Fantano REACTION to "Not Like Us" by Kendrick Lamar (DRAKE DISS)

TNDstreams
4 May 202440:46

Summary

TLDRThe video script discusses the ongoing rap feud between Kendrick Lamar and Drake, focusing on Kendrick's recent diss track titled 'Not Like Us.' The speaker analyzes Kendrick's lyrical prowess and the impact of his verses, which not only target Drake but also other artists in the hip-hop community. The summary highlights the speaker's view that Kendrick's tracks are devastating for Drake, showcasing the former's versatility and consistency, while also pointing out the potential implications for Drake's collaborations and public image. The speaker also touches on the cultural and musical significance of Kendrick's work, suggesting that his sound and aesthetics are more authentically tied to his background compared to Drake's. The summary concludes with the speaker's admiration for Kendrick's relentless drive and the high quality of his output, which they believe is unmatched by Drake's responses.

Takeaways

  • 🎵 The speaker discusses the impact of Kendrick Lamar's new track 'Not Like Us' on the rap community and its potential effects on Drake's reputation.
  • 🔥 Kendrick's track is seen as a powerful diss towards Drake, with many feeling that Drake's previous responses have been inadequate.
  • 🤔 There is speculation about who might be providing Kendrick with insider information about Drake's circle, with some suggesting it could be Nardo.
  • 🚫 The lyrics of 'Not Like Us' contain serious allegations against Drake and his team, including claims about criminal behavior and inappropriate conduct.
  • 🎶 Kendrick's versatility is highlighted, with the track appealing to a wide audience and showcasing his ability to engage with different musical styles.
  • 🏃 The rapid release of Kendrick's tracks is putting pressure on Drake to respond, with the expectation that any further response from Drake will be met with immediate counter-tracks from Kendrick.
  • 👥 There is a discussion about the implications of Kendrick's lyrics for other artists in the hip-hop community who may be seen as complicit in Drake's actions.
  • 📉 The situation is portrayed as damaging for Drake's image, with the continuous release of Kendrick's tracks potentially leading to a decline in Drake's popularity.
  • 🎥 The music video for 'Not Like Us' is mentioned as being simple yet impactful, adding to the overall power of Kendrick's message.
  • 💬 The speaker acknowledges the potential for there to be layers and references in the track that they might have missed, indicating the depth of Kendrick's lyrics.
  • 💔 There is a strong sentiment of disappointment from Drake's fans, with the speaker expressing empathy for their situation and hoping for a better response from Drake in the future.

Q & A

  • Who is the main subject of the discussion in the transcript?

    -The main subject of the discussion is Aubrey Graham, also known as Drake, a prominent figure in the music industry.

  • What is the context of the discussion regarding Drake's current situation?

    -The context is a musical feud where Drake has been diagnosed with a 'terminal case' metaphorically, referring to his struggling reputation in the music industry due to responses from Kendrick Lamar.

  • What is the significance of 'vegan cookies' in the transcript?

    -The term 'vegan cookies' is used humorously to describe Drake's fondness for cookies and serves as an introduction to the discussion about his personality and career.

  • How does the speaker describe Kendrick Lamar's recent actions in the music industry?

    -The speaker describes Kendrick Lamar's recent actions as a series of powerful responses to Drake's music, indicating a high level of activity and impact on the industry.

  • What is the implication of the phrase 'he's currently flatlining' in the context of the discussion?

    -The phrase 'he's currently flatlining' implies that Drake is not performing well or responding effectively to Kendrick Lamar's recent tracks, suggesting a critical downturn in his career or public image.

  • What is the significance of the 'A minor chord' reference in the transcript?

    -The 'A minor chord' reference is a humorous jab at Drake, indicating that he might be limited in his musical responses due to the criticism he has received.

  • How does the speaker describe the impact of Kendrick Lamar's track 'Not Like Us'?

    -The speaker describes the track as catchy and hard-hitting, suggesting that it has the potential to be widely popular and significantly damaging to Drake's reputation.

  • What is the role of the audience in this discussion?

    -The audience is engaged through the speaker's commentary and analysis of the music feud, with the speaker often addressing them directly and encouraging interaction, such as suggesting they run the track back.

  • What is the significance of the mention of 'Nardo' in the transcript?

    -The mention of 'Nardo' suggests that the speaker believes this individual might be providing Kendrick Lamar with inside information about Drake's circle, contributing to the depth of Lamar's disses.

  • How does the speaker view the potential future actions of Drake?

    -The speaker seems to doubt Drake's ability to effectively respond to Kendrick Lamar's disses, suggesting that Drake might choose to disengage from the feud or continue to struggle in doing so.

  • What is the overall tone of the discussion regarding the music industry's reaction to the feud?

    -The overall tone is critical and analytical, with the speaker providing a detailed examination of the feud's impact on both artists and the industry, highlighting the severity of the situation for Drake.

Outlines

00:00

😀 Remembering a Music Icon: The Cookie Lover

The speaker begins by paying tribute to a well-known figure in the music industry who had a fondness for cookies, particularly vegan ones. This individual, who is a significant part of the 'Big Three' in rap, has recently faced a series of challenges from Kendrick Lamar, leading to a situation where the artist, referred to as 'Drizzy,' is metaphorically 'flatlining.' The audience is encouraged to support those close to the artist and to remember his contributions to music.

05:01

🎶 Kendrick's New Track: A Response to Drake

The speaker discusses Kendrick Lamar's new track 'Not Like Us,' which is a follow-up to another impactful release that deeply affected the speaker. It's suggested that Drake may be struggling to respond effectively due to exhaustion, and the speaker anticipates that Drake might need to rest permanently after this ordeal. The paragraph ends with an introduction to listening to 'Not Like Us' and speculating about its potential impact.

10:01

🤔 Dissecting Kendrick's Lyrics and the Mystery Informant

The speaker delves into the lyrics of Kendrick's new track, highlighting the detailed and specific accusations made against Drake and his circle. There's speculation about who might be the informant providing Kendrick with such intimate details about Drake's associates. The speaker also reflects on the implications of these lyrics for the reputations of artists collaborating with Drake.

