready for the

30:55

day she should be getting ready for work

30:57

yeah

30:58

watching our stream we all get up at 7

31:00

a.m. right yeah 6 maybe um yeah we have

31:04

people watching all over the world it's

31:06

pretty amazing all right what I want to

31:08

get to here uh the next video we have is

31:10

vignette the song is called

31:13

vignette uh it's a six song on the

31:15

record it's one of my favorite music

31:16

videos actually before we get into it I

31:18

did want to mention a few things have

31:19

you as you noticed we're two songs in to

31:22

you know debuting new premiering

31:25

premiering new uh music videos not every

31:28

video is going to be lore based um for a

31:32

few reasons uh

31:34

one the story needs to be told

31:36

methodically and we want to make sure

31:39

that it's told right and sometimes you

31:41

know uh these these songs Don't cater to

31:45

what the storyline is also lore-based

31:48

music videos are very very very

31:50

expensive because we always want to do

31:52

them very well um so I will say as we go

31:57

down the line we have vignette we have

31:58

the craving Jenna's version lavish

32:02

navigating Snapback oldi station at the

32:04

risk Paladin straight um the song to

32:08

look for here is navigating that's going

32:10

to be the video that's that's very lore

32:12

heavy and actually picks up uh where

32:15

overcompensate in the story left off

32:18

which then takes us to Paladin straight

32:21

um so just to get our bearings on the

32:23

story that we're telling through the

32:24

record

32:26

um also

32:30

Paladin Paladin straight does not have a

32:33

music video yet we have shot it we are

32:36

editing it we're almost done with it

32:39

we're holding on to it so we have a kind

32:42

of like a placeholder that's going to

32:44

live for a little

32:47

bit um it's not long uh but that

32:52

video I wanted the audio to live because

32:57

when we wrote it and created it it was

33:00

with the audio in mind the audio

33:02

experience and so we push that music

33:05

video back a little bit so that video

33:07

for Paladin is not coming out tonight uh

33:10

but we will end the stream by playing

33:13

Paladin straight debuting the song and

33:16

um the placeholder that we have for it

33:19

so that's the bummer stuff got it out of

33:21

the way where the lore fits in which

33:24

songs are going to have lore navigating

33:26

specifically and Paladin doesn't have a

33:29

video yet everything else does let's

33:32

that's enough let's go on to the next

33:34

one pette benette I love this song oh

33:38

you know what I was gonna say routines

33:39

probably wouldn't have been on the

33:40

record if it weren't for Josh oh dude I

33:42

love that song that's what you had to

33:44

keep telling me for me to want to put it

33:47

on the

33:48

record uh yeah I think it's a great song

33:51

um you guys can

33:53

disagree uh you shouldn't but I think um

33:58

yeah I think it I think it it deserves a

34:00

spot on the record and I think the music

34:02

video is cool how many times do we move

34:04

the drums I see people talking about how

34:07

it's like this guy just drums in all the

34:09

weirdest places like what is what do you

34:11

want videos to be yeah that's true what

34:13

else am I supposed to do I got to tone

34:16

down the

34:18

frustrated the frustrated Tyler I think

34:22

no I like it something about getting in

34:24

pajamas and still being up it's like my

34:27

body is like what are you doing I think

34:29

that's called being a cranky baby you're

34:32

sleepy and you're getting more

34:33

aggressive anyway all right let's go to

34:35

the next one This song is called

34:37

vignette um one of my favorite songs on

34:40

the record uh we'll talk about it

34:42

afterwards this is the premere of our

34:44

music video and allegedly the first time

34:47

you're hearing this song vignette let's

34:50

do it

34:52

[Music]

35:27

[Music]

35:32

not sure when it started peeling from

35:34

his bones pie it back together all alone

35:37

hope it held together long enough for he

35:39

to pit the green of grasses and hope

35:40

that she would agree Fresh Off B in the

35:43

woods flesh covered in bites testing

35:47

what is real what is good but it's been

35:49

a long night it's aute the zombies of

35:53

which I

35:55

become where do I go from here where do

35:59

I go from

36:04

here

36:06

promises

36:11

fighting

36:13

dou

36:15

[Music]

36:20

Vis he's thinking there's no way I'm

36:22

headed there always sh footed educated

36:25

and was never scared now we can't hold

36:26

out his hand without shaken hounded by a

36:29

bunch of dead when a search part found

36:31

them fresh offing in the woods FLH

36:34

covered in

36:36

B what is real what is good it's been a

36:39

long aute

36:42

toes of I

36:44

become where do I go from here where do

36:48

I go from

36:50

here clinging

36:53

to

36:55

promises fighting

36:58

[Music]

37:04

[Music]

37:09

Vis not me

37:11

it's no no not me it's for a friend no

37:15

not me it's for a friend no no not me

37:18

it's for a friend

37:21

[Music]

37:36

promes

37:39

[Music]

37:44

fing

37:46

Vision swallow

37:50

by not me it's friend no no not me it's

37:55

friend no me it's

37:57

[Music]

38:21

start on the

38:26

[Laughter]

