OSCARS 2024 FASHION ROAST (why is no one serving???)

[Music]

hello everybody my name is lukah and

this is hollow mode and today on Hollow

mod we are coming to you with your

Oscars 2024 fashion roast and review

there is a lot to get through there were

a lot of people a lot of looks a lot to

talk about overall I I didn't think it

was that bad like I didn't love it I

wasn't like a maze I wasn't huh but I

really didn't think that there was too

much boring I didn't think there was too

much that was kind

of me not having to make those noises is

for everybody's benefit I would say so

let's get into it we're starting off

pretty strong America Ferrera I have not

loved for the most part throughout the

entirety of the award season but this

oraton pink Versace dress was stunning

on her it was beautiful it was

impeccable Versace and Donatella Versace

herself they understand how to fit these

dresses these beautiful chain mail oron

signature House Co Versace textile is

very much so something that they have

really mastered they get how to make

them really cling to the body which is

something you wouldn't really think of

when it comes to metal It just fits her

immaculately I love the way that it hugs

the hips I love the fact that it

actually Embraces the curve and the body

it's not too long it doesn't drag too

heavily it really fits ever so

effortlessly as for the neckline I love

it I think it's beautiful I think that

it probably is based somewhere along a

fall 1991 Versace collection by Giani

Versace himself it's not exactly a

neckline from the show I'm pretty

positive but it definitely has a feeling

of that and I think that's kind of the

perfect subtle little nod that I like to

gian's work and what verace does very

very well overall she looks stunning

gorgeous next up we have Andrea riseboro

now she is wearing Lou this is like

straight off of the runway there's

actually a few of these Lou dresses I

love this plaid that becomes almost

muddied by some sort of water and then

begins to blur a little bit and right

below hip area just Fades fully into

black with little bits of these plaid

Stripes running in but just sort of

blending together all in black I know

it's a little bit out there I know it's

a little crazy to a lot of people I know

a lot of people are just going to say G

it's ugly but I think that it's very

Jonathan Anderson I think it's very much

this artistic sort of idea artistic sort

of way of taking on a very classic Motif

which is a plaid blurring it and

degrading it Reinventing it in a certain

way I personally do enjoy it I'm not

like Amazed by it but I do think it's a

cool notion I do like that Andrea is

wearing it because I feel that's not

something you'd really normally see at

the Oscars but there's something about

it I do like next up we have Annette

Benning and I'm pretty positive she's

wearing Armani pre looking at that

jacket with that sort of three stripe

piping in those sequins and kind of

having like a varsity

jacketyellow train thing but also has

pants underneath in this navy blue with

the little crystals of blue and and

silver I just think it's like a cool

look I think it's very different than

the normal gowns that we're always

seeing especially for an actress who is

very much nominated for a leading role I

kind of like it I think it's cool I

think it's casual and yet at the same

time there's a lot of handcraft and and

work that's gone into it I think that

the proportions I think the styling I

think the layering of all of these

pieces also like totally changes it and

yet it doesn't feel too too casual it

feels a little more casual than a gown

obviously but it definitely doesn't feel

like she's wearing jeans or birken

stocks so I'm I'm kind of into it I like

it now next up is Ana Taylor Joy she's

wearing Christian Dior and at first I

was like what is she doing and now

you're probably say Luke why would you

say that but she is very obviously

referencing the Venus gown it's not the

junong Gown from 1949 but it's the Venus

gown from 1949 which is the sister dress

and pictures when I see them I usually

am like oh it's kind of brown it's not

really Brown It's actually a silver

dress and so Anna does have the color

very much so on point in that regard but

these two dresses are some of the most

famous Christian Dior by Christian Dior

himself gowns that exist in the Lexicon

of his work but it's also not a bont

skirt and so I was like why would you

make the Venus gown if you're not going

to do like a b font skirt that's the

whole point that is the Dior silhouette

that's what the iconic shape is about

like you can't reference it and then be

like I'm just going to do whatever I

want like know that's not really how

that works but I was listening to Ana

talk about it and she was saying that

this was Maria graia C's take on the

Venus Gap do I like Maria gracia's take

on most things absolutely not I don't

over the years by force I have started

to kind of understand what she does she

unexaggerated the shapes of Christian

Dior in the context of her work for Dior

exclusively I get this stripping back

these big big voluminous shapes that

were the thing that made people love

Christian Dior they love the fact that

