J COLE AIN'T DISSAPOINT | J. Cole - 7 Minute Drill (Official Audio) | DISSECTED

LawTWINZ
5 Apr 202416:53

Summary

TLDRThe transcript appears to be a dialogue or lyrics from a rap battle or discussion, involving prominent figures in the music industry such as Drake, Cole, and Kendrick Lamar. It contains references to their music, public personas, and interactions, with a competitive tone and a series of challenges and responses. The language is colloquial and includes slang, indicating a casual and confrontational style typical of rap culture.

Takeaways

  • đŸŽ™ïž The speaker is engaged in a detailed discussion about a rap battle, dissecting lines and addressing various aspects of the lyrics.
  • 💌 There is a mention of receiving mail from DC University, indicating an educational connection or metaphor.
  • đŸ„Š The script references a potential or ongoing conflict involving artists like Cole, Drake, and Kendrick Lamar, with a focus on their responses and actions.
  • đŸŽ¶ The importance of timing and strategy in rap battles is highlighted, with references to waiting for the right moment to deliver a powerful verse.
  • 🏆 The concept of 'classic' and 'tragic' works is brought up, discussing the evolution and reception of an artist's discography over time.
  • đŸ€Œâ€â™‚ïž There's an emphasis on the competitive nature of the rap industry, with artists striving to outdo each other and claim the 'greatest of all time' title.
  • 🚹 The speaker discusses the anticipation and pressure of being in the public eye, particularly in the context of rap feuds and public reactions.
  • 📈 The business side of rap is touched upon, with a mention of the impact of record sales and the industry's financial aspects.
  • đŸ”„ The script includes various metaphors and imagery related to warfare, sports, and other competitive scenarios to describe the rap battle dynamics.
  • đŸŽ„ The speaker is conscious of their public image and how they are perceived, especially in the context of media and fan reactions.
  • 🌐 The global reach and influence of rap music and culture are acknowledged, with references to international recognition and impact.

Q & A

  • What is the main theme of the transcript?

    -The main theme of the transcript revolves around a discussion of rap lyrics, artist responses, and the dynamics of rap culture, particularly focusing on the interactions and perceived challenges between the artists mentioned.

  • Who are the primary artists mentioned in the transcript?

    -The primary artists mentioned in the transcript are Kendrick Lamar, J. Cole, and Drake.

  • What is the significance of the phrase 'light work like it's PWC'?

    -The phrase 'light work like it's PWC' is used metaphorically to describe the ease with which the artist can outperform their rivals, with 'PWC' possibly standing for 'Power Windows Cold' or another phrase relevant to the context.

  • What is the context of the discussion about 'heat under your seat'?

    -The context of 'heat under your seat' refers to the artist's preference for maintaining a certain level of comfort or readiness, possibly implying a state of preparedness for competition or confrontation.

  • What does the phrase 'reduced to glass dick' mean in this context?

    -In this context, 'reduced to glass dick' is a metaphorical way of saying someone has been diminished or outperformed, possibly in terms of their rap skills or status within the culture.

  • Why does the speaker mention 'every 30 months' in relation to 21 Savage?

    -The speaker mentions 'every 30 months' to highlight the infrequency of 21 Savage's releases compared to more active artists, using this as a point of comparison to discuss the different approaches to releasing music and their impact on the rap scene.

  • What is the significance of the 'New Jack City' reference?

    -The 'New Jack City' reference is likely used to evoke the themes of the movie, which include street life and criminal activity, as a metaphor for the competitive nature of the rap industry and the struggles artists face.

  • How does the speaker use the term 'G money'?

    -The term 'G money' is used to refer to a large sum of money, possibly in the context of the financial success of the artists or the business aspects of the rap industry.

  • What is the 'warning shot' metaphor referring to?

    -The 'warning shot' metaphor refers to a preliminary action or statement intended to alert or caution someone, in this case, possibly signaling a forthcoming response or challenge in the rap feud.

  • What does the phrase 'swatting a fly' signify?

    -The phrase 'swatting a fly' signifies an easy or effortless victory, used here to express the speaker's confidence in their ability to outperform or outrap their opponent.