38:29

and that was vignette I was going to say

38:31

start on the closeup of Josh coming out

38:34

of that one can we cut to him yeah I

38:36

mean oh man I'm enjoying these man this

38:38

is like this is better than going to

38:39

like a Marvel movie on on Premier night

38:42

I got a question real quick yeah uh what

38:44

was on the red piece of paper oh it was

38:48

uh it was his

38:50

face it was Josh's face how the heck did

38:53

you do that you just from a diagram yeah

38:56

you just I mean they're all all those

38:58

they're all

38:59

online you can you can pull a how how to

39:04

draw uh someone's face you know these

39:06

schematics for ponds with fresh snow on

39:10

them are all you just have to shuffle

39:11

around and and honestly Tyler uh every

39:14

once in a while is just like I feel like

39:16

I'm getting old and I can't like jump as

39:18

much anymore but jumping from the nose

39:19

to the mouth like that that had to have

39:21

been like four not a single streak just

39:24

a perfect don't don't pause on that last

39:27

frame and try to try to find the blemish

39:30

my boy looks my boy looks pretty

39:33

pristine um I I am that was the one I

39:35

was like most excited to show my

39:37

dad I feel like it's the perfect amount

39:40

of time be like what is going on and

39:42

then finally having that punch at the

39:43

end was really nice um do you want a

39:47

Lunchable um it's kind of like bedtime

39:50

that's true do you have any dinner OES I

39:53

do have a lot of like sugar stuff I'm

39:56

good man uh

39:58

it's just mean Welcome to our live

40:00

stream where we're debuting every song

40:02

on Clancy the record that just dropped

40:05

tonight oh man listen I'm so excited for

40:09

you guys to hear This Record to have the

40:11

record to get a music video for every

40:13

song Hold on Tyler are we good guys we

40:16

good all we're taking a little bit of a

40:18

stream hit so we're

40:20

gonna just I don't want you to get

40:21

interrupted by lag yeah no just talk to

40:24

me is it working

40:34

it's like old TV that used to just turn

40:37

off at night it's the internet around

40:39

here it got so late just give me a

40:40

definitive we're back and everything's

40:42

good are we just we we're back oh Kyle

40:45

says we're back sorry guys technical

40:49

difficulties

40:51

Ohio Ohio doesn't have the best

40:55

internet but it's got the best music

40:57

video

40:59

videos you're not supposed to laugh at

41:00

your own jokes like that man that would

41:02

have been fire if you just sat back and

41:04

ate a Lunchable dinner um what do we got

41:08

next oh I did want to mention listen uh

41:10

so who is this this is Josh I'm Tyler

41:12

the third guy is Mark echelman of real

41:15

bear media he's been our he's been our

41:18

creative director music video guy for

41:20

how long since well I first show before

41:24

working for you was

41:25

2010 wow believe it you know I did want

41:28

to say like I I think some people talk

41:30

about like if there was a third member

41:31

that would be you just wanted to give

41:33

you that those props you know there's

41:34

someone else that we because I I think

41:36

that if we ever get up if we ever win

41:37

another award ever again another ever

41:41

again um I don't know what we'll do but

41:45

I want to take the time there's someone

41:47

that is a more part of this team than

41:49

you'll ever know you probably have never

41:51

seen them probably never will our

41:53

manager Chris Waltman is like he he's

41:57

been with us this whole time and he

42:00

doesn't like any of the attention or

42:02

even the shout out I'm sure but man we

42:04

would I think I just heard his car start

42:06

he just left we wouldn't be here without

42:08

him um and I think it was it's

42:10

appropriate to mention that yeah listen

42:12

we are one two three we have we have

42:15

just listened to the sixth song on the

42:17

record with the music video um the song

42:21

vignette

42:23

it's there's a few interpretations of it

42:26

I think for me

42:27

um it makes the most sense when I look

42:29

at it from perspective of addiction and

42:33

um uh what that can feel like at times a

42:37

certain type of season of that um and

42:41

that's why the song is very um special

42:43

to me and I'm glad now that it's that

42:45

it's out there's there's nothing like

42:47

releasing

42:49

music and there's absolutely nothing

42:52

like releasing music to you guys I mean

42:56

how different does it make it that it's

42:58

videos too does it feel like you're

43:00

releasing something differ the video and

43:03

the Audio I mean yeah it's it's a great

43:05

feeling we're about I don't know

43:07

what a Third Way halfway through let's

43:10

go let's keep going it's it's getting

43:12

late sleep you I make some cookies it's

43:14

getting uh early in the UK it is yeah it

43:18

is where are you guys you're all around

43:20

the world I think I don't know yeah I

43:23

mean what time if you're West Coast

43:25

don't complain you're fine you're fine

43:28

yeah you're watching your your commute

43:29

home from work yeah right um what did

43:32

you say uh do you care if I make some

43:36

cookies I don't care if you make cookies

43:39

okay um do you want me to eat them uh it

43:42

would mean a

43:44

lot I hate when you say that Markle eat

43:47

a cookie all right let's let's uh let's

43:49

cook some cookies during this next one

43:51

next song is called the craving it's

43:53

Jenna's version

43:55

um yeah this is the reason I call it

43:58

that is well we'll get into it after the

43:59

video Let's just run it this is this is

44:01

one of my um I actually probably

44:02

shouldn't watch this because I might I

44:05

might tear up so I'm going to look away

44:08

I'm going to help you with those cookies

44:09

all right let's make the cookies the

44:10

craving Jenna's

44:12

version I don't know why I can't stop

44:17

crying getting

44:20

a I don't know how I about still

44:27

seems I get in my own way the more I

44:31

think the less I say I hope I

44:35

communicate the

44:38

craving now I see intentions don't mean

44:44

much say enough say enough that I let it

44:49

know let it know if I found my body in

44:54

Chains i' laid down in

44:57

way and hope she looks for

45:03

me and hope she looks for

45:08

[Music]

45:11

me she just wants to catch a wave ride

45:15

it out to the end of a days I hope that

45:19

I can say sheate the

45:23

craving now I see a gesture don't mean

45:29

much say enough say enough that I let it

45:34

know let it know if I found my body in

45:39

Chains i' lay down and

45:42

wait and hope she looks for

45:48

me and hope she looks for me

45:53

[Music]

