Nelly Furtado: Tiny Desk Concert

NPR Music
24 May 202421:36

Summary

TLDRThe video script features a lively performance by the artist Nelly Furtado, who takes the audience on a musical journey through her discography. Starting with songs from her 2006 album 'Loose' and moving backwards to 2003's 'Explode', she engages the crowd with hits like 'Powerless' and 'Maneater'. The performance is a mix of nostalgia and energy, with special introductions to her long-time collaborators, including her vocal producer Jim Bean and others from her original band. The set, creatively directed by her daughter Nevas, showcases Furtado's dynamic stage presence and her enduring musical talent.

Takeaways

  • 🎡 The script starts with a musical introduction, setting the tone for the performance.
  • 🎀 The artist, Nelly Furtado, performs songs from her album 'Loose' and also goes back to her 2003 hit 'Powerless'.
  • 🀝 Nelly acknowledges her collaborators, emphasizing the importance of teamwork in her music.
  • πŸ‘ She invites the audience to clap and participate, creating an interactive and engaging atmosphere.
  • 🎢 The performance includes a mix of songs that showcase Nelly's versatility and musical range.
  • πŸ‘‹ Nelly introduces her team members one by one, highlighting their contributions to her music.
  • πŸ‘©β€πŸŽ€ She mentions her vocal producer, Jim Bean, and his iconic voice, adding a personal touch to the performance.
  • 🎹 The presence of Angelie, a co-writer of 'Say It Right', underscores the collaborative nature of songwriting.
  • 🎧 Nelly's first two albums were produced with Sweet Westy, indicating a long-standing professional relationship.
  • 🎷 The inclusion of various musicians and producers in the performance demonstrates the collective effort behind creating music.
  • πŸŽ‰ The script concludes with a high-energy performance of 'Maneater', leaving the audience with an impression of Nelly's dynamic stage presence.

Q & A

  • What is the significance of the song 'Loose' mentioned in the script?

    -The song 'Loose' is from the artist's album released in 2006, which she performed during the event described in the script.

  • What does the artist mean by 'stand for your f' in the transcript?

    -The transcript seems to have a typographical error or is cut off. It's likely the artist was saying 'stand for your faith' or a similar phrase, but the full context is missing.

  • Can you explain the meaning behind the lyrics 'face burn as a memory of bedroom f with a lighter and some haing'?

    -This line is quite abstract and could be interpreted in various ways. It might be referring to a vivid memory associated with a past romantic or intimate experience, with 'face burn' possibly symbolizing embarrassment or passion.

  • What is the role of Jim Bean as mentioned in the script?

    -Jim Bean is the artist's vocal producer on the 'Loose' album and is introduced as having an iconic voice, indicating his importance in the artist's work.

  • Who is Angelie and why is she significant in the script?

    -Angelie is an amazing artist who collaborated with the main artist on the song 'Your Man'. She is significant as she co-wrote the song with the main artist.

  • What is the connection between the artist and Sweet Westy?

    -Sweet Westy, also known as Track and Field, produced the artist's first two albums along with Gerald Eaton, indicating a long-standing professional relationship.

  • How long has Dean Jarvis been working with the artist?

    -Dean Jarvis has been working with the artist for 25 years since she was a little girl, showcasing a long-term collaboration.

  • What is the significance of DJ Little Jazz in the script?

    -DJ Little Jazz is a pioneer in the scratching world and was part of the artist's original band, adding a nostalgic element to the event.

  • Who is credited for the creative direction of the event?

    -The event's creative direction is credited to the artist's daughter, Nevas, highlighting her involvement and contribution.

  • What is the story behind the artist's collaboration with Missy Elliott?

    -The artist was introduced to Missy Elliott by Timberland in 2001. Missy Elliott saw the artist on MTV and wanted her on the 'Get Your Freak On' remix, which was played on Urban radio but was never officially released.

  • What song did the artist perform as a tribute to Missy Elliott?

    -The artist performed a song titled 'Clap Your Hands' as a tribute to Missy Elliott, which was part of the 'Get Your Freak On' remix.

  • What is the title of the last song the artist performed in the script?

    -The last song performed by the artist in the script is called 'Maneater'.

Outlines

00:00

🎀 Music and Memories

The script begins with a chaotic mix of music and fragmented phrases, suggesting a live performance or a music video. The artist, N, introduces themselves and mentions a 'tiny desk' event, possibly referring to a performance setting. The narrative is interspersed with lyrics, applause, and musical cues, creating an energetic atmosphere. There's a sense of nostalgia as the artist reflects on past experiences and performances, including a song from their 2006 album 'Loose' and the track 'Explode' from 2003. The artist also teases a well-known song, encouraging the audience to clap along.

