Fantano REACTION to "Not Like Us" by Kendrick Lamar (DRAKE DISS)

TNDstreams
4 May 202440:46

Summary

TLDRThe video script discusses the ongoing rap feud between Kendrick Lamar and Drake, focusing on Kendrick's recent diss track titled 'Not Like Us.' The speaker analyzes Kendrick's lyrical prowess and the impact of his verses, which not only target Drake but also other artists in the hip-hop community. The summary highlights the speaker's view that Kendrick's tracks are devastating for Drake, showcasing the former's versatility and consistency, while also pointing out the potential implications for Drake's collaborations and public image. The speaker also touches on the cultural and musical significance of Kendrick's work, suggesting that his sound and aesthetics are more authentically tied to his background compared to Drake's. The summary concludes with the speaker's admiration for Kendrick's relentless drive and the high quality of his output, which they believe is unmatched by Drake's responses.

Takeaways

  • 🎵 The speaker discusses the impact of Kendrick Lamar's new track 'Not Like Us' on the rap community and its potential effects on Drake's reputation.
  • 🔥 Kendrick's track is seen as a powerful diss towards Drake, with many feeling that Drake's previous responses have been inadequate.
  • 🤔 There is speculation about who might be providing Kendrick with insider information about Drake's circle, with some suggesting it could be Nardo.
  • 🚫 The lyrics of 'Not Like Us' contain serious allegations against Drake and his team, including claims about criminal behavior and inappropriate conduct.
  • 🎶 Kendrick's versatility is highlighted, with the track appealing to a wide audience and showcasing his ability to engage with different musical styles.
  • 🏃 The rapid release of Kendrick's tracks is putting pressure on Drake to respond, with the expectation that any further response from Drake will be met with immediate counter-tracks from Kendrick.
  • 👥 There is a discussion about the implications of Kendrick's lyrics for other artists in the hip-hop community who may be seen as complicit in Drake's actions.
  • 📉 The situation is portrayed as damaging for Drake's image, with the continuous release of Kendrick's tracks potentially leading to a decline in Drake's popularity.
  • 🎥 The music video for 'Not Like Us' is mentioned as being simple yet impactful, adding to the overall power of Kendrick's message.
  • 💬 The speaker acknowledges the potential for there to be layers and references in the track that they might have missed, indicating the depth of Kendrick's lyrics.
  • 💔 There is a strong sentiment of disappointment from Drake's fans, with the speaker expressing empathy for their situation and hoping for a better response from Drake in the future.

Q & A

  • Who is the main subject of the discussion in the transcript?

    -The main subject of the discussion is Aubrey Graham, also known as Drake, a prominent figure in the music industry.

  • What is the context of the discussion regarding Drake's current situation?

    -The context is a musical feud where Drake has been diagnosed with a 'terminal case' metaphorically, referring to his struggling reputation in the music industry due to responses from Kendrick Lamar.

  • What is the significance of 'vegan cookies' in the transcript?

    -The term 'vegan cookies' is used humorously to describe Drake's fondness for cookies and serves as an introduction to the discussion about his personality and career.

  • How does the speaker describe Kendrick Lamar's recent actions in the music industry?

    -The speaker describes Kendrick Lamar's recent actions as a series of powerful responses to Drake's music, indicating a high level of activity and impact on the industry.

  • What is the implication of the phrase 'he's currently flatlining' in the context of the discussion?

    -The phrase 'he's currently flatlining' implies that Drake is not performing well or responding effectively to Kendrick Lamar's recent tracks, suggesting a critical downturn in his career or public image.

  • What is the significance of the 'A minor chord' reference in the transcript?

    -The 'A minor chord' reference is a humorous jab at Drake, indicating that he might be limited in his musical responses due to the criticism he has received.

  • How does the speaker describe the impact of Kendrick Lamar's track 'Not Like Us'?

    -The speaker describes the track as catchy and hard-hitting, suggesting that it has the potential to be widely popular and significantly damaging to Drake's reputation.

  • What is the role of the audience in this discussion?

