OSCARS 2024 FASHION ROAST (why is no one serving???)
Summary
TLDRIn this video, the host delivers a detailed review and roast of the fashion choices at the 2024 Oscars. Highlighting both the best and worst looks, the host praises outfits that stood out for their creativity and fit, while also critiquing those that missed the mark. With a focus on designer choices, fabric, and overall style, the video offers a comprehensive look at the red carpet fashion of Hollywood's biggest night.
Takeaways
- π₯ The video is a review and roast of the fashion at the 2024 Oscars, highlighting both the best and worst looks.
- π America Ferrera's oraton pink Versace dress was praised for its stunning fit and design, showcasing Versace's mastery of their signature house textile.
- π Andrea Riseboro's Louis Vuitton dress was noted for its artistic take on a classic plaid motif, blending and degrading it in a unique way.
- π€ Annette Benning's Armani PrivΓ© look was appreciated for its casual yet crafted style, standing out from the typical gowns worn at the Oscars.
- πΊ Ana Taylor-Joy's Christian Dior gown was a modern take on the iconic 1949 Venus gown, though it was missing the boned skirt of the original.
- π Ariana Grande's oversized pink stole and Cynthia Erivo's green leather dress were among the most memorable and talked-about looks.
- π΄οΈ Bradley Cooper's Louis Vuitton suit was criticized for its fit, particularly the blazers width and the thin pant size.
- π Carrie Mulligan's Balenciaga dress was a highlight, being a recreation of a 1951 design and fitting her immaculately.
- π Michelle Yeoh's Balenciaga dress was disliked for its unflattering color split and overall appearance, despite the wearer's beauty.
- π The video concludes with a list of the best and worst dressed, featuring Cynthia Riva, Carrie Mulligan, America Ferrera, Ana Taylor-Joy, and others in the best, while Bradley Cooper, Dwayne Johnson, and Michelle Yeoh were among the worst.
Q & A
What was the general opinion of the fashion at the Oscars 2024?
-The host, lukah, did not find the fashion at the Oscars 2024 to be bad. They did not love it, but also did not find it boring or uninteresting.
How did lukah describe America Ferrera's outfit?
-America Ferrera's outfit was described as stunning and beautiful. She wore an oraton pink Versace dress that fit her immaculately, hugging the hips and embracing the curve of her body.
What was unique about Andrea Riseboro's dress?
-Andrea Riseboro's dress was unique because it was a plaid design that blurred and degraded into black, giving an artistic take on a classic motif. It was a design straight off the runway by Jonathan Anderson.
What was the significance of Annette Benning's choice of outfit?
-Annette Benning's outfit was significant because it was a departure from the traditional gown, featuring a jacket with three stripe piping, sequins, and a navy blue pantsuit underneath. It was a casual yet handcrafted look, different from the usual Oscar attire.
How did Ana Taylor Joy's dress relate to Christian Dior's iconic designs?
-Ana Taylor Joy's dress was a reference to the Venus gown from 1949, one of the most famous Christian Dior designs. However, it was not a boned skirt, which is a key element of the iconic Dior silhouette.
What was the issue with Ariana Grande's outfit?
-The issue with Ariana Grande's outfit was not with the dress itself, which was simple and had an intriguing texture, but with the large silk cloak train that she held. The fit and proportion of the train were not well received.
What was the problem with Bradley Cooper's Louis Vuitton outfit?
-The problem with Bradley Cooper's Louis Vuitton outfit was the fit of the blazer, which was too wide, and the pant size, which was too thin, making him look like he was wearing a big bell with his legs dangling inside.
How did Michelle Yeoh's Balenciaga dress stand out?
-Michelle Yeoh's Balenciaga dress stood out because it was a recreation of a Balenciaga from 1951, featuring a form-fitting mermaid dress in black velvet with an ivory tulle mermaid skirt. The dress was highly praised for its fit and historical significance.
