SQUATTING POSE & BENT KNEE Leg Mapping (How To Draw)

mikeymegamega
21 Jul 202228:48

Summary

TLDRIn this tutorial, artist Mikey demonstrates how to draw anime and manga characters in squatting positions using basic shapes to construct the anatomy. He emphasizes the importance of weight distribution, particularly through the heels, and provides a step-by-step guide on drawing the torso, hips, legs, and feet. Mikey also discusses the squishing and bulging of muscles in such poses, offering tips for achieving a natural and dynamic look. The tutorial is part one of a series and aims to be both educational and safe for work, with more complex poses to be explored in future videos.

Takeaways

  • 🎹 The tutorial focuses on drawing anime and manga characters in a squatting position using basic shapes for structure and simplicity.
  • ✏ The artist, Mikey, uses a disposable mechanical pencil on printer paper to demonstrate the drawing process.
  • đŸ‹ïž The concept of weight distribution is emphasized, particularly how it affects the character's squatting posture and anatomy.
  • 🧘 The tutorial covers closed leg squats and kneeling positions, with a plan to address wider splits in a future tutorial.
  • đŸ‘„ Character safety and appropriateness for all audiences are considered when demonstrating squatting poses.
  • 🔍 The importance of using basic shapes and building blocks to construct the character's body is highlighted for clarity and ease of learning.
  • 💃 The application of anatomy and weight distribution extends beyond anime and manga, making it useful for life study and general illustration.
  • đŸŽ„ A time-lapse section is included to show the cleanup and refinement process of the initial sketch.
  • 📚 References and photoshop files used in the tutorial are available for patrons on Mikey's Patreon page.
  • 🎹 The tutorial also briefly touches on how to draw the legs and feet in relation to the squatting pose.
  • 💌 Mikey expresses gratitude to patrons for their support, which enables the creation of free drawing tutorials.

Q & A

  • What is the main focus of the tutorial?

    -The main focus of the tutorial is to teach how to draw anime and manga characters in a squatting position using basic shapes and considering body weight distribution.

  • What type of paper and pencil does the artist use for the tutorial?

    -The artist uses printer paper with a number of sheets and a super cheap, disposable mechanical pencil.

  • How does the artist approach the weight of the character in a squatting position?

    -The artist approaches the weight by imagining it sitting down through the headline and going all the way down to the feet, especially when the character is resting on the back of their heels.

  • What is the significance of the character's knees being together in the tutorial?

    -The character's knees being together ensures that the content is safe for work and appropriate, possibly for a two-part tutorial series where the artist will cover more complex squatting positions in the future.

  • What is the purpose of the basic shapes used in the tutorial?

    -The basic shapes are used to construct the character's anatomy and posture without making the drawing overly complicated, while still achieving a correct representation of the squatting position.

  • How does the artist handle the depiction of the legs in a squatting position?

    -The artist focuses on the weight line going down the middle of the character, imagining the weight resting on the back of the heels, and uses cylinders and teardrop shapes to represent the thighs and calves, respectively.

  • What additional resources does the artist provide for learning how to draw legs?

    -The artist refers to a previous in-depth tutorial on how to draw legs, including the musculature and structure, which is available with a pop-up on the screen.

  • What is the artist's approach to cleaning up the sketch?

    -The artist uses a time-lapse to tidy up the lines, focusing on clarifying the construction and ensuring the anatomy is correct, while keeping the sketch relatively loose for exploration.

  • How does the artist address the depiction of the character's feet?

    -The artist acknowledges that the depiction of the feet is not perfect but provides enough guidance to give an idea of what's going on, using basic shapes to represent the heels and toes.

  • What is the artist's advice for those who are new to drawing?

    -The artist encourages new learners to try drawing as it can be therapeutic and a way to take one's mind off life struggles, suggesting that even if they don't end up loving it, the experience is worth trying.

  • How can viewers access the artist's full pack of references and tutorials?

    -Viewers can access the full pack of references and tutorials by becoming a patron on Patreon for just a dollar, as mentioned by the artist.

Outlines

00:00

🎹 Introduction to Drawing Anime Characters in Squatting Positions

The video begins with an introduction to a tutorial on drawing anime and manga characters in squatting positions. The artist, Mikey, explains that the focus will be on using basic shapes to construct the character's anatomy accurately without overcomplicating the process. He emphasizes the importance of understanding weight distribution in a squatting pose, particularly how the character's weight sits through the heels. The artist uses a disposable mechanical pencil on printer paper to demonstrate the technique and mentions that the tutorial might be part one of a two-part series. He also references previous tutorials on drawing legs and promises to make all reference materials available to patrons on Patreon.

05:02

📐 Constructing the Character's Anatomy and Weight Distribution

In this paragraph, the artist delves into the specifics of constructing the character's anatomy, starting with the spine's curve and the torso's shape. He discusses the importance of considering the weight distribution when drawing a character squatting, noting how the body weight affects the positioning of the legs and feet. The artist uses basic shapes to build the character's legs, focusing on the knees, calves, and feet. He explains the concept of using 'building blocks' to create the legs and emphasizes the need to adjust the shapes to reflect the character's weight and pose. The artist also mentions that the tutorial will cover different squatting positions, including closed legs and wider splits, and encourages viewers to explore these variations in their own drawings.

