Drake - Push Ups (KENDRICK LAMAR DISS) | FIRST REACTION

VibeVilla
14 Apr 202422:52

Summary

TLDRThe transcript appears to be a discussion about a rap feud involving Drake, Kendrick Lamar, and other artists. It covers the reactions to leaked tracks, interpretations of lyrics, and speculations on the motivations behind the release strategies. The conversation also touches on the potential implications of certain lines, the artists' relationships, and the overall impact on the rap community.

Takeaways

  • 🎤 The discussion revolves around the release and impact of a song or diss track, which initially leaked and was later confirmed by reputable sources.
  • 🔥 The participants express excitement and anticipation for the ongoing rap feud, particularly between Drake and Kendrick Lamar.
  • 🤔 There's speculation about the intentionality behind the song's leak, with some suggesting it was a strategic move to gauge public reaction.
  • 🎶 The song's lyrics are analyzed in detail, with various lines being interpreted as references to other artists, producers, and events in the music industry.
  • 🏆 There's a focus on chart success and the contributions of different artists to each other's achievements, with mentions of number one hits and collaborations.
  • 💬 The conversation touches on the personal aspects of the feud, including mentions of artists' family members and personal lives.
  • 👊 The participants discuss the potential responses from the artists involved, predicting future moves in the feud and the possible escalation of the situation.
  • 🎥 There's mention of a related video that might be released, indicating that the feud might play out not just in music but also in visual content.
  • 🌐 The global reach of the artists is acknowledged, with references to their international popularity and tours.
  • 🚫 The conversation also includes critiques of certain artists' actions or statements, suggesting a complex web of relationships and tensions within the music community.

Q & A

  • What was the initial reaction to the release of the song mentioned in the transcript?

    -The initial reaction was that the song was leaked, and it was surprising for many. Reputable sites like Complex and others on social media started confirming the leak, which made people realize it was legitimate.

  • What does the speaker think about the strategy behind the song release?

    -The speaker speculates that the leak might have been calculated, done intentionally to check the vibes and the public's reaction.

  • What is the speaker's preference regarding the release of the song?

    -The speaker would have preferred an official release, possibly through OVO or a similar platform, rather than through a leak.

  • Which artists are mentioned as having possibly released other relevant content over the weekend?

    -Future and Kendrick Lamar are mentioned as having released other relevant content around the same time.

  • What is the significance of the mention of 'Blue Jays' in the transcript?

    -The 'Blue Jays' mention likely refers to Drake's connection to the Toronto Blue Jays, a Canadian Major League Baseball team, highlighting his association with the team and possibly his return to prominence or relevance.

  • What is the context behind the mention of 'Everybody DJ Hook' and '50' in the transcript?

    -The mention of 'Everybody DJ Hook' and '50' refers to the involvement of DJ Hook in the music scene during the era when 50 Cent was prominent, indicating a discussion about the influence and dynamics of music producers and DJs in the industry.

  • What does the speaker imply when mentioning 'scissor' and '21 Savage'?

    -The speaker implies a competitive or confrontational situation, suggesting that 'scissor' might have an advantage or upper hand in a conflict or rivalry with '21 Savage'.

  • What is the significance of the mention of 'Metro' and 'drums' in the transcript?

    -The mention of 'Metro' and 'drums' likely refers to Metro Boomin, a well-known music producer known for his work on beats in the hip-hop industry. The speaker suggests that Metro might need to create an exceptionally hard beat in response to some challenge or situation.

  • What is the meaning behind the phrase 'shut up and dribble' as used in the transcript?

    -The phrase 'shut up and dribble' is a directive for someone to stop talking or arguing and to focus on their role or skills, often used in the context of sports but here possibly referring to someone's role in the music industry.

  • What is the significance of the mention of 'Prince' and 'King' in the transcript?

    -The mention of 'Prince' and 'King' is likely a metaphorical reference to hierarchical relationships or status in the music industry, possibly indicating a power dynamic or a comparison between different artists.

  • What does the speaker imply when mentioning 'the Bodyguard' in the context of Whitney?

    -The speaker implies a connection between Whitney Houston's role in the film 'The Bodyguard' and a potential situation or rumor involving Kendrick Lamar's wife, Whitney. It's suggested that there might be some underlying story or gossip related to this.