46:15

say enough say enough that I let it know

46:19

let it know if I found my body in chain

46:25

i' laid down in way cuz it's the fear of

46:29

the unknown that cripples every step we

46:33

take and I just hate to put this on her

46:37

but I swear that I will

46:40

give more than I

46:44

take

46:53

away the craving

46:58

now I see intentions don't mean

47:17

much oh my

47:20

gosh um you know what that was actually

47:22

the first time I've ever seen that video

47:24

I figured I I didn't I didn't really

47:26

throw it over to you for approval um wow

47:30

can I get some director credit on that I

47:31

think I shot most of those videos great

47:33

yeah those came from my phone uh it was

47:35

cool to to go back in our phones and

47:38

just pull old videos um a lot of crazy I

47:42

don't I think a part of me was thinking

47:44

man I I wouldn't want to do that again

47:46

all those little shows that we

47:47

played and I think it's because I don't

47:49

know why we thought it would work I

47:53

think now looking back realizing how

47:57

crazy it is that we're here in this

48:00

position um and just the the chances of

48:06

it anyway um yeah there's two versions

48:09

of that song there's two music videos

48:10

for it uh there's the single version and

48:14

then the album version um which called

48:16

Jenna version I I wrote the song on the

48:18

uke actually I wrote a lot of songs um

48:21

on the uke for this record actually I

48:23

want to go get my uke I'm going to go

48:24

grab it for a second all right you want

48:26

to riff about something yeah I'm going

48:27

to talk about um tour

48:30

dates we are going to be

48:33

touring this album The Clancy tour and

48:36

um we're actually so we're gonna we're

48:38

going to be starting out in the US in

48:40

August we're going to pretty much

48:43

tour most of the country um all these

48:47

dates are available on 21 pilots.com but

48:50

uh um August September and October is

48:54

the US

48:57

November is Australia New Zealand so

49:00

we're going to be playing Auckland

49:01

Melbourne Brisbane and Sydney always

49:04

love getting over to Australia New

49:06

Zealand um and then in January we are

49:09

doing our first ever uh actual headline

49:13

run in uh Latin America so we're going

49:16

to be going to Bogota Santiago that's

49:20

absolutely incredible I cannot wait for

49:21

those I know that's just those shows

49:23

just the festivals like shooting a show

49:26

like it's never the same every night but

49:28

like down there it was just it's just

49:31

great yeah we've been over for festivals

49:32

but never playing headline show so we're

49:34

really excited to come back um what time

49:36

is it there that's a great question in

49:38

in uh where Rio de Janeiro what time is

49:42

it there anyone watching everyone's

49:44

asleep there I think it's June

49:47

yeah actually it's just right underneath

49:49

us right yeah it's it's not that far off

49:53

it's probably the closest to to anyone

49:55

else well still got their pajamas on

49:58

yeah how do you say pajamas in

50:00

Portuguese M you want to take a stab how

50:04

do you say pajamas in

50:06

Portuguese did you do it

50:10

yeah pajam

50:13

pajama oh that's disappointing that's

50:15

the origin of the word oh is it yeah it

50:18

started and they started it's a common

50:19

last name down

50:21

there yeah uh Bob pajamas how you doing

50:24

Bob pajamas nice to meet you he invented

50:26

him

50:27

oh and then and then now we just wear

50:29

them and it's just tradition um I did

50:31

want to talk about ukuleles real quick

50:33

uh before we move on uh guys thanks for

50:36

tuning in uh I know it's late we're in

50:38

our pajamas hopefully you are as well uh

50:41

can we just give it up for management

50:43

again

50:45

no uh so no I I did write a lot of songs

50:49

of on this record on the ukulele even

50:51

though they didn't end up on the UK and

50:53

that's why the craving this genen

50:55

version It's the version that I showed

50:57

her I wrote it at the kitchen

50:59

table uh it's kind of the way that I

51:01

wanted it to be preserved on the record

51:03

there is a single version that's

51:04

floating around out there that we're

51:06

just as proud of um but it just didn't

51:09

feel right on the record to me so that's

51:11

why there's two versions ukulele uh so

51:14

this

51:15

is I I don't know I just want to give

51:18

you an update on learning instruments

51:20

it's a ukulele but this is called a

51:22

baritone ukulele so it's actually larger

51:24

um and it sounds way more

51:28

full um it it uh it begs to be

51:35

plucked

51:38

same uh no but I wanted to show you this

51:40

is my old you this is called a uh Alto I

51:45

think it's just called a normal soprano

51:46

maybe but yeah this is the difference so

51:49

on tour now I'm going to be playing what

51:50

is called a baritone U gele um and if

51:53

you're able to afford one I will say

51:55

it's my favorite strument of all time um

51:59

and uh I love it very much um yeah I

52:02

might I

52:04

might I don't want to play

52:07

anything you do yeah you do you were

52:10

supposed to say not play something but

52:12

you didn't this is the next song it's

52:14

called Uh I I want you to play something

52:16

in this

52:17

configuration man this guy loves ukulele

52:20

take one away a a double neck ukulele

52:23

I've never held two ukulele at the same

52:25

time in my life

52:27

is that what you feel like uh pretty

52:29

much yeah I've got a bariton stick and a

52:32

Alto

52:34

stick um yeah one sounds more full let's

52:38

go it's getting late yeah oh man my eyes

52:42

hurt all right this next song is called

52:44

lavish it's

52:47

whatever deal with it louder for the

52:50

people in the back in

52:53

it come on it's too early for that in

52:55

the UK

52:57

uh yeah let's let's let's run it this is

52:59

I think this might be my favorite music

53:00

video it might be this one was very fun

53:03

to shoot we'll talk about it afterwards

53:05

uh this is the premiere of the music

53:08

video for our song lavish which is the

53:12

eighth song on our album nice we're

53:14

getting through them let's do

53:18

it the way of living it's just the

53:22

beginning of Life

53:29

[Music]

53:33

welcome to the new way of living is just

53:36

the beginning of lavish from the floor

53:39

to the

53:40

[Music]

53:42

ceiling welcome to the sty you haven't

53:45

seen in a

53:51

while try your best to look like this is

53:53

not your first time you're fighting for

53:55

the front row that's nice D you're

53:57

looking real nice smelling like wor

53:59

walking like you deserve it and if your

54:02

feet are hurting and that's when you

54:03

know you brought the right equipment to

54:05

put on the show and let it flow let it

54:06

show shine let it show Let it Flow

54:11

shine to the way of living it's just the

54:15

beginning ofish from the floor to the

54:20

ceiling welcome to the sty you haven't

54:23

seen in a while it's

54:26

[Music]

54:48

[Music]

54:54

got that Penny Loa for squeak LOL big

54:57

Flex complex Napoleon I say whatever and

55:00

whatever that I wanta Sun like it's per

55:04

I'm talking T happily with someone in

55:06

front of me room on the payroll everyone

55:08

can live comfortably I'm coming in hot

55:10

hot shot hypocrisy n for the folks that

55:13

talk to me so tell your friends that

55:14

follow Bots Anonymous keep it cool keep

55:17

the mood androgenous I see your problem

55:19

is your prologist got both hands on your

55:22

shoulder while you're bottomless

55:24

[Music]

55:33

welcome to the haven't seen in a while

55:39

[Music]