05:01

🎡 Artistic Collaborations and Introductions

This paragraph focuses on the artist's interactions with the audience and the introduction of key collaborators. The script includes playful banter and song lyrics that hint at a romantic theme. The artist expresses gratitude for the opportunity to perform and acknowledges the presence of Jim Bean, a vocal producer from Philadelphia who has been instrumental in the creation of the album 'Loose'. Other team members are introduced, such as Angelie, a co-writer, and Sweet Westy, a long-time producer. The artist also introduces musicians and crew members who have contributed to their career, emphasizing the collaborative nature of their work and the longevity of some partnerships.

10:04

🀝 Shout-Outs and Musical Influences

The artist continues the performance with a narrative that includes shout-outs to significant figures in their career. A special mention is given to Timberland, who introduced the artist to Missy Elliott, leading to a collaboration in 2001. The artist reminisces about the remix of 'Get Your Freak On' that was not widely recognized but was significant to them. The script then transitions into a performance of this remix, inviting the audience to join in the celebration of this musical connection. The energy is high as the artist encourages the audience to party and enjoy the music.

15:07

πŸŽ‰ Audience Engagement and Song Performance

The script describes an interactive live performance where the artist engages the audience in singing along to the lyrics. The artist shares the stage with a dynamic team, creating a lively atmosphere. There's a focus on audience participation, with the artist prompting the crowd to sing and dance along. The performance includes a song called 'Clap Your Hands', which seems to be a call to action for the audience to join in the celebration of music. The artist also teases a song about recognizing insincere intentions, adding a layer of personal storytelling to the performance.

20:14

πŸ’ƒ Finale Performance and Closing Remarks

The final paragraph of the script culminates in a high-energy performance of the song 'Maneater'. The artist encourages the audience to dance and fully engage with the music. The lyrics suggest a theme of attraction and the challenges of relationships. The performance is dynamic, with the artist commanding the audience's attention and participation. The script ends with a strong closing, leaving a lasting impression of the artist's energetic and captivating performance.

🌏 Global Acknowledgement and Encore

In this closing segment, the artist expresses gratitude for the global audience and hints at an encore or additional performance. The script suggests a sense of completion and satisfaction with the event, as the artist thanks the audience once more and implies that the musical journey has come full circle. The use of applause signifies the audience's appreciation and the success of the performance.

Mindmap

Keywords

πŸ’‘Tiny Desk

Tiny Desk is a reference to the 'Tiny Desk Concert' series by NPR Music, where artists perform live at a small desk. In the video, the term is used to describe the intimate setting of the performance, as indicated by the phrase 'welcome to my tiny desk day.' It suggests a close and personal experience for the audience.

πŸ’‘Album

An album is a collection of audio recordings issued as a single item on CD, record, audio tape, or another medium. In the script, the artist mentions 'my album loose,' which refers to her body of work from 2006, indicating the content she is performing and her musical history.

πŸ’‘Explode

In the context of the script, 'Explode' is the title of a song from 2003 that the artist performs. It is part of her repertoire and represents a moment in her musical career, showcasing her evolution as an artist.

πŸ’‘Powerless

'Powerless' is another song title mentioned in the script, which the artist may perform or refer to during the concert. It signifies a theme or feeling that the artist conveys through her music, possibly related to vulnerability or lack of control.

πŸ’‘Collaboration

Collaboration refers to a situation where two or more parties work together towards a common goal. The artist acknowledges several individuals with whom she has collaborated, such as 'Jim Bean' and 'Sweet Westy,' highlighting the collective effort behind her music.

πŸ’‘Vocal Producer

A vocal producer is someone who works with artists to develop and refine their vocal performances. The term is used in the script when the artist introduces 'Jim Bean,' who served as her vocal producer on the 'loose' album, emphasizing his role in shaping her sound.

πŸ’‘Percussionist

A percussionist is a musician who plays percussion instruments. In the script, 'Daniel Stone' is mentioned as the artist's favorite percussionist, indicating his importance in the rhythmic aspect of her performances.

πŸ’‘Creative Director

A creative director is responsible for the overall vision and concept of a project. The artist's daughter, 'Nevas,' is credited as the creative director of the set, showing her involvement in the visual and conceptual aspects of the performance.

πŸ’‘Remix

A remix is a reworking or adaptation of a song, often involving changes to the music or lyrics. The artist shares a story about being featured on Missy Elliott's 'Get Your Freak On' remix, which is a significant moment in her career and showcases her versatility as an artist.