Outlines

00:00

🎤 Discussion on Music Leaks and Industry Speculations

The paragraph begins with a discussion on the nature of music leaks, specifically focusing on a particular instance where a song by Drake and Kendrick Lamar was leaked. The speaker expresses their belief that the leak might have been calculated to gauge public reaction. They also touch upon the official release they would have preferred and the impact of the leak on their perception of the song. The conversation then shifts to the anticipation of an upcoming video release, with speculations on the potential content and the artists involved.

05:01

🤔 Analyzing Lyrics and Dissecting Artist Motives

This paragraph delves into a detailed analysis of song lyrics, discussing the possible meanings and intentions behind specific lines. The speaker and their companion engage in a back-and-forth conversation, interpreting the lyrics and hypothesizing about the artists' motivations. They discuss the potential implications of certain lines, such as references to contracts, physical fitness, and the use of metaphors. The conversation also includes speculations on the artists' personal lives and professional relationships within the music industry.

10:04

🎶 Reflecting on Industry Influence and Managerial Roles

The focus of this paragraph is on the influence of managers and producers in the music industry. The speaker discusses the role of a particular manager and the impact of their actions on the artists' careers. They also touch upon the dynamics between different artists and their teams, highlighting the competitive nature of the industry. The conversation includes references to specific incidents and interactions between artists, providing insight into the complex relationships that shape the music scene.

15:09

🔥 Breakdown of Rap Lyrics and Their Underlying Messages

In this paragraph, the speaker provides a comprehensive breakdown of rap lyrics, exploring the deeper meanings and potential targets of the verses. They discuss the use of metaphors, references to other artists, and the possible intentions behind certain lines. The conversation also includes speculations on the artists' personal feelings and their views on the industry. The speaker emphasizes the complexity of the lyrics and the layers of meaning that they convey.

20:12

💬 The Art of Rap Disses and Subtleties in Lyrics

The paragraph revolves around the art of rap disses and the subtleties involved in crafting lyrics that can be directed at various targets. The speaker analyzes the lyrics line by line, discussing the possible references to other artists and the subtext behind the words. They also consider the potential reactions from those being targeted and the impact such disses can have on the artists' reputations and relationships within the industry. The conversation highlights the intricate nature of rap lyrics and the skill required to craft meaningful and impactful verses.

Mindmap

Keywords

💡Leak

In the context of the video, 'leak' refers to the unauthorized release or circulation of a piece of music or information before its intended official release. This is seen as a negative occurrence by some, as it can impact the artist's carefully planned release strategy. In the script, the discussion revolves around a song that was leaked, causing a buzz and prompting reactions from various parties in the music industry.

💡Reputable sites

Refers to well-established and respected online platforms or media outlets that are known for their credibility and reliability in providing news or information. In the video, these sites play a role in validating the authenticity of the leaked song, thereby influencing public perception and the song's reception.

💡Braun

In the context of the video, Braun likely refers to a music producer or someone involved in the music industry who has influence or relevance. The mention of Braun tweeting about the song suggests his role in the industry and the impact of his social media presence on the song's promotion.

💡Fire Emojis

Fire emojis are often used in social media and online communication to express enthusiasm, excitement, or to signify that something is highly impressive or of high quality. In the video, the use of fire emojis in relation to the song indicates a positive and strong reaction to its content.

💡Drake

Drake is a Canadian rapper, singer, songwriter, and actor who is one of the most prominent figures in the music industry today. In the video, Drake is a central figure, with the discussion focusing on his actions and reactions to the song's release and the subsequent industry response.

💡Kendrick Lamar

Kendrick Lamar is an American rapper and songwriter known for his profound lyricism and storytelling. In the video, Kendrick Lamar is another key artist referenced, with speculation about his potential response to the song and his involvement in the unfolding narrative.

💡Speculation

Speculation in this context refers to the act of forming opinions or theories about the situation based on incomplete information or conjecture. It is a common element in discussions surrounding high-profile events, such as the release of a leaked song, where not all details are known.

💡Official Release

An official release refers to the planned and deliberate distribution of music or other media content by the artist or their record label. It is typically accompanied by marketing and promotional efforts. In the video, the term is used to contrast the unauthorized leak with the preferred method of making the song available to the public.