he saw women as these beautiful flowers

Who would wear these gorgeous

over-the-top constricting sometimes

gowns but Maria gr is like no no no

we're going to take those ideas and

we're going to make them actually more

wearable for women it's a floor length

gown with probably what 10 15 pounds

worth of embroidery so how wearable is

that really I'm not really sure but I do

understand it do I obviously think that

it should be a bon gown absolutely but

do I think that Maria grao sort of

slimming this dress down in terms of the

skirt makes it a little bit more modern

in the sense of modern Dior again not

that I like it but do I get it yes do I

think that that changes it from just

being a recreation of a certain dress

from Dior yeah it's a beautiful dress

it's stunning the amount of work that

went into it I can only imagine those

poor poor poor people in Paris are just

like literally this all day long I can

appreciate that I think the fit of it is

fantastic again I don't really know if I

love the skirt per se I love the

embroidery I love the petals I love the

reference to Venus and the fact that

she's wearing Tiffany and Co and I

believe that that necklace that she's

wearing is from the under the sea

collection so like her and her team are

fully thinking through what she's doing

and that I always really appreciate so

to an yeah I see and I recognize and I

respect next up Ariana Grande John

Batista iure gigantic pink stole puff

thing love great perfect listen her and

cythia ariva who we're going to talk

about in a minute they're definitely

getting into their wicked method

dressing you know what I mean it's begun

it's starting right now in this moment

and I kind of think it's cool I like the

fact that honestly Margot Robbie and

Barbie really kicked everybody in the

ass cuz that's what I'm hearing the word

that I'm hearing is that all of the

girlies are like we got to get to dress

in because that actually makes people

excited now I know that zenai was doing

it obviously beforehand and we can talk

about dun and the impact of that as well

it's very important as for the actual

dress it's a pretty simple column dress

that obviously is gathered and so that's

why it has that really intriguing

texture I think it fits her well it's

great I think the big thing is this big

silk cloak train it weirdly kind of

works I think the fact that she's

holding it in the way that she's holding

it and the place that she's holding it

sort of almost feels like a big poof

kind of skirt but it's not I'm kind of

into it I think it's fun I want it to

evolve like I don't want to just see

bright pink I like that it's beginning

the game is starting so I'm excited to

see it next up we have Billy eyh wearing

Chanel I mind the look in terms of fit

cuz I don't really understand why the

jacket fits the way that it does cuz I

would think that for Chanel everything

is about dressing and women and we like

to make sure that women have clothing

that they can wear in their everyday

life and it fits them I don't know why

that Blazer fits that because it feels

like right under the bust it wrinkles

and it doesn't really fall properly and

I'm very confused as to why that is the

way that that is I do like the skirt I

think that the length is weird I do but

I also feel like that's kind of Billy in

a way I like the fact that she's wearing

Tweed I like the fact that she's wearing

the the little high socks I like the

fact that she's wearing these two-tone

black little Mary Jan's very much so

Chanel maybe not the Mary Jane but the

two-tone thing brings the Chanel ISM in

into it Prince of Wales check little

Chanel bag again it works I actually

even really like the shirt I like the

little sort of ruffle down the placket I

like the fact that there's no tie I just

think that the Blazer is like the one

issue that I really have is I don't

really understand the fit of it I

understand that it flares out I

understand that at the waist it sort of

nips in but with Chanel specifically I

would think that they've done the work

they've dressed so many clients over the

years that I would think that they would

have some sort of understanding of how

to go around that and fit that without

it looking the way that it does so yeah

that's my big issue I I really don't

mind the look the jacket I don't mind

the skirt I just mind the fit of that

jacket next up we have Bradley Cooper

he's wearing Louis Vuitton here's my

thing there's something weird and it's

something that I'll talk about with

Coleman dingo too we got to figure out

the fit thing with LV men's something

about this Blazer in particular which I

really like the buttons on the Blazer I

like those little turquoise is looking

blue buttons the double rested whatever

it's fine but something about the Blazer

width is really big and then something

about the pant size is too thin and it

like makes Bradley Cooper look like he's

wearing a big Bell a big black Bell and

his his legs are just sort of like

dingling in the bell and I don't like it

and I'm sorry I understand that sleeves

crease As you move in them but like

something also about the crease here is

maybe throwing me off and it could be

because he's holding his arms like this