Outlines

00:00

đŸŽ€ Rap Battle: Dissecting the Lyrics and Underlying Tensions

This paragraph revolves around a heated rap battle, with the speaker dissecting lines and addressing the dynamics between artists. The speaker references specific incidents, such as mail received at DC University and the anticipation of a response from Cole. There's a mention of Drake and a warning against joining the conflict without understanding the consequences. The speaker also talks about the power of a single punch and the risk of getting involved in a fight. The paragraph ends with an acknowledgment of the audience and a teaser for what's to come, hinting at a 7-minute drill and a reference to a Metro beat.

05:01

đŸ„Š Lyrical Sparring: The Art of Trading Bars and Personal Shots

The second paragraph delves deeper into the rap battle, with the speaker reflecting on the impact of their lyrics. They mention the classic nature of their first work and the tragic reception of their last, indicating a self-awareness of their artistic journey. The speaker also addresses a perceived lack of competition, comparing themselves to Jordan and discussing a past encounter with Drake. The paragraph highlights the speaker's confidence in their rap skills, their organic approach to creating content, and their disdain for controversy. The speaker also touches on the frequency of their impactful verses, comparing themselves to other artists like 21 Savage.

10:02

💰 Business and Beef: The Intersection of Rap and Personal Struggles

This paragraph focuses on the business side of rap and the personal struggles that come with it. The speaker discusses the financial aspect of their career, mentioning a $50 million business and the pressure to maintain success. They also address the challenges of staying relevant and the impact of their actions on their reputation. The speaker reflects on the advice they received to avoid henchmen and the consequences of their choices. The paragraph ends with a call for peace but acknowledges the readiness for conflict, showcasing the speaker's complex feelings towards their rap career and the industry.

15:05

🚹 Warning Shots: Anticipating the Next Move in the Rap Feud

The final paragraph is a mix of anticipation and reflection on the ongoing rap feud. The speaker expresses their love for rap and the excitement of the battle, while also acknowledging the potential for escalation. They mention a warning shot and the expectation of a response from Kendrick, indicating a high-stakes situation. The speaker also talks about their own readiness and the pressure on Kendrick to deliver a strong comeback. The paragraph concludes with a reminder of the speaker's initial prediction about Cole's response and a final jab at Kendrick, emphasizing the competitive nature of their interaction.

Mindmap

Keywords

💡Dissect

The term 'dissect' in this context refers to the process of analyzing or breaking down a complex subject or piece of content into its smaller, more manageable parts. In the video, it is used to describe the speaker's intent to thoroughly examine and discuss the lyrics or events being referenced. An example from the script is 'I gotta really dissect line by', which indicates a detailed analysis of song lyrics.

💡Law Chat

The phrase 'Law Chat' likely refers to a conversation or discussion related to legal matters or the rap community's dynamics, given the context of the script. It could also be a reference to a specific segment or show where legal topics are discussed. The term is used to set the stage for the type of dialogue the speaker is engaging in, which is informal and related to the law or legal issues.

💡Drake

Drake is a Canadian rapper, singer, and actor who is mentioned in the script. In the context of the video, his name is used to reference a potential or past interaction or conflict with another artist, possibly in a rap battle or disagreement. The mention of Drake is part of the narrative where the speaker discusses various artists and their actions within the music industry.

💡PWC

PWC, in this context, appears to be a metaphorical or slang term used by the speaker. It is likely a reference to a certain attitude, approach, or style that the speaker is associating with the phrase 'light work'. The exact meaning is not clear without additional context, but it is used to emphasize the speaker's point about work ethic or performance in their field.

💡Heat Under Your Seat

The phrase 'heat under your seat' is a metaphor often used to describe a situation where someone feels pressure or anticipation, possibly due to an upcoming event or challenge. In the video, it is used to convey the speaker's feelings of being driven or motivated, as well as the urgency of the situation they are discussing.

💡Henchman

A 'henchman' typically refers to a follower or assistant, often in a criminal or adversarial context. In the script, the term is used metaphorically to discuss the speaker's stance on having support or backup in a conflict, emphasizing their preference to handle matters independently rather than relying on others.

💡The Simpsons

The Simpsons is a long-running American animated sitcom. In the script, it is used as a metaphor to discuss the trajectory of an artist's career, comparing the 'classic' early work to the 'tragic' later work, implying a decline in quality over time. This is part of the speaker's critique or commentary on the career of another artist.

💡Jurisdiction

Jurisdiction refers to the legal authority or power exercised by a court or other governing body. In the video, the term is humorously used to express the speaker's preference for staying within their own 'area of control' or 'influence', possibly referring to their comfort zone or the scope of their concerns.