15:02

👀 The Beef Intensifies: Drake's Dilemma and Public Response

The speaker talks about the escalating situation between Drake and Kendrick, suggesting that Drake's fans are deeply disappointed and that Drake's response to Kendrick's diss tracks has been lackluster. The speaker also discusses the potential impact on Drake's collaborators, who may now be viewed with skepticism due to Kendrick's accusations.

20:04

🎵 The Power of Catchy Diss Tracks

The speaker reflects on the effectiveness of Kendrick's diss tracks, noting their catchy nature and the memorable insults that stick with the listener. There's a comparison to Drake's own recent tracks, suggesting that Kendrick's are more impactful and resonate with a wider audience, which could be detrimental to Drake's image and reputation.

25:05

🚀 Kendrick's Versatility and Impact on the Hip-Hop Community

The speaker praises Kendrick's versatility as an artist, noting how he has demonstrated various styles throughout the beef with Drake. It's suggested that Kendrick's approach is not only damaging to Drake but also influencing the hip-hop community's perception of collaboration and authenticity in music.

30:07

🤯 The Devastating Potential of Kendrick's Next Moves

The speaker expresses a strong belief that Kendrick, with his demonstrated versatility and the support of producers, could release a full album dedicated to criticizing Drake. The speaker also commends Kendrick's consistency and the hard-hitting nature of his music, contrasting it with Drake's perceived inability to respond effectively.

35:07

🏆 Kendrick's Superior Output and Drake's Challenge

The speaker concludes by acknowledging Drake's past responses to challenges in his career while emphasizing the current gap in output and impact between the two artists. It's suggested that Kendrick is surpassing Drake in both speed and quality of response, and the speaker is left in awe of Kendrick's capabilities.

Mindmap

Keywords

💡Drake

Drake, whose real name is Aubrey Graham, is a prominent figure in the music industry, specifically in the rap genre. In the context of the video, he is the subject of a 'musical eulogy,' indicating a significant event or perceived downfall in his career. The video discusses his recent diagnosis with a 'terminal case' and the impact of ongoing rap disputes on his status.

💡Kendrick Lamar

Kendrick Lamar is a renowned rapper who is featured in the video script as having a contentious relationship with Drake. The script mentions Kendrick's multiple responses to Drake's music, highlighting a rap rivalry. The term is used to illustrate the competitive nature of the music industry and the personal and professional conflicts between artists.

💡Rap Beef

Rap beef refers to a dispute or rivalry between rappers, often expressed through their music. In the video, the term is central to the narrative, describing the back-and-forth exchange of diss tracks between Kendrick Lamar and Drake. The script details the intensity and impact of their rap beef on fans and the music community.

💡Ghostwriters

Ghostwriters are individuals who write material for others without receiving public credit. In the context of the video, it is mentioned that Drake has been using ghostwriters for his responses in the rap beef, which is a point of contention and criticism. This highlights the debate over authenticity and originality in creative work.

💡

💡The Big Three

The term 'The Big Three' in the video refers to a group of three highly influential and successful rappers in the music industry, which includes Drake. The mention of this term underscores Drake's status and the significance of his current situation within the rap community.

💡Vegan Cookies

While seemingly a humorous or casual reference, 'vegan cookies' serves as an example of the personal and unique characteristics attributed to Drake in the video. It humanizes him and adds a layer of levity to the discussion, showing that despite the serious nature of the rap beef, there are still quirky and relatable aspects to the artists involved.

💡Multitrack Vocals

Multitrack vocals are a recording technique where multiple vocal recordings are layered on top of one another. The script mentions Kendrick Lamar using this technique to haunting effect in his music, which contributes to the artistic and emotional impact of his diss tracks.

💡Rest in Peace (RIP)

The term 'RIP' is typically used to express condolences and mark the passing of someone. In the video, it is used metaphorically to discuss Drake's current state in the rap beef, suggesting that his career or relevance may be fading, which is a common theme in discussions of rap disputes.

💡Certified Lover Boy

Certified Lover Boy is an album by Drake. In the video, it is mentioned in a derogatory context by Kendrick Lamar, indicating a shift from a personal to a professional critique. This highlights how personal projects can become a battleground in rap disputes.

💡Alchemist

The Alchemist is a well-known record producer mentioned in the video as having produced a beat for Kendrick Lamar's track. His involvement signifies a high level of production quality and adds to the narrative of Kendrick's success in the ongoing rap rivalry.

Highlights

The speaker pays tribute to a figure in the music industry, known for his love of vegan cookies, and discusses the impact of his recent diagnosis on his fans.

Mentions of a potential support system for those affected by the news, suggesting the purchase of a Nintendo Store gift card as a gesture.

A musical eulogy is given for a member of the 'Big Three' in the music industry, indicating a significant loss.

The speaker discusses the intense back-and-forth between Kendrick Lamar and Drake, highlighting the competitive nature of their recent interactions.

Kendrick Lamar's new track 'Not Like Us' is mentioned, suggesting it continues the narrative of the ongoing rap dispute.

The impact of the new track on Drake's reputation is considered, with speculation about his ability to respond effectively.

The speaker expresses concern for Drake's fans, acknowledging their disappointment and the emotional investment in the situation.

A detailed analysis of Kendrick's lyrical content, suggesting he is providing a history lesson within his rap, drawing parallels between past and present.

The mention of a potential mole within Drake's circle, adding a layer of intrigue to the narrative.

The speaker reacts to specific lines from Kendrick's track, indicating the personal and incisive nature of the lyrics.

Discussion about the potential implications for other artists involved or mentioned in the dispute.

The speaker contemplates the lasting impact of the feud on the hip-hop community and the artists' legacies.

Kendrick's versatility as a rapper is praised, noting his ability to adapt his style to different aspects of the ongoing feud.

The speaker predicts that Kendrick's momentum will likely not slow down, and could result in a flood of new tracks.

A call to action for supporting campus bail funds is included, showing the speaker's engagement with current social issues.

The final assessment of the situation concludes with a strong statement about the level of animosity expressed in Kendrick's track towards Drake.