πŸ’‘Maneater

'Maneater' is the title of a song performed by the artist towards the end of the script. It represents a high-energy, engaging piece that encourages audience participation, as indicated by the artist's call for the audience to 'jump around' and 'get on their knees.'

πŸ’‘Performance

Performance refers to the act of presenting a form of art, such as music or dance, before an audience. Throughout the script, the artist engages in various performances, singing and interacting with the audience, which is central to the video's theme of live music.

Highlights

Introduction of the artist Nelly Furtado and her performance at the Tiny Desk.

Performance of songs from Nelly Furtado's album 'Loose' and the song 'Explode' from 2003.

Engaging the audience with the song 'Powerless' and its energetic rendition.

Artistic storytelling through lyrics and music, creating an immersive experience.

The use of a lighter and a haiku in 'Face Burn' to evoke memories and emotions.

Reflection on past experiences and the evolution of the artist's music.

Collaboration with various musicians and producers throughout Nelly Furtado's career.

Introduction of Jim Bean, vocal producer on 'Loose', and his iconic voice.

Angelie's contribution as a co-writer of 'All Good Things' and her presence at the performance.

Sweet Westy's role as a producer of the first two albums and his emotional return to the stage.

Dean Jarvis's long-term collaboration with Nelly Furtado, spanning 25 years.

Daniel Stone's talent as a percussionist and his contribution to the live performance.

Harag's role as a producer and his work on the live show's creative direction.

DJ Little Jazz's pioneering work in the scratching world and his presence in the original band.

Creative direction of the set by Nelly Furtado's daughter, Nevas.

Performance of the song 'Maneater' with its catchy rhythm and engaging lyrics.

Encouragement of audience participation and interaction during the performance.

Final song performance that showcases Nelly Furtado's versatility and musical range.

Transcripts

00:01

[Music]

00:03

hey I'm n

00:04

[Music]

00:06

Fado welcome to my tiny

00:10

[Music]

00:16

desk day here the night night say it

00:20

right say it right say it all say it all

00:23

you got it got it or you don't you don't

00:27

you either stand stand for your f

00:31

when you

00:32

will broken Bren when it

00:36

slips from your head when there's no

00:41

time for

00:42

joing there's a

00:44

hole in the plan

00:54

go no you don't mean nothing on me hey

01:01

hey he do you got one it

01:06

[Music]

01:09

tastes oh you put me

01:13

in me

01:17

[Music]

01:25

[Applause]

01:34

face burn as a memory of bedroom f with

01:37

a lighter and some haing in the girl

01:42

not behind the

01:44

mdal she thought was didn't tell anybody

01:48

or maybe back then we just she was

01:51

getting some now we look back and see

01:54

that she didn't know how we never then

01:57

we get CAU up in

02:01

teen as we

02:09

expl as we

02:10

[Music]

02:17

[Music]

02:20

expl hey hey hey

02:25

hey your hands y'all come on fight it's

02:28

a fight and you finally belong shining

02:30

now and it's more than a better more

02:32

than a better such a good good story to

02:34

tell lunch break lunch break lunch break

02:36

lunch break such a good good story to

02:40

tell smoke you want you you H it and

02:44

you're in it and it's SP

02:50

and we

02:52

getu in way as we expl

03:02

as we

03:08

explode as we

03:11

[Music]

03:16

explode been let

03:18

[Music]

03:26

go come on everybody hands up y'all

03:29

there

03:32

life is too to

03:37

live you you so

03:41

[Applause]

03:44

[Music]

03:46

powerless this life is too to live just

03:52

for you but when you feel so

03:56

powerless what do you call

04:00

[Music]

