J. Cole Responded and It's Bad
Summary
TLDRIn the video transcript, the reviewer discusses J. Cole's response to Kendrick Lamar through a new track on a surprise release titled 'Might Delete Later'. The reviewer criticizes the instrumental as weak and the beat as unconvincing. They also analyze Cole's lyrics, suggesting that his heart doesn't seem to be in the diss track and that the response feels half-hearted. Despite the lackluster attempt, the reviewer acknowledges the complexity of the situation, noting that the hip-hop community's expectations and the pressure to engage in such disputes might not align with Cole's artistic vision or personal feelings.
Takeaways
- đ” J. Cole released a surprise track responding to Kendrick Lamar, titled 'might delete later'.
- đ¶ The instrumental of the track was criticized as weak and lacking impact.
- đ€ J. Cole's vocal delivery was described as half-hearted and underwhelming.
- đ„ The lyrics suggest that J. Cole perceives the challenge as easy, with the line 'light work like it's PWC'.
- đ The chorus is considered forgettable and lacks the catchiness J. Cole is known for.
- đĄ J. Cole uses a simile comparing himself to The Simpsons, which was deemed not impactful.
- đ J. Cole acknowledges Kendrick Lamar's classic albums but criticizes his more recent work.
- đ Kendrick Lamar is known for his aggressive stances and challenges towards contemporaries.
- đ€ș The second verse of J. Cole's track switches to a better instrumental but maintains a tone of reluctance.
- đ« The overall assessment of J. Cole's response is that it lacks the heart and interest he usually puts into his work.
Q & A
What is the title of J. Cole's project in response to Kendrick Lamar?
-The title of J. Cole's project is 'might delete later'.
How does the commentator describe the instrumental of the track?
-The commentator describes the instrumental as weak, lacking in strength and conviction.
What is J. Cole's initial attitude towards the diss track according to the transcript?
-J. Cole's initial attitude is described as half-hearted and underwhelming, suggesting he didn't really want to engage in the diss track.
What is the commentator's take on the phrase 'cold world' used in the chorus?
-The commentator views the phrase 'cold world' as overused and lacking originality, having lost its appeal over time.
How does the commentator describe the impact of the Simpsons simile used by J. Cole?
-The commentator finds the simile to be weak and a strange admission, as The Simpsons is still a popular and influential show despite its long run.
What does the commentator say about Kendrick Lamar's history with contemporaries?
-The commentator notes that Kendrick Lamar has a history of being aggressive with some of his contemporaries and often throws out challenges.
How does the commentator view J. Cole's reference to Stone Temple Pilots?
-The commentator finds the reference to Stone Temple Pilots to be out of place and not fitting the tone of a diss track, describing it as silly and goofy.
What is the commentator's overall assessment of J. Cole's response track?
-The commentator considers the response track to be weak and not reflective of J. Cole's true Artistry or capability, as it seems he wasn't genuinely interested in engaging in such a response.
Why does the commentator sympathize with J. Cole despite the track being mediocre?
-The commentator sympathizes with J. Cole because it appears he didn't want to engage in the diss track and it doesn't reflect his true intentions or direction for his career.
What does the commentator suggest about the expectations of the hip-hop community?
-The commentator suggests that the hip-hop community can be toxic in its expectations, pressuring artists to engage in conflicts they may not be interested in, and potentially leading to unfavorable public opinion if they choose not to participate.
Outlines
đ¶ J. Cole's Response to Kendrick Lamar: An Underwhelming Retort
This paragraph discusses J. Cole's reaction to Kendrick Lamar through a new track on his surprise release, 'might delete later.' The critique focuses on the track's instrumental, describing it as weak and lacking impact. It also analyzes Cole's vocal delivery as half-hearted, suggesting his reluctance to engage in the feud. The lyrics are examined, pointing out the repetitive use of 'cold world' and the forgettable nature of the chorus. The paragraph further delves into the similes and metaphors used, questioning their effectiveness and relevance. It concludes by addressing the core criticism of J. Cole's music being boring and the irony of his current position in the rap hierarchy.
đïž J. Cole's Reluctance and the Toxicity of Hip-Hop's Expectations
This paragraph delves into J. Cole's reluctance to fully engage in a diss track against Kendrick Lamar. It highlights the pressure from the hip-hop community for a strong response and Cole's stated intention to maintain a stance of peace. The summary critiques the wordiness of the lyrics and the lack of impactful punches, despite some clever wordplay. It also discusses the complex emotions behind the response, suggesting that J. Cole's true feelings might be misinterpreted as weakness. The paragraph ends by sympathizing with J. Cole's position, recognizing that his lack of enthusiasm for the diss track does not diminish his artistic talent or credibility.