Transcripts

00:00

today we're here to remember a man some

00:02

may not say a great man big fan of

00:06

cookies big fan of cookies but he was a

00:09

man

00:10

nonetheless one of the

00:13

biggest uh rap men in the music industry

00:17

of all

00:20

time yes vegan cookies in

00:26

fact and he had a very long and storied

00:29

and celebr ated

00:32

career his meat was

00:36

glazed absolutely glazed by many in

00:41

oiho all of whom will be completely

00:44

shattered if if you know any OV hos in

00:46

your life send them your

00:50

condolences check in on

00:55

them buy him a

00:57

Nintendo Store gift card

01:03

but today we're here

01:07

to uh give a bit of a a musical

01:10

eulogy to one of the greats what one one

01:13

would say uh a member of the big three

01:17

or what at one time was known as The Big

01:20

Three Aubrey Graham Drake

01:24

AKA BBL Drizzy

01:30

Drake was as many of you

01:32

know recently diagnosed with a terminal

01:36

case of back to back to

01:41

back uh Kendrick Lamar hit the boy with

01:46

a response and then another

01:50

response and now yet another

01:54

response and uh right now Drizzy is

01:57

currently flatlining

02:01

everybody's wondering what the hell is

02:02

going on what is going

02:05

on I I was up until 2 a.m. 3:00 a.m.

02:09

last night I I need sleep I need to rest

02:13

or I'm gonna die please don't kill me

02:17

Kendrick

02:21

okay Kendrick has just released this new

02:26

track

02:27

titled not like us

02:33

right after writing and releasing a

02:34

track that frankly I I could not get out

02:36

of my head last night the sounds of him

02:40

saying in unison with multirack vocals

02:42

you lied you

02:47

lied haunted my mind like the ghost of

02:51

Hip Hop's past or hip-hop's future

02:54

whatever you want to say

02:59

and I imagine Drake must have been going

03:01

through something similar not only

03:03

because him and me are on a very similar

03:05

Scorpio

03:09

wavelength but also because if Drake did

03:12

get a restful night's sleep last night

03:15

one would think that he would have had

03:16

more to offer today other than maybe an

03:19

Instagram uh story post or a TMZ

03:26

quote uh but you know that you can't

03:29

really

03:30

uh put up much of a performance in the

03:32

studio when you're a sleepy little

03:35

guy so maybe after this

03:38

uh Drake's passing he can finally rest

03:43

he finally can get the rest he

03:48

needs let's give this track a listen

03:50

let's give it a reaction a good old

03:52

College try I have not listened to it

03:55

yet I have not pre-listed I've

03:56

absolutely avoided it for the past

03:59

couple of hours has it even been has it

04:02

been out even two hours yet I've avoided

04:04

it okay

04:07

[Music]

04:08

um we're going to listen to it

04:11

now let's see if uh it's hot let's see

04:15

if it's

04:16

not

04:17

[Music]

04:19

um I'm already seeing from the image of

04:23

his estate with all of the uh sex

04:27

offender pins photoshopped on on top of

04:30

it we're going to be in for a rough one

04:34

a real a real rough

04:37

one for Drake of course not not for me

04:40

um not not for

04:44

me all right

04:46

so uh without any further Ado let's

04:51

listen to Kendrick Lamar not like us I I

04:55

I don't need to tell you guys to sub

04:56

you're already doing it but uh you know

04:58

if you are new here hit us with a follow

05:01

so you know uh when I'm doing streams

05:03

either new music Friday

05:05

streams or uh beef watch

05:09

2024 track

05:11

reactions um

05:14

immediately and is a as quickly as I can

05:16

all right that's all I'm going to say

05:18

all right here we go Kendrick Lamar not

05:20

like us but

05:23

bam I see dead people oh no oh no not

05:27

not not not coming back again to to to

05:30

Haley

05:31

Joel not not coming back

05:33

again

05:36

okay that that guy's getting more

05:38

attention this year than he has in a

05:41

long

05:44

time I see de

05:46

[Music]

05:51

people must the be ho de any Rat [ __ ]

05:55

he a free throw Man Down call Amber LS

05:57

tell him B bro n a [ __ ] to the cross

05:59

walk around like T what's up with these

06:01

your Brony ass [ __ ] trying to see

06:03

Compton they in the streaking hate me

06:04

[ __ ] them all in they mama how many Ops

06:06

you really got I mean there too many

06:07

options I'm to pass on this body I'm

06:09

John

06:12

Stockton beat your ass and H the Bible

06:14

if God watching sometimes you got to pop

06:16

out and show [ __ ] certifi boogy man

06:18

I'm the one that up to score with him

06:20

walking down whole time I know he got

06:21

some ho in him p on him ex [ __ ] bully

06:24

the him say Drake I hear you like I'm

06:26

young you better not go to sell black

06:28

one to any [ __ ] that talk to him and

06:31

they in love just make sure you HDE your

06:33

little sister from

06:37

them oh my God oh my

06:41

God only get and with his nose now and

06:46

Baka got a weird case why is he around

06:48

certified lover boys certified

06:50

[Music]

06:54

pedophiles oh no he said PDF file

07:00

he said Drake downloads PDF files oh my

07:06

God he said this man downloads PDF files

07:11

oh my

07:13

God no no

07:15

no oh my

07:18

God okay all right

07:23

um

07:27

uh and and who

07:30

okay this before I go on this is

07:33

something that's been like a big point

07:35

of discussion since the release of Meet

07:36

the

07:38

grams like who in Drake's circle is the

07:42

mole is Kendrick really just like kind

07:44

of guessing and and just like kind of

07:46

throwing whatever out there and going

07:48

off of presumptions or is like somebody

07:50

feeding him this information like what

07:53

the [ __ ] is going on who is telling him

07:56

this [ __ ] about like oh this guy's doing

07:57

pills this guy's doing coke this guy's a

08:00

sex offender that like how does he know

08:02

these

08:07

details

08:09

like

08:11

what I'm running that line

08:14

back and party at the party playing with

08:17

his nose now and Baka got a weird case

08:19

why is he around certified lover boy

08:21

certified

08:23

pedophiles that [ __ ] them

08:25

up I'mma do my stuff why you trolling

08:28

like a [ __ ] ain't you TI trying to

08:30

strike a and it's probably a

08:32

minor stop it

08:36

no oh no now Drake is never going to be

08:40

able to use an A minor chord in one of

08:43

his

08:46

songs he's never going to live that down

08:49

like people are just going yo is there

08:50

is there a minor chord in this track

08:52

Drake's going to have to stick to Majors

08:55

sevenths

08:57

diminished like what the [ __ ]