💡Vibes

In the context of the video, 'vibes' refers to the emotional or atmospheric quality associated with a piece of music or an event. It is a subjective term used to describe the feeling or mood that is conveyed, which can significantly influence the reception and perception of the music.

💡Blue Jays

In this context, 'Blue Jays' likely refers to the Toronto Blue Jays, a professional baseball team based in Toronto, Canada. The mention of the Blue Jays could be a cultural reference or a metaphor related to the discussion, possibly indicating a sense of pride or affiliation with the team, or it could be a symbolic representation of a certain attitude or approach.

💡Tokyo

Tokyo is the capital city of Japan and a global center for culture, fashion, and technology. In the video, mentioning Tokyo could signify a reference to the international reach and popularity of the music or artists being discussed, indicating their global influence and fan base.

Highlights

The discussion revolves around the release of a highly anticipated music piece that initially leaked, causing a stir among fans and reputable sites like Complex.

The confirmation of the music piece's legitimacy comes when prominent figures like Braun tweet about it, using fire emojis and an owl symbol.

There's speculation that the initial leak might have been a calculated move to gauge public reaction and manage expectations.

The conversation includes a preference for an official release, suggesting that the impact could have been even greater with a strategic rollout.

Mention of other relevant music releases over the weekend, indicating a busy period in the music industry.

A reference to a music video about Drake that is expected to drop soon, hinting at the influence of visual content in the music industry.

Discussion of the impact of music producer 'Kid' and DJ 'Hook' during the era of 50 Cent's popularity.

The mention of an artist's preference for being in Japan due to their popularity there, highlighting the global reach and varying degrees of fame among artists.

A lyrical analysis of a song that suggests a strategic split of profits and a potential power dynamic between artists and their labels.

The interpretation of lyrics as a commentary on the physicality and discipline of an artist, with references to push-ups and calisthenics.

The mention of 'Metro' and the challenge faced by producers when responding to lyrical disses, as they must craft a musical response rather than a verbal one.

A discussion on the significance of the title 'Prince' and its implications when used in comparison to 'King', potentially referring to the late Michael Jackson and his son Prince.

The mention of a song that is seen as not starting a beef but rather escalating one that had been brewing for some time.

An analysis of the strategic timing of music releases, with some artists benefiting from the element of surprise or the avoidance of direct competition.

The impact of personal relationships and rumors on the music industry, with a specific mention of a rumored date between Drake and another artist's ex-partner.

The anticipation of a response from Kendrick Lamar, setting the stage for a potential back-and-forth exchange in the public eye.

The exploration of the layers and depth within lyrics, suggesting that initial interpretations may not capture the full intent or message of the artist.

A reflection on the role of social media in the music industry, particularly how Twitter interactions can influence public perception and the narrative around artistic disputes.

Transcripts

00:01

yeser oh

00:04

[ __ ]