What was the general sentiment towards Cynthia Erivo's Louis Vuitton dress?
-Cynthia Erivo's full leather Louis Vuitton dress in green was considered a standout look. Despite the challenges of wearing full leather, the dress was praised for its fit and the way it accentuated the body.
What was the critique of Emily Blunt's dress from the script?
-Emily Blunt's dress, which featured an underwear motif, was not well-received. It was considered too gimmicky and not suitable for the Oscars, with the critique suggesting that the dress would have been better without the underwear section.
Outlines
π Oscars 2024 Fashion Roast and Review Introduction
The segment kicks off with the host, Lukah, introducing the Oscars 2024 fashion roast and review on Hollow mod. Lukah shares initial thoughts on the event's fashion, noting an absence of boredom or overly negative impressions, setting a positive tone for the detailed reviews to follow. The discussion begins with a commendation of America Ferrera's stunning oroton pink Versace dress, praised for its impeccable fit and design that elegantly accentuates her body, suggesting a nod to Gianni Versace's fall 1991 collection. The review continues with Andrea Riseborough's unique Loewe dress, admired for its artistic take on a classic plaid, blurring into black towards the hem, reflecting Jonathan Anderson's innovative approach to fashion.
π Detailed Oscar Outfit Analyses and Opinions
The narrative progresses with detailed critiques of various celebrities' Oscars attire, starting with Annette Benning's unique Armani Prive ensemble, blending casual and couture elements. Ana Taylor-Joy's Christian Dior gown, referencing the iconic Venus gown from 1949, is discussed, including Maria Grazia Chiuri's modern interpretation. Ariana Grande and Billy Eyelash's choices are also analyzed, with Grande's vibrant pink ensemble and Eyelash's Chanel outfit sparking commentary on fit and style. The analysis is meticulous, touching on the fashion choices' intricacies and their impact on the overall Oscars fashion narrative.
π© Men's Fashion and Mixed Reactions
This paragraph delves into men's fashion at the Oscars, highlighting Bradley Cooper's and Coleman Domingo's looks. Cooper's Louis Vuitton outfit receives criticism for its fit and lack of a tie, suggesting a disconnect between expectation and execution in luxury men's wear. Domingo's ensemble, on the other hand, garners praise for its stylistic coherence and distinctive use of accessories, setting a benchmark for male celebrities at the event. The focus on men's fashion underscores the evolving expectations and varied receptions of male red carpet attire.
πΊ Standout Gowns and Fashion Forward Choices
Continuing the fashion analysis, the segment highlights exceptional gowns and creative fashion choices. Carrie Mulligan's custom Balenciaga gown, reminiscent of the brand's 1951 archive, is lauded for its beauty and homage to CristΓ³bal Balenciaga's mastery. Other mentions include Seline Song's elegant Loewe suit and Killian Murphy's underwhelming look. The narrative appreciates the blend of historical reverence and contemporary innovation in the outfits, noting how certain looks set a high bar for Oscars fashion.
π Disappointments and Missteps in Fashion Choices
This part addresses less favorable fashion decisions, critiquing outfits that failed to impress or properly fit, such as Dwayne "The Rock" Johnson's crinkled silk ensemble and Emily Blunt's Scaparelli gown with an awkward underwear motif. The critique extends to various celebrities whose attire did not live up to expectations, emphasizing the importance of fit, fabric choice, and thematic coherence in red carpet fashion.
π Final Thoughts on Oscar Fashion: Best and Worst Dressed
The conclusion wraps up with a reflective overview of the Oscars fashion, identifying best and worst dressed individuals, and articulating a nuanced appreciation for the efforts and outcomes of the event's fashion. The summary encapsulates the highs and lows of the fashion scene, from Cynthia Erivo's standout Louis Vuitton dress to Michelle Yeoh's disappointing Balenciaga gown, offering a balanced perspective on the array of styles displayed. The segment affirms the dynamic and subjective nature of fashion critique, acknowledging both triumphs and shortcomings.