09:00

fo like he's going to make 40 scan

09:03

through all the Beats like I want all

09:06

the a I want all the minor chords taken

09:09

out what the [ __ ] oh my

09:13

God oh my he's he's limiting the Man's

09:16

music theory options what the

09:22

[ __ ] D [ __ ] them

09:24

up I'mma do my stuff why you trolling

09:27

like a [ __ ] ain't you tired strike a

09:29

cord and it's probably a

09:31

minor you know another like Stellar

09:34

thing about these Kendrick dises so far

09:36

is like there are so many just like

09:37

humble like

09:40

standout funny quirky almost like vocal

09:43

stem like annunciations that just like

09:48

stick with you sometimes even harder

09:50

than the bars themselves like push te uh

09:54

and and now it's a

09:56

miner like he's he's just getting you

09:59

know Kendrick is obviously he hates

10:01

Drake with a passion but simultaneously

10:04

he's having fun with it and it's kind of

10:06

making it hard not to like get invested

10:10

in how charismatic it is performance-

10:17

wise they not like us they not like us

10:20

they not like

10:22

us they not like us they not like us

10:25

they not like us you think the B going

10:27

let you disrespect pop nck I think that

10:29

Oakland show going be your last stop

10:31

niggga they cold foul I don't know why

10:33

you still pretending what is the ow bird

10:35

[ __ ] and bird [ __ ] go the audience

10:37

not dumb shape the stories how you want

10:39

hat they're not slow rabbit hole is

10:41

still deep I can go further I promise

10:43

ain't there some be for bitching you m

10:45

Bo most want ain't no La boy you ball

10:47

boy F Gatorade or something since 2009 I

10:50

had this [ __ ] jumping you [ __ ] will

10:51

get a wedgie be flipped over your

10:53

boxes the

10:56

option hold on hold on a second hold

10:59

hold on a second hold on I got to rewind

11:01

there I got to rewind there no he is

11:03

sliding he is absolutely sliding not the

11:07

St how you want hat they're not slow

11:09

rabbit hole is still deep I can go

11:10

further I promise ain't there some be

11:12

that's for bitching you malib most want

11:14

Ain no love Bo you ball boy F Gatorade

11:16

or something since 2009 I had this [ __ ]

11:19

jumping you [ __ ] are get a wedgie be

11:20

flipped over your boxes well over your F

11:22

the H vagal option [ __ ] n better

11:25

straighten they posture got famous all

11:27

been cont might write this with a doct

11:28

tell a do quit hiding [ __ ] a caption won

11:30

action no accident I'm hands on he [ __ ]

11:32

around get polished [ __ ] no way girl he

11:34

was in jail that's canav then get his

11:36

face tatted like a b wait wait hold on

11:38

he's talking about Wayne now did I miss

11:40

that [ __ ] poish [ __ ] Wayne in jail

11:44

that's this girl what the

11:46

[ __ ] the like the drama the [ __ ] like

11:51

you know who it is you know who's giving

11:53

him all this [ __ ] information it's

11:55

Nardo it's [ __ ] n it has to be Nardo it

11:59

has to be he has to be connecting behind

12:00

the scenes with Nardo to get all this

12:03

[ __ ] information like the only person

12:06

on the planet that could be giving him

12:08

every single one of these pieces of info

12:10

it has to be Nardo like it it can't be

12:12

anyone else like there has to be they

12:15

had to be collaborating on this what the

12:18

[ __ ]

12:20

like

12:22

what [ __ ] a caption won action no

12:24

accident I'm hands on he [ __ ] around get

12:26

polished [ __ ] no way girl he was in jail

12:28

that's can then get his face tatted like

12:30

a [ __ ] apologizing I'm glad the rose

12:32

came home y didn't deserve him neither

12:34

from a down to Central [ __ ] better not

12:35

speak on Serena and your homeboy need

12:37

aena that moving that name he's he's

12:39

defending Serena now too he's he's he's

12:43

coming to bat for

12:46

Serena from down to Central [ __ ] better

12:48

not speak on Serena and your homeboy

12:50

need a Pena that Predator moving fla

12:52

that name got to be registered and place

12:53

on neighborhood watch I lean on you

12:55

[ __ ] like another line of walk yeah

12:56

all eyes on me and I'mma send it up the

12:58

park put the WR label on me I'm going

13:00

get them dropped he Sweet Chin Music and

13:02

I won't pass the O how many stocks do I

13:05

really have in stock 1 2 3 4 5 5il is a

13:09

li 69 wait 1 2 3 4 5 plus

13:13

5 y this is insane because the thing is

13:16

like you

13:19

know like Drake has to

13:22

respond Drake can't not well I mean look

13:25

Drake could give

13:26

up that's an option Dr could throw in

13:30

the

13:31

towel it's it's starting to look like

13:34

that might need to happen

13:37

because like Kendrick's probably gonna

13:39

run the same play

13:42

again if Drake comes out with another

13:45

track like he's literally going to drop

13:47

immediately after and you know for a

13:49

[ __ ] fact that if Drake drops another

13:51

thing right after that he's gonna

13:52

[ __ ] he's going to drop another

13:55

track

13:57

like this is insane

14:00

like this is something that I did not

14:02

foresee

14:03

happening merely because of the fact and

14:06

everybody knows and this has been a big

14:07

part of this discussion broadly it's

14:09

like Drake Drake has the ghost writers

14:12

like there's literally other people

14:15

credited on uh Drake's [ __ ] response

14:19

to Kendrick uh push-ups when it made it

14:21

to

14:23

dsps so even with the ghost

14:27

writers song-wise wise barwise Kendrick

14:31

is still outpacing them Kendrick still

14:34

has more to

14:39

say even with all the writers Kendrick

14:42

is still saying

14:45

more and you know while I did think

14:48

there were some pretty nasty bars that

14:50

need to be responded to on Family Ties

14:53

like Drake also spent a good deal of

14:55

that track beefing with people who he

14:57

shouldn't be focusing on at this point

15:00

like you've got this you you're worried

15:02

about dudes who said things about you

15:04

weeks ago meanwhile this guy is like

15:05

literally barking in your he's not even

15:07

barking he's like chewing your [ __ ]

