Logic 11 | Session Players, Chromaglow | Let's Write a Track!
TLDRIn this video, the creator explores the new features of Logic 11, particularly focusing on the AI session players and their utility in creating quick demos. They demonstrate the process by arranging a popular church worship song, testing the quality and ease of use of the session musicians and new instruments. The video showcases the piano, bass, drum, and pad sounds, highlighting the realism and customization options. The creator concludes that while the AI session players are excellent for demo creation, they are not suitable for professional settings or film scoring, but serve as a great starting point for songwriting and composition.
Takeaways
- ๐น Logic 11 introduces new session musicians which can be useful for creating quick demos or filling in gaps when full MIDI work is not feasible.
- ๐ผ The video demonstrates the creation of an instrumental track for a popular Church worship song using Logic 11's session musicians to test their ease of use and quality.
- ๐ There is a significant improvement in the new piano sound in Logic 11, offering more detail and realism compared to the previous Sampler Steinway Grand.
- ๐ The new saturator plugin 'Chroma Glow' is a welcome addition to Logic's effects, offering different types of saturation such as modern, retro, magnetic, and tube emulation.
- ๐ต The process of setting up chord progressions and piano parts in Logic 11 was efficient, taking only half an hour, showcasing the software's capabilities for quick arrangement.
- ๐ The session player's piano performance was realistic, with options to adjust complexity, intensity, and humanization to fit the style of worship music.
- ๐ง The video also covers the use of the Bass player and Drummer session musicians, highlighting their realistic sound and the ability to customize fills and rhythms.
- ๐ The session players can be a great starting point for songwriting and composition, providing a fast and efficient way to lay down demo tracks.
- ๐ ๏ธ While the session players are not intended for professional or film scoring settings, they serve well as placeholders and for creating quick demos.
- ๐ The video concludes with the conversion of the AI-generated tracks into MIDI, allowing for further customization with the user's own sounds and mixing settings.
- ๐จโ๐ป The presenter suggests that Logic Pro could benefit from more professional features and performance improvements, such as fixing the Arrange Melody problem.
Q & A
What is the main purpose of Logic 11's new session musicians feature?
-The new session musicians feature in Logic 11 is intended to be useful for creating quick demos or filling in space when the user is too lazy to do full MIDI work.
What type of music does the video creator decide to use for testing the session musicians feature?
-The video creator decides to use a popular Church worship song for testing the session musicians feature, as they tend to be simple and work well with the session musicians.
What new piano sound does the video creator start with in Logic 11?
-The video creator starts with the Studio Grand piano sound with one mic and compares it with the Studio Grand with multiple mic positions.
How does the video creator describe the improvement in the new piano sound over the Sampler Steinway Grand?
-The video creator describes the new piano sound as a huge improvement over the Sampler Steinway Grand, noting that it is more detailed and realistic.
What new feature does the video creator use to add warmth and saturation to the piano sound?
-The video creator uses the new saturator plugin called 'ChromaGlow' to add warmth and saturation to the piano sound.
What is the video creator's opinion on the bass player feature in Logic 11?
-The video creator finds the bass player feature to be very good, noting that it includes realistic elements like slides and string noise.
How does the video creator approach the drum programming in the session musicians feature?
-The video creator approaches drum programming by adjusting the complexity, intensity, and fills to create a realistic and dynamic drum track that fits the worship music style.
What issue does the video creator mention regarding the ending of phrases with the bass player?
-The video creator mentions that there could be more options for the ending of phrases with the bass player, as they had to resort to automation to create a fade-out effect.
How does the video creator plan to use the AI-generated tracks in their workflow?
-The video creator plans to use the AI-generated tracks as a starting point for demos, placeholders while recording each instrument, and for sending to friends for overdubs.
What is the video creator's final assessment of the Logic 11 session players for professional use?
-The video creator would not use the Logic 11 session players in a professional setting for film scoring or as a primary tool but finds them useful for quick demo creation and as placeholders.
Outlines
๐น Introduction to Logic Pro 11 Session Musicians
The speaker discusses their initial impressions of Logic Pro 11, expressing a lack of excitement for the new features but interest in the session musicians for creating quick demos. They plan to test the new session musicians by creating an instrumental for a popular church worship song, which typically have simple arrangements suitable for showcasing the capabilities of the software's session musicians and new instruments.
๐ผ Setting Up the Piano Track with Logic Pro 11
The speaker begins by setting up a piano track using Logic Pro 11's new session musician feature. They explore different options for the keyboard player, such as arpeggiated broken chords, block chords, and a pad option. They compare the new piano sound to the older sampler Steinway Grand, noting a significant improvement in detail and realism. The speaker also introduces the new saturator plugin and discusses adding reverb to achieve a worship music style.