55:58

boom Josh is grabbing cookies hey we saw

56:01

in the chat that some some of you were

56:02

having a few technical difficulties on

56:04

the audio side uh we're told to ask you

56:07

to maybe refresh your browser might help

56:11

which is another way of saying it's not

56:12

our

56:13

fault go ahead and refresh it nothing

56:15

interesting is going to happen Josh

56:19

cookies they refreshed it

56:24

oh man do you think it's refreshing do

56:27

you think they'll they're not going to

56:29

hear any of this continuity like where

56:30

did the cookies come from yeah yeah wait

56:33

you actually made cookies these are

56:35

fresh baby this is hot refresh your

56:37

browser for fresh

56:39

cookies do you guys want a cookie you I

56:42

hope some of you guys may cookie well

56:43

they're gooey we'll let it we'll let it

56:45

CER for a second it's ideal but not not

56:48

not when you're trying to di not around

56:49

this much Tech yeah we're going to have

56:51

other technical difficulty actually it

56:52

might be my fault that the audio thing's

56:54

wrong cuz maybe the was it the oven yeah

56:57

I think the the dough your ethernet goes

56:59

underneath the oven that's

57:01

right um I AUD I want to mention our

57:04

crew on these music videos I mean we

57:06

worked crazy hours uh actually Mark if

57:09

you have again Mark Ashman he directed

57:13

and edited and all these you know videos

57:15

U give him props wouldn't be here

57:17

without him um but do you have that I

57:20

did I did kind of create the the

57:23

treatment for this I pulled that up

57:24

right here and it it's pretty crazy

57:26

let's see if we can do a picture and

57:28

picture with our I I spent a lot of time

57:31

a Google image like map street view

57:36

signs to find all these signs and that's

57:39

this is actually my document if you

57:40

scroll through like every L almost every

57:42

lyric on that song what's funny is we

57:45

could find

57:48

ceiling um but we couldn't find the

57:50

title of the song lavish there's no

57:52

there's no

57:54

stores that you know come on and so we

57:57

found a few that got close uh fun fact

58:01

um lavash shout out is my electrician's

58:04

brother's restaurant uh so gosh if you

58:08

want to check out some some good is that

58:11

so they don't sue us for putting their

58:13

storefront in a music video without

58:14

asking mostly yeah so if next week you

58:17

see a bunch of blurred out signs um

58:21

another fun fact uh Mark if you want to

58:23

scrub in the to the um that part part in

58:26

the first verse I got a text from my

58:28

brother-in-law shout out Mark artrip he

58:30

said hey I just got a text from my

58:32

friend who owns a watch store that saw

58:36

you out in front of his store recording

58:38

a video what's going on and I'm thinking

58:40

he's mad that we just uh that we just

58:43

did a a you know we shot a music video

58:45

in front of his store without without

58:48

permission um but then my brother-in-law

58:50

was like no he's actually really cool he

58:52

he uh he loved it he's pumped for the

58:55

he's pump for store to be in your music

58:59

video and if you play this part mark

59:01

real quick so sorry it's really hard to

59:03

scrub but that is the store we're

59:05

looking for in this next segment right

59:07

just see how much air time he gets um me

59:11

back up just a little bit here it

59:13

[Music]

59:19

comes that's a good advertising I mean I

59:21

just figured we had to talk about it

59:22

onam just to give them go check out the

59:26

the Time store make sure everything's in

59:28

order with who watches and check out

59:30

lavage yeah I actually ate there with my

59:32

electrician one time before the video I

59:36

yeah I that was is that where they were

59:37

waving at you yeah that was my second

59:39

time uh there um why did we do why why

59:44

does lavish

59:46

exist uh on this record good

59:51

question I think it's because we want to

59:54

make sure that we're never corner

59:56

in

59:57

a type of sound and I think that when we

60:00

lay out a song like lavish on you know

60:04

smack dab in the middle of the record it

60:05

gives us an opportunity to Spring off of

60:08

that to other things in the future I

60:11

think that's why it's important to be on

60:13

the record and I maybe that doesn't well

60:16

remember we were also we were also like

60:18

what song could we write a song where we

60:20

could wear suits and ride in a limo

60:22

that's also why it's on the record that

60:24

makes sense that exists for that

60:26

um let's uh I did want to do a quick you

60:30

know what we'll shout out yeah let's go

60:32

to the next song um yeah this next song

60:35

is navigating It Is song number one two

60:38

three four five six seven8 nine feels

60:42

like a nine you guys listen to records

60:44

like that I know when the CDs were a

60:47

thing there were s my favorite albums it

60:49

felt like the track number it felt there

60:52

was like that's a 10 song yeah this song

60:54

feels like a nine it does in a good way

60:57

like it's a it's a solid this is one of

61:00

my this is one of my favorites oh

61:01

another song that we'll talk about it

61:03

afterwards uh this is navigating this

61:05

one um pay attention we're trying to

61:08

tell a story here go ahead

61:21

[Music]

61:49

don't

61:51

know long it's been my all my

61:57

I can't seem to turn the page this haze

62:01

around my makes me feel all

62:07

alone I know you see me standing still

62:12

when our fingers touch I feel my way

62:15

back

62:19

home my I'm nating I'm navigating my

62:24

head is

62:26

associate I'm navigating I'm navigating

62:30

my head give

62:35

me I am wasting all this time

62:43

[Music]

62:56

how things change so

62:59

rapidly I find my

63:01

selfesteem then turn

63:03

[Music]

63:17

soting

63:18

my

63:22

me I am wasting

63:26

all

63:30

[Music]

63:38

this

63:40

it's since I

63:43

responded to your

63:46

question if you really want to know what

63:49

I'm

63:49

thinking kind of feels like everybody

63:52

leaves feeling the reality that

63:54

everybody leaves dad just lost his mom I

63:57

think that everybody loes now I'm trying

63:59

to hold on to you cuz everybody

64:01

leaves pardon my I'm navigating I'm

64:06

navigating my head dis associate I'm

64:10

navigating I'm navigating my hand give

64:14

me some

64:17

advice I am wasting all this

64:23

time my oh my

64:29

my delay I'm navigating I'm navigating

64:35

myate I'm navigating navigating my head

64:43

me I am wasting all this time

64:54

[Music]