Mindmap
Keywords
đĄJ Cole
đĄKendrick Lamar
đĄDiss Track
đĄArtistry
đĄHip-Hop Culture
đĄLyricism
đĄBeat
đĄVocal Delivery
đĄChorus
đĄSimile
đĄRap Feud
Highlights
Jason Herbert Coleman II (J. Cole) responds to Kendrick Lamar with a new track.
The track is part of a surprise release project titled 'might delete later'.
The instrumental of the track is criticized as weak and lacking impact.
J. Cole's vocal delivery is described as half-hearted and underwhelming.
The phrase 'cold world' is used, which is considered overused and lacking originality.
The chorus is deemed forgettable and not catchy.
J. Cole uses a simile comparing himself to The Simpsons, which is considered a weak comparison.
Kendrick Lamar's influence and classic moments in his career are praised.
J. Cole's criticism of Kendrick's more recent work is highlighted.
The line 'your second [album] put dudes to sleep' is a bold critique.
J. Cole mentions his own success and position in the industry.
The beat switch in the second verse is praised as better than the initial beat.
J. Cole expresses reluctance to engage in a toxic back-and-forth.
The phrase 'SWAT and a fly' is used to describe a potential powerful response.
J. Cole's use of Stone Temple Pilots references is considered out of place and ineffective.
The response track is seen as a warning shot rather than a serious diss.
The overall assessment is that J. Cole's heart wasn't in the response, affecting the track's quality.
Despite the track's perceived weaknesses, J. Cole's artistry and capability are not questioned.
Transcripts
Jason Herbert Coleman II Jor responded
to Kendrick Lamar in the form of a brand
new track the closing track on a
surprise release from Cole a project
titled might delete later before I get
into the lines right off the bat I'm
going to say instrumentally this track
is weak as hell no sauce on this beat
why is Cole firing back at Kendrick with
this PE pew like synth trap beat this
does not sound hard convincing and even
Cole's vocal delivery off the bat in the
song is half-hearted and underwhelming
he clearly didn't want to do this which
will be further illustrated by the bars
on the track let's go light work like
it's PWC Cole is telling us this is
going to be easy uh it's a cold world
keep the heat under your seat it's not a
J Cole song unless he's doing some kind
of coold world cold world pun we've
heard it a million times it is not
clever it was never clever what whatever
appeal it had has lost its luster over
the decade you've been using it and this
is the chorus by the way I got a phone
call they say that somebody dissing uh
you want some attention it come with
extensions my dog likes say the word he
on some [Â __Â ] he itching I mean the
rhyme scheme is not bad but it's a very
wordy chus and when you actually listen
to it in the context of the song it's
utterly forgettable on impact like
clearly Cole is not trying to sell us on
the appeal of this track being catchy uh
he's still doing shows but fell off like
The Simpsons I mean not only does this
simile not hit hard at all but isn't
this like a really weird admission even
in its fallen off State The Simpsons is
a massively popular and influential show
that uh still to this day is the
archetype for every other animated
sitcom comedy style show on television
and I predict a similar thing with
Kendrick Lamar even if 10 20 years from
now he's coming out with records that
aren't as good as good kid Mad City
because of those classic influential
moments in his back catalog people are
probably still going to listen to his
new stuff even me your first [Â __Â ] was
classic your last [Â __Â ] was tragic good
kid Mad City Classic Mr morale tragic
how it was one of Kendrick's boldest
most experimental most adventurous
albums yet your second [Â __Â ] put dudes to
sleep but they gassed at teab being
boring is like the core criticism you
could make of most of J Cole's catalog
so in a way this line is kind of
projection your third [Â __Â ] was massive
and that was your Prime I was trailing
right behind and I just now hit mine
okay now I'm at the front of the line
comfortable lead how ironic soon as I
got it now he wants something with me
well he caught me at the perfect time
jump up and see well in Kendrick's
defense uh whether I Vibe with this as a
stance or a general attitude from him or
not uh he has a history of being like
you know kind of aggressive with some of
his contemporaries and just like kind of
throwing shots out there as a challenge
I don't know if he's simply doing this
just because you've gotten to a certain
level of popularity uh boy I got here
off bars not no
controversy really I mean while Kendrick
has had these moments where he has been
polarizing and has like stirred the pot
I I I I don't know I think it's pretty
safe to assume that like the core appeal
of Kendrick is
uh his albums and the Artistry that goes
into them sure while this recent