    -The audience is engaged through the speaker's commentary and analysis of the music feud, with the speaker often addressing them directly and encouraging interaction, such as suggesting they run the track back.

  • What is the significance of the mention of 'Nardo' in the transcript?

    -The mention of 'Nardo' suggests that the speaker believes this individual might be providing Kendrick Lamar with inside information about Drake's circle, contributing to the depth of Lamar's disses.

  • How does the speaker view the potential future actions of Drake?

    -The speaker seems to doubt Drake's ability to effectively respond to Kendrick Lamar's disses, suggesting that Drake might choose to disengage from the feud or continue to struggle in doing so.

  • What is the overall tone of the discussion regarding the music industry's reaction to the feud?

    -The overall tone is critical and analytical, with the speaker providing a detailed examination of the feud's impact on both artists and the industry, highlighting the severity of the situation for Drake.

Outlines

00:00

😀 Remembering a Music Icon: The Cookie Lover

The speaker begins by paying tribute to a well-known figure in the music industry who had a fondness for cookies, particularly vegan ones. This individual, who is a significant part of the 'Big Three' in rap, has recently faced a series of challenges from Kendrick Lamar, leading to a situation where the artist, referred to as 'Drizzy,' is metaphorically 'flatlining.' The audience is encouraged to support those close to the artist and to remember his contributions to music.

05:01

🎶 Kendrick's New Track: A Response to Drake

The speaker discusses Kendrick Lamar's new track 'Not Like Us,' which is a follow-up to another impactful release that deeply affected the speaker. It's suggested that Drake may be struggling to respond effectively due to exhaustion, and the speaker anticipates that Drake might need to rest permanently after this ordeal. The paragraph ends with an introduction to listening to 'Not Like Us' and speculating about its potential impact.

10:01

🤔 Dissecting Kendrick's Lyrics and the Mystery Informant

The speaker delves into the lyrics of Kendrick's new track, highlighting the detailed and specific accusations made against Drake and his circle. There's speculation about who might be the informant providing Kendrick with such intimate details about Drake's associates. The speaker also reflects on the implications of these lyrics for the reputations of artists collaborating with Drake.

15:02

👀 The Beef Intensifies: Drake's Dilemma and Public Response

The speaker talks about the escalating situation between Drake and Kendrick, suggesting that Drake's fans are deeply disappointed and that Drake's response to Kendrick's diss tracks has been lackluster. The speaker also discusses the potential impact on Drake's collaborators, who may now be viewed with skepticism due to Kendrick's accusations.

20:04

🎵 The Power of Catchy Diss Tracks

The speaker reflects on the effectiveness of Kendrick's diss tracks, noting their catchy nature and the memorable insults that stick with the listener. There's a comparison to Drake's own recent tracks, suggesting that Kendrick's are more impactful and resonate with a wider audience, which could be detrimental to Drake's image and reputation.

25:05

🚀 Kendrick's Versatility and Impact on the Hip-Hop Community

The speaker praises Kendrick's versatility as an artist, noting how he has demonstrated various styles throughout the beef with Drake. It's suggested that Kendrick's approach is not only damaging to Drake but also influencing the hip-hop community's perception of collaboration and authenticity in music.

30:07

🤯 The Devastating Potential of Kendrick's Next Moves

The speaker expresses a strong belief that Kendrick, with his demonstrated versatility and the support of producers, could release a full album dedicated to criticizing Drake. The speaker also commends Kendrick's consistency and the hard-hitting nature of his music, contrasting it with Drake's perceived inability to respond effectively.

35:07

🏆 Kendrick's Superior Output and Drake's Challenge

The speaker concludes by acknowledging Drake's past responses to challenges in his career while emphasizing the current gap in output and impact between the two artists. It's suggested that Kendrick is surpassing Drake in both speed and quality of response, and the speaker is left in awe of Kendrick's capabilities.