10:02

đŸ–Œïž Drawing the Hip and Leg Structure

The artist continues the tutorial by focusing on the hip and leg structure of the character. He explains how to draw the hip area using an elliptical shape and how the weight of the character affects the shape of the bum and the positioning of the feet. The artist uses a combination of straight lines and curves to create the hip and leg structure, emphasizing the importance of maintaining the character's balance and weight distribution. He also discusses the interaction between the leg muscles and how they change when the character is squatting, including the bulging and squishing of muscles. The artist encourages viewers to use these guidelines to create their own squatting poses, with a focus on achieving a natural and balanced look.

15:04

🌟 Squatting Poses: Front and Open Angles

In this section, the artist shifts the focus to drawing the character from a front and open angle, explaining how to use basic shapes to create a natural-looking squatting pose. He discusses the positioning of the hips, the shape of the bum, and the interaction between the legs and the rest of the body. The artist emphasizes the importance of considering the weight distribution and how it affects the shape of the character's body. He also talks about the use of guidelines to help with the construction of the pose and how to adjust these guidelines as the drawing progresses. The artist encourages viewers to practice drawing squatting poses from different angles and to experiment with various leg positions to gain a better understanding of the character's anatomy and weight distribution.

20:05

📊 Squatting Poses: Squashed Cylinders and Leg Anatomy

The artist continues to elaborate on the anatomy of the legs and the concept of squashed cylinders in the context of drawing squatting poses. He explains how to visualize the thigh and calf muscles as cylinders that change shape according to the character's pose. The artist discusses the knee joint as a hinge and how the leg muscles bulge and flatten in response to the character's weight distribution. He provides detailed instructions on how to draw the calves, emphasizing the squishing effect that occurs when the legs are pressed together. The artist also touches on the importance of considering the character's posture and how it affects the overall appearance of the squatting pose.

25:06

🎹 Finalizing the Squatting Pose and Upcoming Tutorials

The artist concludes the tutorial by demonstrating how to finalize the squatting pose, focusing on the details of the knees, calves, and feet. He explains how to adjust the shapes to accurately represent the weight distribution and the interaction between the legs. The artist also provides a quick example of a squatting pose from the front, highlighting the importance of maintaining the character's balance and weight distribution. He mentions upcoming tutorials that will cover more complex squatting positions, such as wide splayed leg squats and splits, and encourages viewers to subscribe to catch these future lessons. The artist expresses gratitude to his patrons on Patreon, who support the creation of free drawing tutorials, and invites viewers to suggest what to draw next in the comments section.

Mindmap

Keywords

💡Anime and Manga Characters

Anime and Manga Characters refer to the stylized figures originating from Japanese comics and animations. In the context of the video, the artist is teaching viewers how to draw these characters in a squatting position, emphasizing the use of basic shapes and anatomy for accurate representation.

💡Squatting Position

A squatting position refers to a posture where an individual's hips are lowered towards their feet, with knees bent at a significant angle. In the video, the artist explains how to depict characters in this position, focusing on the distribution of body weight and the interaction of various body parts in this pose.

💡Basic Shapes

Basic shapes are simple geometric forms like circles, rectangles, and triangles that are used as a foundation for creating more complex drawings. In the video, the artist uses basic shapes to construct the anime and manga characters, making the drawing process accessible and straightforward for beginners.

💡Weight Distribution

Weight distribution refers to how the mass or weight of an object, or in this case, a character, is spread across its support base. In the video, the artist explains that when a character is squatting, their weight is primarily distributed through the heels and the posture affects the way the body's weight is visually represented.

💡Anatomy

Anatomy is the study of the structure of living organisms, including the human body. In the context of the video, the artist uses knowledge of human anatomy to accurately depict the muscles, bones, and joints in a character's squatting pose, ensuring that the drawing is both aesthetically pleasing and anatomically correct.

💡Reference Sheets

Reference sheets are visual aids that provide detailed information or examples for artists to use as guides when drawing. In the video, the artist mentions that reference sheets for drawing are available on their Patreon, suggesting that these resources can help viewers improve their drawing skills by providing accurate anatomical and pose references.

💡Patreon

Patreon is a platform that allows creators to receive financial support from fans or patrons in exchange for exclusive content or perks. In the video, the artist promotes their Patreon page as a way for viewers to access additional resources, such as reference sheets and Photoshop files, to support their drawing practice.

💡Tutorial Series

A tutorial series is a collection of instructional videos or lessons that cover a specific topic or skill set. The artist in the video mentions that the current lesson on drawing squatting characters is part of a larger series, with future tutorials planned to cover more complex poses and anatomy.

💡Character Proportions

Character proportions refer to the relative sizes and lengths of different body parts in a character's design. The artist in the video discusses the importance of maintaining accurate proportions when drawing characters, especially in dynamic poses like squatting, to ensure that the characters look natural and believable.

💡Musculature

Musculature refers to the muscles of the body. In the context of the video, the artist discusses the representation of musculature in the legs and hips of the characters, particularly how the muscles change shape and interact when the character is in a squatting position.

Highlights

The tutorial focuses on drawing anime and manga characters in a squatting position using basic shapes.

The importance of understanding weight distribution in a character's pose is emphasized, particularly when squatting.

