Ludacris Gets Fired Up While Eating Spicy Wings | Hot Ones

First We Feast
18 Apr 202424:09

Summary

TLDRIn this engaging episode of 'Hot Ones,' host Sean Evans interviews rapper and actor Ludacris over a series of increasingly spicy chicken wings. Ludacris shares his thoughts on the longevity and evolution of hip-hop, its transition from a young person's game to a genre that grows with its artists and fans. He also reflects on his Grammy aspirations with the album 'Release Therapy,' his strategy to stand out among industry greats, and the importance of creating meaningful music. The conversation touches on the artist's creative process, his influences, and the role of comedy in hip-hop. Ludacris also discusses his experiences with the 'Fast and Furious' franchise, memorable moments from his career, and his love for cigars, wine, and beer. The dynamic duo braves through various hot sauces, with Ludacris showing resilience and humor in the face of the 'Wings of Death,' providing an entertaining and insightful watch for fans.

Takeaways

  • 🎤 Ludacris emphasizes the importance of consistency and authenticity in music, stating that meaningful projects can resonate with any audience, regardless of age.
  • 📡 The artist shares his experience with performing at the Super Bowl halftime show, highlighting the technical challenges such as ensuring the microphone's antenna has a strong enough signal.
  • 🚗 Ludacris talks about his love for cars, which is evident in his involvement with the Fast and Furious franchise, and his purchase of cars from the set.
  • 🎶 He discusses the significance of a great album intro song, comparing it to setting the tone for a baseball game, aiming to captivate the audience from the start.
  • 🏆 Ludacris reveals his strategy for his album 'Release Therapy,' which was specifically aimed at winning a Grammy for Rap Album of the Year.
  • 🤣 The rapper shares his comedic influences, including Richard Pryor, Eddie Murphy, and Kevin Hart, and the role of humor in hip-hop, emphasizing the need to break down barriers and show different sides of oneself in the genre.
  • 🌶️ Ludacris participates in a hot sauce eating challenge, reflecting on his ability to handle spiciness and linking it to his resilience and determination.
  • 🎧 He talks about his creative process, which often involves writing in his car, a space he describes as a safe zone that allows him to be in touch with his surroundings while being alone with his thoughts.
  • 📚 Ludacris mentions the concept of 'Dynamic Simplicity,' which he relates to his approach to music, preferring a perfected simplicity over complicated perfection.
  • 🎥 The artist recounts memorable moments from his career, such as performing stunts in the Fast and Furious movies and the importance of creating memorable experiences for fans.
  • 🍽️ He shares anecdotes from his personal life, including experiences with celebrities and unique encounters, like dining at a private Benihana-style event at Tyrese's house.

Q & A

  • What is the significance of the sideburns mentioned by the host, Sean Evans, in the beginning of the transcript?

    -The sideburns symbolize resilience and determination, as they are said to imply a message of making it to the end, suggesting that the host is prepared to endure the spicy challenge ahead.

  • What beverage is mentioned as the official beer of Hot Ones summer?

    -Stella Artois is mentioned as the official beer of Hot Ones summer.

  • How does Ludacris feel about the concept of Hot Ones?

    -Ludacris expresses that he loves the concept of Hot Ones, even admitting he was initially upset that he didn't think of it himself. He also relates it to his lifestyle that includes beer and chicken.

  • What does Ludacris think about the age demographics in the rap genre?

    -Ludacris believes that while rap was once considered a young person's game, it has evolved, and people are defying that stereotype by growing older with hip-hop. He mentions seeing foundational hip-hop artists perform to a sold-out arena, indicating a passionate fan base that cares deeply about the genre.

  • What is Ludacris's opinion on the complexity of jalapeno hot sauce?

    -Ludacris finds the jalapeno hot sauce to be complex, noting that it has layers of flavor that reveal themselves slowly, similar to how one would savor the complexity of a fine cigar or wine.

  • What are some of the security measures Ludacris experienced for his Super Bowl halftime show?

    -Ludacris mentions that there are multiple layers of security to prevent leaks, but with thousands of people involved, it's challenging to ensure complete secrecy. He was tight-lipped about his involvement to help maintain the surprise.

  • What was the most significant technical challenge Ludacris faced during his performance at the Super Bowl halftime show?

    -The most significant technical challenge was ensuring the microphone antenna's power was sufficient to avoid a glitchy performance. Ludacris made sure to have multiple antennas pointing in all directions to maintain clarity of sound.

  • What does Ludacris consider his favorite hot sauce from the ones tasted during the show?

    -Ludacris's favorite hot sauce from the ones tasted during the show is the Stellar Fuzz Habanero.

  • What is Ludacris's approach to creating a great album intro song?