Mindmap

Keywords

💡Drake

Drake, whose real name is Aubrey Graham, is a prominent figure in the music industry, specifically in the rap genre. In the context of the video, he is the subject of a 'musical eulogy,' indicating a significant event or perceived downfall in his career. The video discusses his recent diagnosis with a 'terminal case' and the impact of ongoing rap disputes on his status.

💡Kendrick Lamar

Kendrick Lamar is a renowned rapper who is featured in the video script as having a contentious relationship with Drake. The script mentions Kendrick's multiple responses to Drake's music, highlighting a rap rivalry. The term is used to illustrate the competitive nature of the music industry and the personal and professional conflicts between artists.

💡Rap Beef

Rap beef refers to a dispute or rivalry between rappers, often expressed through their music. In the video, the term is central to the narrative, describing the back-and-forth exchange of diss tracks between Kendrick Lamar and Drake. The script details the intensity and impact of their rap beef on fans and the music community.

💡Ghostwriters

Ghostwriters are individuals who write material for others without receiving public credit. In the context of the video, it is mentioned that Drake has been using ghostwriters for his responses in the rap beef, which is a point of contention and criticism. This highlights the debate over authenticity and originality in creative work.

💡

💡The Big Three

The term 'The Big Three' in the video refers to a group of three highly influential and successful rappers in the music industry, which includes Drake. The mention of this term underscores Drake's status and the significance of his current situation within the rap community.

💡Vegan Cookies

While seemingly a humorous or casual reference, 'vegan cookies' serves as an example of the personal and unique characteristics attributed to Drake in the video. It humanizes him and adds a layer of levity to the discussion, showing that despite the serious nature of the rap beef, there are still quirky and relatable aspects to the artists involved.

💡Multitrack Vocals

Multitrack vocals are a recording technique where multiple vocal recordings are layered on top of one another. The script mentions Kendrick Lamar using this technique to haunting effect in his music, which contributes to the artistic and emotional impact of his diss tracks.

💡Rest in Peace (RIP)

The term 'RIP' is typically used to express condolences and mark the passing of someone. In the video, it is used metaphorically to discuss Drake's current state in the rap beef, suggesting that his career or relevance may be fading, which is a common theme in discussions of rap disputes.

💡Certified Lover Boy

Certified Lover Boy is an album by Drake. In the video, it is mentioned in a derogatory context by Kendrick Lamar, indicating a shift from a personal to a professional critique. This highlights how personal projects can become a battleground in rap disputes.

💡Alchemist

The Alchemist is a well-known record producer mentioned in the video as having produced a beat for Kendrick Lamar's track. His involvement signifies a high level of production quality and adds to the narrative of Kendrick's success in the ongoing rap rivalry.

Highlights

The speaker pays tribute to a figure in the music industry, known for his love of vegan cookies, and discusses the impact of his recent diagnosis on his fans.

Mentions of a potential support system for those affected by the news, suggesting the purchase of a Nintendo Store gift card as a gesture.

A musical eulogy is given for a member of the 'Big Three' in the music industry, indicating a significant loss.

The speaker discusses the intense back-and-forth between Kendrick Lamar and Drake, highlighting the competitive nature of their recent interactions.

Kendrick Lamar's new track 'Not Like Us' is mentioned, suggesting it continues the narrative of the ongoing rap dispute.

The impact of the new track on Drake's reputation is considered, with speculation about his ability to respond effectively.

The speaker expresses concern for Drake's fans, acknowledging their disappointment and the emotional investment in the situation.

A detailed analysis of Kendrick's lyrical content, suggesting he is providing a history lesson within his rap, drawing parallels between past and present.

The mention of a potential mole within Drake's circle, adding a layer of intrigue to the narrative.

The speaker reacts to specific lines from Kendrick's track, indicating the personal and incisive nature of the lyrics.

Discussion about the potential implications for other artists involved or mentioned in the dispute.

The speaker contemplates the lasting impact of the feud on the hip-hop community and the artists' legacies.

Kendrick's versatility as a rapper is praised, noting his ability to adapt his style to different aspects of the ongoing feud.

The speaker predicts that Kendrick's momentum will likely not slow down, and could result in a flood of new tracks.

