KENDRICK LAMAR - NOT LIKE US REACTION

ZIAS!
4 May 202415:14

Summary

TLDRThe video script is a dynamic and enthusiastic discussion between two individuals, presumably friends, who are deeply engaged in the rap feud between Kendrick Lamar and Drake. They analyze the rapid exchange of diss tracks, with one of them expressing surprise at the speed and intensity of Kendrick's responses. The conversation delves into the implications of the lyrics, with mentions of a metaphorical 'bomb' and 'rocket launcher', suggesting the severity of the situation. They also touch upon the potential cultural misunderstandings and the serious nature of the accusations made in the lyrics. The dialogue is interspersed with humor, music references, and a genuine admiration for the artists' skills. The speakers invite viewers to join the conversation on Twitter and to reach out via a fan line, emphasizing a sense of community and engagement around this legendary rap beef.

Takeaways

  • 🎵 The speaker discusses the ongoing rap beef between Kendrick Lamar and Drake, describing it as legendary and comparing it to a bomb being dropped.
  • 🚀 Kendrick is praised for his rapid response and the speed at which he's releasing music, with the speaker suggesting he's caught Drake off guard.
  • 💣 The speaker uses the metaphor of a bomb and a rocket launcher to describe the impact of Kendrick's diss tracks on Drake.
  • 🀔 There's speculation that Kendrick may have more undisclosed information or 'bombs' to drop in the future.
  • 🏠 A reference is made to an app that shows the locations of sex offenders, which is humorously misinterpreted as targeting Drake's house.
  • 🎶 The speaker talks about the musicality of Kendrick's tracks, speculating about a potential trap beat and the sound of an A minor chord.
  • 🚚 The discussion touches on serious allegations, including references to sex trafficking and the legal troubles of individuals associated with Drake.
  • 😲 The speaker expresses surprise at the boldness of some of Kendrick's lyrics, particularly those that could be interpreted as dangerous or controversial.
  • 🀝 There's a mention of a mutual respect between the artists, with a suggestion that they won't lie about each other unless provoked.
  • 📈 The speaker notes the commercial success of both artists, with a focus on how they've navigated the music industry and their public personas.
  • 🀔 The speaker questions Drake's strategy and whether he may have underestimated Kendrick's response.

Q & A

  • What is the main topic of discussion in the provided transcript?

    -The main topic of discussion is the rap feud between Kendrick Lamar and Drake, which is considered by the speaker as potentially the most legendary rap beef in history.

  • What does the speaker compare Kendrick's actions to in the context of the rap feud?

    -The speaker compares Kendrick's actions to dropping bombs and using a rocket launcher, indicating the intensity and rapidity of his responses in the feud.

  • Why does the speaker believe that the rap feud between Kendrick and Drake is unique?

    -The speaker believes the feud is unique due to the speed and ferocity of the back-and-forth exchanges between the two rappers, which is something they have not seen before in the rap community.

  • What does the speaker think about the potential consequences of the feud?

    -The speaker suggests that the feud has crossed a line and that it might lead to real-life confrontation, indicating a level of seriousness and potential danger.

  • What is the significance of the 'A minor' reference in the transcript?

    -The 'A minor' reference is a musical note that the speaker uses to illustrate a point about the tone of a particular song or beat, suggesting it sounds like it could be the basis for a 'fire ass trap beat'.

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  • What is the speaker's opinion on the use of certain controversial topics in rap lyrics?

    -The speaker expresses concern about the use of sensitive topics like sex trafficking in rap lyrics, suggesting that it can be dangerous and inappropriate.

  • What is the 'app' mentioned in the transcript that shows sex offenders in a particular area?

    -The app mentioned is a hypothetical or real application that displays the locations of registered sex offenders, which the speaker uses as a metaphor in the discussion.

  • What does the speaker imply about Drake's reaction to Kendrick's actions?

    -The speaker implies that Drake might have been caught off guard by the speed and intensity of Kendrick's responses in the rap feud.

  • What is the 'neighborhood watch' reference about in the transcript?