00:07

yeser Rick Ross respond to you yeah yeah

00:11

bro

00:12

bro have it pulled up [ __ ] is getting

00:15

shooking up this this what we here for

00:17

right now when it first got announced

00:20

that it dropped it was like it was a

00:21

leak yeah and then um reputable sites

00:24

kind of confirmed it complex and stuff

00:26

were tweeting about it all that and then

00:29

uh when I I knew it was real was when

00:31

Braun when Braun tweeted two heavy

00:33

weights going at it and then he tweeted

00:35

a bunch of fire Emojis with the owl and

00:37

[ __ ] I was okay n this is it's legit

00:39

it's legit it's legit yeah [ __ ] it's

00:44

setting in now Drake and Kendrick are

00:46

really going to yeah okay but it it

00:50

sucks that it released it dropped as a

00:51

leak I would bro I think that was

00:54

calculated you think it was calculated

00:55

think it was calculated if it was that's

00:56

that's fire but I I don't know official

00:59

would have been fire that that would I

01:01

would have preferred that I don't know

01:02

if it's fire that cuz this is just

01:04

speculation on my part but I think I

01:07

think they leaked it to try to like

01:09

check the Vibes like check now I I I

01:11

would have preferred a official you know

01:15

dropped on OVO everything like official

01:17

release I came in with the Blue Jays

01:19

that's crazy yeah how you mean bro you

01:22

mean though you know I'm picking

01:24

sides oh [ __ ] um I don't know this video

01:28

is probably going to drop first cuz drop

01:30

his ASAP but uh there's some we we

01:33

checked out the other ones as well I

01:35

don't want to mention them cuz this

01:36

one's about this this videos about Drake

01:38

but we checked out some other stuff

01:40

that's relevant that dropped this this

01:41

weekend as well uh so if those end up

01:44

dropping after just know those were

01:46

recorded pre yeah pre Drake you know so

01:50

but yeah oh

01:52

[ __ ] let's

01:54

go take your back up it's been it's it's

01:57

been it's since since since did what he

02:02

[Music]

02:08

did bro he asked who kid what who kid

02:11

out the gate if you know anything about

02:13

G and it and that era when 50 was going

02:16

at Everybody DJ Hook was very much a

02:19

part of it so the off off the rip the

02:21

energy is all I thought it was boy

02:24

wonder that produced this is is who kid

02:27

a producer he's more of a DJ

02:30

yeah

02:31

[ __ ] yeah

02:34

[Music]

02:37

yeah fan your first number one I had to

02:39

put it in your hand you [ __ ] can't

02:41

get booked outside America F I'm out in

02:44

Tokyo because I'm big in

02:46

[Music]

02:50

Japan I want to I don't want to stop it

02:53

bro I I said we just run through it and

02:55

then check back after talk after check

02:57

back hopefully this don't get until

02:59

until unless is something like really

03:00

really crazy but the first few I think

03:03

is future it's I I think it's also the

03:05

weekend cuz he's always out in out there

03:07

in Japan I'm the H maker y on Backstage

03:11

in my city it was friend on you won't

03:13

never take no chain off of us how the

03:15

[ __ ] you B stepping with a size seven

03:17

man on this the with the bite [ __ ]

03:20

what's up I know my pict on the wall

03:22

when y cook up baby H you been up top

03:26

you give me lik of pushup your last one

03:30

brick you really not on [ __ ] they make

03:32

excuses for you cuz they hate to see me

03:34

lit pull your contract cuz we got to see

03:36

the split the way you doing splits [ __ ]

03:38

your pants might rip you better do that

03:40

[ __ ] show ins bitt Maron need a

03:43

verse you better make it witty then we

03:45

need a for the top say you better drop

03:48

and give them

03:53

50 got youp down got youp down Savage

03:56

got youp down like lab boy you in a

03:59

scope

04:00

[Music]

04:04

yeah we said we said we not going to

04:06

pause it unless it's something crazy a

04:07

few Crazy Ones pass bro the the dropping

04:10

give me 50 [ __ ] is crazy so drop your

04:13

music give me 50% of it like but also he

04:17

said scissor he said you can't be you

04:19

can't be big three because scissor got

04:20

you 21 Savage got you he said tra got

04:24

you as well wi down what nah bro the the

04:26

line hold on the inner scope aftermath

04:29

bars as well in the scope you going to

04:31

feel the aftermath or what I yeah man

04:34

say I know y'all got my picture up when

04:36

you cooking up and [ __ ] I'm y

04:38

inspiration y'all damn

04:40

yeah I handed you your first number one

04:43

yeah now the boy talking hold on hold up

04:46

hold up hold excuses for you cuz they

04:48

hate to see me lit pull your contract

04:50

cuz we got to see the split the way you

04:52

doing splits [ __ ]