    -Ludacris believes that a great album intro song must capture the listener's attention immediately and set the tone for the entire album, much like the first batter in the World Series sets the tone for the game.

  • How did Ludacris strategize to win the Grammy for rap album of the Year with his album 'Release Therapy'?

    -Ludacris built up momentum over 9 to 10 years, staying consistent in his work. When he felt the time was right, he set out with a clear goal to win the Grammy and focused on creating a project that was meaningful and honest.

  • What is Ludacris's relationship to Richard Pryor?

    -Ludacris reveals that Richard Pryor is his fifth cousin, and he considers Pryor, along with Eddie Murphy and others, as one of his comedy icons.

Outlines

00:00

🌶️ Introduction and Hip-Hop's Legacy

The first paragraph introduces Sean Evans, the host of the show, and his guest, Ludacris. They discuss the concept of the show, which involves eating hot wings and answering hot questions. Ludacris shares his thoughts on the evolution of hip-hop, its transition from being seen as a young person's game to a genre that grows with its artists and fans. He also talks about the complexity and layers of his favorite hot sauce, comparing it to the finer things in life like cigars and wine.

05:01

🎤 Ludacris' Grammy Strategy and Nelly's Hip-Hop Era Statement

In the second paragraph, Ludacris talks about the importance of a great album intro song and how it sets the tone for the rest of the album. He shares his experience of aiming to win a Grammy for his album 'Therapy' and the strategy that differentiated this project from his others. Ludacris also discusses Nelly's claim about the 2000s being the hardest era of hip-hop, to which he agrees, reflecting on the competition and the era's impact on his career.

10:03

🚗 Creative Process and Radio Politics

The third paragraph delves into Ludacris' creative process, highlighting how he often writes in his car, finding it to be a safe and inspiring space. He also discusses the politics involved in getting music played on the radio, emphasizing the importance of record company representatives and their interactions with radio stations. Ludacris shares a personal anecdote about hearing his song 'What's Your Fantasy' on a competitor's radio station, marking a significant moment in his career.

15:04

🌟 Dynamic Simplicity and Personal Milestones

Ludacris explains the concept of 'Dynamic Simplicity' in the fourth paragraph, drawing a parallel from martial arts to music, suggesting that perfection in simplicity can be powerful. He talks about the importance of keeping music humanized and relatable. Ludacris also shares stories about memorable experiences, such as performing at a Super Bowl halftime show and the challenges that came with it, and his connection to Richard Pryor as a comedic influence.

20:06

🍽️ Hot Sauce Challenge and Ludacris' Mount Rushmore of Guest Verses

In the final paragraph, Ludacris engages in a hot sauce challenge, reacting to the intensity of various hot sauces. He discusses the role of comedy in hip-hop and how artists have broken down barriers to show a lighter side of themselves. Ludacris lists his top four guest verses, which he considers his 'Mount Rushmore,' and celebrates completing the hot sauce challenge. The conversation ends with a toast to future events and a look forward to Ludacris' upcoming activities.

Mindmap

Keywords

💡Hot Ones

Hot Ones is a popular web series where guests are interviewed while eating progressively spicier chicken wings. The show is known for its blend of humor and insightful conversations, often revealing aspects of the guest's personality and career. In the transcript, Ludacris is the guest, and the interview covers his experiences and thoughts on various topics while he endures the heat of the wings.

💡Ludacris

Ludacris, whose real name is Christopher Brian Bridges, is an American rapper, actor, and entrepreneur. He is a prominent figure in the hip-hop industry and has appeared in numerous films, including the Fast and the Furious franchise. In the script, Ludacris discusses his career, his approach to music, and his experiences in the entertainment industry.

💡Stella Artois

Stella Artois is a Belgian lager beer brand, often associated with the tagline 'The Official Beer of Everywhere'. In the context of the video, Stella Artois is mentioned as the official beer sponsor of the Hot Ones summer event, highlighting the brand's role in the show's production and its integration into the interview setting.

💡Hip-Hop Legacy

The term 'Hip-Hop Legacy' refers to the historical and cultural significance of hip-hop as a music genre. In the transcript, Ludacris talks about the evolution of hip-hop from being considered a transient trend to becoming a permanent and dominant genre in the music industry, reflecting on its legacy and his part in it.

💡Complexity in Music

Complexity in music refers to the intricate layers, depth, and evolving nature of a piece or a performance. Ludacris discusses how he views his music, comparing it to complex experiences like smoking a Cuban cigar or drinking wine, where the layers of flavor and depth reveal themselves over time. This complexity is a key element in his creative process and the music he produces.