    -The 'neighborhood watch' reference is a metaphor used by the speaker to discuss the scrutiny and judgment that public figures like Drake may face, comparing it to how sex offenders are monitored in a community.

  • What does the speaker suggest about the maturity needed to resolve the rap feud?

    -The speaker suggests that a high level of maturity would be needed to resolve the feud, hinting that the current trajectory might not lead to a peaceful resolution.

  • How does the speaker describe the speed of Kendrick's responses in the rap feud?

    -The speaker describes Kendrick's responses as rapid fire, indicating that he is releasing diss tracks and responses at a very quick pace.

Outlines

00:00

😀 Legendary Rap Beef: Kendrick and Drake's Swift Exchange

The speaker discusses the intense and rapid back-and-forth between Kendrick Lamar and Drake, which is considered one of the most legendary rap beefs in history. The dialogue suggests that Kendrick is releasing material quickly, much like the speed of light, and the speaker feels that Kendrick has more to reveal, like a 'bomb'. There's also a mention of a controversial angle involving accusations and a metaphorical 'rocket launcher' aimed at Drake's 'house'. The conversation touches on the speed and impact of the disses, with the speaker expressing surprise at the rapidity of the situation.

05:01

🎵 The Minor Chord and Its Impact on Music

The second paragraph delves into a discussion about the musical chord 'A minor'. The speaker wonders about the sound of 'A minor' and whether it would be suitable for a particular style of music, possibly a trap beat. There's a playful attempt to play the chord on a presumably untuned guitar, resulting in a sound that the speaker finds childish yet intriguing. The conversation then humorously veers into a discussion about a hypothetical trap beat that could be used in a scary movie, highlighting the versatility and emotional impact of the 'A minor' chord.

10:03

🚚 Cultural Insensitivity and the Aftermath of Rap Feuds

The third paragraph addresses the cultural insensitivity in rap lyrics, particularly focusing on a line that implies a historical comparison to slavery. The speaker criticizes the use of such references, suggesting that they are inappropriate and do not reflect the speaker's own cultural background. The discussion moves on to the strategic nature of Kendrick's lyrics and the potential for long-term damage to relationships and reputations following the rap feud. There's a prediction that it might take maturity to resolve the situation and a hint that the feud might escalate beyond verbal exchanges.

15:04

📞 Fan Engagement and the Power of Social Media

In the final paragraph, the speaker shifts the focus to fan engagement, encouraging listeners to join discussions on Twitter and to text a fan line. The speaker emphasizes the importance of community interaction and the potential for replying to fans. There's also a mention of a humorous anecdote about 'sticky glue', possibly a reference to a product or a metaphor for something else, which adds a light-hearted touch to the end of the script.

Mindmap

Keywords

💡Rap Beef

Rap beef refers to a public dispute or rivalry between rappers, often expressed through their music. In the video's context, it is mentioned as 'the most legendary rap beef in history,' indicating a significant and intense feud between two prominent figures in the rap industry, likely referring to the ongoing back-and-forth exchanges between Kendrick Lamar and Drake.

💡Drake

Drake is a Canadian rapper, singer, and songwriter who is one of the central figures in the discussed rap beef. The script suggests that Drake has been involved in a rapid exchange of diss tracks with another artist, highlighting his role in the ongoing feud.

💡Kendrick Lamar

Kendrick Lamar is an American rapper and songwriter who is the other central figure in the rap beef mentioned. The video transcript portrays him as an artist who is releasing music quickly ('in the speed of light') in response to the feud, indicating his active participation and the pace at which he is addressing the situation.

💡Dropping Bars

In rap music, 'dropping bars' refers to the act of delivering rhymes or verses, often with the implication of doing so skillfully or aggressively. The script discusses Kendrick 'dropping that' and 'zooming through,' which suggests the high quality and speed of his rap responses in the feud.

💡Certified Lover Boy

Certified Lover Boy is likely a reference to Drake's album of the same name. In the context of the video, it seems to be used to highlight Drake's music and persona, with the discussion suggesting that Drake's lyrics or actions have become a significant point of contention in the rap beef.