The tutorial suggests using a cheap, disposable mechanical pencil and printer paper for practicing.

The process of drawing starts with a rough line to represent the weight and balance of the character.

The character's body weight should be depicted as sitting through the heels when squatting.

The tutorial covers the anatomy and structure of legs in a squatting position, including the knees and thighs.

The artist uses basic shapes to construct the torso and hips, focusing on the spine's curve and the hip's bucket area.

The tutorial provides a step-by-step approach to drawing the legs, emphasizing the importance of the knee joint and calf muscles.

The artist explains how to depict the interaction between different parts of the leg when in a squatting position.

The tutorial includes a time-lapse segment to demonstrate the cleaning up of sketch lines and finalizing the drawing.

The artist provides examples of drawing squatting characters from the front and from different angles.

The tutorial discusses the concept of 'squish' and 'squeeze' in the depiction of muscles and body parts in a squatting pose.

The artist emphasizes the therapeutic benefits of drawing and encourages viewers to try it out.

The tutorial mentions the availability of reference sheets and photoshop files for patrons on Patreon.

The artist plans to cover more complex squatting positions, such as wide splayed leg squats and splits, in future tutorials.

The tutorial concludes with a call to action for viewers to subscribe and comment on what they would like to see in future drawing tutorials.

Transcripts

00:00

artwork critiques photoshop files and

00:02

reference sheets are all available on my

00:04

patreon hey there guys and girls i hope

00:06

you're doing well my name's mikey

00:08

welcome back to my room it's time for

00:10

another tutorial and today we're going

00:13

to be taking a look at how to draw your

00:15

own anime and manga characters down low

00:18

in a squatting position we're going to

00:20

use some basic shapes to put this

00:21

together just enough that it's going to

00:23

look correct without being overly

00:25

complicated but because this is

00:27

essentially structuring anatomy this is

00:30

also going to be useful for any forms of

00:32

life study or general illustration so

00:34

i'm just going to go ahead and get

00:36

cracking with a spare piece of paper to

00:37

rest my hand on and a super cheap

00:39

disposable mechanical pencil i'm just

00:41

using printer paper here with a number

00:42

of sheets and the very first thing that

00:45

i just want to talk through is going to

00:47

be weight that is when you've got a

00:49

character who's squatting down low their

00:51

body weight is essentially going to be

00:53

sitting down through the headline

00:55

and if they're resting down on the back

00:58

of their heels that's going to go all

01:00

the way down to the feet so i'm just

01:02

doing a very vague rough line here i'm

01:04

going to essentially start working a lot

01:07

more firmly than i usually do and i'm

01:09

going to try to keep things

01:11

relatively quick but it does mean they

01:13

might come out relatively rough as well

01:16

and we're going to start off with a

01:17

character where we're looking just a

01:18

little bit behind but i just want to

01:20

show you how i think about that body

01:22

weight now this is going to be

01:25

essentially part one perhaps of a

01:26

two-part tutorial series where we talk

01:29

about squatting characters in this

01:30

example i'm going to be keeping uh the

01:33

knees together the legs essentially

01:36

closed in low squats and kneeling

01:38

positions just so that everything is

01:40

relatively safe for work feeling and

01:42

we'll take a look at wider splits and

01:43

what's going on with the anatomy on the

01:45

inside of the flies and so on in another

01:48

tutorial further down the line

01:50

not to mention as well we've already

01:52

covered uh a in-depth how to draw legs

01:55

tutorial where we actually go over the

01:57

musculature and the structure of what's

02:00

going on around the legs especially how

02:02

to break things down and keep it simple

02:04

for the knees of your characters that's

02:06

available probably with a little pop-up

02:08

in the corner of your screen there so

02:10

i'm going to assume that you know a

02:12

little bit of that just so that we can

02:14

break down the rest of what's going on

02:16

into hopefully a relatively easy process

02:19

so what i'm going to do here is i'm

02:20

going gonna think about the curve of the

02:22

spine and sweep a little bit in

02:24

just here as i come down from my

02:25

neckline and then i'm gonna pop out

02:27

relatively generously as we go into the

02:30

lower part of the torso

02:31

and i'm still using some very quick

02:34

simple basic building blocks for this as

02:36

we look just behind this character's

02:39

shoulder line again when it comes to the

02:41

building blocks of torsos and how to

02:44

break down how to draw bodies in nice

02:46

big simple shapes we've covered all of

02:48

this before in a whole load of tutorials

02:50

playlist hopefully available somewhere

02:53

on the right and of course everything

02:54

that we do here today i will make a copy

02:57

of everything we draw available over for

02:59

the patrons on patreon where you can get

03:02

the entire pack of all the references

03:04

for just a dollar

03:05

so here i've got

03:07

a very basic back situation i might

03:10

imagine that we've got a bit of bum

03:11

curve going down around about here

03:14

into this part of the hip bucket area

03:17

and the middle of the spine just going

03:18

to adjust that to go a little bit

03:20

further up there and then the shoulder

03:22

line that's going to be popping one

03:24

circle off around about there

03:27

this shoulder circle is going to be

03:29

sitting a bit more forward

03:31

somewhere

03:32

over here i'm going to be focusing