A call to action for supporting campus bail funds is included, showing the speaker's engagement with current social issues.

The final assessment of the situation concludes with a strong statement about the level of animosity expressed in Kendrick's track towards Drake.

Transcripts

00:00

today we're here to remember a man some

00:02

may not say a great man big fan of

00:06

cookies big fan of cookies but he was a

00:09

man

00:10

nonetheless one of the

00:13

biggest uh rap men in the music industry

00:17

of all

00:20

time yes vegan cookies in

00:26

fact and he had a very long and storied

00:29

and celebr ated

00:32

career his meat was

00:36

glazed absolutely glazed by many in

00:41

oiho all of whom will be completely

00:44

shattered if if you know any OV hos in

00:46

your life send them your

00:50

condolences check in on

00:55

them buy him a

00:57

Nintendo Store gift card

01:03

but today we're here

01:07

to uh give a bit of a a musical

01:10

eulogy to one of the greats what one one

01:13

would say uh a member of the big three

01:17

or what at one time was known as The Big

01:20

Three Aubrey Graham Drake

01:24

AKA BBL Drizzy

01:30

Drake was as many of you

01:32

know recently diagnosed with a terminal

01:36

case of back to back to

01:41

back uh Kendrick Lamar hit the boy with

01:46

a response and then another

01:50

response and now yet another

01:54

response and uh right now Drizzy is

01:57

currently flatlining

02:01

everybody's wondering what the hell is

02:02

going on what is going

02:05

on I I was up until 2 a.m. 3:00 a.m.

02:09

last night I I need sleep I need to rest

02:13

or I'm gonna die please don't kill me

02:17

Kendrick

02:21

okay Kendrick has just released this new

02:26

track

02:27

titled not like us

02:33

right after writing and releasing a

02:34

track that frankly I I could not get out

02:36

of my head last night the sounds of him

02:40

saying in unison with multirack vocals

02:42

you lied you

02:47

lied haunted my mind like the ghost of

02:51

Hip Hop's past or hip-hop's future

02:54

whatever you want to say

02:59

and I imagine Drake must have been going

03:01

through something similar not only

03:03

because him and me are on a very similar

03:05

Scorpio

03:09

wavelength but also because if Drake did

03:12

get a restful night's sleep last night

03:15

one would think that he would have had

03:16

more to offer today other than maybe an

03:19

Instagram uh story post or a TMZ

03:26

quote uh but you know that you can't

03:29

really

03:30

uh put up much of a performance in the

03:32

studio when you're a sleepy little

03:35

guy so maybe after this

03:38

uh Drake's passing he can finally rest

03:43

he finally can get the rest he

03:48

needs let's give this track a listen

03:50

let's give it a reaction a good old

03:52

College try I have not listened to it

03:55

yet I have not pre-listed I've

03:56

absolutely avoided it for the past

03:59

couple of hours has it even been has it

04:02

been out even two hours yet I've avoided

04:04

it okay

04:07

[Music]

04:08

um we're going to listen to it

04:11

now let's see if uh it's hot let's see

04:15

if it's

04:16

not

04:17

[Music]

04:19

um I'm already seeing from the image of

04:23

his estate with all of the uh sex

04:27

offender pins photoshopped on on top of

04:30

it we're going to be in for a rough one

04:34

a real a real rough

04:37

one for Drake of course not not for me

04:40

um not not for

04:44

me all right

04:46

so uh without any further Ado let's

04:51

listen to Kendrick Lamar not like us I I

04:55

I don't need to tell you guys to sub

04:56

you're already doing it but uh you know

04:58

if you are new here hit us with a follow

05:01

so you know uh when I'm doing streams

05:03

either new music Friday

05:05

streams or uh beef watch

05:09

2024 track

05:11

reactions um

05:14

immediately and is a as quickly as I can

05:16

all right that's all I'm going to say

05:18

all right here we go Kendrick Lamar not

05:20

like us but

05:23

bam I see dead people oh no oh no not

05:27

not not not coming back again to to to

05:30

Haley

05:31

Joel not not coming back

05:33

again

05:36

okay that that guy's getting more

05:38

attention this year than he has in a

05:41

long

05:44

time I see de

05:46

[Music]