💡Sex Offenders

The term 'sex offenders' is mentioned in a metaphorical context, where the speaker discusses an app that shows the locations of sex offenders. It is used to draw a comparison with the perceived threat or 'bomb' that Kendrick is thought to be preparing in the rap feud, indicating the severity of the situation.

💡Pedophile

The term 'pedophile' is used in a controversial and metaphorical way in the script, suggesting that one of the artists involved in the rap beef is being accused of predatory behavior. It is a serious allegation that adds a layer of intensity and controversy to the discussion.

💡Human Trafficking

Human trafficking is a grave crime against humanity, and its mention in the script implies a serious accusation within the rap beef. It is used to suggest that one party is being accused of grave misconduct, reflecting the harsh nature of the lyrics being exchanged.

💡A Minor

In the context of the video, 'A Minor' refers to the musical term for the A minor scale or chord, which is used in the discussion about creating a specific sound or beat for a song. It is part of a conversation about music production and the emotional or thematic tone that a particular chord can convey.

💡Culture

The term 'culture' is referenced when discussing the understanding and shared experiences of a group. In the script, it is used to point out that one artist may not fully comprehend or respect the other's cultural background, which could be a source of tension in their rap beef.

💡Maturity

Maturity in this context refers to the level of emotional intelligence and wisdom needed to navigate the intense situation. The script suggests that it will take 'real maturity' for the artists to resolve their differences, indicating the complexity and potential fallout from the rap beef.

Highlights

Kendrick is dropping a fourth track in the rap beef, making it the most legendary in history

Kendrick is moving at the speed of light, dropping tracks rapidly

The host feels Kendrick has a 'bomb' and is ready to drop it on Drake

Drake's house is compared to a house with a bomb, indicating a major impact

The host discusses an app that shows sex offenders in your area, relating it to Drake

Kendrick is accused of taking a dangerous angle by bringing up pedophilia

The host wonders if Drake knows something, as he is doubling down on the pedophilia angle

Kendrick is praised for being well-calculated in his approach to the rap beef

The host breaks down Kendrick's lyrics, showing how they are making sense now

Kendrick accuses Drake of being a 'slave owner' and colonizer

The host discusses the impact of the rap beef on their careers and public image

The host questions if Drake was caught off guard by Kendrick's rapid response

The host predicts that someone is going to get slapped as a result of the beef

The host encourages listeners to join the discussion on Twitter and their fan line

The host shares a listener's question about advice for a girl

The host promotes their 'sticky glue' product, comparing it to an Amazon package

Transcripts

00:02

what up do what's good YouTube it's your

00:03

boy Z protective girl

00:05

[Music]

00:07

L what you protecting yourself

00:10

from you

00:12

know you know I got to watch you bro

00:16

this [ __ ] Kendrick is not playing bro Z

00:20

this is the fourth drop cuz I'm like

00:23

Drake be careful what you asked for

00:25

remember he was like drop drop and

00:28

that's what Kendrick is doing hey I

00:30

ain't going to lie four that [ __ ]

00:31

dropping that [ __ ] he

00:35

dropping this is going down as the most

00:39

legendary rap beef in history bro it's I

00:43

think it already is it already it

00:45

already surpass all the other [ __ ] I

00:46

don't know bro that's tough yeah we

00:49

ain't never seen no back and forth like

00:50

come on bro no no not not like

00:52

not no as fast as Kendrick going bro hey

00:56

Kendrick in the speed of light you feel

00:58

me zooming through said damn Kendrick

01:00

slow down [ __ ] slow the [ __ ] down [ __ ]