03:34

really around the legs hips all the way

03:36

down to the feet because that's the area

03:38

that's doing some very interesting

03:39

things when we draw our characters

03:42

squatting down especially if you're

03:43

trying to

03:44

maybe depict an anime or manga character

03:47

who is out on the dance floor or maybe

03:50

with a partner doing something more

03:51

private in a bedroom and they're really

03:53

just bringing all of that business all

03:55

right down and low on the whole

03:57

situation so let's just kind of work out

03:59

what's going there i'm just going to get

04:01

some very basic arms out of the way as

04:03

well i go down to around about the

04:05

bottom of the

04:07

chest sphere that we're kind of working

04:09

on that elliptical shape to bring it all

04:11

together

04:12

but i just want to focus on these legs

04:15

now i've got this weight line now that

04:17

goes down the middle of this character

04:19

and i want that weight to sit on the

04:21

back of the heels so i'm going to

04:24

imagine that we've got

04:25

a very vague circle here or one of the

04:28

feet the heel part of that might just be

04:31

sectioned off loosely here again i'm

04:33

working a little bit more firmly than i

04:35

usually do

04:36

usually i'd work very lightly when it

04:38

comes to these slightly more interesting

04:39

poses because we like to explore with

04:42

some test lines all over the place and

04:45

then you can firm up for ones that seem

04:46

to be working get rid of ones that don't

04:48

seem to be doing the job

04:50

i'm also just going to show here the

04:52

side

04:52

of the bucket of the hips as we come

04:55

down there just slowly building up and

04:58

adding to the definition of these shapes

05:00

there we go and with this foot here i'm

05:02

just going to come down and imagine that

05:03

it's balancing on the toes on the front

05:06

so although we might have this large

05:08

generous vaguely triangular shape that

05:10

comes down here it's actually just going

05:13

to pop at about 90 degrees

05:15

if you've got the toe section going off

05:17

there this isn't how to draw feet

05:18

tutorial which is my excuse for saying

05:20

this will not be perfect but hopefully

05:23

it's going to be just right enough to

05:24

give you an idea of what's going on so

05:26

i've got that weight resting down on

05:28

that foot haven't even worried about the

05:30

legs yet i'm going to go ahead and just

05:32

get another one right about here as well

05:36

coming down on that edge let's just make

05:38

that the under part of the heel now

05:40

whether you're drawing shoes or this is

05:42

going to be bare feet use these building

05:44

blocks as a starting point and you can

05:46

build up from there to see what you like

05:48

and now if i imagine that right we've

05:50

got our level character level shoulders

05:52

there's not much contrapostel going on

05:54

they've got level hips as well and the

05:57

joint's going to come out of this kind

05:58

of bucket hip area and pop out for the

06:01

legs

06:02

now depending on how you kind of measure

06:04

out the legs for your character and so

06:06

on i just like to make sure that the

06:08

entire leg section is going to be at

06:10

least about the entire body section so i

06:12

might just imagine that halfway we'll

06:14

take things from about the middle of the

06:16

hip and we'll work our way down and

06:17

around so at half of this distance going

06:20

up here might be how far i'm going to

06:22

pop out here but i'm going to fall

06:24

shorten it a little bit i'm going to go

06:25

about this far out

06:27

and then i'm going to just take it easy

06:28

from there because we're going to block

06:30

everything back

06:32

and i've got a straight line here to

06:35

indicate the direction of the leg and i

06:37

usually drop a circle right on the end

06:39

for that to be our kneecap but when legs

06:41

bend and again do check out my how to

06:43

draw strong legs tutorial we talk all

06:45

about this um things start to move

06:47

around so my kneecap circle

06:49

is actually going to be around about

06:51

here i've gone lower and then when i

06:54

come and follow a line back to this part

06:56

of the leg i'm coming off the bottom of

06:58

that circle line instead of meeting both

07:00

of them perfectly in the middle

07:03

now i'm still thinking about a big

07:05

generous cylindrical shape that's going

07:07

to be the top part of the legs and the

07:09

thighs and so on but i'm going to

07:11

squeeze it a little bit as well so it's

07:14

starting to flatten out so let's start

07:16

off with a big cylinder that's coming

07:18

forward here just a guideline simple

07:20

basic shape that's going out over the

07:23

calf muscles quite nicely before

07:26

sweeping down depending on how generous

07:28

you're making your characters i might

07:30

just come in a little bit lower in fact

07:33

and again don't be scared to have loads

07:35

of test lines until you find out what

07:37

you do and don't like don't be overly

07:39

beholden to any of your initial guides

07:42

they're here to help you not here to

07:44

hinder you or lock you into place i'm

07:46

going to sweep down towards that knee

07:48

area

07:49

and then just generously curve out

07:51

because it's a cylinder remember

07:53

and then i might just have a line that's

07:55

just a guide

07:56

very lightly coming up there because

07:58

we're gonna change that shape in just a

08:00

moment then in a very similar way okay

08:03

let's come up from here we've got the

08:05

hard shin bone

08:06

it should take us to the bottom of this

08:08

circle round about there

08:10

but actually i'm going to imagine that

08:12

the calf muscle which we often draw is a

08:15

kind of teardrop coming down or this is

08:17

getting really squeezed now

08:19

so i'm going to

08:20

draw this kind of

08:22