💡Rebels

The term 'rebels' is used to describe individuals who resist authority or established order. In the context of the video, it could be referring to artists who challenge the status quo or go against the grain in the music industry. The mention of 'rebels' ties into the theme of conflict and competition within the rap community.

💡Business

In the context of the script, 'business' refers to the professional aspects of the music industry, such as contracts, deals, and the management of one's career. The speaker uses the term to advise focus on professional development rather than getting involved in disputes or conflicts that may detract from one's career progression.

💡Clinching

The term 'clinching' in this context is used to describe a decisive moment or action that secures a victory or advantage. It is often used in sports to refer to a final, critical move that ensures a win. In the script, it is metaphorically applied to the speaker's assertion of dominance or control in a situation, emphasizing their role in 'securing the win' or taking charge of a situation.

Highlights

The speaker mentions a 7-minute drill, indicating a focused and intense discussion or activity.

A phone call is referenced, suggesting a need for communication or a message being conveyed.

The concept of 'heat under your seat' is used metaphorically, possibly referring to maintaining a level of tension or readiness.

The phrase 'light work' is used in the context of PWC, which could be an acronym for a company or a concept.

The speaker expresses a dislike for cold, preferring warmth, which might symbolize a preference for positive or comfortable situations.

A reference to 'PwC' is made, which is likely a company or entity relevant to the discussion.

The speaker talks about 'clenching', which could be a metaphor for taking control or making decisive actions.

A mention of 'henchmen' and 'shots' suggests a discussion about power dynamics or conflict.

The speaker compares themselves to Muhammad Ali, indicating a high level of confidence or prowess.

A reference to 'The Simpsons' is used to discuss the concept of a classic start followed by a tragic end.

The phrase 'comfortable lead' is used, possibly indicating a secure position or advantage.

A discussion about 'Jordan' and comparisons to other individuals suggests a debate about status or greatness.

The speaker mentions 'never having to just wake up and say', indicating a preference for organic growth or development.

A mention of 'jurisdiction' suggests a discussion about authority or legal boundaries.

The phrase 'hard verse every 30 months' is used, possibly referring to the frequency of impactful or memorable contributions.

The speaker talks about '21 Savage', comparing their approach to a strategic and impactful style.

A reference to 'New Jack City' and 'glass dick' is made, indicating a discussion about resilience or toughness.

The concept of 'swatting a fly' is used metaphorically, possibly to describe dealing with a situation easily or effortlessly.

The speaker mentions '12 years' and '4 albums', indicating a discussion about time and productivity.

The phrase 'Biker Boys' is used, which could be a reference to a group or a metaphor for a certain type of behavior or lifestyle.