04:02

so say what

04:10

you thank

04:13

you uh uh

04:17

started thank you so much we're we're

04:19

really excited to be here yeah we might

04:23

we might be a little

04:24

nervous but the good kind exciting kind

04:27

um those two tracks were well I started

04:29

with a song from from my album loose

04:30

from 2006 and then I went backwards to

04:33

2003 did a song called explode and then

04:36

powerless and um you might know this

04:38

next

04:47

one every come on everybody I need you

04:50

clap your hand for this one right here

04:51

go take your back shout

04:54

Timbo attitude danger don't be mad don't

04:59

give me don't get mad

05:01

don't

05:03

mad get mad tiny am I throwing you off

05:07

no no

05:09

no am I throwing you

05:12

off one more time am I throwing you

05:16

off hey hey I didn't think

05:21

so let's go how you doing young lady

05:25

really drive me crazy dope have a play

05:28

about the choke I was first time that we

05:30

spoke you're looking for a girl that

05:32

treat you right how you looking for in

05:33

the with you might be the type if I my

05:36

cars right I find out by the end of the

05:39

night you expect me to just let you it

05:41

but do you me all I can do is try give

05:44

me one chance with the ring on your hand

05:48

i' be the first to Adit it I'm curious

05:50

about you just see so innoc get

05:53

my I'm tired of running Let's Walk For A

05:56

Minute priscu girl ever you are sing I'm

06:02

all alone and it's you that I want miss

06:06

you was Bor you already know that I'm

06:11

your you

06:13

wait miss

06:16

you name you know what I want and I got

06:21

what you

06:23

need let's get to the par we all around

06:28

you

06:37

thank you um I want to take a real

06:40

special minute to introduce uh you might

06:42

hear Jim Bean over here he's from Philly

06:45

he's representing for the US everybody

06:46

else is from uh

06:49

Canada but we we have collaborated for

06:53

years and he is my vocal producer on

06:54

loose and I'm so happy to have him here

06:56

because um his voice is Iconic so thank

06:59

you Jim

07:00

introduce somebody else

07:03

after

07:05

um actually you know should I introduce

07:07

everyone now maybe I should while I'm

07:10

while I'm I don't want to start talking

07:11

to over here is Angelie my an amazing

07:14

artist also we're both from Canada we we

07:16

write together she she wrote e your man

07:19

with me it was really important for me

07:20

to have her here I'm happy she made

07:27

time and over here here is a very

07:30

special man um this is sweet Westy him

07:32

you might know him as track and field um

07:34

him and I I'm going to

07:36

cry we produced my first two albums

07:39

together and um along with Gerald Eaton

07:42

and so I'm just so happy he came to do

07:43

this

07:47

today this is uh this is Dean Jarvis

07:50

we've been working together for 25 years

07:52

since I was a little

07:55

girl this is will if you don't know

07:57

you'll know now he's incredible musician

07:59

also uh from from gtino

08:04

Quebec over here is Daniel Stone um my

08:07

favorite percussionist we'll just

08:11

say over over here is harag who we also

08:14

he's an amazing producer and working a

08:17

lot on our live stuff and we got some

08:19

new Cuts

08:21

coming last but not least we have like

08:24

the ultimate throwback today here we

08:26

have from my OG original band uh this is

08:29

DJ Little Jazz um incredible Pioneer in

08:33

the scratching world uh won't won't

08:35

mention all his awards from over the

08:37

years but this is also uh this set's

08:40

been creative directed by my daughter

08:42

nevas which is this is her

08:51

dad

08:53

I'm and thank you nevas great job let's

08:56

keep it going

08:59

[Applause]

09:05

okay

09:14

[Music]

09:19

yeah girl

09:21

hon will me all like

09:25

reality it's way to clear the me

09:30

really life is daily we are what we

09:34

don't see we miss everything they

09:39

dreaming lame to D love us to

09:44

friends why all good be come to an end L

09:50

to dust Lo to

09:53

friends why do all good things come to

09:57

one end come to an end come to an end I

10:03

do all good things come to an end come

10:09

to come

10:19

[Music]

10:28

to hey

10:33

hey you're

10:35

beautiful that's for sure show show show

10:40

never

10:41

[Music]

10:44

F but it's not for sure show show show

10:48

that I

10:49

won't

10:51

change cuz all my love

10:54

[Music]

10:56

is have all my love is strong oh yeah

11:01

come on

11:02

y'all like I F away I don't know where

11:07

my soul is I don't know where my

11:11

is I'm like I only fly away I don't know

11:16

where my soul is I don't know where my

11:19

home is baby all I need for you know

11:40

you know as Jim was saying earlier we we

11:42

really wanted to give a shout out to

11:43

Timberland

11:46

um I

11:48

don't if he doesn't have one I feel like

11:51

he needs his own tiny desk for sure but

11:54

um so this this relevant story so Timlin

11:58

introduced me to miss Elliot and it was

12:01

2001 and I only had I'm like a bird out

12:05

and she saw me with like my Dida shelto

12:07

on my jeans and my Princess Leia buns on

12:09

MTV and she said I want her on the get

12:12

your freak on remix and not a lot of

12:14

people know this because it was played a

12:16

lot on Urban radio at the time but it

12:18

was never an official like it's not you

12:20

can't find it anywhere maybe YouTube I'm

12:23

not sure or whatever but uh so we're

12:26

going to play for you

12:28

[Applause]