01:03

what's wrong with him hey what's wrong

01:04

with you crash out man no and then let

01:07

me say this bro why do I feel like in my

01:10

like I feel like Kendrick got a bomb bro

01:13

Kendrick got he got some more bro

01:15

Kendrick got a bomb like what we feeling

01:19

right now I feel like he

01:21

just you know what I'm saying throwing a

01:23

little grenad yeah yeah he just like you

01:25

know Bo you know what I'm saying but he

01:27

got that rocket launcher like ready to

01:30

that ain't a bomb what's not a bomb a

01:32

rocket launcher what is

01:37

it bro it's like he got the drop on the

01:40

house with everybody in it you know what

01:41

I'm saying I I didn't peep that that's

01:43

that's Drake's crib yeah that's D is

01:45

that Dr crib you see what I'm saying I

01:46

didn't't even know that hold on hold on

01:48

hold on hold on hold on hold

01:49

on hold on that's the image you know

01:53

like the little app that show you like

01:54

all the uh no no no no all the it's it's

01:57

a app that show you all the pedophiles

01:59

that in your area it show like all the

02:02

uh not the like all the sex offenders

02:04

that live in your [ __ ] that's Photoshop

02:06

I'm more surprised how quick this [ __ ]

02:09

bro me too bro the speed bro the ri the

02:13

rapidness O that was a good what to see

02:16

that was a big one rapidness come on not

02:20

like us see what is hitting for man I

02:23

see dead

02:28

people that me no he must the be ho R

02:33

[ __ ] a free thr man LS Tello [ __ ] to

02:37

the

02:39

[ __ ] I

02:47

like bouncing bro hold on bro oh no he

02:52

say mus it on a beat now I got to hear

02:54

what he was saying cuz the be happy so I

02:55

was you know what I'm saying hold on

02:57

Turn Me Up

03:08

how many Ops you really got I mean there

03:09

too many options I'm pass on this body

03:12

I'm John

03:13

Stockton oh I'm going to pass on this

03:16

body watching sometimes you got to pop

03:19

out and show [ __ ] certif man I'm the

03:21

one that up toore walk down time I know

03:23

he got some horn on him [ __ ] bully him

03:27

say Drake I hear you like I'm young you

03:29

better I he go to sell black one to any

03:32

[ __ ] that talk to him and they in love

03:34

just make sure you HDE your little

03:35

sister from them they tell me bro he's

03:37

coming crazy with that pedop bro that's

03:40

what I'm saying bro that [ __ ] get

03:42

real tricky yes it get real dangerous

03:46

you feel what I'm saying that's a

03:47

dangerous angle to take so bro does he

03:50

know something though he doubling down

03:53

on that angle bro bro and then I always

03:55

revert to the don't tell no lie about me

03:57

and I won't tell truths about you come

03:59

on that's spooky the only get H down and

04:04

with his now and got a weird is he

04:07

around certified lover boy certified

04:09

pedophiles BR certified bro he said

04:13

certified bro you know he mentioned Baka

04:16

right who is that sergy Baka from okom

04:19

City

04:23

Thunder nah Baka not nice oh damn n i a

04:26

know him you feel me that's uh I don't

04:28

know if that's a shooter his like

04:29

bodyguard whatever like that's his

04:31

Entourage I remember he had caught a

04:32

trafficking case back then like I don't

04:33

know if he like beat it or if it got

04:35

dropped or but it was like some around

04:36

that real of like you know what the same

04:38

[ __ ] Kendrick saying like that human

04:39

trafficking like you feel what I'm

04:40

saying like damn sex trafficking like

04:42

you know

04:45

man D [ __ ] them

04:47

up I'mma do my stuff why you trolling

04:50

like a [ __ ] ain't you tired trying to

04:52

strike a cord and it's probably a

04:57

miner bro even I got that

05:01

[ __ ] Striker

05:04

core bro a

05:06

minor a mind a

05:12

child bro that's [ __ ]

05:15

bro a

05:17

minor

05:19

bro bro I I I wonder what like a minor

05:22

sound like

05:24

though bro chill bro chill I'm talking

05:29

about like The Music guitar like or the

05:31

chord yeah the chord of a

05:33

minor you know you know what I'm talking

05:36

about bro like a minor bro a minor yeah

05:40

like if that's the name of it the cor

05:42

string Bing I can play for you yeah play

05:45

it let me

05:45

hear got

05:56

guitars my guitar not tuned up but a

05:59

minor

06:00

would

06:04

be that sound kind of

06:09

childish that [ __ ] crazy man bro so it's

06:11

like the guitar the only one you can do

06:13

the a a minor on or you can do like play

06:16

piano for real you playing piano

06:19

bro

06:22

[ __ ] are you going to bring it over here

06:24

yeah so a minor would be

06:26

[Music]