05:51

people must the be ho de any Rat [ __ ]

05:55

he a free throw Man Down call Amber LS

05:57

tell him B bro n a [ __ ] to the cross

05:59

walk around like T what's up with these

06:01

your Brony ass [ __ ] trying to see

06:03

Compton they in the streaking hate me

06:04

[ __ ] them all in they mama how many Ops

06:06

you really got I mean there too many

06:07

options I'm to pass on this body I'm

06:09

John

06:12

Stockton beat your ass and H the Bible

06:14

if God watching sometimes you got to pop

06:16

out and show [ __ ] certifi boogy man

06:18

I'm the one that up to score with him

06:20

walking down whole time I know he got

06:21

some ho in him p on him ex [ __ ] bully

06:24

the him say Drake I hear you like I'm

06:26

young you better not go to sell black

06:28

one to any [ __ ] that talk to him and

06:31

they in love just make sure you HDE your

06:33

little sister from

06:37

them oh my God oh my

06:41

God only get and with his nose now and

06:46

Baka got a weird case why is he around

06:48

certified lover boys certified

06:50

[Music]

06:54

pedophiles oh no he said PDF file

07:00

he said Drake downloads PDF files oh my

07:06

God he said this man downloads PDF files

07:11

oh my

07:13

God no no

07:15

no oh my

07:18

God okay all right

07:23

um

07:27

uh and and who

07:30

okay this before I go on this is

07:33

something that's been like a big point

07:35

of discussion since the release of Meet

07:36

the

07:38

grams like who in Drake's circle is the

07:42

mole is Kendrick really just like kind

07:44

of guessing and and just like kind of

07:46

throwing whatever out there and going

07:48

off of presumptions or is like somebody

07:50

feeding him this information like what

07:53

the [ __ ] is going on who is telling him

07:56

this [ __ ] about like oh this guy's doing

07:57

pills this guy's doing coke this guy's a

08:00

sex offender that like how does he know

08:02

these

08:07

details

08:09

like

08:11

what I'm running that line

08:14

back and party at the party playing with

08:17

his nose now and Baka got a weird case

08:19

why is he around certified lover boy

08:21

certified

08:23

pedophiles that [ __ ] them

08:25

up I'mma do my stuff why you trolling

08:28

like a [ __ ] ain't you TI trying to

08:30

strike a and it's probably a

08:32

minor stop it

08:36

no oh no now Drake is never going to be

08:40

able to use an A minor chord in one of

08:43

his

08:46

songs he's never going to live that down

08:49

like people are just going yo is there

08:50

is there a minor chord in this track

08:52

Drake's going to have to stick to Majors

08:55

sevenths

08:57

diminished like what the [ __ ]