💡Super Bowl Halftime Show

The Super Bowl Halftime Show is a highly anticipated musical performance that takes place during the halftime of the Super Bowl, an annual American football championship game. Ludacris shares his experience of performing in such a high-profile event, including the challenges and the security measures taken to ensure the success and secrecy of the performance.

💡Grammy Award

The Grammy Awards are accolades presented by The Recording Academy to recognize outstanding contributions to the music industry. Ludacris speaks about his ambition to win a Grammy for his album 'Release Therapy' and the strategy he employed to achieve this goal, reflecting the importance of awards in validating an artist's work.

💡Dynamic Simplicity

Dynamic Simplicity is a concept that Ludacris relates to his approach in music creation, implying a balance between the energy and liveliness of a performance and the straightforwardness of the content. He uses the analogy of practicing a single punch a million times to achieve perfection while maintaining simplicity, which he applies to his music to make it relatable and impactful.

💡Influence of Comedy in Hip-Hop

The influence of comedy in hip-hop refers to the infusion of humor and light-heartedness in a genre traditionally known for its serious and hard-hitting themes. Ludacris talks about the evolution of hip-hop to embrace a broader range of expressions, including comedy, and how artists like Ice Cube have contributed to breaking down barriers and stereotypes within the genre.

💡Guest Verses

A guest verse in hip-hop is when an artist who is not the main performer contributes a section or verse to a song. Ludacris is asked about his most memorable guest verses on other artists' songs, which he considers as part of his 'Mount Rushmore' of guest appearances, indicating the significance and impact of these contributions to his career.

💡Wings of Death

Wings of Death is a term used in the Hot Ones series to describe the spiciest chicken wings served to the guests. Ludacris endures the challenge of eating these extremely hot wings while maintaining a conversation, which is a central part of the show's format and a testament to the guest's endurance and personality.

Highlights

Ludacris discusses the evolution of hip-hop and how it has become a permanent staple in music, defying the stereotype that it's a young person's game.

He shares his experience performing at a Super Bowl halftime show and the security measures in place to prevent leaks.

Ludacris talks about the technical challenges of performing stunts, such as repelling from the roof of the Georgia Dome.

He reveals his love for complex things in life, like Cuban cigars, wine, and hot sauce, drawing parallels to the layers in music.

Ludacris' strategy for his album 'Therapy' was aimed at winning the Grammy for rap album of the Year, setting him apart from his contemporaries.

The importance of a great album intro song is compared to setting the tone for the rest of the album, similar to the first batter in the World Series.

Ludacris addresses the rumor about Justin Timberlake cursing him out backstage at the Grammys, clarifying the situation.

He confirms that he used to buy a car from the Fast and Furious set with every film until shooting moved to the UK.

Ludacris shares his experience of being invited by Ben Stiller to watch 'Tropic Thunder' before its release to approve the use of his song.

He explains the concept of 'Dynamic Simplicity' in his music, emphasizing the importance of not overcomplicating and keeping humanization.

Ludacris describes writing in his car as a part of his creative process, finding it to be a safe and inspiring environment.

The artist reflects on the politics of radio stations and the importance of record company representatives in getting music played.

Ludacris recalls the moment he heard his song 'What's Your Fantasy' on the radio for the first time, signifying a breakthrough in his career.

He lists his top four guest verses, including features on Usher's 'Yeah!', Nas's 'Made You Look Remix', and his own 'Lovers and Friends'.

Ludacris talks about the role of comedy in hip-hop, mentioning how artists have broken down barriers to show a lighter side of themselves.

He shares his comedy icons, including Richard Pryor, Eddie Murphy, Kevin Hart, and Dave Chappelle, and their influence on his work.

Ludacris ends the interview by celebrating his ability to handle the 'Wings of Death' and looking forward to future events with Stella Artois.

Transcripts

00:02

definitely feel a spice yeah trying to

00:04

keep my composure these sideburns are

00:06

for a reason these sideburns say you

00:08

better make it till the end this is what

00:10

they say to the

00:18

camera hey what's going on everybody for

00:20

first we Feast I'm Sean Evans and today

00:22

we deliver you a very special episode of

00:24

hot ones brought to you by Stella artad

00:26

the official beer of hot ones summer

00:29

when we'll be bringing hot ones live to

00:31

the city of Chicago but first things

00:33

first you're watching the show with hot

00:35

questions and even hotter wings and

00:36

today I'm thrilled to be joined in the

00:38

studio by ludicrous yeah man it's crazy

00:40

cuz we met in New York at the Stella

00:42

event last year and first time now it's

00:45

all come full circle it's you're trapped

00:47

on the show and there's no Escape you

00:49

know why it's taking me so long to be on

00:50

the show because I was pissed that I

00:52

didn't think of this concept and do it

00:54

myself right well now it's beer and

00:56

chicken you were really ahead of the

00:58

curve on that one oh for sure CH and

01:00

beer is my lifestyle and everything that

01:03

entails ludicrous so this goes right

01:05

along with my lifestyle

01:08

[Music]