06:31

hit it

06:33

[Music]

06:44

again hey why do that sound like it's

06:46

going to be a fire ass trap beat like it

06:49

sound like one of them like scary movies

06:51

when they coming in with their like mask

06:53

on like

06:54

d you know what I mean like the mask on

06:58

and [ __ ] like mask

07:00

[ __ ]

07:02

m

07:06

[Music]

07:17

[Laughter]

07:23

[ __ ] bro this is

07:25

crazy they not like us they not like us

07:29

they not like

07:30

us not like us us you turn

07:36

hold I think that open show be your last

07:39

[ __ ] foul I don't know why you still

07:41

pretending what is the bird [ __ ] and

07:43

bird [ __ ] go

07:47

the notb

07:51

isur bit most want Ain no love you or

07:56

something since 2009 I had this [ __ ]

07:58

jumping you to get a wedgie be flipped

08:00

over your boxes over your F the other

08:03

vaginal

08:10

option he's been going crazy bro oo

08:13

other vaginal option option bro and I

08:17

ain't going to lie is this [ __ ] not a b

08:18

it make me want to get up like don't

08:20

don't you know what I'm

08:22

saying hey you know what I'm saying SE

08:25

walk like

08:26

why he making hit like these [ __ ] is

08:30

saying I remember cuz people were saying

08:31

like Okay Drake making a replay value

08:33

hits what these that's what Kendrick com

08:37

like now I'm telling you cuz I Euphoria

08:39

been on I've been I've been banging

08:40

Euphoria no cap and Drake song too but

08:42

I'm just saying though like I will

08:44

listen to this in the car yeah

08:46

bro this hard that's what I'm

08:51

say

08:54

in I remember that I remember that like

08:56

a [ __ ] you said put I remember that I

09:00

remember that cuz Wayne rapped about

09:02

it but what Wayne Let It Go he was just

09:04

like [ __ ] it because obviously ho was

09:06

going to be ho so I couldn't blame

09:09

Tammy is that off for Millie A Millie A

09:12

Millie n that was on uh six uh

09:16

647 damn and that's what bro I've been

09:19

said it though bro I'm like

09:25

bro just throw my hands up in there from

09:28

toal [ __ ] speak on Serena your homeboy

09:30

need aena that predat moving FL that

09:32

name got to be registered in

09:34

neighborhood watch I lean on you [ __ ]

09:36

like I told you that's why he was

09:37

talking about with the thumbnail like

09:38

the neighborhood like the like with the

09:41

register sex offenders the the app show

09:43

you like the It show you like the fans

09:44

like how many people in your location

09:46

like sex offenders and he got it on

09:47

Drake house what the [ __ ] and it's 1 2 3

09:52

4 5 6 7 8 9 10 11 12 13 14 15 16 [ __ ]