big

08:24

squeezing slightly eggish lump around

08:27

about here just like so and i'm not

08:29

coming all the way down the leg i'm just

08:31

bringing it to around about there and

08:33

i'm going to now imagine that okay

08:36

because this part of the muscle is

08:37

popping up and squeezing here

08:39

we're following this line to show how

08:41

these two sections of the leg interact

08:44

as they meet back on each other and then

08:46

maybe that's going to squeeze down and

08:48

the top part of the leg that sits on top

08:51

is going to cover a bit more of this

08:53

area especially as the bum

08:55

sinks down

08:57

over the back of that foot

08:59

so i've got a curve here where i'm

09:01

actually bumping up into that area to

09:03

represent that section of the calf then

09:05

i can just firm my way up along this

09:08

line here and you'll notice i'm rotating

09:10

my hand all the way around the place if

09:13

it helps to give me a gentler better

09:15

curving line but i'm enjoying a bit more

09:17

to get a smooth flow of things

09:20

and then as we go up to the knee here

09:22

you can kind of imagine because of the

09:24

way the muscles are bulging and we're

09:25

going to talk about this

09:27

a little bit more on the side of the

09:28

knee i'm actually just imagining a faint

09:31

squeeze there

09:32

and then the kneecap almost separately

09:35

with its own series of ligaments and

09:37

bits and interesting shapes that are

09:39

going on is then popping out beyond that

09:41

with a slightly flatter tip

09:43

just like so

09:45

so i might not draw this line shape here

09:47

depending on how i'm shading but i'm

09:49

going to certainly show that things are

09:51

projecting

09:52

out past there just like that and in

09:55

terms of this torso and top area well

09:57

we've covered that a lot before i will

09:58

come in on a little bit of time lapse

10:00

and clean all of that up in just a

10:02

moment but let's focus on what's going

10:04

on down here this is where the action

10:06

seems to be we've got then the rest of

10:09

our bum area here i'm going to sweep

10:10

around for the other cheek which is

10:13

a bit like a golden ratio we start off

10:16

shallow and then we get that curve going

10:18

tighter and tighter before we squeeze

10:20

into the underside of the bum

10:23

just like so

10:24

and then again down onto those feet or

10:27

heels or depending what's going on with

10:29

shoes or barefoot so that's what i'm

10:33

imagining here just imagine for that

10:34

squeezing away from us

10:37

just like so and the musculature

10:39

is squeezing out the side so i'm just

10:42

putting this little surface line show it

10:44

as a second bit of extra bump there

10:46

and then squeezing out on that calf

10:49

muscle there

10:50

before we aim back down towards the shin

10:53

line

10:54

so that's what's going on in terms of

10:56

how i like to think about the weight i

10:58

like to actually go right through the

10:59

spine line and then sink things right

11:02

over the feet if this character is

11:04

putting all of their body weight down on

11:06

the feet accordingly

11:07

and let's take a look at a slightly more

11:09

sort of front and open angle and this is

11:12

where we're kind of going to enter into

11:14

the territory where we're using these

11:16

basic shapes but also working around

11:18

these forms and trying to get these nice

11:21

organic squeezes and squishy feelings in

11:23

certain areas but hopefully we can break

11:25

that down i'm going to start off with a

11:28

line then or the hips let's go

11:31

across

11:32

here

11:34

like so

11:35

and then if you imagine that this is my

11:37

hip line i've just got that kind of

11:39

elliptical shape on its side that helps

11:41

me very loosely guide out what's going

11:44

to be the bucket area of the hips

11:45

themselves again i'm trying to go quick

11:48

and firmly

11:50

also guys whilst we are putting this

11:51

together thank you so much as ever for

11:53

subscribing to the channel and i said

11:56

we'd do this a while ago we certainly

11:58

will be i'm going to do a proper thank

11:59

you video for over a million subscribers

12:01

it's absolutely amazing and i really do

12:03

appreciate it but i do just love the

12:05

fact that um you guys are trying to get

12:07

into drawing now we're doing closed leg

12:10

uh squatting positions today i will do a

12:12

further video on wide leg stuff uh which

12:14

is a little bit less salubrious but this

12:17

is just going to be nice and family

12:18

friendly for the moment um but yeah i'm

12:20

not afraid to use boobs to try to

12:22

convince you guys to get into drawing

12:24

because i find it very therapeutic it

12:26

can take your mind off of life struggles

12:28

you don't have to love it but i do want

12:30

you to try it because you might really

12:32

like it so there you go thank you very

12:34

much for following along

12:35

now

12:36

i'm just going to imagine right i've got

12:38

the bone of the hip here and i'm going

12:41

to bring this a little bit further out

12:43

on this side as well

12:45

and then the front center line might be

12:47

just the lower part of the abdominal

12:49

wall we've got a little bit of front

12:50

tummy there

12:51

maybe we've got the belly button

12:53

somewhere in his cross zone now i'm just

12:55

going to come out and sweep down

12:57

before popping down to the bottom part

12:59

of the torso and private sphere and then

13:01

i'm just going to sweep in just about

13:03

the arc that we like to do and again

13:06

this is all just part of my guide to

13:07

help me in just a moment where i come

13:09

down here and inversely with a more

13:12

concave line pop up over on this side as

13:15

well so these are our bony areas of the

13:18

hips here which aren't going to flex

13:20

just up here

13:21

and just over here everything else might