Mindmap
Keywords
π‘Fashion
π‘Critique
π‘Oscars
π‘Designer
π‘Aesthetic
π‘Runway
π‘Embellishment
π‘Fit
π‘Trend
π‘Red Carpet
Highlights
America Ferrera's stunning oraton pink Versace dress was praised for its impeccable fit and design.
Andrea Riseboro's Lou dress, with its artistic plaid pattern, was admired for its unique and creative approach to the classic motif.
Annette Benning's Armani PrivΓ© look was appreciated for its casual yet crafted style, standing out from the usual gowns.
Ana Taylor-Joy's Christian Dior gown was noted for its reference to the iconic 1949 Venus gown, though with a modern twist.
Ariana Grande's pink stole puff look was described as love at first sight, showcasing a great style choice.
Billy Eilish's Chanel outfit was admired for its unique fit and interesting take on tweed, despite some fit concerns.
Bradley Cooper's Louis Vuitton suit was critiqued for its odd fit, particularly the blazers width and pant size.
Carrie Mulligan's Balenciaga dress was a highlight, being a beautiful recreation of the 1951 original with modern adjustments.
Seline Song's black and navy blue skirt suit was praised for its simple yet effective approach to the red carpet.
Killian Murphy's understated look was seen as a disappointment, with a desire for more pizzazz from the actor.
Coleman Domingo's Louis Vuitton ensemble was admired for its stunning double-breasted design and unique jewelry.
Cynthia Erivo's full leather Louis Vuitton dress in green was a standout look, with its perfect fit and unique design.
Danielle Brooks' Do Chen Gabana dress was noted for its simple yet elegant design, though not as exciting as other looks.
Dwayne 'The Rock' Johnson's silk suit from Toing was heavily criticized for its unflattering appearance and choice of fabric.
Emily Blunt's Scaparelli dress was critiqued for its underwear section, which was seen as a gimmick rather than a fashion statement.
Margot Robbie's Versace dress was seen as a safe choice, with a desire for more from the actress known for her bold style.
Michelle Yeoh's Balenciaga dress was disliked for its unflattering color split and overall design, despite the actress's beauty.
Lily Gladstone's custom Gucci dress with Native American jewelry was appreciated for its cultural elements and beautiful details.
Lupita Nyong'o's Armani PrivΓ© dress was loved for its beautiful color and feather details, emphasizing her figure elegantly.
Zenaida Coleman's Armani PrivΓ© gown was admired for its stunning design, texture, and color, making her look like a diva.
Transcripts
[Music]
hello everybody my name is lukah and
this is hollow mode and today on Hollow
mod we are coming to you with your
Oscars 2024 fashion roast and review
there is a lot to get through there were
a lot of people a lot of looks a lot to
talk about overall I I didn't think it
was that bad like I didn't love it I
wasn't like a maze I wasn't huh but I
really didn't think that there was too
much boring I didn't think there was too
much that was kind
of me not having to make those noises is
for everybody's benefit I would say so
let's get into it we're starting off
pretty strong America Ferrera I have not
loved for the most part throughout the
entirety of the award season but this
oraton pink Versace dress was stunning
on her it was beautiful it was
impeccable Versace and Donatella Versace
herself they understand how to fit these
dresses these beautiful chain mail oron
signature House Co Versace textile is
very much so something that they have
really mastered they get how to make
them really cling to the body which is
something you wouldn't really think of
when it comes to metal It just fits her
immaculately I love the way that it hugs
the hips I love the fact that it
actually Embraces the curve and the body
it's not too long it doesn't drag too
heavily it really fits ever so
effortlessly as for the neckline I love
it I think it's beautiful I think that
it probably is based somewhere along a
fall 1991 Versace collection by Giani
Versace himself it's not exactly a
neckline from the show I'm pretty
positive but it definitely has a feeling
of that and I think that's kind of the
perfect subtle little nod that I like to
gian's work and what verace does very
very well overall she looks stunning
gorgeous next up we have Andrea riseboro
now she is wearing Lou this is like
straight off of the runway there's
actually a few of these Lou dresses I
love this plaid that becomes almost
muddied by some sort of water and then
begins to blur a little bit and right