09:57

in there bro

10:00

damn where you count 15 at huh where you

10:03

count 15

10:04

at them the red the red uh

10:07

dots it's only 11

10:14

bro and I'm send it up the par put the

10:18

I'm get them Dro music and I won't pass

10:21

the how many stocks do I really have

10:23

stock 1 2 3 4 5 plus 5 he Devil is a Lie

10:27

Here 69 God hey freaky ass

10:30

[ __ ] ass up like a

10:36

FR bro I like how you

10:40

coming that was crazy Z I ain't going to

10:42

lie crazy that was crazy that was crazy

10:46

us they not like us I like

10:48

that us not like us not like us what's

10:53

Upon a Time all of us was in Chains

10:55

Homies Still Double Down calling us some

10:57

slaves Atlanta was the mea building Road

11:00

good angle cuz that bar was crazy that's

11:02

a good angle he took right there yeah I

11:05

ain't going to lie trying to say like

11:06

bro that you making my point for us like

11:08

[ __ ] the fact that you would even like

11:09

say that as a bar it as a reference and

11:11

make that as a joke like [ __ ] you don't

11:14

understand you don't come from our

11:14

culture yeah not like us but but see

11:17

that's why I say I think Kendrick is

11:18

very well calculated bro when it come to

11:20

this [ __ ] because he's saying not like

11:22

us but even in the other bar like all

11:25

this [ __ ] is making sense now yeah

11:27

you're right right you know what I'm

11:27

saying like the same bar you say like

11:29

yeah let me put y'all on game the sett

11:31

of us was using town fol to make them

11:33

richer fast forward 2024 you got the

11:35

same agenda you run to Atlanta when you

11:37

need a check balance let me break it

11:38

down for you this the real [ __ ]

11:40

challenge you call future when you

11:42

didn't see the club little baby help you

11:44

get your lingo up 21

11:48

Street your

11:52

head chain say you good but Eli you run

11:55

to Atlanta when you need a few dollars

11:57

no you're not a colleague you a [ __ ]

11:58

col

11:59

he called that [ __ ] a slave owner

12:03

BR that's what a colonizer

12:08

is I

12:10

[Music]

12:14

think freaky assig

12:26

6999 hey hey hey say o ho o ho say o ho

12:33

o ho then step this way step way then

12:36

step he came at are

12:40

my are

12:42

we then step this way step that way then

12:46

step this way step that way I don't know

12:49

what the [ __ ] Drake thought nah this

12:51

this is competition right here I don't

12:52

know what the [ __ ] Drake thought cuz he

12:54

was talking crazy like K Ain had nothing

12:56

remember he doing more than talking you

12:58

feel me yeah he that's a bomb right

13:00

there that's you you got to look at that

13:01

one hold

13:03

on I said in the previous video like

13:06

they ain't say nothing crazy enough to

13:08

like where they couldn't be cool after

13:10

this I take that back ah no no no no no

13:13

no no no no you didn't say that I take

13:15

that

13:17

back I don't know it's going to take

13:19

some real maturity that's all I'm saying

13:21

going to take some real maturity I don't

13:22

think it you didn't you already crossed

13:24

the line somebody going to get slapped

13:27

regardless if it's Drake and Kendrick or

13:28

if

13:30

I like that but I wonder if I could play

13:31

that that's a yeah that's I ain't going

13:33

to lie that's a ride

13:36

[Music]

13:44

out on the beat young [ __ ] up and

13:48

coming now I'm legendary in the game

13:51

yeah something like LeBron James yeah 23

13:54

up in the clip pull it out [ __ ]

13:57

dip Dam on

13:59

strip in the club throwing tips roll a

14:03

[ __ ] up like a

14:05

zip I to get Drake right now is caught

14:09

off guard bro I think Drake going to

14:12

sleep thinking it's all was expec cuz

14:15

the way he was talking crazy like

14:17

teasing him it's like that's what I'm

14:19

saying bro he Drake was not expecting

14:21

Kendrick to coming like yeah he wasn't

14:23

expecting Kendrick to be coming that

14:25

quick bro yeah nah cuz he bro rapid fire

14:28

make sure y'all tap in man if you on

14:30

Twitter join the Twitter com we on there

14:33

discussing this whole thing breaking it

14:34

down anything that we miss let us know

14:36

in the comments section um make sure you

14:39

text our fan line yeah make sure you hit

14:41

the fan line sure you know what I'm

14:43

saying y'all know we be busy but like

14:45

every now and then we reply yeah um and

14:47

chop it up with y'all sometimes feel

14:49

free to ask us anything you know yeah oh

14:52

me I seen somebody in there talking

14:53

about uh some advice with this girl you

14:55

know how to give him some advice earlier

14:57

man B hey sticky glue all 50 states

15:01

coming right to your door just like an

15:02

Amazon package if you ain't got nothing

15:04

to do roll up some of that be sticky

15:06

glue that was a cool little ass bro [ __ ]

15:09

with that hey real quick bro real quick

15:11

short and simple hello hello

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Rap BattleKendrick LamarDrakeCultural CommentaryLyrical AnalysisMusic IndustryControversyRap HistoryBeefHip Hop
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