13:24

be squishing around and having a lot

13:26

more fun

13:27

so if i want to kind of work out how to

13:29

evenly keep things going i've got my

13:32

line that's going right across here and

13:34

i'm going to keep things at that lateral

13:36

feeling so i might have my legs popping

13:38

out

13:39

right over to here if the knee is

13:40

sticking out accordingly but that line

13:42

is still

13:44

parallel to this one

13:46

and i could just draw a little

13:48

box shape to help guide how i'm just

13:51

filling in that particular zone but

13:53

remember everything's going to come back

13:55

right down on this center line of weight

13:57

so i know if i'm going to be popping the

13:59

feet somewhere vaguely around about here

14:03

and i'm just going to put a little box

14:04

to be the back parts of the feet just

14:06

like we've got here and maybe just

14:08

something that might indicate where the

14:10

toes are going this is just a very loose

14:13

guide to help me i might put these feet

14:14

a little further apart um but let's see

14:16

what's going on here

14:18

i'm going to pop all the way out

14:20

from this joint i'm going to imagine a

14:23

nice round circle to be our kneecap area

14:27

here

14:28

i'm just popping

14:29

this here

14:31

to help guide what i'm going to connect

14:33

later being very generous with the size

14:34

of that circle and actually let me just

14:37

firm that up you a little bit further

14:40

and then a very similar thing over here

14:42

let's imagine this legs popping out on

14:43

that side just going to

14:45

get a nice generous guide circle going

14:48

to bring my hand just a touch further

14:49

down the length for the pencil there

14:51

just so we've got that in place a tiny

14:53

bit more accurately whenever i sketch

14:55

very loosely i put my hand quite fab far

14:58

back up this pencil to loosely guard

15:00

around and then i try to bring it back

15:01

down and then when we're cracking on

15:04

and now again i'm going to think firstly

15:06

just about those squashed cylinders

15:09

let's imagine that we start off around

15:11

about here where the knee is

15:13

there's a kind of circular shape the end

15:15

of that cylinder i'm going to just curve

15:17

and sweep that up

15:20

and around and down

15:22

towards where we meet back in over here

15:25

to what might be a hip flexor around

15:28

about this point and i'm going to get

15:30

very generous around the outside edge

15:32

because now this cylinder is describing

15:34

a squeeze outward of all of the thigh

15:38

muscle as it leads its way around to the

15:40

side of the bum so even though we've got

15:42

this shape coming down here in the hip

15:44

guide the cylinder

15:47

might sweep all the way around here and

15:49

i'm being a bit

15:50

more straight with this curve a bit more

15:52

shallow as it curves around and then

15:54

coming a little bit thicker and deeper

15:57

and then back up as we reach our way

15:59

around the bottom part

16:01

just like so

16:03

and from where it tucks right into the

16:05

body here i'm just going to imagine okay

16:07

let's get a little surface line to help

16:08

describe

16:10

where that part is leg before it gets

16:12

into hip and meets around the side of

16:13

the bottom and then i'm going to do a

16:15

similar thing over here are a little bit

16:18

more

16:19

side on to the inside edge of this one

16:21

i'm still going to keep the shapes

16:23

relatively the same that is

16:26

cylinder is a little bit smaller at this

16:27

end and it's a little bit larger as it

16:29

meets in this end and it's not a perfect

16:31

circle getting flattened into an ellipse

16:34

and as it meets into the body here this

16:36

is probably gonna just curve here

16:39

on this side in

16:41

before it starts to go down and then

16:44

just like i've got here let's sweep

16:46

nice and generously

16:47

up and around like so

16:49

we're meeting towards this knee circle

16:51

joint but we're going to talk about that

16:52

in just a quick sec

16:54

up down and around and then in a very

16:57

similar way i'm going not down too far

17:00

relatively levelly in and this is as a

17:02

guide because again we're going to

17:04

squeeze things around in just a moment

17:07

so there's those both legs going

17:08

forwards now let's get down on the

17:10

underside

17:12

now when it comes to the calf muscles as

17:15

they squeeze in these guys squeeze right

17:18

out and what i actually think of doing

17:20

as we make our way back towards the legs

17:22

fair is i'm just gonna travel back a

17:24

little bit in this direction underneath

17:26

this leg because we're looking at a

17:28

three-quarters view on top of things and

17:30

i'm just going to actually start to draw

17:32

an ellipse right around under here

17:34

very shallow

17:36

just like so

17:38

like this

17:40

getting that shape in there

17:43

that's going to help me map around all

17:45

this squeeze i'm going to do a similar

17:46

thing here i'm coming back in towards

17:49

the body from underneath the circle but

17:51

i'm already thinking about this

17:53

elliptical

17:55

squeeze shape

17:57

just like so

18:00

okay slowly getting there and then this

18:02

is going to follow back again to the

18:04

back of the foot so um this heel might

18:07

all be hidden away from us as this legs

18:09

down here you can see already i'm

18:11

building past my guidelines which is

18:13

absolutely fine as long as it feels

18:15

overall it's okay with its mass and its

18:17

weight you're going to be just fine

18:19

and then i'm going to come down and just

18:21

put a foot that's heading straight

18:23

down-ish like so

18:25

and then i'm just going to

18:27

imagine we've got a little part of that

18:28

section that's a

18:31

big toe around about here

18:33

the rest of it's coming in over there

18:36

again i'll just decide exactly how much