or whatever and it could be because his

leg is turned out I would think that it

shouldn't look like that even if that's

the case feel like there's a little bit

of a barrier to entry when it comes to

Fels Louis Vuitton where like we need to

figure out fit that's very important in

men's wear there's one thing that needs

to kind of be perfect is fit it should

fit well you especially in this context

so we got to figure that out and also

like some sort of tie or something would

have been nice like maybe a bolo

something there next up Carrie Mulligan

sorry this one gag me a bit I'm in it

listen we'll talk about Baga cuz that's

what she's wearing she's wearing

Balenciaga it's custom okure and we'll

get to Michelle yo but this is a

recreation of a Balenciaga from 1951

which feel however you want to feel

about blaga but like you cannot say that

chrisal blaga was not a master was not

an icon this is the blaga that

everybody's been asking for and Dem and

Baga they delivered this is a beautiful

form fitting mermaid dress in Black

Velvet that then cuts off with a

scalloped hem and then underneath that

shoots out this

beautiful Ivory tulle mermaid skirt that

is so incredibly gathered and I think

that's the thing too about the O cure of

Balenciaga when they're looking at the

archive is like such amazing stuff to

work with and I think that they're not

really tapping it enough a lot of the

time I don't mind Forward Thinking okure

I think it's cool I think it it's needed

there's so much of people don't really

know about balanciaga okure that I don't

mind them pulling pieces out of the

archive especially when it looks like

that you I mean there's nobody in the

world that could really look at Carrie

Mulligan and say oh it's a mother Quake

like not to be that but like mother

Quake it's a beautiful dress it fits her

immaculately the gloves everything it's

like a cartoon is sort of trying to like

cover all of this dress that she's

wearing it's just it's beautiful and

then you look at the pictures from 1950s

of the original they look so so similar

it's really really well done she looks

atherial next up we have Seline song

who's wearing L I really enjoyed Seline

this whole season I thought it's been

really really fun and I think that she

did a really good job of finishing it

off pretty strong not too crazy but also

again she really hasn't been like going

out of the box super uh but she's done

pretty simple takes on like black skirt

skirt suits or black suiting and I think

that this double breasted black and navy

blue skirt suit is the perfect way to

finish it off I think the black overall

double rested really beautiful but you

have one of the lapels in navy blue she

has this beautiful sort of elephant pin

button thing brooch and I just think

it's a cool way to take on again a skirt

suit I like the idea of the two layered

skirts I think that the teers are

interesting and to a certain degree it

almost looks like from afar that Selene

might actually be wearing like a pair of

capri pants and then she has sort of

like a little flare a little skirt tie

around piece at the waist that maybe is

coming up but then you look up close and

you're like oh no no no she's actually

like fully wearing a skirt so I think

there's like an interesting optical

illusion and it might just be that the

black sections are sort of intriguingly

contrasted by the navy blue I like the

idea of navy blue and black not really

ever working sometimes or at least to

some people I think it works I think

it's very much so what she's been doing

I'm happy with it into it next up we

have Killian Murphy who is wearing ver a

from what I know here's my thing I don't

know I wanted a little bit more from

Killian I just feel like it's a little

Plain Jane listen I love the boot love a

patent leather boot shout out to my king

but I think there's something about

tuxedo shirt and maybe just the way that

it like folds over with the cumber bun

it looks a little strange I do like the

tie the black little silk sort of scarf

bow tie I think it's cool I think the

jacket fits really really well again

great example of like certain Jack

should fit certain ways and in that

regard I'm into it I think maybe it's

just the shirt that I don't love so so

much and maybe I wanted a little bit

more Pizzazz but also like if he wins

the Oscar I get it he wants to look kind

of you know Dapper guy and in certain

ways there's little Pizzazz you know the

bow tie is there the boots so like you

know I'm seeing it but a little

disappointed in my Killian I feel like

we're now in an era where men can't rest

on their Laurels anymore you I mean you

got to step it up now let's talk about

Coleman Domingo and Louis Vuitton listen

jacket love beautiful stunning double

breasted absolutely gorgeous I love

almost floral like Crystal buttons I

think they're lovely I think they're a

really nice sort of Pop especially when

the rest of the suit is pretty normal in

terms of suiting it's not really doing

crazy Silhouettes I mean there's like a

slight flare in those pants and we'll

talk about them in a minute but it's

trying to sort of Pop without it

detracting too much from being a black

clean suit I do like the bow tie and I