65:33

Josh I'm just

65:36

kidding

65:38

dude wow we put so much time and energy

65:40

into this story I just I don't think I

65:43

imagined telling it with pajamas

65:47

on but maybe it's like a nighttime

65:51

story um you tell Tommy the story every

65:54

night yeah that's why he doesn't

65:57

sleep um that was navigating the music

66:00

video is uh very lore heavy it picks up

66:03

where we left off from

66:06

overcompensate right there and actually

66:08

that is in the story where we're going

66:10

to pick up for Paladin Straits music

66:11

video which I'm very very excited about

66:14

um yeah listen I I don't know if it this

66:18

is kind of the time now where we talk

66:20

freely about the the story and the lore

66:22

that we've been telling for over a

66:25

decade now now um and it always feels a

66:27

little weird to air it out like this but

66:30

um it's just us right

66:34

yeah yeah it's a bit it's a it's it can

66:36

be a little confusing it was it's it's

66:37

hard to communicate exactly what the

66:39

story is supposed to you know what screw

66:42

it the video is perfect um yeah I will

66:45

say that uh you know we could talk about

66:48

the torch Bearer and he has he also has

66:50

an ability uh that we we call um he has

66:54

the ability to guide died and so that's

66:58

why there is kind of like a triangular

67:01

existence of him uh but I will say to

67:04

clear it up the Bandido torch Bearer is

67:07

the real one I don't know if that sets

67:11

the sets it straight a little bit um

67:13

anyway yeah that story is going to pick

67:15

up with Paladin um

67:18

and it's going to be great he's kind of

67:20

the most handsome One too I think the

67:23

the tort the Bandido the wor part is

67:25

when I schedule like to get lunch at

67:27

Chipotle with one of the

67:30

Josh's you don't know which one you're

67:31

going to get and I pull up I'm just like

67:33

where is he well it's cuz the Bandido

67:35

torch bear he always gets a burrito and

67:38

when you invite him to go to Chipotle

67:39

you're thinking you're going to you know

67:41

get some carbs in but then Volo torch

67:45

Bear shows up and he gets a bowl and

67:47

you're like you order second which thank

67:50

goodness because if I ordered a burrito

67:52

before someone ordered a salad I just

67:54

would not feel good

67:56

so anyway um I I love that song can I

67:59

get like just five more minutes I got

68:01

more to say I will say uh that's another

68:04

song navigating is another song that

68:05

absolutely would not be on this record

68:07

if it weren't for

68:09

Josh did I convince you yeah I mean I've

68:11

told you that yeah I guess I it's just

68:14

it's just so can't say that like this is

68:16

my favorite this is my favorite without

68:17

saying this is my least and I'm sorry

68:19

but I think navigating is my least

68:21

favorite song on the record

68:23

dang that's not you're not supposed

68:25

you're not supposed to do that I it's

68:28

not bad no you're not I'm not like live

68:30

stream it's late at night they're all

68:31

excited and I'm just talking about my

68:32

least favorite song on the record it's

68:34

relative I mean you know well someone's

68:36

got to take the last spot exactly um and

68:40

I gotta say it's lavish I'm kiding

68:43

everyone just takes turns like

68:46

just anyway um yeah Midwest Indigo sucks

68:49

it's a it's

68:51

garbage uh I do want to take a moment to

68:54

shout out our crew for these music

68:55

videos uh obviously Mark um but we

68:58

worked with Nathan bilski Lindsay

69:00

Fishman Tyler schaer Michael Gibson Dan

69:03

ree Mason Castillo Aon Burwell helped

69:07

with the uh the single version of the

69:10

CRA she did all that art studio place

69:12

which is really awesome uh Lura proper

69:14

did our wardrobe stuff Andrew mccluck

69:17

helped with a lot of actually Dan

69:18

Michael and lucky were the guys that

69:21

were making sure we weren't Burning

69:22

Alive in that last video yeah the fire

69:25

guys also you know Paul meanie Adam

69:28

Hawkins Brandon Reich Pete gamar these

69:30

four guys you know helped us in so many

69:33

other ways it's hard to even describe I

69:34

don't know I just think that we're not

69:35

going to win any awards okay I don't

69:38

think that we're going to get up on

69:39

stage anymore so I'm using this as an

69:40

opportunity to shout some people out um

69:43

thank you guys our crew is awesome uh we

69:46

appreciate you we wouldn't be showing

69:48

these videos without you and you know

69:49

the other thing I was going to mention

69:50

cuz you know Jenna gets a moment in

69:52

Midwest Indigo um she's sitting on the

69:54

bench with your brother Jordan mhm it

69:57

was supposed to be Debbie but she was

69:58

out of town yeah on a work trip um cuz

70:01

she's got to get that bread or whatever

70:04

uh no get that Ned's bread the Ned's

70:06

bread that's right that's right uh but I

70:09

now local now available local at at your

70:11

local grocery store that's I get paid by

70:15

Ned Debbie Debbie I was going to

70:17

compliment you but Mark's like

70:18

interrupting sorry I'm still trying to

70:20

get my five minutes are you

70:22

asleep he's sleep talking no I Debbie

70:25

was was such a huge help on these videos

70:27

and it it you would never know it it

70:30

doesn't show it's not front-facing but

70:33

um such a valuable asset for us to have

70:36

on these videos and she brought a level

70:38

of you know um I don't know it was great

70:42

so I just wanted to publicly say that as

70:44

well but

70:46

um

70:47

Debbie Ryan Dunn Debbie Dunn is it dun

70:52

that's that's what I call her have you

70:56

and I only call her by her full name

71:00

yeah um let's go to the next one this

71:02

next song it's the 10th song on the

71:04

record guys thanks for sticking with us

71:06

I know it's late it's why we're in our

71:07

pajamas you're here with uh me Josh our

71:11

music video guy Mark um who you know

71:15

shot and edited all of these um new

71:19

songs new videos for all every song on

71:22

the record out tonight um this next song

71:25

it's the 10th song on the record there's

71:26

13 songs total so we're we're getting

71:28

close to the end stay up it sounds like

71:30

we're not going to play navigating

71:43

live we'll see how about you sing some

71:47

if you sing the chorus of navigating

71:48

we'll play it live all right um are we

71:51

in a music video now

71:55

we don't have any sound did we

71:58

accidentally I well I was trying to cue

72:01

the music video on that blackout like

72:03

where you guys are just sitting there I

72:04

see I see and then the audio is not

72:07

playing so I got to I gotta figure that

72:09

out real quick I love what you wear at

72:12

night um are we good to to go into snap

72:15

back here or do you want me to chat

72:16

about it um chat for just a second and

72:18

I'll see if I um these videos they took

72:21

anywhere anywhere between like six and N

72:23

hours of editing each one um and that

72:25

was after Mark did all the organizing

72:28

and getting the clips um lined up and

72:31

some housekeeping before we even dove

72:33

into the edits and so it is pretty

72:35

awesome to finally get all of these out

72:37

all at once and it a lot of hard work um

72:40

and marked it great other than right now

72:43

when he's not able to play the next

72:45

video when I'm asking him to and it's

72:46

getting really late everything's been

72:48

good until now are we good let me try

72:50

one thing so just um yeah I more to talk

72:53

about yeah please okay

72:55

um so we're going to go into the next

72:57

music video here in a second uh I do

72:59

want to say we do have a show

73:02

tomorrow yeah we do oh my what are we

73:06

doing got to get to bed we got work

73:08

tomorrow uh we have a show at Newport

73:11

it's in Columbus Ohio it's actually

73:13

where Josh and I met that is true and so

73:17

um you know we played we've played

73:20

Newport many times many like early

73:22

versions of us I've I've played the kear

73:26

before on that stage yeah I miss that

73:29

kear no you don't I do um you still have

73:34

it I could dust it

73:38

off um yeah uh

73:41

we let me read some of these notes um

73:44

yeah I was going to talk about the uke a

73:46

little bit more um so I'm playing the

73:48

the the baritone you for for tour so

73:50

you're going to see that on stage a lot

73:52

uh if you come out to see us live

73:56

I was going to ask you uh next semester

73:59

I play the bass guitar live but I

74:01

actually wrote next semester on the

74:04

[Music]