01:26

man all right ready to just get into

01:28

this let's get it let's do it all right

01:30

so this first one is the classic Buffalo

01:31

and then you'll start over there at the

01:32

handle start at the handle

01:36

[Music]

01:39

uh-huh that's actually pretty damn good

01:42

there we

01:45

[Music]

01:48

go the hip-hop 50 celebrations of the

01:51

last year really solidified the idea of

01:53

a legacy act in hip-hop do you think rap

01:56

is still a young person's game or have

01:58

things changed that's a great great

02:00

question man it's funny you say that

02:02

because every time when I'm on stage

02:04

especially over the last year as we've

02:05

been celebrating 50 years of hip-hop

02:08

it's made me realize how young hip-hop

02:11

is compared to a lot of other genres

02:14

because people thought it was going to

02:15

be here today and gone tomorrow and look

02:18

at what it's done it's a permanent

02:19

staple you know it's the biggest genre

02:22

of music there is and so do I think it's

02:25

a young people's game I feel like that

02:28

was the stereotype and I I feel like

02:31

people are defying that stereotype each

02:32

and every day because people are growing

02:34

older with hip-hop I just saw I want to

02:37

say like rock the bills concert you had

02:39

all of these foundational hip-hop

02:42

artists and it was at a soldout Arena so

02:44

that lets you know that there is a fan

02:47

base still that cares so much and it's

02:49

so passionate and I think it's it's just

02:51

about him coming out with projects that

02:53

are meaningful and are honest and you do

02:56

that you can relate to anybody it's it's

02:58

ageless

03:02

jalapeno hot

03:05

sauce it's complex that's what I was

03:08

going to say very slow and then now has

03:10

some layers to it you know what I mean

03:11

when you think you know it it has

03:13

another gear shift that it pulls on you

03:15

you I agree I love uh smoking Cuban

03:17

cigars when you smoke the cigar it has

03:20

you know the ones that are complex and

03:21

they have different layers and you smoke

03:23

them you know in thirds that's kind of

03:24

how you define certain cigars and same

03:27

thing with wines as they get better with

03:29

age and some more complex and so the

03:32

Finer Things in life and continuing to

03:34

learn is what I'm all about man cigars

03:36

wi and hot sauce cigars wine and hot

03:39

sauce but mostly beer chicken and hot

03:42

sauce There we go can you pull back the

03:44

curtain on all that goes into the

03:46

execution of a Super Bowl halftime show

03:47

like are there Marvel level security

03:50

measures to make sure that your cameo

03:51

doesn't leak yo listen it's definitely

03:55

multiple layers to try to make that

03:57

happen but it's so many uh tentacles to

04:01

this thing but when you got like it's

04:03

thousands of people involved it's very

04:05

I'm sure it's very difficult to not let

04:07

something slip underneath the cracks so

04:10

of course I was tight lipped but I

04:12

started seeing all the rumors of who was

04:14

and who wasn't I think it was so

04:16

difficult that at some point Usher was

04:17

like yes yes Lil John and Luda is going

04:20

to be there but at some at a certain

04:22

point you don't know what to believe

04:23

because it's been everything's diluted

04:25

seven kinds of smoke exactly what are

04:28

some of the unexpected Tech technical

04:30

challenges of repelling down from the

04:32

roof of the Georgia Dome while

04:33

performing oh man the only unexpected

04:36

challenges for me when I first rehearsed

04:38

before I actually did it was making sure

04:40

that the antenna for the microphone was

04:43

as powerful as it needs to be if you

04:46

have areas where it's not reaching then

04:48

you're going to have a messed up

04:49

performance because it's going to be

04:51

glitchy and you know your sound is going

04:52

to come in and out and that was my most

04:54

important thing I didn't want to do this

04:56

death defying phenomenal stunt and

04:58

people not be able to hear me at full

05:00

clarity of what ludicrous has to offer

05:03

so I basically made them go and buy a

05:05

hundred different antennas pointing in

05:07

all directions making sure that we were

05:11

[Music]