12:32

come on everybody let's party y'all hey

12:35

hey hey hey

12:37

[Music]

12:39

hey hands

12:42

[Applause]

12:43

[Music]

12:45

up

12:46

[Music]

12:52

hey then I'm a Chie F Banger with the

12:54

top down low on my flow cuz it's so

12:57

fresh like boys with white Runners carve

13:00

chest yes you yes

13:03

I

13:05

catch B there truth I go there's a RH

13:09

going to tell it there a story I defend

13:11

it Miss she coming and I landed where

13:13

where she come from this International

13:15

so get your high Lang H tell your part

13:17

just begun come over to my house get D

13:20

with some s a l for Life the West CO

13:23

Portugues woman

13:26

always to come from D to T and all the

13:31

world up up

13:39

[Music]

13:44

up who's that chick Meep

13:53

[Music]

13:54

meere in your stereo

13:59

Nell in your stereo oh oh

14:05

oh in your stereo

14:14

quiet it's my new

14:15

[Music]

14:16

[Applause]

14:19

song Clap Your Hands y'all

14:22

come ahead now hey hey hey hey go ahead

14:26

go ahead now hey hey hey hey go ahead go

14:30

ahead now hey hey hey and I can tell it

14:34

from your mouth that you're real good at

14:37

working with your mouth and you're not

14:41

really trying to mess with my mind and

14:44

good at pretending that you could be

14:47

mine yeah I can tell it from your

14:51

mouth you got the devil in your eyes so

14:55

not going to waste all of my time on you

14:59

you should know that

15:02

I I want on looking

15:06

to

15:08

[Music]

15:11

way mind

15:16

[Music]

15:19

that your hands everybody come on go

15:23

ahead now hey hey hey hey go ahead go

15:27

ahead now hey hey hey

15:29

[Music]

15:36

hey like a bird I'm taking it home my

15:39

body like an I say you're right now do

15:41

what I say apply the pressure into your

15:43

veins blood on the floor I'm pushing the

15:45

pain I let the creatures to the

15:48

[Music]

15:52

cage goad

15:55

nowy go ahead go ahead now

16:02

sing along y'all see us in

16:05

[Applause]

16:09

theor

16:11

[Music]

16:14

all see

16:16

[Music]

16:20

you

16:22

real on the'll be watching all night we

16:26

here H it to me give it to me give it to

16:29

me want to see you work about it give it

16:31

to me give it to me give it to me if you

16:34

see us in the club be acting real you

16:38

see us on the floor you'll be watching

16:40

all night we need a h give it to me give

16:43

it to me give it to me to see

16:48

you you see us in the club we'll be

16:51

acting if you see us on the floor you'll

16:54

be watching all night we ain't here to H

16:57

nobody give it to give it to me give it

17:00

to see

17:03

you yes

17:21

tiny thank you so

17:26

much Portugal let's see for for

17:30

portug Portuguese out here we are out

17:35

here um GA and one last one please

17:39

please Dance please

17:42

[Music]

17:53

Dance the song's called Maneater

17:59

[Music]

18:02

oh everybody look at me me I walk in the

18:06

door

18:08

screaming on everybody what

18:11

you move your body around

18:15

like everybody get your to crack around

18:19

oh you crazy people come on jump around

18:22

I want to see you all on your knees

18:24

knees you're either want to be with me

18:27

pleas

18:29

oh make you work hard make you streng

18:32

hard make you

18:33

want love She's a

18:40

Man love man make you make you sp make

18:46

you love

18:49

love make you make you good we should

18:53

never ever met her at all and when she

18:56

walk she walk with passion oh when she T

18:59

you she can handle it when she ask for

19:03

something she me it even if you never

19:07

ever seen it oh everybody get your

19:11

around oh you crazy people come on jump

19:14

around doing anything to get my because

19:19

she said she love you love you long time

19:21

come on now man'll make you work hard

19:24

make you hard make you

19:27

want she man make

19:34

you the man make you work hard make you

19:39

make you want all of love the man to

19:43

make you make

19:45

you never at all

19:50

[Music]

19:51

[Applause]

19:54

[Music]

19:54

[Applause]

19:57

[Music]

20:02

to make you work you stand

20:14

you man to make you make you make you

20:19

want all love she the man need to make

20:23

you make you we should never made at all

20:30

[Music]

20:31

around the world I

20:33

[Music]

20:37

a around the world I never SE nothing

20:44

like around

20:49

[Music]

20:59

w

21:27

[Applause]

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