74:14

ukulele go

74:17

ahead uh do you know the lyric it all

74:19

graduate now jeez

74:27

anyway so um I was I was trying to

74:29

figure out if we should play if I should

74:32

play the uke live for that song or the

74:35

bass bass feels right though chat tell

74:38

us

74:41

chat yeah I don't know why I'm just not

74:44

sending any audio to team audio over

74:47

there let me try to restart remember

74:49

certain things what I was wearing yellow

74:54

dashing in the street I pray those

74:58

lights would take me

75:02

home I I can't get out of

75:07

[Music]

75:19

the can't change what you've

75:23

done stop

75:25

fresh next

75:30

semer What I Love About That Song Is

75:33

How We Go that the last chord of the

75:38

[Music]

75:42

chorus it's kind of like a chord that

75:44

like on Old like 60s TV where there's a

75:47

problem and they have to go to the they

75:49

have to cut to the next room and they're

75:50

like I don't I don't know where my tie

75:52

went

75:53

[Laughter]

75:56

uh but it's one of my favorite chords I

75:57

ever found on the UK I don't even know

75:59

what it is but

76:05

[Music]

76:10

somehow it brings us back to the

76:14

verse and that's the beauty of that song

76:17

for me is when you go from the C it's

76:19

easy to go from a verse cord progression

76:22

and then vary and kind of take a leap to

76:25

A Chorus core progression what's tough

76:27

is to come back to the chorus or sorry

76:31

come back to the verse from your chorus

76:34

that's the toughest part there were

76:36

probably like three people who tried to

76:39

change the the uh structure of that song

76:42

yeah and we heard like and I'm still mad

76:45

about it well we we like took it apart

76:48

and reassembled it like five or six

76:50

times and heard like every variation of

76:52

what it could be and I think both Tyler

76:54

and we're just like this is what it

76:56

needs to be and that was the original um

76:59

idea and I'm really glad that it stayed

77:01

that way me too all right we're ready

77:04

for the next music video this is our

77:05

10th song on the record Clancy that's

77:08

out tonight this is the premiere of the

77:10

this is actually the first music video

77:11

we shot out of all of them

77:14

Snapback um and uh yeah you'll know

77:17

because I had long hair in it go ahead

77:31

[Music]

77:36

got a bad feeling that I'm about to

77:38

break been a good streak but the

77:41

pressure's over way is it even good for

77:44

my head to keep track if I'm going to

77:46

snap next and I got to snap back got a

77:50

bad feeling I'm going to lose the lead

77:53

running from the thing that I keep 17 is

77:57

it even right for my head to keep track

77:59

if I'm going to snap next then I got to

78:02

snap back burn all the

78:06

bridges hand help it fing

78:10

stitched from forgiveness for you once

78:13

it's been 25

78:16

[Music]

78:18

times a heart ride drove it to the

78:23

engine

78:25

all of

78:26

[Music]

78:27

that

78:30

L got a bad feeling that I'm about to

78:33

break been a good streak but the

78:36

pressures of way is it even good for my

78:39

head to keep track if I'm going to snap

78:42

next and I got to snap back got a bad

78:45

feeling I'm going to lose the lead

78:48

running from thing that I keep 17 is it

78:52

even right for my head to keep track I'm

78:55

going to snap next I'm going to snap oh

78:57

it's you well welcome back to the show

79:00

minute guess I better move to a FR

79:05

[Music]

79:10

approach

79:11

slide I hate the

79:15

surprise and now it's all

79:19

gone all of that

79:22

progress lost to

79:26

[Music]

79:39

a b

79:42

feel good

79:46

PR good my keep track if I'm going to

79:50

snap next and I got to snap back got a

79:53

bad feel I'm going to lose the lead

79:56

running from a thing that I KCK 17 is it

80:00

even right for my head to keep I'm going

80:03

to snap next

80:06

[Music]

80:16

[Music]

80:20

IAP I've been praying for my elas

80:25

to return to the way

80:30

that s

80:33

next I've beening for my

80:38

elasticity to

80:41

[Music]

80:49

[Music]