Transcripts

00:03

y'all know what the [ __ ] we about to do

00:05

I gotta like really dissect line by

00:07

[ __ ] law chat ah [ __ ] what's going on

00:11

law fam lay man it's your favorite to M

00:16

real twin yeah listen gang I only I

00:20

these only exist just in case a body got

00:22

to get carried out hey you know what we

00:24

got to do my [ __ ] ran straight hey Cen

00:28

said it he don't respond

00:30

did it oh my

00:33

God I ain't going to lie DC University

00:36

we did get the mail we got it man and I

00:39

knew Cole was coming back first I just

00:41

want y'all to know that I knew he would

00:43

be the first to respond and Drake don't

00:45

come around trying to jump in the fight

00:47

now don't jump in the fight because you

00:49

know how it be when one person throw a

00:51

punch and you see them you see them you

00:53

see them take a little blood off

00:55

somebody now you like oh I can get in

00:57

there that's when they want to pull the

00:58

back of your booty don't pull the back

01:00

of the hoodie Drake come on man and we

01:02

don't even we ain't even heard [ __ ] yet

01:04

hey appreciate y'all for staying tapped

01:06

in coming to the video and and hitting

01:08

us up like this [ __ ] drops sh this

01:09

[ __ ] everywhere come on man we

01:11

getting straight to it 7 minute drill

01:13

man let's go but it ain't even 7 minutes

01:19

though

01:21

yeah wait hold on he said you want to

01:23

come Metro beat I got

01:27

something yeah

01:31

turn it

01:33

up yeah turn the vo

01:36

up uh light work like it's PWC it's a

01:40

cold keep the heat under your seat I got

01:42

a phone call they say that it's a cold

01:46

world keep the heat under your seat I

01:48

never like the heat under my seat I

01:50

ain't going to lie lately lately how

01:52

cold it been [ __ ] I'm literally you

01:55

want your ass to be hot and your body to

01:57

be cold technically I can't do that

01:59

technically no but some warmth is better

02:02

than nothing I can't have my my ass what

02:06

the [ __ ] is PwC you you wanted to get

02:09

that bar didn't you yeah I wanted it too

02:11

what he said this light work like it's

02:13

PWC is that like a workout tape or some

02:16

[ __ ] what what the [ __ ] ISC I like that

02:19

you did that trying I like that but we

02:21

going to get straight to it man y'all

02:22

seen the intro we got to get every line

02:25

that might be a company company o and

02:29

that's what would make you light work

02:31

you see what I'm

02:32

saying hey but guess what though y'all

02:34

guess what though y'all we going to get

02:35

right back to it I a cap light work like

02:39

it's PWC it's a c keep the heat under

02:42

your seat I got a phone call they say

02:45

that

02:49

somebody hey you better have three what

02:51

he say [ __ ] the ex Stitch it better be

02:55

you better have three

02:57

switches yeah like not yeah first of all

03:02

you reduced that [ __ ] Kendrick to

03:03

somebody deing somebody I heard that

03:06

somebody Dent that hey Kendrick Lamar is

03:10

somebody any he light work like dwc oh

03:14

it's up I don't know oh yeah up I don't

03:15

know if the extension going to be enough

03:17

he said and they come with ext and they

03:19

come with extension talk to him come on

03:22

Cole come Germaine saying you want some

03:25

attention and come with extensions my

03:27

dog like say the word he on [ __ ] he

03:29

itching I'm putting so much work in

03:31

these streets he got pinch and I told

03:33

chill out how I look having henchman the

03:35

shots get the popping I'm the one doing

03:37

the clinching I can't wait a minute you

03:40

never it's all props Germaine he said

03:43

it's

03:44

all he

03:47

said it's all props Jermaine you not not

03:51

the clinching bro he said I'm doing I'm

03:53

the one doing the clinching what I look

03:55

like having henchmen if shots get the

03:57

popping I'mma Be the One That's

03:59

clinching my D I do my I do you myself

04:02

oh man really I pull out the gun didn't

04:05

do myself

04:06

n [ __ ] is on that with you K man hey K

04:11

this what you wanted I expected him to

04:13

come with this and we ain't even heard

04:15

[ __ ] yet for

04:19

real I in I'm

04:23

good but fell off like The Simpsons your

04:25

first [ __ ] was classic your last [ __ ]

04:27

was tragic your second [ __ ] put [ __ ]

04:29

asleep but they gased your third [ __ ]

04:31

was massive and that was your Prime I

04:33

was traing right behind and I just now

04:36

hit mine now I'm front of the line

04:43

with when you and Drake went out the

04:47

when y'all went out to the club y'all

04:49

didn't agree who was in the

04:51

lead who's the goat oh y'all went back

04:54

and forth Jake now you a comfortable

04:56

lead I give you I give your credit you

04:58

did say I'm I'm the you know or I feel

05:01

like Muhammad Ali I give you that but

05:03

there was no wait a

05:05

minute all right that's tough that's

05:08

tough but he just said that this [ __ ]