05:15

good Stellar fuzz

05:24

habanero that's my favorite so far so

05:27

for my money the opening on red light

05:29

district is one of the Great Rap intro

05:31

tracks of all time that's dope I think

05:33

Timberland did that one so I'm glad you

05:34

say that what in your mind is the goal

05:36

or aim of a great album intro song man

05:39

it has to capture your intention

05:41

immediately it has to set the tone for

05:46

the entire rest of the album you know

05:49

it's the World Series whoever's first up

05:51

to bat needs to set the tone for the

05:52

whole rest of the team for the stadium

05:54

for the entire game you got to hit it

05:57

out the park to me it's always been

05:59

important to to have the best intros I'm

06:01

glad you mentioned that because you know

06:04

people's attention span these days are

06:05

extremely short but if you just go back

06:07

and listen to all of the ludicrous

06:09

intros it should make you want to listen

06:12

to the rest of the entire album and

06:14

that's the goal you know what I mean and

06:16

then one of my favorite pieces of

06:17

ludicrous lore is that when you made

06:19

your album release therapy you did so

06:21

with the explicit and specific goal to

06:23

win the Grammy for rap album of the Year

06:26

absolutely how was your game plan or

06:28

your strategy for that particular

06:29

project different from the other ones

06:31

the reason that this was is because for

06:33

all of these years and I want to say it

06:35

was a good 9 to 10 years I was in the

06:38

same category of solo male rap artists

06:42

as Eminem as 50 c as DMX as JayZ so I

06:48

finally got to a point I was so

06:51

consistent that I just built up this

06:53

momentum and I finally had my time and I

06:55

set out to do it and it's just like that

06:58

was probably

07:00

one of the if not the best times of my

07:02

entire career literally for setting out

07:05

making sure I had a goal and

07:07

accomplishing that goal and just

07:09

knocking it out the park as we say man

07:11

it meant everything to me love hearing

07:13

that story from behind the scenes do we

07:14

crack our Stella R2 what are we doing

07:16

here man we got to make it happen yeah

07:21

little Stella cheer to that

07:23

[Music]

07:26

man scente ver

07:30

[Music]

07:35

so Nelly recently made a headlines with

07:37

his claim that the 2000s was the hardest

07:39

era of hip-hop ever did that at all

07:42

resonate with you like did you agree

07:43

with that statement it was literally

07:45

piggybacking off of what I just told you

07:47

in a sense of what I was up against

07:49

trying to win that Grammy album of the

07:51

year when I was like I'm always in the

07:52

category with all of these heavy Heavy

07:55

Hitters and Nelly was another one of

07:57

them and I would have to agree with him

07:58

I know that's objective depending on

08:00

what era you're from because I feel like

08:03

anybody in any era is going to say that

08:05

that was the toughest but you know um me

08:08

being in that and saying what I went

08:09

through I feel I feel the same

08:11

[Music]