below hip area just Fades fully into
black with little bits of these plaid
Stripes running in but just sort of
blending together all in black I know
it's a little bit out there I know it's
a little crazy to a lot of people I know
a lot of people are just going to say G
it's ugly but I think that it's very
Jonathan Anderson I think it's very much
this artistic sort of idea artistic sort
of way of taking on a very classic Motif
which is a plaid blurring it and
degrading it Reinventing it in a certain
way I personally do enjoy it I'm not
like Amazed by it but I do think it's a
cool notion I do like that Andrea is
wearing it because I feel that's not
something you'd really normally see at
the Oscars but there's something about
it I do like next up we have Annette
Benning and I'm pretty positive she's
wearing Armani pre looking at that
jacket with that sort of three stripe
piping in those sequins and kind of
having like a varsity
jacketyellow train thing but also has
pants underneath in this navy blue with
the little crystals of blue and and
silver I just think it's like a cool
look I think it's very different than
the normal gowns that we're always
seeing especially for an actress who is
very much nominated for a leading role I
kind of like it I think it's cool I
think it's casual and yet at the same
time there's a lot of handcraft and and
work that's gone into it I think that
the proportions I think the styling I
think the layering of all of these
pieces also like totally changes it and
yet it doesn't feel too too casual it
feels a little more casual than a gown
obviously but it definitely doesn't feel
like she's wearing jeans or birken
stocks so I'm I'm kind of into it I like
it now next up is Ana Taylor Joy she's
wearing Christian Dior and at first I
was like what is she doing and now
you're probably say Luke why would you
say that but she is very obviously
referencing the Venus gown it's not the
junong Gown from 1949 but it's the Venus
gown from 1949 which is the sister dress
and pictures when I see them I usually
am like oh it's kind of brown it's not
really Brown It's actually a silver
dress and so Anna does have the color
very much so on point in that regard but
these two dresses are some of the most
famous Christian Dior by Christian Dior
himself gowns that exist in the Lexicon
of his work but it's also not a bont
skirt and so I was like why would you
make the Venus gown if you're not going
to do like a b font skirt that's the
whole point that is the Dior silhouette
that's what the iconic shape is about
like you can't reference it and then be
like I'm just going to do whatever I
want like know that's not really how
that works but I was listening to Ana
talk about it and she was saying that
this was Maria graia C's take on the
Venus Gap do I like Maria gracia's take
on most things absolutely not I don't
over the years by force I have started
to kind of understand what she does she
unexaggerated the shapes of Christian
Dior in the context of her work for Dior
exclusively I get this stripping back
these big big voluminous shapes that
were the thing that made people love
Christian Dior they love the fact that
he saw women as these beautiful flowers
Who would wear these gorgeous
over-the-top constricting sometimes
gowns but Maria gr is like no no no
we're going to take those ideas and
we're going to make them actually more
wearable for women it's a floor length
gown with probably what 10 15 pounds
worth of embroidery so how wearable is
that really I'm not really sure but I do
understand it do I obviously think that
it should be a bon gown absolutely but
do I think that Maria grao sort of
slimming this dress down in terms of the
skirt makes it a little bit more modern
in the sense of modern Dior again not
that I like it but do I get it yes do I
think that that changes it from just
being a recreation of a certain dress
from Dior yeah it's a beautiful dress
it's stunning the amount of work that
went into it I can only imagine those
poor poor poor people in Paris are just
like literally this all day long I can
appreciate that I think the fit of it is
fantastic again I don't really know if I
love the skirt per se I love the
embroidery I love the petals I love the
reference to Venus and the fact that
she's wearing Tiffany and Co and I
believe that that necklace that she's
wearing is from the under the sea
collection so like her and her team are
fully thinking through what she's doing
and that I always really appreciate so