09:00

fo like he's going to make 40 scan

09:03

through all the Beats like I want all

09:06

the a I want all the minor chords taken

09:09

out what the [ __ ] oh my

09:13

God oh my he's he's limiting the Man's

09:16

music theory options what the

09:22

[ __ ] D [ __ ] them

09:24

up I'mma do my stuff why you trolling

09:27

like a [ __ ] ain't you tired strike a

09:29

cord and it's probably a

09:31

minor you know another like Stellar

09:34

thing about these Kendrick dises so far

09:36

is like there are so many just like

09:37

humble like

09:40

standout funny quirky almost like vocal

09:43

stem like annunciations that just like

09:48

stick with you sometimes even harder

09:50

than the bars themselves like push te uh

09:54

and and now it's a

09:56

miner like he's he's just getting you

09:59

know Kendrick is obviously he hates

10:01

Drake with a passion but simultaneously

10:04

he's having fun with it and it's kind of

10:06

making it hard not to like get invested

10:10

in how charismatic it is performance-

10:17

wise they not like us they not like us

10:20

they not like

10:22

us they not like us they not like us

10:25

they not like us you think the B going

10:27

let you disrespect pop nck I think that

10:29

Oakland show going be your last stop

10:31

niggga they cold foul I don't know why

10:33

you still pretending what is the ow bird

10:35

[ __ ] and bird [ __ ] go the audience

10:37

not dumb shape the stories how you want

10:39

hat they're not slow rabbit hole is

10:41

still deep I can go further I promise

10:43

ain't there some be for bitching you m

10:45

Bo most want ain't no La boy you ball

10:47

boy F Gatorade or something since 2009 I

10:50

had this [ __ ] jumping you [ __ ] will

10:51

get a wedgie be flipped over your

10:53

boxes the

10:56

option hold on hold on a second hold

10:59

hold on a second hold on I got to rewind

11:01

there I got to rewind there no he is

11:03

sliding he is absolutely sliding not the

11:07

St how you want hat they're not slow

11:09

rabbit hole is still deep I can go

11:10

further I promise ain't there some be

11:12

that's for bitching you malib most want

11:14

Ain no love Bo you ball boy F Gatorade

11:16

or something since 2009 I had this [ __ ]

11:19

jumping you [ __ ] are get a wedgie be

11:20

flipped over your boxes well over your F

11:22

the H vagal option [ __ ] n better

11:25

straighten they posture got famous all

11:27

been cont might write this with a doct

11:28

tell a do quit hiding [ __ ] a caption won

11:30

action no accident I'm hands on he [ __ ]

11:32

around get polished [ __ ] no way girl he

11:34

was in jail that's canav then get his

11:36

face tatted like a b wait wait hold on

11:38

he's talking about Wayne now did I miss

11:40

that [ __ ] poish [ __ ] Wayne in jail

11:44

that's this girl what the

11:46

[ __ ] the like the drama the [ __ ] like

11:51

you know who it is you know who's giving

11:53

him all this [ __ ] information it's

11:55

Nardo it's [ __ ] n it has to be Nardo it

11:59

has to be he has to be connecting behind

12:00

the scenes with Nardo to get all this

12:03

[ __ ] information like the only person

12:06

on the planet that could be giving him

12:08

every single one of these pieces of info

12:10

it has to be Nardo like it it can't be

12:12

anyone else like there has to be they

12:15

had to be collaborating on this what the

12:18

[ __ ]