08:14

way queso s

08:18

queso and a little bit of a jump I think

08:22

at this one all of them are different

08:23

y'all did a very good job curating what

08:25

the hell is going on here that's such a

08:27

compliment coming from you so your

08:29

myology in the hip-hop game it's

08:31

unparalleled so what I want to do is

08:32

just fact check some of the Larger than

08:34

Life lore while I have you sitting

08:35

across I love that cuz a lot of that

08:36

stuff on Google is like all bad man

08:39

don't believe everything that you when

08:41

you Google on the internet there some

08:43

crazy stuff on there we'll set the

08:44

records right now Factor fiction Justin

08:47

Timberlake cursed you out backstage at

08:49

the Grammys for celebrating too much I'm

08:50

glad that you brought this up cuz the

08:52

internet kind of like it they they went

08:54

a little crazy with it he definitely

08:56

meant it but it was no cursing out he

08:58

was behind the curtain and I was

09:00

celebrating so openly and I was so loud

09:02

I think it was said more in fun but

09:04

there was definitely some truth behind

09:05

it like okay Show's not over stop

09:08

celebrating so openly I haven't won any

09:10

yet you know but with a smile on his

09:12

face type thing is it true that you buy

09:14

a car off of The Fast and Furious set

09:17

with every film absolutely until we

09:19

started shooting in UK where the

09:21

steering wheel is on the other side of

09:24

the cars but the crazy thing is you go

09:26

look at Too Fast Too Furious there was

09:28

this dodge rank that had the Louis

09:30

Vuitton print on it that was the first

09:32

one that I got I probably drove that

09:34

around Atlanta for like 2 days before I

09:36

was like I've got to paint this damn car

09:39

cuz I everybody in Atlanta was following

09:41

me like it's ludicrous look at bro I

09:43

swear like I don't even know what I was

09:45

thinking did Ben Stiller personally seek

09:48

your approval to use get back at the end

09:51

of Tropic Thunder for that Tom Cruz

09:53

dancing yo that's a I don't think

09:55

anybody's ever asked me that's a great

09:57

question not only did he seek a approval

10:00

respectfully he invited us to watch the

10:03

movie before it came out and it was

10:05

literally just me him and my management

10:07

and we watched the whole movie just to

10:09

see at the end for him to ask me is it

10:12

okay to clear this and I was like

10:13

absolutely I was more I'm such a been

10:15

still a fan that I was more just happy

10:17

that he invited me personally to come

10:20

watch the movie before it came

10:26

out bourbon maple

10:34

Reaper intensely

10:36

spicy definitely feel the spice yep

10:40

trying to keep my composure these

10:42

sideburns are for a reason I have to go

10:44

through all of these hot sauces I cannot

10:45

quit no it's something that like if

10:48

people can read these sideburns say you

10:50

better make it till the end this is what

10:52

they say to the

10:53

camera no way yeah these are like them

10:55

old school western movie sideburns I

10:58

should have

11:00

they used to eat spicy all day every

11:02

they go in the salon they order like the

11:05

hardest whiskey you know I'm saying

11:06

that's what these are come on let's go

11:09

what are we doing I haven't drink the

11:11

milk yet so during your Chris lovea laa

11:13

days at Atlanta's

11:15

hot97.5 what if anything did you learn

11:17

about the radio station politics that go

11:19

into getting your music played on air I

11:22

felt it's all about the team the artist

11:24

could be one thing you can have a hot

11:26

record but your record company your

11:28

record company Representatives how they

11:31

treat people how they come to the

11:32

station the respect you know it's just

11:34

like being humble understanding how the

11:37

game is played because make no mistake

11:40

if you're a part of a record company and

11:42

you're one artist you got to understand

11:44

that when these representatives from

11:45

your company come up to a radio station

11:47

they're also trying to pitch all the

11:49

other artists that have records coming

11:51

out at that time so it's like the artist

11:53

doesn't usually realize that they're

11:55

trying to Pigg you back off of your

11:56

number one record so I think that's one

11:58

of the biggest things that I learn is

12:00

that record companies if you're very

12:02

smart you're trying to politic in the

12:04

means of okay we know we got one record

12:07

here how do we help all of our other

12:08

artists get on this rotation at this

12:11

station based off of The Leverage that

12:13

we have at this particular moment in

12:15

time do you remember where you were when

12:16

you heard what's Your Fantasy on the

12:18

radio for the first time the first time

12:20

I heard my record being played where I

12:22

knew I was I was going somewhere was

12:25

when I was on the same radio slot and we

12:29

were on commercial break and somebody

12:30

texted me and said go listen to the

12:32

other station your competitor station is

12:35

playing your record and that's unheard

12:38

of because in radio you're not supposed

12:40

to do anything that supports anyone or

12:43

anything that they have going on at the

12:44

other station and when I heard that I

12:46

was like this is it we're

12:51

here the forbidden fruit fruit

13:00

I'm still enjoying this can you define

13:03

dynamic Simplicity and then how do you

13:05

think it's influenced the music that

13:06

you've made man how do you know about

13:09

that when did I say that man I love the

13:12