15:09

limbs off and you're like yeah Ross Rick

15:12

Ross is so annoying isn't

15:14

he like this man is literally eating you

15:17

[ __ ]

15:18

alive Family Matters sorry Family

15:20

Matters he's eating you [ __ ] alive

15:23

and you're worried about Rick

15:25

Ross what is going on like get on the

15:28

[ __ ]

15:29

ball you're in the you're in the rat

15:32

beef of the

15:34

century like I I I feel bad because the

15:37

thing is like I can feel Drake's fans

15:40

disappointment from here and I know that

15:42

none of them are even in chat like I can

15:44

just I can just feel them like crying

15:46

right now and coping and pissing their

15:48

pants like I want I want Drake to put up

15:50

a bit better of a fight for their sake

15:53

you know

15:56

like like I I I think of Poor Los right

15:58

now my mind goes to Poor Los you know

16:01

that that man has been standing Drake

16:05

nonstop with no breaks for for years for

16:10

years and we're not calling Lo right now

16:12

we're not get we're not getting mixed up

16:13

with

16:14

that and DJ academics is dumb as as

16:18

stupid of a dumb [ __ ] he

16:22

is you know he he's been

16:25

just un unflinchingly devoted to Drake

16:28

for so long he he deserves a little bit

16:30

more of of of a fight from Drake you

16:33

know he he's got to be in his DMS he's

16:35

got to be on his line right now like

16:37

Drake what are you doing fight back

16:40

fight

16:41

back like what the [ __ ] this is just

16:46

this is Kendrick's going to be arrested

16:48

after this this is murder this is

16:50

first-degree murder God I freaky ass

16:53

[ __ ] need to stay their ass inside hey

16:54

roll they ass up like a fresh Packers

16:57

hey city is back up it's a must outside

17:04

hey they not like us they not like us

17:07

they not like

17:08

us they not like us they not like us

17:12

they not like us Once Upon a Time all of

17:15

us will s chains Homies Still Double

17:17

Down calling us some slaves Atlanta was

17:19

the mea building railroads and trains

17:20

bear with me for a second let me put

17:22

y'all on game the settlers was using

17:24

Town folk to make them richer fast

17:25

forward 2024 you got the same agenda you

17:28

run into it what we're getting a [ __ ]

17:30

history lesson in the last leg of the

17:33

track holy [ __ ] when you a check balance

17:35

let me break it down for you this the

17:37

real [ __ ] challenge you call future

17:39

when you didn't see the club what little

17:41

baby help you get your lingo up what 21

17:44

get your F Street crib th you feel like

17:46

you a slime in your head what qu said

17:48

you can be from North Side what two

17:50

chain say you good but he lied you

17:52

running to Atlanta when you need a few

17:54

dollars no you're not a colleague you're

17:56

a [ __ ]

17:57

colonizer the Family Matter and the

17:59

truth of the matter here was God's plan

18:00

to show y the liar the God's plan

18:04

reference

18:07

no

18:08

no oh my

18:11

God oh my

18:14

God almost

18:17

[Music]

18:19

done he a fan he a fan he a fan he a fan

18:23

he a fan here freaky ass niggaer he a 69

18:26

god freaky ass niggaer he a 69 God hey

18:30

hey hey hey run for your life hey hey

18:32

hey hey run for your life freaky ass

18:34

[ __ ] he a 69 god freaky ass [ __ ] he a

18:37

69 God hey hey hey hey run for your life

18:41

hey hey hey hey run for your life say ho

18:45

o ho say o ho o ho then step this way

18:49

step that way then step this way step

18:52

that way are you my friend are we

18:56

likeing then step this way step that way

19:00

then step this way step that

19:05

[Music]

19:09

way okay all right

19:13

um should I just talk about this now or

19:16

or should we run it back one more

19:25

time okay everyone says run it back

19:28

every everyone says run it back we're

19:31

going to run it

19:40

back

19:45

people Al also mustard killed it on the

19:49

[ __ ] beat like the synths are sick

19:51

the beat goes the horn samples awesome I

19:55

I I loved on social media seeing The

19:57

Alchemist

19:59

uh you know showing the fact that he uh

20:02

uh produced the [ __ ] meat the grams

20:04

beat he's he's never getting a beat

20:06

placement on a drake project ever again

20:09

ever again that man Drake is never

20:12

rapping on another Alchemist beat

20:14

obviously I I think he he knew that but

20:16

uh yeah um this is uh defin you know

20:20

lines are being drawn lines are being

20:23

really drawn really [ __ ] hard lines

20:25

are being drawn really really hard

20:28

bridges are being just

20:30

fried uh absolutely

20:34

decimated and it seems like right now

20:36

like uh there there's just this really

20:38

huge I don't give a [ __ ] energy in the

20:41

air and you can cut it with a

20:45

knife all right well um let's let's

20:49

[Music]

20:53

go oh wait let me let me let me hit it

20:56

with a with a like

20:59

there we go give it a give it a fat

21:02

[Laughter]

21:05

[Music]