12:20

like

12:22

what [ __ ] a caption won action no

12:24

accident I'm hands on he [ __ ] around get

12:26

polished [ __ ] no way girl he was in jail

12:28

that's can then get his face tatted like

12:30

a [ __ ] apologizing I'm glad the rose

12:32

came home y didn't deserve him neither

12:34

from a down to Central [ __ ] better not

12:35

speak on Serena and your homeboy need

12:37

aena that moving that name he's he's

12:39

defending Serena now too he's he's he's

12:43

coming to bat for

12:46

Serena from down to Central [ __ ] better

12:48

not speak on Serena and your homeboy

12:50

need a Pena that Predator moving fla

12:52

that name got to be registered and place

12:53

on neighborhood watch I lean on you

12:55

[ __ ] like another line of walk yeah

12:56

all eyes on me and I'mma send it up the

12:58

park put the WR label on me I'm going

13:00

get them dropped he Sweet Chin Music and

13:02

I won't pass the O how many stocks do I

13:05

really have in stock 1 2 3 4 5 5il is a

13:09

li 69 wait 1 2 3 4 5 plus

13:13

5 y this is insane because the thing is

13:16

like you

13:19

know like Drake has to

13:22

respond Drake can't not well I mean look

13:25

Drake could give

13:26

up that's an option Dr could throw in

13:30

the

13:31

towel it's it's starting to look like

13:34

that might need to happen

13:37

because like Kendrick's probably gonna

13:39

run the same play

13:42

again if Drake comes out with another

13:45

track like he's literally going to drop

13:47

immediately after and you know for a

13:49

[ __ ] fact that if Drake drops another

13:51

thing right after that he's gonna

13:52

[ __ ] he's going to drop another

13:55

track

13:57

like this is insane

14:00

like this is something that I did not

14:02

foresee

14:03

happening merely because of the fact and

14:06

everybody knows and this has been a big

14:07

part of this discussion broadly it's

14:09

like Drake Drake has the ghost writers

14:12

like there's literally other people

14:15

credited on uh Drake's [ __ ] response

14:19

to Kendrick uh push-ups when it made it

14:21

to

14:23

dsps so even with the ghost

14:27

writers song-wise wise barwise Kendrick

14:31

is still outpacing them Kendrick still

14:34

has more to

14:39

say even with all the writers Kendrick

14:42

is still saying

14:45

more and you know while I did think

14:48

there were some pretty nasty bars that

14:50

need to be responded to on Family Ties

14:53

like Drake also spent a good deal of

14:55

that track beefing with people who he

14:57

shouldn't be focusing on at this point

15:00

like you've got this you you're worried

15:02

about dudes who said things about you

15:04

weeks ago meanwhile this guy is like

15:05

literally barking in your he's not even

15:07

barking he's like chewing your [ __ ]

15:09

limbs off and you're like yeah Ross Rick

15:12

Ross is so annoying isn't

15:14

he like this man is literally eating you

15:17

[ __ ]

15:18

alive Family Matters sorry Family

15:20

Matters he's eating you [ __ ] alive

15:23

and you're worried about Rick

15:25

Ross what is going on like get on the

15:28

[ __ ]

15:29

ball you're in the you're in the rat

15:32

beef of the

15:34

century like I I I feel bad because the

15:37

thing is like I can feel Drake's fans

15:40

disappointment from here and I know that

15:42

none of them are even in chat like I can

15:44

just I can just feel them like crying

15:46

right now and coping and pissing their

15:48

pants like I want I want Drake to put up

15:50

a bit better of a fight for their sake

15:53

you know

15:56

like like I I I think of Poor Los right

15:58

now my mind goes to Poor Los you know

16:01

that that man has been standing Drake

16:05

nonstop with no breaks for for years for

16:10

years and we're not calling Lo right now

16:12

we're not get we're not getting mixed up

16:13

with

16:14

that and DJ academics is dumb as as

16:18

stupid of a dumb [ __ ] he

16:22

is you know he he's been

16:25

just un unflinchingly devoted to Drake

16:28

for so long he he deserves a little bit

16:30

more of of of a fight from Drake you

16:33

know he he's got to be in his DMS he's

16:35

got to be on his line right now like

16:37

Drake what are you doing fight back

16:40

fight

16:41

back like what the [ __ ] this is just

16:46

this is Kendrick's going to be arrested

16:48

after this this is murder this is

16:50

first-degree murder God I freaky ass

16:53

[ __ ] need to stay their ass inside hey

16:54

roll they ass up like a fresh Packers

16:57

hey city is back up it's a must outside

17:04

hey they not like us they not like us

17:07

they not like

17:08

us they not like us they not like us

17:12

they not like us Once Upon a Time all of

17:15

us will s chains Homies Still Double

17:17

Down calling us some slaves Atlanta was

17:19

the mea building railroads and trains

17:20

bear with me for a second let me put

17:22

y'all on game the settlers was using

17:24

Town folk to make them richer fast

17:25

forward 2024 you got the same agenda you

17:28

run into it what we're getting a [ __ ]

17:30

history lesson in the last leg of the

17:33

track holy [ __ ] when you a check balance

17:35

let me break it down for you this the

17:37

real [ __ ] challenge you call future

17:39

when you didn't see the club what little

17:41

baby help you get your lingo up what 21

17:44

get your F Street crib th you feel like

17:46

you a slime in your head what qu said

17:48

you can be from North Side what two

17:50

chain say you good but he lied you

17:52

running to Atlanta when you need a few

17:54

dollars no you're not a colleague you're

17:56

a [ __ ]

17:57

colonizer the Family Matter and the

17:59

truth of the matter here was God's plan

18:00

to show y the liar the God's plan

18:04

reference