80:59

um I don't know I feel like that's the

81:01

song that I uh feel like I'm going to be

81:06

the most defensive

81:08

about like my little brother or

81:11

something like I'm going to want to

81:12

protect him it's one of my favorite

81:15

songs on the record it's probably going

81:16

to get lost in the riger roll but for me

81:19

the inside of an empty garage like that

81:21

was a perfect kind of setting for what

81:24

the song was trying to say um actually

81:28

least

81:29

favorite least fa I'm joking you don't

81:34

have to say that I know but it was J out

81:37

do with a straw yeah

81:39

man wow I'd be in bed right now

81:43

otherwise take it I will say so Snapback

81:46

it there were actually there was a

81:48

moment when Mark and I were shooting in

81:50

there it was just it was just me Mark

81:52

and Lindsay for a little bit some of it

81:55

was just me and you mark yeah in a

81:56

garage and the garage was open and I we

81:59

have neighbors across the street and

82:00

we're just like they've got to be

82:01

thinking what is going on right now um

82:05

but there was a moment where I was

82:06

telling Mark about like some of the it's

82:08

called an insert shot or a b-roll when

82:10

you you you cut it in close to like some

82:12

detail and I was talking about no I want

82:14

to get this insert of you know this cord

82:16

or this the way that the you know the

82:19

the spider web hangs here and he's like

82:21

do you want to try it we had Mark and I

82:24

get in an argument at least once a video

82:26

shoot do you want to try it and I was

82:28

like yeah and I took the camera from and

82:30

and I realized like holding this camera

82:32

trying to focus trying to get the right

82:33

shot I was completely out of my depth

82:37

all the more to celebrate Mark and his

82:41

ability to shoot these videos edit these

82:43

videos color these videos release these

82:45

videos we got a little bit of a bonus

82:48

for you oh no we have it I thought that

82:52

was just a a tweet no we uh we got you a

82:55

bonus look it says Mark um and we put it

82:57

in here uh we kind of went all out so we

83:01

really we really hope that you

83:03

know don't spend it all in one place is

83:07

this a open in front of everybody yeah

83:09

you should open it yeah okay it's it's

83:12

we um we took a personal pay cut uh for

83:17

you for you to get this

83:19

Mark but hope you enjoy it okay we

83:23

talked about this earlier

83:25

pretty easy Choice Mark's a cat guy I

83:28

don't know if you can tell from his

83:30

hat oh best by gift

83:34

card no idea how much is on it I

83:39

and this um let me read the uh card

83:42

first put your happy face on it's

83:45

birthday Crossed Out music video time

83:49

thanks for all of your hard work Josh

83:50

and Tyler and this is two mark from 21

83:54

Pilots

83:56

Inc um it's a Sonic gift card so Best

83:59

Buy how much is on that puppy let's look

84:01

here uh is the surely this isn't the

84:05

amount yeah

84:07

yep it's um a couple digits less than I

84:11

thought but I you know Sonic inflation

84:14

you can still get a pretty good slushie

84:16

for

84:17

$5

84:19

um he said he said five that's how it's

84:22

a $5 gift card to mark

84:24

let's see if I can get that in Focus

84:27

there you go it's just five uh I will I

84:29

mean I Best Buy is I truly don't know

84:31

it's a mystery I found it I found my

84:33

drawer

84:35

no it's a it's a complete mystery you

84:38

never know it might be a blank Best Buy

84:40

check from Josh yeah um get a lighter

84:44

camera let's go yeah let's get to the

84:46

11th song on the record song's called

84:48

oldie station um I don't know I think

84:51

Snapback and oldi station for me compete

84:53

for my favorite

84:55

uh probably Josh's second least favorite

84:58

then oh actually no I love oldie station

85:02

oh great thank you um did you love

85:06

shooting oldie station though no

85:09

actually that was probably the worst we

85:11

could we could talk about that after but

85:12

that might have been the worst this is

85:13

the worst music video for your favorite

85:15

drummer yeah go ahead

85:24

[Music]

85:32

only

85:33

consistency in your periphery is fear in

85:37

the bridge of your

85:40

nose and as you move about you learn to

85:44

tune them out but they say they continue

85:47

to

85:49

grow fear of the past and relative he

85:55

Future's coming fast you got nothing in

85:58

the

85:59

tank in a season of purging things you

86:03

used to

86:05

love everything must go

86:11

mm make an O and make

86:15

mistakes start a streak your bound to

86:18

break when darkness rolls on

86:22

you push p on

86:27

through push on

86:33

[Music]

86:35

through then before you know you lose

86:39

some people close forcing you to manage

86:42

your

86:44

pace found your

86:47

capacity for love and tragedy embracing

86:51

now things always change

86:54

you've had your turns with relative pain

86:59

little less concerned when there nothing

87:02

in

87:04

the in a season of lessons learn and

87:08

giving up you learn what you can and can

87:11

take

87:15

mhm add some years build some

87:19

trust you start to feel your eyes adjust

87:23

when darkness rolls on

87:27

you push on

87:39

[Music]

87:42

through you don't

87:45

mind you don't

87:49

mind you don't quite mind how long red

87:53

light light are taken push on

87:58

through your favorite song was on the

88:03

only

88:05

station push on

88:07

through you have head down that old

88:12

fight for

88:14

survival push on through you're in the

88:20

crowd at her first dance res

88:25

push on

88:29

through make it out and make

88:31

[Music]

88:33

mistakes start to stre you're bound to

88:38

PR Darkness RS on

88:43

you but shine through

88:47

[Music]

89:10

when I first came up with

89:12

that

89:14

concept I think it's because I see I see

89:17

everyone talking about how man this band

89:20

puts this drummer just through the

89:22

craziest things all the time time and

89:25

I'm sorry I just want to publicly

89:26

apologize for all the crazy things that

89:28

you've ever done Ty is making me eat all

89:30

this food tonight too what another crazy

89:33

thing he put you through I brought but I

89:35

will say that when I was like yeah we're

89:36

going to pull it's going to you're not

89:38

going to know you know the the PVC

89:40

pipe's going to come across the frame

89:41

and you're not going to know what it is

89:42

and then we'll slowly reveal this DIY

89:44

rig that we make and there were some

89:46

people telling me it's like it's not

89:46

going to work you're not going to be

89:47

able to pull you know a you know plywood

89:50

over top of I was like well joshu will

89:52

figure it out he'll figure out how to

89:54

get the PVC pipe cycled in enough for us

89:57

to move and I was right it did work

89:59

except my original idea was Mark and I

90:02

argued day of shoot whether or not he

90:04

should be standing on the wood behind

90:07

the camera as we pull it that absolutely

90:10

would not have worked and so I will

90:11

admit I was wrong there

90:14

um that that was one of the hardest

90:16

things I've ever done for the record

90:18

like uh yeah I I like I've run half

90:21

marathons and like put you know

90:24

played two hour shows on the and after

90:28

after each take of that and we probably

90:30

did like five or six I was like

90:32

completely out of breath like I don't

90:34

know what it was picking up the pipe and

90:37

then moving it over it's a different set

90:38

of muscles when you're moving moving

90:40

pipe also well

90:42

that's uh also but did you see how

90:45

smooth those shots were though that's

90:47

right I mean we got it and that's all

90:48

that matters that's right my boy looks

90:50

good and uh also our boy shap he's one

90:54

the guys I shout out in our crew that

90:56

video is just a great Ode to our crew

90:57

too they just worked really hard we kind

90:59

of threw in some behind the scenes stuff

91:01

towards the end uh to give it

91:03

perspective but sha was the one laying

91:05

face down in the ditch he's still in

91:07

that ditch sha actually is our lighting

91:09

director he's the one who makes all of

91:11

our lights look pretty for our live show

91:13

so um we got a good group yeah I will

91:17

say oldie station though it reminds me

91:19

of Midwest Indigo in a sense that

91:21

Midwest indigo is a it's kind of a

91:24

letter to

91:25

Ohio

91:27

um where oldi station and not to get too

91:31

serious

91:32

but I felt like it

91:35

was I felt like you guys were

91:38

owed

91:41

um you guys deserve to know how how I'm

91:46

doing uh

91:49

and maybe how I got

91:52

here through my journey and um I just

91:55

want to say thank you

91:58

guys and uh I was thinking of

92:02

you when I wrote

92:05

this anyway okay we have two more songs

92:10

left uh one more video this next song is

92:14

called at the risk of feeling dumb it's

92:16

the 12th song on our album Clancy which

92:18

is out now every song that we've there's

92:21

a video for every song we'll get to

92:24

Paladin

92:26

um I can't believe it's out we're almost

92:29

done thanks for staying up late with us

92:31

being in your pjs oh man I have so much

92:34

to

92:37

think uh let's just you have anything to

92:39

say I'm getting

92:41

mushy well no I would just get mushy too

92:43

so let's just keep it rolling all right

92:45

This song is called at the risk of

92:46

feeling dumb

92:49

[Music]