21:07

like must the be ho R [ __ ] he a free

21:11

throw Man Down cber LS Tello [ __ ] to

21:14

the Cross he walk around like what's up

21:16

with these ass [ __ ] trying to see

21:18

Compton also good good on Teo for

21:20

getting uh logged into into the history

21:23

of this they hate me [ __ ] them all in

21:26

mama how many Ops you really got I mean

21:28

it's too many options I'm pass on this

21:30

body I'm John

21:33

Stockton beat your ass and H the Bible

21:35

if God watching sometimes you got to pop

21:37

out and show [ __ ] certifi boogy man

21:39

I'm the one that up to score with him

21:40

walking down whole time I know he got

21:42

some ho in him p on him ex [ __ ] bully

21:45

the him say Drake I hear you like I'm

21:47

young you better not go to sell black

21:49

one to any [ __ ] that talk to him and

21:51

they in love just make sure you HDE your

21:54

little sister from them they tell me

21:55

chub the only one that get your hamme

21:57

downs and party at the playing with his

21:59

nose now and Baka got a weird case why

22:01

is he around certified lover boy

22:03

certified

22:05

pedophiles so so now he's like okay so

22:08

again that succession of bars where he's

22:11

talking about how Drake better not end

22:13

up in that cell block

22:15

cuz I mean you know people with those

22:17

kinds of convictions don't don't tend to

22:19

last very long in prison or do very well

22:23

um but now he's getting more specific

22:26

with the things he's alleging uh in

22:28

terms of like certain people on Drake's

22:30

team which uh

22:33

Twitter uh in and in Black Twitter as

22:36

well because we know black Twitter is

22:37

better than any private investigation

22:40

firm out there that is that is known

22:43

that is facts that is

22:45

factual um it could or would only be a

22:48

matter of time for anybody to actually

22:51

get out there and actually confirm that

22:52

if there is any kind of like you know

22:54

allegation or conviction on that front

22:58

um

23:00

okay let's uh let's continue certified

23:02

lover boy certified

23:05

pedophiles [ __ ] them

23:07

up I'mma do my stuff why you trolling

23:10

like a [ __ ] ain't you tired trying to

23:12

strike a cord and it's probably a

23:15

minor the horn break

23:19

man they not like us they not like us

23:22

they not like

23:23

us they not like us they not like us

23:27

they not like us you think the B going

23:29

to let you disrespect pop [ __ ] I think

23:31

that Oakland show going be all that stop

23:32

[ __ ] they cold foul I don't know why

23:34

you still pretending what is the ow bird

23:36

[ __ ] and bird [ __ ] go the audience

23:39

not dumb shape the stories how you want

23:41

haty TR they're not slow rabbit hole is

23:43

still deep I can go further I promise

23:44

ain't that something be stand for

23:46

bitching you malib most want ain't no La

23:48

boy you ball boy F Gatorade or something

23:50

since 2009 I had this [ __ ] jumping you

23:52

[ __ ] will get a wedgie be flipped over

23:54

your boxes over your F the other vagal

23:57

option [ __ ] n better straighten a

24:00

POS might write this with a do tell a

24:02

popar quit hiding [ __ ] a caption won

24:04

action no accident I'm hands on he [ __ ]

24:06

around get polish [ __ ] on Wayne girl he

24:08

was in jail that's canav then get his

24:09

face tatted like a [ __ ] apologizing

24:12

does does Drake have a tattoo of Wayne's

24:14

face I mean if if he does there's

24:16

probably a picture of it I don't know he

24:19

he has all sorts of tattoos of people's

24:20

faces and okay interesting glad the rose

24:23

came home y didn't deserve him neither

24:25

from a down to Central [ __ ] better not

24:26

speak on Serena and your homeboy needs

24:28

that Predator moving FL that name got to

24:30

be registered in p on neighborhood watch

24:32

I lean on you [ __ ] like another line

24:34

of walk yeah all eyes on me and I'mma

24:35

send it up the park he put the wrong

24:37

label on me I'mma get them dropped Sweet

24:39

Chin Music and I won't pass the O he how

24:42

many stocks do I really have in stock he

24:44

1 2 3 4 5 plus 5 he Devil is a Lie Here

24:47

69 God hey freaky ass [ __ ] need to

24:50

stay ass inside hey roll they ass up

24:52

like a fres pack hey city is back up

24:54

it's a must we outside hey

24:58

[Applause]

25:01

they not like us they not like us they

25:04

not like

25:05

us they not like us they not like us

25:08

they not like us Once Upon a Time all of

25:11

us was in chained Homies Still Double

25:13

Down calling us some slaves Atlanta was

25:15

the mecca building R roads and trains

25:17

bear with me for a second let me put

25:18

y'all on game the settlers was using

25:20

Town folk to make them richer fast 4

25:22

2024 you got the same agenda you run to

25:25

Atlanta when you need a check balance

25:26

let me break it down for you this the

25:28

real never challenge you call future

25:30

when you didn't see the club what little

25:32

baby help you get your lingo up what 21

25:35

get your F street cred th that you feel

25:37

like you a slime in your head what CR

25:39

said you can be from North Side what two

25:41

chain say you good but he lied you run

25:43

to Atlanta when you need a few dollars

25:45

no you're not a colleague you a [ __ ]

25:48

colonizer the Family Matter and the

25:50

truth of the matter here was God plan to

25:52

show y the

25:53

[Music]

25:55

liar M he a fan he a fan he a you know

25:59

the the the thing about the the

26:02

[Music]