04:55

yours the way you damn that's bro that's

04:59

actually crazy I don't even want to

05:00

speak about it too much the connotations

05:02

of it the way you doing splits the way

05:04

you do your splits your pants might rip

05:06

bro yeah like the way your contract is

05:10

set up the way the way your [ __ ] is

05:11

split up are you talking

05:15

about I don't even want to that's yeah

05:18

read between the lines please cuz

05:23

bro bro he saying the the the the the

05:26

split is favoring him so well that

05:31

nah I think he's

05:33

saying he's saying Kendrick is getting

05:36

yeah

05:37

yeah that's top top told you drop and

05:41

give me 50 likes on push-ups is tough

05:43

because like we said the drop give 50%

05:46

but also Kendrick was in the park

05:48

remember that that video of him in the

05:50

park doing the I see he does like he was

05:52

doing like not calisthenics but he was

05:54

doing like push-ups and and [ __ ] like

05:56

there a viral video of Kendrick doing so

05:59

dropping give me lik pushups relates to

06:01

that as

06:07

well better make

06:12

we

06:15

better pip sque pipe down you ain't in

06:17

no big sciss got you WIP down Travis got

06:20

you WIP down Savage got you wiped down

06:22

like your label boy you in a scope right

06:24

now and you going to feel the ad after

06:26

what I write down I'm at the top of the

06:29

mountain so you tight now just talk with

06:31

your ass I had toight down big

06:33

difference between M then and M now what

06:36

the [ __ ] is this a 20 V [ __ ] what's a

06:39

prince to a King a [ __ ] get more in

06:42

city that [ __ ] Metro shut your ass up

06:45

and make some

06:50

Dr you got pause it bro that was [ __ ]

06:54

say sit your ass down and make some

06:57

drums [ __ ] he that's so crazy br how

07:00

much work Metro put in and the man just

07:03

go sh the crazy part is Metro don't even

07:06

rap so he can't even can't even respond

07:09

with with words it's mute bro he got to

07:11

go make the hardest beat of his life and

07:13

[ __ ] that's I feel like that's someone

07:15

say yo shut up and play and dribble the

07:17

ball yeah shut up and dribble type

07:19

[ __ ] that's F what's a prince to a King

07:23

a son

07:25

[ __ ] Prince Mike Jack Michael Jackson's

07:28

the King of Pop mhm but Michael

07:30

Jackson's son is named prince prince

07:33

true bro he he also said what's what's

07:36

Mike Jack what's Michael Jackson then to

07:39

Michael Jackson now or something like

07:40

that I need to catch

07:48

that

07:49

[Music]

07:51

andu [ __ ] what's

07:53

Ace

07:56

[ __ ] [ __ ] N I get

07:59

in the city that you from he said what

08:02

the [ __ ] is this a 20 V1 like 20 versus

08:04

one 20 of Y

08:06

[ __ ] at me shut your ass up and make

08:09

some drums [ __ ] yeah I'm the six God

08:12

I'm the frun Y [ __ ] manager was CH

08:15

little Runner CER six and you boys ain't

08:17

even come from it and when you boys got

08:19

rich you had a run from it cash blowing

08:22

a bread out here tricking

08:25

weig jet

08:28

ch spinning like you trying to [ __ ] boy

08:30

you tripping boy you tripping Drizzy

08:32

chipping down probably got your bit I

08:34

just got them done boy don't make me at

08:36

the chiping na rolling loud stage I

08:38

would turn that was slick as hell sh

08:39

have probably changed if it start the

08:41

kiss and tell hugs and kisses man don't

08:43

tell me about no I be rocking every

08:45

[ __ ] CH buy I be with some

08:50

likey your little [ __ ] ass better

08:53

[ __ ] drop and give me 50

08:55

[ __ ] drop and give me 50 [ __ ] me

08:59

talking like I'm [ __ ] me

09:06

out hey bro he mentioned Kendrick's wife

09:10

I didn't even hear that Whitney or

09:12

Whitney said Whitney that's probably

09:14

along the lines where he was saying

09:15

wicked wicked wicked as well bro n that

09:18

that sounds like it's a reference to

09:20

something wicked wicked wicked bro hold

09:22

on bro hold on cuz there is so much cuz

09:25

we said we're not trying to pause it too

09:26

too much but that that that [ __ ] it

09:28

sounds like

09:30

but he's I think he's also saying that

09:32

the man rocks with men the [ __ ] the [ __ ]

09:36

we do for [ __ ] you do yeah he whips

09:39

he cash is spending all his bread I

09:42

agree with you that some of this [ __ ]