92:55

I

92:57

don't see

93:02

[Music]

93:08

at

93:10

[Music]

93:17

see

93:19

keep I but you never have to drop used

93:24

to be you

93:26

andak around

93:31

[Music]

93:48

2ak see me at you don't

93:53

don't have to drop by nothing you can do

93:56

this time I don't anyone or not see me

94:06

[Music]

94:17

at the risk of feeling

94:22

d don't worth the risk of losing a

94:28

friend even if they

94:35

[Music]

94:37

say if I'm being real man don't know how

94:40

I feel man about sleeping Close to aapon

94:43

You Canal man those nightmar are not

94:45

something to take lightly I know that

94:47

it's a saying this don't fight me St me

94:50

fight me fight St me

94:53

[Music]

94:55

I

94:56

[Music]

95:10

[Music]

95:17

don't keep

95:19

your I hope that you never to

95:24

[Music]

95:26

the

95:27

[Music]

95:37

r

95:39

they just keep

95:42

[Music]

95:44

your you never the I don't

95:48

want see me my you

95:54

[Music]

96:14

at the risk of being full having a lot

96:17

of snacks yeah I came a little

96:19

overprepared and a little uh I I think

96:23

overc

96:25

[Laughter]

96:27

committed this is a real sleepover

96:29

though you're not going home after this

96:34

dude oh oh you brought your sleeping bag

96:37

this actually is the same sleeping bag

96:39

that I slept in the back of the in the

96:41

back of the band oh on tour back in back

96:43

in the day guys uh that was our 12th

96:46

song on the record the music video um

96:49

that's one of my favorite videos

96:50

actually yeah I know I keep saying did I

96:52

say that already I didn't that right no

96:56

um yeah I as I was uh writing that one I

96:59

called it progression of height that was

97:01

the title I know if you're out there

97:03

wanting to make music videos I always

97:04

find it helpful to actually title the

97:06

name of your treatment that you're

97:08

writing kind of keeps you grounded while

97:11

you're uh developing the shot list

97:14

um wow yeah shout out to to Paul Mei on

97:18

that one um he produced that track and

97:21

much pretty much all of the songs on

97:24

this on this record with us and that

97:27

song had 54 versions jeez

97:31

yeah and I I put him through every

97:34

single one of them it ended up perfect

97:36

it

97:38

did guys it's

97:43

late we have uh just one more song left

97:47

on the

97:48

record uh Clancy is out now it's yours

97:53

H one more song Here is Paladin straight

97:55

like I said earlier in the Stream we um

97:58

we have a music video for it ready to go

98:00

we're not going to show it tonight we're

98:01

going to show it pretty soon um so all

98:05

we have is a placeholder for it um in

98:09

the mean

98:10

time soak it in listen

98:14

and um yeah once again thanks to

98:17

everyone here that helped put this on uh

98:20

yeah there's a lot of people in here so

98:22

thanks guys

98:24

and thank you

98:26

guys Mark just it's just Mark in here by

98:30

the way it's just Mark he just woke up

98:31

Marcus woke up sorry I was trying to

98:32

turn on my cpat

98:35

machine um yeah we thank you thank you

98:39

guys for staying up late or getting up

98:41

early or whatever you did um thanks for

98:44

continuing to support

98:46

us uh there's not a big

98:50

machine I don't know I've always wanted

98:52

to I've always wanted to hear that from

98:54

my favorite artists that there's not

98:56

some you know machine that's behind it

98:59

all that's kind of like concocting every

99:02

song and lyric and music video

99:05

and um you know it's just us and the

99:09

people that I mentioned and thanked

99:12

and and you

99:14

guys so I can't believe that um we're

99:18

able to do this and we're excited for

99:20

the future so we have one more song uh

99:23

uh again like I said the music video for

99:25

Paladin Strait will come out shortly but

99:27

it's not tonight what we're going to do

99:29

is we're going to we're going to play

99:31

the

99:32

placeholder and then that will be the

99:34

end of the stream so you're not going to

99:36

see us again this is it pal Paladin ends

99:39

then it's over guys when you hear the

99:43

end of Paladin you tell

99:45

me you tell

99:48

me does it sound like the

99:51

end go

99:54

[Music]

100:00

[Music]

100:16

I can't be

100:19

alone guess I never told you so

100:25

making my way towards

100:29

you tracing out Al

100:34

line i' M thousand

100:38

times making my way toward

100:44

[Music]

100:46

you I would swim the Paladin

100:51

straight without any

100:55

just aimp of

100:59

Vis of you the other

101:03

Shoreline

101:05

wait

101:07

[Music]

101:09

expectations that I'm going to make

101:15

[Music]

101:19

it standing on the

101:24

staring down a hurling

101:28

storm making it way toward

101:33

me water rips with

101:37

rage and R of angry

101:42

waves making it way toward

101:51

me I would s the pad

101:55

straight without any

101:59

FL just a glimp of visual

102:03

aid a few on the other

102:07

shine

102:10

waai

102:13

expectations that I'm going to make it

102:18

[Music]

102:39

[Music]

102:41

my

102:44

chance be that I'll make it even though

102:51

I'm p

102:53

point of

102:56

no I'm all in I'm

103:00

surrounded put my money where my

103:04

M

103:06

even I'm

103:09

[Music]

103:12

the here my

103:14

[Music]

103:16

CH be sure that I'll make it even though

103:23

I'm

103:24

f for of no

103:28

reason I'm

103:30

[Music]

103:33

all

103:34

my

103:39

[Music]

103:44

my

103:46

I

103:48

st without any foundation

103:53

just a glimp of

103:55

[Music]

103:56

Vis A you on the

103:59

[Music]

104:00

other

104:03

Wai

104:07

[Music]

104:22

expect

104:52

for e

105:16

[Music]

105:34

on the

105:37

ground fighting while I

105:42

find even though I'm P the point of no

105:49

return climb the top of the

105:54

Show

105:56

Yourself

105:58

louder even though

106:03

[Music]

106:08

I'm so

106:10

few so

106:13

proud

106:14

so

106:18

emotional hello

106:21

Clancy

106:51

e

107:21

e

107:51

e

108:21

e

108:51

e

109:21

e e

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