18:38

i want to work around that when i drop

18:40

into some time lapse and then this leg

18:43

as well is still coming back in and

18:44

under here

18:45

i'm curving that back through i'm still

18:47

imagining that just like we had up here

18:49

and up here there's a separate line

18:51

popping back down through there but i'm

18:53

not drawing it in because it's going to

18:55

over confuse what's going on with our

18:56

line work and because it's a lot of

18:58

organic shapes which are squishing at

19:00

the moment we can get a way of just

19:02

squishing out this calf before we make

19:04

our way right back down past here

19:06

get the other foot in so i'm going to go

19:09

back down around about here

19:11

and imagine again

19:12

that foot's coming out

19:15

around about there it might come out in

19:16

the form of one big toe

19:18

separated

19:19

with all of the smaller ones into a foot

19:22

that's a paddle shape going up there

19:25

slightly better version of what i've

19:27

just been doing on this side so let's

19:28

just clean that up

19:30

very quickly

19:33

just like so

19:34

and then pop back down again with that

19:36

guide let's get back in under there

19:38

excuse me

19:40

and get a nice front toe area bit more

19:42

confidently there just these larger

19:44

shapes it will work with and expand out

19:47

from

19:48

so what's going on with the knees

19:49

because this is the area that usually

19:51

catches people out and it certainly did

19:53

me

19:54

i'm imagining the kneecap

19:56

still as a hinge more than a sphere

19:59

so i might be imagining a shape that's

20:00

popping out here

20:02

but isn't as wide and thick as that

20:05

circle

20:06

just a little semi-circle hinge shape

20:08

there and then a similar one here a

20:10

semi-circle hinge a little bit shallower

20:13

shape

20:15

here and this is the main mass of the

20:17

knee which is protruding out from us

20:20

the rest is going to sweep down here

20:23

and meet into the underside as it curves

20:26

back in

20:27

and the muscles of the leg are coming

20:30

down and then slightly flattening out

20:33

just before they meet into there

20:35

because they're kind of building into

20:36

the top part of the joint not right over

20:38

the tip

20:39

and the bit that i just want to have a

20:41

quick look at is that squish we've got

20:43

this calf muscle here squishing outwards

20:45

okay great let's remember that this part

20:48

is going to be all part of our squished

20:51

line as it comes out and around

20:53

it sticks out here

20:55

and it also bulges up around here on the

20:58

top part of the leg remember this is

21:00

creating an extra bit of squeeze here

21:04

and an extra bit of squeeze there that

21:07

normally wouldn't be in place when

21:08

you're standing up with your character

21:10

and in a similar vein over here i'm just

21:12

going to

21:14

come up to around about here on the

21:15

inside of the leg not putting all of

21:17

that outside calf muscle in i'm meeting

21:19

this one a bit more halfway we're still

21:21

yeah

21:22

getting this extra internal squish of

21:24

all the muscle here and this extra

21:27

squish off the calf as they're pressing

21:30

with all that body weight onto each

21:32

other

21:33

but this part of the leg is going to go

21:34

down here

21:36

and even there

21:37

and then again just imagine that squish

21:39

is bulging here

21:41

and bulging there and everything else is

21:42

going a bit more flatly

21:44

over

21:45

top

21:47

come down there

21:48

and the rest sweeps under so there we've

21:50

got that line and over here very loosely

21:54

describe our calf line here

21:56

squish squish and then back under

21:59

nothing too crazy i'm just going to get

22:01

that bulge to just pop out

22:04

a little bit before i sweep into that

22:05

straight line but everything's

22:07

disappearing away as it goes underneath

22:09

the leg down towards the ankle and maybe

22:13

a little bit more heel popping off

22:15

outside the back there then in terms of

22:17

just tidying this up let's get some

22:19

slight abdominal wall here before we go

22:22

down into the privates at the front

22:24

similar thing just down that side

22:27

we've got that hard area of the hip here

22:30

and here we've done very specifically

22:32

good hips and bum tutorials and how to

22:34

draw hips and torsos before it's all

22:36

there in my big tutorials playlist but

22:39

now we've got these legs popping through

22:40

and the lines that i'm still thinking

22:42

about is this

22:44

curving over to this

22:46

popping out a bit more straightly and

22:48

flattening at the end here

22:51

before it sinks back in and under

22:54

curves around into that line back to the

22:56

foot where the body weight is going to

22:57

be

22:58

and then in this inside edge we've got

23:00

the hip flexor where it meets

23:02

moving out over the top

23:04

popping out of the knee joint it

23:06

squeezes a little bit more forward just

23:08

check that other leg tutorial

23:10

and then back in as we go back around

23:13

so what i'm going to do guys is i'm

23:14

going to drop into a little bit of time

23:15

lapse i'm going to tidy up these lines

23:17

because there is a lot of construction

23:19

here just to kind of clarify exactly

23:21

what's going on and i'm going to just

23:23

give you a very quick example of a

23:25

squatting pose from the front

23:27

and maybe a couple more when a character

23:29

is leaning a bit further back all the

23:31

knees are going to be together so don't

23:32

worry it's kind of up skirtish but

23:34

nothing too lewd and also just going to

23:37

focus on a really simple version here

23:39

keep an eye on how i just start from the

23:41

hips

23:42

draw the knees in place and then build

23:45

out everything from there okay guys i'll

23:47

see you in just a sec

23:50

[Music]