09:44

sounds like casual but when you really

09:47

when you deep what he's saying bro it's

09:49

it's it it's getting spooky bro [ __ ] we

09:51

do for [ __ ] you doing for

09:54

[ __ ] chains whips Planes hey man who

09:58

he said was chub little blunt Runner

10:00

this that [ __ ] said he was that was my

10:03

your your road manager or something yeah

10:05

was CH blunt Runner and [ __ ] damn bro

10:08

I'm the I'm the [ __ ] manager

10:13

was and you Bo Ain

10:23

evenig jet wh chain

10:25

wi spinning like you trying to [ __ ] boy

10:28

you tripping boy you tripping Drizzy CH

10:30

got B I just goty make me the CH rolling

10:35

stage turnig said don't let me have to

10:38

chip a he said I just got him done don't

10:40

make me have to chip

10:42

a how this [ __ ] say that sh make it

10:46

like yeah bro

10:52

like boy don't make me at the CH rolling

10:55

stage I would turn that was slick as

10:57

hell shit'll probably Chang if it being

10:59

start to kiss and tell hugs and kisses

11:01

man don't tell me about no switches I'll

11:02

be rocking every [ __ ] chain I own

11:04

next busy hey I'll be with some

11:06

bodyguards

11:09

like I be with some bodyguards like

11:12

Whitney Whitney had that movie Bodyguard

11:16

Whitney Houston that's a good that's a

11:18

good catch but Kendrick's wife's name is

11:20

Whitney yeah I be with that but them

11:24

move hey what is he saying there bro hey

11:28

cuz remember the last time the man went

11:30

and mentioned somebody's wife bro that

11:33

[ __ ] responded with some Drake said I

11:36

don't give a [ __ ] like I'll do it

11:40

again and I'll do it

11:42

again n hey bro the hugs and kisses part

11:47

is tough too because xoo yeah

11:52

yeah change if it being start to kiss

11:54

and tell hugs and kisses man don't tell

11:56

me about no switches I be rocking every

11:58

[ __ ] ch our own next I be with some

12:01

bodys like Whitney to Dr your little

12:04

[ __ ] ass better

12:08

[Music]

12:26

[ __ ] ho Rick Ross yeah yeah I got

12:30

that I got that cuffing like he Ricky

12:33

Rick Ross is in the office and [ __ ] um I

12:36

don't know why he jumping in he turning

12:38

50 that's a bar you know 50 is known to

12:42

jump like 50 Cent is known to Jumping

12:43

but he's saying like he's about to turn

12:45

he's getting old like you jump no jump

12:47

in bro said every number every time you

12:50

charted that was

12:52

me that was and it's it's not it's not

12:55

it's not like a lie he's not wrong it's

12:57

not a lie at one point I thought these

12:59

[ __ ] going to make an album together

13:01

Hey listen dog I can't wait to hear the

13:03

Rick Ross is too

13:04

[Music]

13:06

bro [ __ ] really got me out here

13:09

talking like I'm [ __ ] really got me

13:11

out here I'm I might take it late girl

13:14

like I'm Ricky can't believe he jumping

13:16

in this [ __ ] turning 50 every song that

13:19

made it on the chart he got from Drizzy

13:20

spend that little check you got to stay

13:22

about my business [ __ ] shout out to the

13:24

Hooper that be busting out the gritty we

13:26

know why you mad [ __ ] I ain't even

13:28

tripping all that

13:36

who's who's the ball you talking who

13:38

does the gritty is it yeah but I don't

13:40

know what beef they have n said shout

13:42

out to you

13:44

but shout out to the Hooper that be

13:46

busting out the gritty we know why you

13:48

mad [ __ ] I ain't even tripping all that

13:50

little hard broken Twitter [ __ ] for

13:55

[ __ ] all the top

13:59

with us this sh being in a pot now

14:01

heating up I don't care what C think

14:03

that dot [ __ ] was weak as [ __ ] champag

14:05

tripping he is not [ __ ] EAS up [ __ ]

14:07

calling top to see if top want to piece

14:09

it up top want to piece it up top want

14:12

to piece It Up N [ __ ] now you on your

14:14

own when you speaking you this not

14:17

[ __ ]

14:19

deeping us I'm

14:22

out [ __ ] crazy bro the [ __ ] song

14:25

y'all got did not start the beef with us

14:28

the [ __ ] been brewing up bro from time

14:30

he even said that Brewing up in the pot

14:33

heating up bro talk to Cole bro I don't

14:36

give a [ __ ] what that [ __ ] said I'm

14:37

about to

14:39

hey that dot [ __ ] weak as was weak as

14:44

[ __ ] [ __ ] said I said what I said yo

14:47

Cole look hey let me not say that cuz he

14:49

might he might he might go back in hold

14:51

on Cole's not going back in

14:53

[ __ ]