26:04

effect the effect of bars like that is

26:07

that especially when he's naming names

26:10

is that it cuts both ways

26:14

because Kendrick calling Drake a

26:16

colonizer in the way that he is and

26:18

somebody who's like kind of you know

26:19

thriving off of borrowed

26:21

swag from the from all the artists that

26:24

he collaborates with

26:30

I mean that's one thing you know it's

26:32

it's another thing to mention all of the

26:34

artists who are kind of like complicit

26:36

in that so next time he goes to

26:39

collaborate with any of them people are

26:42

also going to be looking at them a

26:43

certain way not just looking at Drake a

26:45

certain way because I'm sure a lot of

26:46

his fans don't really [ __ ] care

26:48

however there are a lot of people you

26:50

know like two chains and like everybody

26:52

else who he just mentioned who actually

26:54

do need and do thrive on approval in in

26:59

the hip-hop Community whereas Drake

27:00

obviously has way more pop crossover

27:02

appeal like it doesn't like obviously

27:04

Drake does what he can to uh you know

27:08

appeal to a hip-hop Audience by

27:10

collaborating with certain artists and

27:12

you know hopping on certain sounds and

27:14

uh you know engaging with certain

27:16

Trends but now he's putting artists who

27:19

may be willing to sort of like you know

27:21

continue to help Drake do that he's

27:22

putting them in a precarious you know

27:24

position as well uh by Framing them in a

27:27

certain way so next time Drake goes to

27:30

do that or another artist goes to help

27:32

him people are going to be looking at

27:33

them a weird way it's like aren't you

27:34

just kind of helping that guy hop on a

27:36

sound or a Vibe or whatever that he

27:39

really has nothing to do with he's just

27:40

kind of acting and performing his way

27:42

through this it's not really a part of

27:43

him he's just kind of

27:45

borrowing

27:46

um okay

27:50

wow freaky ass [ __ ] he a 69 god freaky

27:54

ass [ __ ] he a 69 God hey hey hey hey

27:57

run for your life hey hey hey hey run

28:00

for your life freaky ass [ __ ] he a 69

28:03

god freaky ass [ __ ] he a 69 God hey hey

28:06

hey hey run for your life hey hey hey

28:09

hey run for your life say o ho ho say o

28:14

ho then step this way step that way then

28:18

step this way step that way are you my

28:21

friend are we

28:24

likeing then step this way step that way

28:27

then step this this way step that

28:33

way okay

28:35

wow

28:39

um Kendrick really gave us see you know

28:43

he here's here's kind of the thing um

28:46

that I was sort of worried about uh you

28:49

know in the process of this beef or you

28:51

know I was kind of worried about

28:53

Kendrick's ability to kind of sway the

28:56

crowd especially when it comes to tracks

28:58

like Euphoria because as good as they

29:00

are those songs not to be [ __ ]

29:03

pretentious but I

29:06

mean it's not the kind of track your

29:09

average Drake fan is listening to much

29:11

less your average person that is not

29:13

clued into hip-hop to begin with so all

29:17

those fast bars the double on the double

29:19

on tandas it's a little bit it's it's a

29:21

bit of a Pearls Before Swine

29:24

situation it's a bit of a Pearls Before

29:26

Swine situation if if you don't know

29:27

that

29:28

quote look it up you're throwing Pearls

29:31

Before Swine because you're putting

29:32

stuff out there that is just going to go

29:34

over most people's [ __ ] heads because

29:36

they're not clued in and they're not

29:37

trying to be clued

29:40

in a track like this is devastating in a

29:44

different way because it's [ __ ]

29:45

catchy it makes the insults stick in

29:48

your head because they're Snappy and you

29:52

know that's part of what makes backto

29:53

back such a great diss track you know

29:55

it's it's not just a great dismantling

29:58

of Meek Mill uh but it's super [ __ ]

30:01

catchy and you could dance to it and you

30:03

want to play it in the club and there's

30:04

like numerous bars that like stick in

30:06

your head and the progression of this

30:10

beef has really been like seeing

30:12

Kendrick in four different

30:15

forms and and the guy contains

30:18

multitudes I'm not saying that he's

30:19

limited to four different forms but like

30:21

off the bat you had you know hype Direct

30:26

in your face control verse feature

30:31

Kendrick then after that eventually with

30:33

Euphoria you had fast

30:36

spitting super lyrical shit's going over

30:40

your head you got to rewind it you got

30:41

to unfold it over and over and over like

30:44

uh section 80

30:45

Kendrick why why why is anybody talking

30:48

about xqc is xqc doing something is is

30:51

xqc doing something right now that guy's

30:53

a [ __ ] you know just just put that

30:54

on the record right now just so

30:56

everybody sort of like you know knows

30:58

that and is aware of that especially

31:00

considering the kind of back and forth

31:01

tussle I had with him earlier this year

31:03

that guy's a dumbass he talks like

31:05

[ __ ] Terren and Phillip he's an idiot

31:07

don't listen to him anyway uh with

31:11

Euphoria you had [ __ ] like section 80

31:15

Eric Kendrick you had section 80 Eric

31:18

Kendrick and then following that with

31:19

meet the grams you had Mega conceptual

31:23

storytelling

31:24

abstract I'm going to write a type of

31:27

rap song that doesn't even even like

31:29

[ __ ] exist yet like when has there

31:32

ever been a diss song where you dissed

31:35

your opponent by writing many letters to

31:39

each member of their family like

31:41

Kendrick is just so [ __ ]