fact that you say Dynamic Simplicity I

13:14

practiced this martial arts called 52

13:16

blocks and a lot of people don't really

13:18

know much about it but it just I I

13:20

mentioned that because you know you hear

13:23

all the time and this can apply to

13:25

anything but you should be more afraid

13:27

of the guy that practic is one right

13:30

hand punch a million times a day as

13:33

opposed to the person that practices

13:35

full range karate you know one time a

13:37

day so what I mean by D Dynamic

13:40

Simplicity it's so Dynamic with that

13:42

right hand and how you swing because you

13:44

got it to a te like you've perfected it

13:47

but it's very simple at the same time it

13:49

goes into the music uh how I do

13:52

everything you don't want to over

13:53

complicate stuff you have to keep the

13:56

humanization in your music in in that

13:59

can mean a lot of things to a lot of

14:01

different people but there has to be a

14:02

little room for error nobody likes

14:05

perfect as crazy as that sounds you want

14:07

to get close to perfect you want to get

14:10

better you want to evolve you want to

14:11

get good but when it's too perfect

14:13

nobody can really relate to it so that's

14:15

kind of what I mean when I say Dynamic

14:18

Simplicity there's this amazing scene in

14:20

The Genius documentary where you're in

14:22

the parking lot outside of the studio

14:24

before recording Breathe In Breathe Out

14:26

is writing in the car always been a part

14:28

of your creative process absolutely it's

14:31

like my safe Zone I can roll the window

14:34

down I can get sun on my face so you

14:36

feeling the elements of the wind you

14:38

feel the energy of whatever is going on

14:40

around you but at the same time it's

14:43

like you're in this protective box you

14:44

got speakers everywhere front back side

14:47

to side you can turn this up as loud as

14:49

you want to you're not bothering anybody

14:51

nobody can tell you to turn it down and

14:53

it's just protected and it's just that's

14:55

where I get the best ideas because I'm

14:58

just in this Zone

14:59

when I'm driving and thinking and and

15:02

kind of writing at the same time it's

15:03

great because one is second nature it's

15:06

like I don't have to think about it but

15:07

it's also therapeutic for me to be able

15:10

to drive and uh that's where all my best

15:12

thoughts and all of my best music comes

15:15

of course hint move [ __ ] get out the

15:17

way I wrote that in the car you know

15:19

what I mean I I was in traffic I was in

15:21

a traffic jam all of that man you know

15:24

what I'm going to take a little milk

15:25

just cuz I'm thirsty right now just I

15:26

don't want anybody thinking that I just

15:28

took a bite out of something and I need

15:29

it I don't need it but I'm going to take

15:31

some right now just cuz I feel like

15:33

drinking a little milk before I'll join

15:35

you all right because coming up

15:37

next is uh de bomb Beyond Insanity

15:40

should I take my coat off

15:42

before you know what let me just take my

15:44

coat off cuz I want to show off this

15:45

amazing chain that I just got you guys

15:47

it is an amazing chain pretty cool

15:49

Rockstar status ladies and

15:51

gentlemen the bomb Insanity here we go

16:02

yeah yeah

16:05

mhm oh

16:07

yeah that's definitely hot mhm but good

16:12

wo that's really good wow I mean like in

16:16

this type of way like in these sideburns

16:18

type of way right right like in a feel

16:20

something feel alive kind of way woo

16:24

that's kind of like that type of way you

16:26

know what I mean I love that reaction

16:28

separate separate

16:30

see this kind of reaction on this sauce

16:33

woo just out of curiosity what's the

16:35

craziest stunt you've seen performed up

16:37

close and personal I'm the set of a fast

16:39

and furious movie you know that's a good

16:41

question because before like on two fast

16:44

two furious they used to actually let us

16:46

drive the cars and I just remember may

16:49

he rest in peace of course Paul Walker

16:52

um doing this dope stunt and he it was

16:56

such a hard stunt where he had to like

16:57

360 the car

16:59

but it was also amazing because you know

17:03

he had practiced it so much and he did

17:05

everything he needed to do and I feel

17:06

like he did the best D and he loved it

17:08

he was thrill seeker you know just

17:11

adrenaline and you can you you could

17:12

tell his love for cars and just his love

17:15

for for all of that he talked about it

17:17

all the time have you ever been to uh

17:19

gibsy Hana that private Benny Hana in

17:21

the backyard of Tyresa place yes I have

17:25

does it like match up to like a Benny

17:26

hanar it actually does cuz you know what

17:28

he does he goes to actual Benihana and

17:33

literally tells the chef that he'll hire

17:35

them for more

17:36

money well he's done this he poaches he

17:39

poaches and brings them to his house he

17:41

steals Ben Hana chefs this is what he

17:45

does I'm telling you it's crazy I got to

17:47

say it's very rare that somebody looks

17:52

to bomb right in the eyes oh yeah and

17:55

stands 10 toes down the way that you

17:58

have on that appreciate that bro listen

18:00

and it's not I don't I'm not showing it

18:02

as much but it's very very very insane

18:07

because I still I still you know what

18:09

I'm saying but that's why I love it

18:10

because I said the complexity of it it's

18:12

not gone anywhere right it's still

18:15

[Music]

18:17

here

18:18

Matos this is where it gets interesting

18:21

I'm

18:27

sure now nothing fun but after the last

18:30

[Music]