14:58

Back I don't care what Co think that do

15:00

[ __ ] was champ tripping he is not

15:03

[ __ ] EAS up [ __ ] calling top to see

15:08

[Music]

15:16

top

15:18

[Music]

15:22

usep your show Money merch money us

15:25

I'mma let you [ __ ] it out because I

15:27

seen enough this ain't even everything I

15:29

know the demon up this ain't even

15:31

everything I demon

15:33

up Fu nigas teing

15:38

up wait wait wait

15:47

[Music]

15:50

more [ __ ] said I can sing on this [ __ ]

15:54

hey that's cold bro that's cold bro

15:57

let's I was really trying to keep it pey

16:00

bro bro there was an academic sample

16:03

yeah what top five you smoking on

16:06

Kendrick yeah but first thing Cole's

16:09

lucky that's all he got that's all he

16:11

Cole's lucky that's all he got bro [ __ ]

16:14

sound almost disappointed bro like [ __ ]

16:18

I don't care that was that [ __ ] was weak

16:20

as [ __ ] I want to get ahead of this cuz

16:21

I know some people gonna be saying that

16:22

cuz we had issue when Cole said uh um

16:27

the [ __ ] was tragic and [ __ ] was gas and

16:29

it was uh put [ __ ] to sleep all that

16:31

yeah we had issue with that because we

16:34

could just tell cold didn't mean that

16:36

[ __ ] you didn't feel that way

16:37

no not the same not the same bro going

16:42

to get so much plays like back to back

16:43

bro it it's giv that hit this track type

16:48

[ __ ] that might even chart I feel like

16:50

it's the type of thing where you run it

16:52

back you catch more [ __ ] off cuz I feel

16:54

like the the way the way it's delivered

16:57

the beat and everything gives the

16:59

impression that it's just like a surface

17:01

level thing it's really not bro like

17:03

there's layers to it ASAP is lucky he he

17:06

dropped Friday and not earlier cuz he

17:09

would have got he gonna get his bro what

17:10

he going to get he going to get his so

17:12

who got hit in this at the weekend

17:13

weekend got hit his crew got hit to uhri

17:16

obviously Kendrick definitely got it

17:18

future future Metro got his directly

17:21

like one line go hand delivered like go

17:25

work on them drums bro Rick Ross did we

17:27

say Rick Ross already Rick Ross Rick

17:28

Ross

17:30

damn bro managers yeah the top dog bro

17:34

[ __ ] want to piece it up like n I'll

17:37

say Cole got it too because he didn't

17:39

really dis Cole but the way he disagreed

17:42

with him was like hey [ __ ] all

17:44

right take a breather like you want to

17:47

be in this you're not built for this

17:48

like so cool like so I would even say

17:50

Cole got it too bro that [ __ ] say that

17:53

was weak as [ __ ] yeah yeah Cole how does

17:57

Cole feel here in that [ __ ] bro I always

18:00

want to know this this makes it more I

18:02

don't know I feel like this makes what

18:04

Cole did even more disappointing and it

18:06

makes Cole look even worse it's just

18:08

like

18:09

bro I don't know but let's let's not

18:12

talk about Cole bro I can't wait to dive

18:13

into lyrics that's that's what I'm

18:15

trying let's let's run the lyrics and

18:17

then uh let's uh run it back one more

18:19

time after [ __ ] said how the [ __ ] you

18:21

big stepping with a size seven men's on

18:24

that's wild now he he went at Kendrick

18:26

on that level a few times on his

18:28

appearance yeah said pip squeak pipe

18:30

down yeah called him I swear you called

18:33

him a [ __ ] [ __ ] yeah like yeah bro

18:35

all that [ __ ] all right let's let's run

18:36

through it I could never be nobody

18:39

number one fan first number one I had to

18:41

put it in your hand bro that's that's

18:43

our future way too sexy was futes first

18:46

number

18:47

one I feel the 20 V1 [ __ ]