๐ Creating Chord Progressions and Piano Arrangements
The speaker details the process of creating chord progressions for a worship song arrangement. They discuss the input method for chords, mentioning its potential for improvement but acknowledging the ease of setting up multiple instruments once the chords are established. The speaker also talks about adjusting the piano part's complexity and intensity for different sections of the song, aiming for a realistic and humanized performance.
๐ธ Adding Bass and Drums with Session Musicians
After setting up the piano track, the speaker moves on to adding bass and drums using Logic Pro 11's session musicians. They experiment with different bass tones and playing styles, eventually choosing a pick style bass for its fit with the pop-rock genre of the song. The speaker also discusses the realism of the new bass instrument, including features like slides. For drums, they explore different fills and rhythms, adjusting the complexity and intensity to suit the song's style.
๐ฅ Customizing Drum Patterns and Sound
The speaker continues to refine the drum track by customizing drum patterns and sound. They discuss the importance of understanding the role of a drummer in worship music and make adjustments to the drum sound to fit the genre better. The speaker also talks about the process of changing the drum tone to achieve a desired 'worship' style, including tuning the snare, toms, and cymbals for a bigger, darker sound.
๐ Finalizing Arrangement and Testing Session Musicians
The speaker concludes the arrangement by finalizing the drum and pad sounds, making them fit the worship music style. They discuss the ease of programming pads and the usefulness of the session musician feature for creating quick demos. The speaker also mentions the process of converting the AI-generated performance into MIDI for further customization with personal sounds and mixing presets.
๐๏ธ Mixing and Evaluating the AI Session Performance
After programming the AI session musicians, the speaker evaluates the performance by mixing it with their own sounds. They discuss the process of converting the AI performance into MIDI and then adding their own mix settings. The speaker notes the need to adjust velocities and make specific changes to achieve the desired sound, acknowledging the AI session players as a great starting point for demos and placeholders.
๐ค Thoughts on AI Session Players and Future Use
The speaker shares their thoughts on the AI session players in Logic Pro 11, stating that they are good for demo making but not suitable for professional settings or film scoring. They appreciate the time-saving aspect of the AI session players and how they can be used as a starting point in the composition and demo process. The speaker also expresses optimism about humanity's ability to use AI as a tool without being replaced by it.
๐จโ๐ป Final Remarks and Suggestions for Logic Pro
In the final paragraph, the speaker wraps up their thoughts on Logic Pro 11's session musicians and makes suggestions for improvements. They mention the need for more professional features, performance improvements, and fixing issues like the arrange melodine problem. The speaker also expresses a desire to use Logic natively but is currently hindered by certain limitations.
๐ต Closing Musical Note
The video concludes with a final musical note, indicating the end of the speaker's demonstration and discussion about Logic Pro 11's AI session players.
Mindmap
Keywords
๐กLogic 11
๐กSession Musicians
๐กChromaglow
๐กStudio Grand
๐กArpeggiated
๐กVintage Upright
๐กPads
๐กBass Player
๐กFill Complexity
๐กHumanize
Highlights
Logic 11 introduces new session musicians for creating quick demos and filling in spaces when full MIDI work is not desired.
The video demonstrates creating an instrumental for a popular Church worship song using Logic 11's session musicians.
Logic 11's new piano sound with multiple mic positions offers a significant improvement over the previous Steinway Grand.
The new piano sound in Logic 11 includes stereo and mono mic options, as well as key and pedal noise for added realism.
Logic 11 introduces a new saturation plugin called Chromaglow, which was previously missing from the software.
The session player's keyboard instrument can be used to create chord progressions and arrangements quickly.
Logic 11's session musicians can be adjusted for complexity, intensity, and note range to fit the desired musical style.
The bass player in Logic 11 offers realistic slides and string noises, providing a more authentic sound.
Logic 11's drummer can be customized with different styles, complexities, and fills to create a tailored rhythm track.
The pad instrument in Logic 11 can create two-voice common tone sounds that automatically follow chord changes.
Logic 11's session players can be used as a starting point for a full mix, with the ability to convert the tracks to MIDI for further editing.
The video creator suggests that Logic 11's session players are best suited for demo making rather than professional or film scoring settings.
Logic 11's new features are seen as a time-saver for the composition and demo process, despite some limitations in customization.
The video concludes with a discussion on the potential of AI in music production, suggesting it as a tool rather than a replacement for human musicians.
Suggestions are made for improvements in Logic Pro, such as adding more professional features and fixing existing issues like the arranger melodine problem.