to an yeah I see and I recognize and I
respect next up Ariana Grande John
Batista iure gigantic pink stole puff
thing love great perfect listen her and
cythia ariva who we're going to talk
about in a minute they're definitely
getting into their wicked method
dressing you know what I mean it's begun
it's starting right now in this moment
and I kind of think it's cool I like the
fact that honestly Margot Robbie and
Barbie really kicked everybody in the
ass cuz that's what I'm hearing the word
that I'm hearing is that all of the
girlies are like we got to get to dress
in because that actually makes people
excited now I know that zenai was doing
it obviously beforehand and we can talk
about dun and the impact of that as well
it's very important as for the actual
dress it's a pretty simple column dress
that obviously is gathered and so that's
why it has that really intriguing
texture I think it fits her well it's
great I think the big thing is this big
silk cloak train it weirdly kind of
works I think the fact that she's
holding it in the way that she's holding
it and the place that she's holding it
sort of almost feels like a big poof
kind of skirt but it's not I'm kind of
into it I think it's fun I want it to
evolve like I don't want to just see
bright pink I like that it's beginning
the game is starting so I'm excited to
see it next up we have Billy eyh wearing
Chanel I mind the look in terms of fit
cuz I don't really understand why the
jacket fits the way that it does cuz I
would think that for Chanel everything
is about dressing and women and we like
to make sure that women have clothing
that they can wear in their everyday
life and it fits them I don't know why
that Blazer fits that because it feels
like right under the bust it wrinkles
and it doesn't really fall properly and
I'm very confused as to why that is the
way that that is I do like the skirt I
think that the length is weird I do but
I also feel like that's kind of Billy in
a way I like the fact that she's wearing
Tweed I like the fact that she's wearing
the the little high socks I like the
fact that she's wearing these two-tone
black little Mary Jan's very much so
Chanel maybe not the Mary Jane but the
two-tone thing brings the Chanel ISM in
into it Prince of Wales check little
Chanel bag again it works I actually
even really like the shirt I like the
little sort of ruffle down the placket I
like the fact that there's no tie I just
think that the Blazer is like the one
issue that I really have is I don't
really understand the fit of it I
understand that it flares out I
understand that at the waist it sort of
nips in but with Chanel specifically I
would think that they've done the work
they've dressed so many clients over the
years that I would think that they would
have some sort of understanding of how
to go around that and fit that without
it looking the way that it does so yeah
that's my big issue I I really don't
mind the look the jacket I don't mind
the skirt I just mind the fit of that
jacket next up we have Bradley Cooper
he's wearing Louis Vuitton here's my
thing there's something weird and it's
something that I'll talk about with
Coleman dingo too we got to figure out
the fit thing with LV men's something
about this Blazer in particular which I
really like the buttons on the Blazer I
like those little turquoise is looking
blue buttons the double rested whatever
it's fine but something about the Blazer
width is really big and then something
about the pant size is too thin and it
like makes Bradley Cooper look like he's
wearing a big Bell a big black Bell and
his his legs are just sort of like
dingling in the bell and I don't like it
and I'm sorry I understand that sleeves
crease As you move in them but like
something also about the crease here is
maybe throwing me off and it could be
because he's holding his arms like this
or whatever and it could be because his
leg is turned out I would think that it
shouldn't look like that even if that's
the case feel like there's a little bit
of a barrier to entry when it comes to
Fels Louis Vuitton where like we need to
figure out fit that's very important in
men's wear there's one thing that needs
to kind of be perfect is fit it should
fit well you especially in this context
so we got to figure that out and also
like some sort of tie or something would
have been nice like maybe a bolo
something there next up Carrie Mulligan
sorry this one gag me a bit I'm in it
listen we'll talk about Baga cuz that's
what she's wearing she's wearing