18:50

so the way you delivered it like what

18:53

the [ __ ] is this like a 20 V1 [ __ ] like

18:56

damn bro what every n was coming at the

18:59

bird where y'all come from yeah I feel

19:01

it and then this line what's a prince to

19:03

a King he a son [ __ ] that's tough you

19:07

my son you talking about Prince you

19:09

talking so boldly about Prince as if

19:12

he's better or rated higher or seen

19:15

higher than Mike [ __ ] man said don't

19:17

just got him done boy don't make me have

19:19

to chip

19:21

with that's some sassy [ __ ] bro it is

19:24

that's some s it is but how he delivered

19:27

it made it seem not as sassy as it is

19:30

just reading it yeah yeah yeah this part

19:32

I just read as cold too because I did

19:34

see this Pusher tweet because someone

19:36

tweeted that um all this mob talk that

19:38

Drizzy been on and push never been

19:40

touched and then push quote tweeted it

19:43

and was like not even a pinky nail and

19:45

so now Drake says don't let me have to

19:47

chip a nail oh yeah this what I wanted

19:49

to get toching chains and burning

19:51

tattoos I be I be with some body guards

19:53

like

19:53

Whitney

19:56

so uh yeah so Whitney Houston starting

19:59

the that was a good catch bro uh Whitney

20:01

Houston in the film The Bodyguard uh jab

20:05

at Whitney Alfred the wife at Kendrick

20:08

Lamar nah [ __ ] Kendrick is coming back

20:12

oh that was that was gonna happen

20:13

regardless

20:15

now I it's just settled in that this

20:17

[ __ ] said his wife BR nah bro nah it's

20:20

up it's up now but what what is he

20:24

saying with that though like body is he

20:26

saying is he saying what I think he's

20:27

saying I be with some bodyguards like

20:29

like Whitney like is he saying Whitney

20:32

Kendrick's wife was with some

20:36

bodyguards cuz there's rumors of certain

20:40

celebrities these are just

20:42

rumors doing stuff with the bodyguards

20:45

in certain cases I don't know if this

20:47

happened with Kendrick's woman I don't

20:49

know I'm just I'm trying to make sense

20:51

of the line like i' be with some

20:53

bodyguards like Whitney bro I mean apart

20:56

from the obvious like he has security

20:59

yeah but why why would he say I be with

21:03

unless it's just to make the bar the

21:04

Whitney Houston The Bodyguard like but I

21:06

don't think Dr doesn't strike me as just

21:09

to make the bar type [ __ ] like that's

21:11

like a

21:12

triple I want to I want to get to this

21:14

gritty [ __ ] what he got what beef he got

21:16

with John Mor hold on oh the reason Mor

21:18

may have picked a side with Metro is

21:20

that Drake was rumored to have gone on a

21:22

date with ja's ex-girlfriend damn bro

21:24

over a woman

21:26

again Dr makes fun of for being

21:29

heartbroken and run his mouth on Twitter

21:30

damn bro [ __ ] if if if Drake don't [ __ ]

21:34

if if they not friends and that's his ex

21:37

but yo J J's a young boy bro so that's

21:41

his ex I don't know that [ __ ] Drake go

21:42

Let Him Live bro he young he don't know

21:44

enough then don't get it it oh he

21:45

mentioned Ka that I didn't hear that

21:48

begging Ka that boy you not [ __ ]

21:50

beating us who's begging Ka that oh is

21:52

this for

21:54

Kanye oh

21:57

yeah oh yeah in here go Kanye got it too

22:00

facts facts facts he snuck a little of

22:02

course he going to sneak something for

22:03

Kanye in there that was funny that was a

22:05

that was a crazy interaction with Kanye

22:07

and Ka and that then these last few

22:09

crazy number wise I'm out of here you

22:11

not [ __ ] creep MoneyWise I'm out of

22:14

here you not [ __ ] sneaking up

22:16

so progress in the beef yeah I'm liking

22:20

it I'm happy if this is legit which is

22:22

seems to be n it's legit bro um it's

22:24

legit Kendrick it's it's your turn and

22:27

whoever else

22:29

this is this round one or are we saying

22:31

the Kendrick [ __ ] was like the that was

22:33

the spark the spark and then now Drake

22:35

started off round one and then got to

22:38

respond got respond yeah cuz this is a

22:40

whole dis yeah we can't we can't compare

22:43

this to the just the little verse from

22:44

kendri so I would say this is like the

22:46

first one and then Kendrick gonna

22:48

respond with his yeah yeah let's go

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