31:44

transcendental that he's just coming up

31:46

with different song Concepts and ideas

31:48

just within popular music generally you

31:51

know he he's in his we cry together bag

31:54

there you know he's just coming up with

31:55

song ideas that like people just aren't

31:57

[ __ ] conceiving

31:59

and then with this you you just have

32:00

[ __ ] Banger Kendrick you have party

32:03

Kendrick you have I'm going to make a

32:06

[ __ ] humble type commercial Anthem

32:09

Kendrick we're getting four different

32:11

flavors of Kendrick and he's coming at

32:14

Drake in multiple different

32:17

directions with multiple different

32:18

flavors and types of tracks and they're

32:21

all stinging in vastly different ways

32:24

and I have a feeling that like as these

32:26

tracks continue to go viral on the

32:28

internet they're going to appeal to

32:29

different types of listeners like

32:32

certain types of listeners are really

32:33

going to be into Euphoria certain types

32:36

of listeners are really going to be into

32:37

like that certain types of listeners are

32:39

going to be into this and certain types

32:40

of listeners are really going to be into

32:42

meet the grams and all of that

32:46

coalesces into just so many people

32:49

paying attention to this situation that

32:51

I don't think would have been otherwise

32:52

so many people kind of convinced of the

32:55

situation that would not have been

32:56

otherwise that that that would not have

32:58

been

33:01

otherwise and and honestly like it's it

33:04

just spells Devastation for Drake it

33:07

just spells Devastation for Drake and

33:09

with each time that he does one of these

33:11

tracks he's leaking like a little more

33:13

information getting a little more

33:15

specific about the things that he's

33:17

talking about and the things he's

33:18

accusing Drake of and I have no doubt in

33:22

my mind that like given Kendrick's

33:23

versatility and and obviously up until

33:26

this point uh who the [ __ ] knows the

33:30

army of producers who behind the scenes

33:32

are probably lining the [ __ ] up to be

33:35

like oh I I I want to give you a

33:38

beat after these pass after this track

33:41

and meet the grams and

33:45

Euphoria like [ __ ] producers are

33:48

stumbling over themselves to probably

33:50

hand this man beats to murder this man

33:53

on

33:58

no idea on on Kendrick's line right now

34:00

probably yeah probably yeah and you know

34:02

this also

34:04

like goes back to the fact that like

34:07

on uh family matters you know Drake

34:11

kicked that track

34:13

off

34:15

um you know with like oh you know I'm

34:18

going to shout out all these guys who

34:19

are actually gangsters and actually bang

34:21

which like I I don't quite get what the

34:23

angle with that was because Kendrick

34:25

doesn't claim to be a gangbanger like

34:28

obviously he has familiarity with it

34:30

being from Compton like he understands

34:32

the culture that that world is sort of

34:35

born out of but he doesn't claim to be a

34:38

gang banger himself so it's like how

34:41

Drake or why Drake thought that was like

34:43

an effective angle to hit Kendrick with

34:44

at the top of the track now that I've

34:46

had more time to sort of like digest it

34:48

I don't necessarily know um but I feel

34:52

like Dre kind of bringing that up drove

34:55

Kendrick to be like well I'm going to

34:56

come up with a banger that you could

34:57

basically do a [ __ ] Lo walk too like I'm

34:59

going to embrace that sound and

35:01

basically say okay well you know this is

35:04

a Vibe this is a sound this is an energy

35:06

that actually represents the area that

35:07

I'm from which um you know is is

35:09

something that you can't necessarily say

35:12

say is true of a lot of Drake's music

35:14

he's always hopping on sounds and Vibes

35:16

and so on and so forth that don't really

35:18

have to do with him personally you know

35:22

K Kendrick is relating to sounds and

35:24

Aesthetics and

35:25

instrumentals uh and and musical

35:28

geographical locals that make sense for

35:34

him uh and that is especially true of

35:36

this track

35:38

um wow this is

35:41

uh this is pretty devastating and again

35:45

given Kendrick's versatility and and

35:46

everything that he has in his Arsenal as

35:48

far as people stumbling over themselves

35:50

probably to make beats for him and the

35:53

wide variety of types of tracks that he

35:56

is capable of making

35:58

uh if he is driven enough to do so in

36:00

the studio and he seems to be driven

36:02

enough to do so by his seething hatred

36:04

for

36:06

Drake uh he probably is not bluffing

36:09

when he says I have 1 two 3 four five

36:12

plus five like locked and loaded um I

36:16

have no doubt in my mind that at this

36:18

point this man could drop a whole album

36:21

of Drake Hate songs and the vast

36:24

majority of those tracks are probably

36:25

going to [ __ ] Bang they're certainly

36:28

gonna bang harder than another Drake

36:30

story post they're certainly gonna bang

36:33

harder than uh Drake being silent

36:35

because he can't [ __ ] get up the

36:37

Gusto to make a proper

36:40

response

36:41

um and I just like how how consistent

36:45

Kendrick is with the music and he's so

36:48

no [ __ ] about it and the visuals are

36:51

simple but they're hard-hitting while I

36:54

did like the family matters music video

36:57

he did necessarily need to go out of his

36:59

way to throw a van in a trash compactor

37:01

um I saw somebody say on Twitter that

37:03

Drake could have used that van for all

37:05

of his

37:07

kids which is absolutely true uh it's

37:10

sort of a shame that the van got

37:12

destroyed in that way um quick shout out

37:14

to campus bail funds.com uh there are a

37:17

lot of innocent kids who are protesting

37:19

for a great cause uh getting harassed

37:21

beaten and arrested by absolute

37:23

disgusting pigs of uh police officers

37:26

and um if you could throw any money uh

37:29

their way to make sure that they get out

37:31

of prison because they they don't

37:33

deserve to be in there uh that would be

37:34

great that would be amazing you see the

37:36

URL scrolling over there again it's

37:38

campus bail funds uh.com uh support the

37:41

efforts of those on college campuses uh

37:44

trying to get their institutions to

37:46

divest uh from a genocidal Terror State

37:49

thank you um all right uh moving on from

37:52

there

37:53

um I'm I'm really not sure what else to

37:56

add outside of this uh I I'm sure

38:00

there's probably some references and

38:01

some layers to the track that went over

38:04

my head uh you know on the first couple

38:07

of listens but the track is hard the

38:09

track is hard as hell and it's catchy as

38:11

hell and and I feel like that's really

38:12

kind of the the most important thing

38:15

about it Kendrick's goal uh you know

38:18

regardless of word play was for this

38:22

track to be

38:23

catchy and it's catchy on multiple

38:25

levels from the refrains from the chorus

38:29

to the horn

38:30

breaks to the various quirked

38:33

up

38:35

lyrical bits uh to you know those punch

38:39

lines where he really obviously really

38:41

really wanted those [ __ ] punch lines

38:43

to hit the a minor line so on and so

38:46

forth um that this this is deadly this

38:50

is deadly he is not letting up and

38:52

[Music]

38:54

um look again you know I'll I'll I'll

38:57

give Drake credit where it's due and

39:00

it's it's never going to make a

39:01

difference no matter how many times I

39:03

sort of say you know he's made some

39:05

formidable responses so far uh you know

39:08

his his fans are gonna be like you hate

39:09

Drake you're no this man hates [ __ ]

39:12

Drake I don't ever want to be called a

39:14

drake hater again this this man is a

39:17

drake hater this this is the this is the

39:20

ultimate Drake hater if somebody is not

39:23

if somebody isn't showing this level of

39:25

hatred to Drake they're they're not a

39:28

drake hater they're probably a Drake

39:29

criticizer they they might be Drake

39:32

skeptic maybe they're Drake

39:34

neutral but this is Drake Hate This is

39:37

Drake Hate on a level that we've never

39:39

seen

39:40

before never ever in any of our

39:43

lifetimes have we seen Drake haate on

39:46

this level this is Drake Hate and uh you

39:50

know again I'll say I thought I thought

39:51

push-ups had some funny bars on it uh

39:54

Drake did well on that track considering

39:56

he had multiple people to respond to uh

39:59

Family Matters had some devastating bits

40:01

in it I thought the three sections were

40:06

a little bloated he was responding to

40:08

too many people uh and it could have

40:10

been more hard-hitting more focused more

40:12

Punchy but it had its moments for sure

40:15

but th those tracks are not on this

40:17

level and he's also not working at this

40:20

consistency even even

40:23

with the ghost riters himself 40 and

40:27

whoever else the [ __ ] he has that may be

40:31

out somewhere in the world trying to dig

40:33

up dirt he's he's not working at this

40:36

speed this is not his Pace Kendrick is

40:38

somehow somehow I'm Blown Away by it

40:42

he's somehow outpacing the guy he's

40:44

somehow outpacing the guy