18:31

one right how you know almost like it

18:33

takes its foot off the gas a little bit

18:36

and I like that you know what's dope

18:37

that I didn't even mention is that um

18:40

Queen Latifa we shot a movie with on

18:42

with Netflix called end of the road and

18:44

we shot this in Albuquerque New Mexico

18:47

Albuquerque New Mexico as you know is

18:48

like it's the chili pepper capital I

18:51

truly enjoyed shooting that movie with

18:53

Queen but also being in Albuquerque New

18:55

Mexico and trying all of these different

18:56

Chili Peppers seems well it feel like it

18:59

served me well cuz this is reminding me

19:01

of of those times and that's what's

19:04

special about the hottest of hot sauces

19:07

is that is going to bring you to a

19:09

moment in time in history where it comes

19:11

in handy comes in handy music does that

19:13

the best things that you know you're

19:15

going to remember for the rest of your

19:16

life that's what this is about memories

19:19

lifetime memories so I've heard you talk

19:21

about Buster Rhymes and missel at as

19:23

musical influences but I'm curious as

19:25

one of the funniest lyricists and music

19:27

video performers of all time who are

19:29

your comedy icons a lot of people don't

19:31

know this but Richard Pryor is like my

19:33

my fifth cousin believe it or not so I'm

19:35

related to Richard Pryor you don't hear

19:37

people say that often you don't hear

19:39

cousins when it's like first cousin

19:40

definitely say Richard Pryor would

19:42

definitely say Eddie Murphy's of the

19:44

world my friend Kevin Hart feel like

19:46

he's up there with him um Dave Chappelle

19:49

got to mention him uh man those are

19:53

those are just a few that come to mind

19:55

what do you see as the role of comedy in

19:57

hip-hop in hip-hop there used to be this

19:59

stigma that you have to be hardcore all

20:03

the time that you can't show a lighter

20:05

version of yourself and people started

20:07

breaking down those barriers over time I

20:09

just saw Ice Cube say something about

20:12

the song it was a good day about all his

20:15

homies were literally telling him he

20:17

cannot put that record out because you

20:19

know if you hardcore you ganger rap

20:21

nobody wants to talk about having a good

20:23

day and you think about that and him

20:25

going against the grain and just being

20:26

honest about his life and you see that

20:28

record now as like one of the most

20:30

timeless and classic records of hip-hop

20:33

history that should let you know you got

20:35

to talk about all size you have to you

20:38

can't not do it

20:40

bro uh-oh let's

20:43

go today was a good day until we had

20:46

this last exam hot sauce on this table

20:49

so this is the last dab we C the last

20:51

dab cuz tradition around here to put a

20:52

little extra on the last one you don't

20:53

have to if you don't want to oh man come

20:55

on now what I tell you about these

20:56

sideburns bro did I not tell you I told

20:59

you about Sideburn I know I knew

21:02

immediately what I was dealing with

21:03

today oh [ __ ] oh yeah be careful that

21:07

might not be a good

21:12

thing H the last da let's

21:21

go that's my favorite wo that's got a

21:24

kick but the flavor though that's

21:28

complex over here yes let's rock let's

21:31

rock and the good news is Luda the wings

21:34

of death are behind us and to close

21:36

things out you know there have been

21:37

these debates raging online about your

21:40

best features on other artist songs all

21:43

right so here while your brain and mind

21:46

melt in hot sauce I want to put them to

21:48

rest from The Source all right I'm

21:51

curious what to you is your Mount

21:53

Rushmore of Luda guest verses your top

21:56

four of all time definitely Sierra o is

21:59

going to be in that top four um Nas made

22:03

you look remix hell yeah I got to say

22:06

yeah verse for a feature just because it

22:09

is going down in music history not just

22:13

hip-hop or pop history we talking about

22:16

music history number four is going to be

22:20

very difficult cuz man it's you think

22:22

about it for a sec you know it's like

22:24

it's coming to mind I don't want to be I

22:26

don't want to repeat myself but I want

22:28

to say Lovers and Friends man we talking

22:31

about let's just say if they say usher

22:33

you know Lil John and Luda had to do it

22:35

again that Lovers and Friends record we

22:37

never shot a video for and it went

22:39

number one on the charts and it's like

22:40

for it to be slow song and for people to

22:43

for it to resonate with people the way

22:44

that it did I would have to put that as

22:46

number four well set it in stone and

22:49

look at you ludicrous taking on the

22:51

wings of death living to tell the tale

22:54

and before we roll out the red carpet I

22:56

think it's only right that we cheers

22:59

Stella she is Che Stella and by the way

23:02

you know Stella R has some great events

23:04

playing you know cuz they have one in

23:06

New York again we have one in Atlanta I

23:08

had to let them know they have to bring

23:09

it to my hometown of Atlanta so this

23:11

summer is going to be amazing because we

23:13

get to do this again and now there's

23:15

nothing left to do but roll out the red

23:16

carpet for you this camera this camera

23:18

this camera let the people know what you

23:19

have going on in your life cheers man I

23:21

have nothing going on but the bomb the

23:24

bomb hot sauce I'm taking this home with

23:27

me that's all I got going on first one

23:32

ever thank you bro yeah somebody told me

23:36

behind the who killed it the most was

23:39

like uh Billy eyh or something like that

23:42

somebody was it was it Billy that like

23:43

didn't Flinch or some it was a woman a

23:45

couple yeah like Jenna Ortega didn't

23:47

Flinch I think that's what it was didn't

23:49

Flinch how the hell did they do that um

23:51

Hal Barry actually didn't Flinch she I

23:53

was like oh so you have any idea what

23:55

you're getting yourself into and she

23:56

goes Sean I am here to eat dinner like

24:00

that that's hilarious y That's

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Tags associés
LudacrisHot OnesInterviewHip-HopMusic IndustryChicagoStella ArtoisWings ChallengeCigar AficionadoGrammy AwardsCar CollectionComedy InfluenceMemoriesAtlantaNew MexicoChili Peppers
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