metroboomin disc was very much discussed
and obviously fans remember the control
verse uh it's it's really good kid Mad
City it's tab it's Dam it's those
classic records that stand tall in his
catalog and remain his most popular most
disgust material not just the disses
further down he says that Kendrick
averages uh one hard verse every 30
months and that if if he wasn't dissing
then we wouldn't be discussing him which
I don't know if Cole has gone on hipop
Twitter at all lately but uh even when
Kendrick has not dropped people are
talking about Kendrick and even even
when that dude farts or posts a random
picture to his uh you know burner Fina
account um people are talking about it
closes the verse out with a meme
reference boring chorus and then we go
into verse two which has a beat switch
into into a conductor Williams
instrumental that frankly is way better
than the beat the song kicks off with
like if Cole was going to give us a diss
track or a response track it it should
have been with this instrumental off the
bat however when we go deeper into this
second verse here the tone is changed a
little bit a lot of Cole's references to
the disc are like I don't want to
respond I'm a guy of Peace but if I have
to I will I'll get violent I mean he
does say your arms might be too short to
box with the god Kendrick Lamar famously
short King 56 criteria is criteria but
yeah he goes on also about my text
flooded with the hunger for a toxic
reply I'm hesitant I love my brother but
I'm not going to lie I'm powered up for
real that [Â __Â ] would feel like SWAT and
a fly okay so what is Cole saying here
that like this response isn't actually
the disc this isn't him like really
coming at Kendrick in the way that he
could if he wanted to I mean
maybe that's true but it just kind of
feels like cope cuz if you could go
harder and if you really could like
snuff Kendrick out lyrically I would
think that even like the little tastes
here that you gave us or the shots that
you put out there preliminarily uh would
be a bit stronger and would amount more
to like your last album is tragic and
your second album was boring and what is
this M&M ass bar over here fly pebbles
at your Dome we the Stone Temple Pilots
now I got to imagine jcole vibing to St
p in his 9s rock mix like on on a Sunday
afternoon
forward between L look it's a cute bit
of word play I would laugh at it
probably in another context or see it as
cute but this is like not tone of a a
dis type writing this is just a little
silly and goofy this is a warning shot
telling you guys to back down watch out
there are more Stone Temple Pilots bars
where this came from I mean he might
throw out a push or a Vaseline reference
your career's cained as I've reached
nirvana watch what I do the audience
Applause while I fight this foood
switching sides like the tassel on the
cap and gown okay I'm I'm sorry I'm done
I'm done here this is a weak dis clearly
jcole did not want to do this and yet he
did it anyway I mean I sort of get it
the the the hip-hop fandom is toxic in
such a way that if jcole did kind of
come out and and and was serious and was
real uh about how he actually felt about
this and was just like I don't want to
do this guys I think it's kind of lame I
I'm I'm obviously not really with
dissing and fighting and arguing like
this that was literally the point of the
line to begin with that Kendrick is
responding to in an unnecessarily
aggressive way like that would be valid
that would be real that would be true
that would be so [Â __Â ] down to earth
and and honestly just reality but if Jak
CLE did that if he actually said that in
response like just kind of put it out
there uh boldly and plainly uh all all
the fans would clown him and just be
like oh you're lame you [Â __Â ] [Â __Â ]
which honestly sucks so it's important
to point out even if Kendrick is kind of
ahead here and is winning in this back
and forth in terms of lyricism stance
attitude like obviously he's appealing
to the crowd more people are kind of
favoring him a bit more in this beef
yeah that may be true but in no way has
jle asked for this at least that's how
it looks from an outsider's perspective
and while this track this response does
kind of blow it's not really a shot
against J Cole's Artistry or credibility
because I think what the problem
ultimately is here is that his heart
really wasn't into a response like this
and that's why it's not good it's not
because he doesn't have the talent it's
not because he doesn't have the Artistry
or the capability I I think he does but
he just doesn't care and he's not
interested and this isn't what he wants
to do with his career and again even if
this track is mid which it very much is
I can sympathize with that let me know
what you guys think over here next to my
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response forever
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