Balenciaga it's custom okure and we'll
get to Michelle yo but this is a
recreation of a Balenciaga from 1951
which feel however you want to feel
about blaga but like you cannot say that
chrisal blaga was not a master was not
an icon this is the blaga that
everybody's been asking for and Dem and
Baga they delivered this is a beautiful
form fitting mermaid dress in Black
Velvet that then cuts off with a
scalloped hem and then underneath that
shoots out this
beautiful Ivory tulle mermaid skirt that
is so incredibly gathered and I think
that's the thing too about the O cure of
Balenciaga when they're looking at the
archive is like such amazing stuff to
work with and I think that they're not
really tapping it enough a lot of the
time I don't mind Forward Thinking okure
I think it's cool I think it it's needed
there's so much of people don't really
know about balanciaga okure that I don't
mind them pulling pieces out of the
archive especially when it looks like
that you I mean there's nobody in the
world that could really look at Carrie
Mulligan and say oh it's a mother Quake
like not to be that but like mother
Quake it's a beautiful dress it fits her
immaculately the gloves everything it's
like a cartoon is sort of trying to like
cover all of this dress that she's
wearing it's just it's beautiful and
then you look at the pictures from 1950s
of the original they look so so similar
it's really really well done she looks
atherial next up we have Seline song
who's wearing L I really enjoyed Seline
this whole season I thought it's been
really really fun and I think that she
did a really good job of finishing it
off pretty strong not too crazy but also
again she really hasn't been like going
out of the box super uh but she's done
pretty simple takes on like black skirt
skirt suits or black suiting and I think
that this double breasted black and navy
blue skirt suit is the perfect way to
finish it off I think the black overall
double rested really beautiful but you
have one of the lapels in navy blue she
has this beautiful sort of elephant pin
button thing brooch and I just think
it's a cool way to take on again a skirt
suit I like the idea of the two layered
skirts I think that the teers are
interesting and to a certain degree it
almost looks like from afar that Selene
might actually be wearing like a pair of
capri pants and then she has sort of
like a little flare a little skirt tie
around piece at the waist that maybe is
coming up but then you look up close and
you're like oh no no no she's actually
like fully wearing a skirt so I think
there's like an interesting optical
illusion and it might just be that the
black sections are sort of intriguingly
contrasted by the navy blue I like the
idea of navy blue and black not really
ever working sometimes or at least to
some people I think it works I think
it's very much so what she's been doing
I'm happy with it into it next up we
have Killian Murphy who is wearing ver a
from what I know here's my thing I don't
know I wanted a little bit more from
Killian I just feel like it's a little
Plain Jane listen I love the boot love a
patent leather boot shout out to my king
but I think there's something about
tuxedo shirt and maybe just the way that
it like folds over with the cumber bun
it looks a little strange I do like the
tie the black little silk sort of scarf
bow tie I think it's cool I think the
jacket fits really really well again
great example of like certain Jack
should fit certain ways and in that
regard I'm into it I think maybe it's
just the shirt that I don't love so so
much and maybe I wanted a little bit
more Pizzazz but also like if he wins
the Oscar I get it he wants to look kind
of you know Dapper guy and in certain
ways there's little Pizzazz you know the
bow tie is there the boots so like you
know I'm seeing it but a little
disappointed in my Killian I feel like
we're now in an era where men can't rest
on their Laurels anymore you I mean you
got to step it up now let's talk about
Coleman Domingo and Louis Vuitton listen
jacket love beautiful stunning double
breasted absolutely gorgeous I love
almost floral like Crystal buttons I
think they're lovely I think they're a
really nice sort of Pop especially when
the rest of the suit is pretty normal in
terms of suiting it's not really doing
crazy Silhouettes I mean there's like a
slight flare in those pants and we'll
talk about them in a minute but it's
trying to sort of Pop without it
detracting too much from being a black
clean suit I do like the bow tie and I