24:05

[Applause]

24:06

[Music]

24:28

hey there guys and welcome back so yeah

24:31

hopefully during the time lapse that's

24:33

given you a bit of an idea of how i'm

24:35

constructing through this process when

24:37

we've got a character who's squatting

24:38

down and there's all sorts of squeeze

24:40

happening sure you can take some time

24:43

and try to very loosely sketch out from

24:45

your building blocks for correct anatomy

24:47

for everything with a lot of very light

24:49

strokes which help you explore what

24:51

you're going to end up keeping and what

24:52

you're going to get rid of obviously

24:54

we'd completely clean this up if we were

24:56

going to take this any further i've got

24:58

the hinge joint feeling for the knees

25:01

which when the legs are completely bent

25:03

are going to be halfway between the top

25:05

point and the bottom that's why with

25:07

stuff over here i actually put that

25:09

guideline circle down below the top leg

25:13

and above the bottom one just so that we

25:16

can see that everything squeezes and

25:17

protrudes i also just shaved a little

25:19

bit off the end here to flatten out that

25:22

shape to show that joint obviously we

25:24

don't have to go too firmly like that

25:26

but if you want to try to get it feeling

25:28

right remember that the flesh on either

25:30

side of the leg is going to squish right

25:33

at the top here and right down of the

25:35

calf and on the inside edge you get some

25:37

interesting kind of up and down shape

25:39

line here going on and on the outside

25:42

don't worry too much you can just focus

25:43

on the bulge of the calf cutting up and

25:46

into the otherwise guide shaped cylinder

25:49

of the top part of the leg

25:51

then i just wanted to show things from

25:52

the front this is obviously one of the

25:54

most common slightly up skirtish kind of

25:57

shots that you might get with this

25:58

character their weight is still mostly

26:01

on their feet and as we look up you can

26:03

see that i just started things off with

26:05

these circles for the knees worked out

26:08

that the

26:09

area for the feet and the heel is going

26:11

to be sitting underneath the bum part of

26:13

the hip and then just join them together

26:15

and i'm still thinking about these

26:17

teardrop shapes for the calf muscle that

26:20

comes out from the knee but you'll

26:21

notice i've squeezed them out quite

26:23

generously to show how they're getting

26:25

flattened against the other part of the

26:27

leg

26:28

and also we've still got some space for

26:30

the inside of the privates in the center

26:32

of the hips here as this fly shape i've

26:34

actually if you can see on this

26:35

guideline gone a little bit convex there

26:38

swept in before i've swept back out and

26:41

around to join it up and then loads of

26:44

generous extra curves on the outside to

26:46

actually catch the rest of the bum where

26:48

it all joins into the hips and also very

26:51

similar example where i've really broken

26:53

that down basically

26:54

this example this character is now

26:56

tilted even further back their body

26:58

weight might be resting a bit more in

27:00

their bum might be that they've got

27:01

their hands behind them the legs split a

27:03

little bit further out and again we can

27:05

now just see that okay

27:07

it's still basically the guide blocks

27:09

starting with a hip line joining things

27:12

up to a big generous knee circle and

27:14

down to the feet and then i'm just

27:15

thinking these big sweeping cylindrical

27:18

shapes at the front or the underside of

27:21

the back of the leg then these big

27:23

cylindrical shapes going around of these

27:25

big curving ones for the underside of

27:27

the bottom area and again squeezing out

27:30

those teardrop shapes as we come down

27:32

away from the knee squeeze of the calf

27:34

before they straighten out towards the

27:35

bottom of the leg and go down to our

27:37

rather basic feet and a similar example

27:39

here where we've just got things popping

27:41

towards us but the knees are popping a

27:43

little bit further up her feet are a bit

27:45

more splayed we're kind of trying to do

27:48

things at an angle again i'm kind of

27:50

jutting a little bit

27:51

too firmly perhaps over the top of this

27:53

kneecap just over here i might want to

27:55

just slowly squeeze that edge back down

27:58

a little bit but otherwise that is what

28:00

you want to be thinking about when it

28:02

comes to getting those characters no

28:04

squatting positions

28:05

like i mentioned we're going to look at

28:07

some more examples where we've got

28:09

wide splayed leg squats and splits and

28:11

so on and the interesting things for the

28:13

anatomy so make sure you subscribe to

28:14

catch all of that and of course you've

28:16

been seeing delicious names on screen

28:18

those are my lovely patrons on patreon

28:20

because if you want to grab a copy of

28:22

this worksheet i'll scan it in and add

28:25

it to my entire pack which you can grab

28:27

for just a dollar on patreon links of

28:29

course below and that's how i'm able to

28:31

keep making free drawing tutorials on

28:33

youtube i just want you guys to give

28:35

drawing a try but it's thanks to those

28:37

patrons who like pick up the pack that

28:39

makes all of this actually possible for

28:40

me so much love to all of you guys let

28:43

me know what we're going to be drawing

28:44

next time in the comments below and i'll

28:46

see you then

28:47

take care