05:11

he said your first one was classic your

05:14

last one was tragic or something like

05:17

like it wasn't it your second one put

05:20

[ __ ] to sleep but they gassed it yeah

05:24

oh [ __ ] and then he said soon as I got

05:26

here now you want something with me hey

05:28

that's how it go that's tough that's how

05:30

it go I ain't going to lie that is how

05:32

it go though once them numbers get the

05:34

get the you get the look in it's like

05:35

all right get the maing once Bri get

05:38

where he get now it's Jordan yeah I

05:40

didn't ask you to put me with Jordan I

05:42

ain't say nothing about Jordan [ __ ] I was

05:43

just shooting the ball I just dunked now

05:46

y'all like but he ain't better than

05:47

Jordan yeah cuz I'm better than all of

05:49

y'all sucker Ty [ __ ] come on man tell

05:53

right behind and I just now hit M now

05:56

I'm front up the line with a comfortable

05:58

Le r I got it now he want something with

06:01

me well he caught me at the perfect time

06:03

jump up and see why I got here off of

06:05

bars not no controversy funny thing

06:07

about it oh my God I got here off of

06:10

bars not no controvery let me tell you

06:13

something man when I hear some lines I

06:15

can identify with oh my god when you

06:18

build it organically and you don't just

06:21

wake up and say [ __ ] people for no

06:24

reason it feel different not

06:27

controversal see I see where you took

06:28

that come on now come on now I like

06:32

never had thank youe never had to never

06:35

had to just it's just fun cuz

06:38

cuz right cuz exactly if you over the

06:41

border and you over there and I'm over

06:43

here there's no way that

06:46

you I I love this jur jurisdiction

06:50

[Laughter]

06:52

[ __ ] hold on let me go

06:58

back

07:00

and I

07:04

got

07:05

bitu the crack ain't never done up for

07:09

me slugs took my [ __ ] Soul drugs took

07:11

another one a rap beef ain't than the

07:14

[ __ ] i' seen in C he a like every 30

07:17

months or something if heing we wouldn't

07:20

be discussing make [ __ ] God you hear

07:23

what he just said he said he averaged

07:26

like a hard verse every 30 months or

07:29

something

07:30

something like like [ __ ] you yeah you

07:34

did you did your [ __ ] on that on that

07:37

Future

07:38

track

07:39

but [ __ ] I would have the hardest verse

07:42

of this planet if I waited 30 months to

07:44

say it that's kind of Si that kind of

07:46

remind me of like um damn that's crazy

07:49

yeah I'm not going to do it no but like

07:51

I said like that kind of remind me of

07:53

like 21 Savage yeah like he come out not

07:56

a shot not a shot [ __ ] y'all godam it

07:58

but 2 he he take his time and when they

08:01

come out just pop out with that [ __ ] got

08:03

that [ __ ] on yeah that [ __ ] be a't

08:05

nothing wrong with taking your time

08:06

having that [ __ ] on you but he saying

08:07

like we wouldn't be discussing your your

08:10

punk ass this is what he said we

08:12

wouldn't be discussing your punk ass if

08:14

you wouldn't

08:16

dissing hey sometimes I be thinking when

08:19

we be reacting when people watch our

08:21

videos how do we look on their TV when

08:23

they watch it he ain't discussing your

08:25

punk

08:26

ass I want to watch it with y'all let's

08:29

watch this reaction together God damn it

08:31

come on but yeah we wouldn't be

08:36

disgusted

08:39

[Music]

08:40

seen if heing we wouldn't beuss make me

08:45

smoke this [ __ ] cuz I [ __ ] with him P

08:47

come to on this I will hum with this

08:50

thing that New Jack City mean I'm aiming

08:53

at

08:55

gar oh wait a minute so yeah go get

09:01

it yeah put it over there it deserve to

09:05

be over

09:07

there um talk to him so uh

09:13

Jermaine you

09:15

Nino and he is glass

09:19

dick you really reduced them to glass

09:22

dick like man you been Kendrick is glass

09:25

dick if wait what what he say no diddler

09:28

what' he say

09:30

uh

09:31

um if you was more focused on the

09:34

business you wouldn't over there with

09:36

that [ __ ] and maybe none of this would

09:38

have

09:39

happened that's who that's who Kendrick

09:42

is he crying sweating on the phone he

09:46

that cuz the Carter is the Carter is

09:48

gone the Carter is over with your soul

09:50

is required we really thought

09:54

H we really thought we really thought

09:56

y'all was going the Carter was going the

09:58

Carter was coming together

09:59

reduce the rebels reduce the

10:01

[ __ ] Rebels I can't believe he

10:04

just a $50 million business a week

10:07

reduced to [ __ ] and nobody

10:10

nobody know

10:11

nothing if y'all really get what we

10:14

saying right now [ __ ] oh my God [ __ ]

10:16

with you even more let's get

10:19

[Music]

10:22

it Miss that new ja City mean I'm aiming

10:25

at g money crying before I busted them

10:28

like like it's PWC it's a keep heat

10:32

under your seat I got a phone they say

10:35

somebody you want some attention and

10:38

come with my do say the word he [ __ ]

10:41

he itching I'm putting so much work in

10:43

these streets he got p i told chill out

10:46

how I look having Hench if shots get the

10:48

I'm the one doing the conduct conduct

10:54

conduct beat switch switch

10:58

oh me put this

11:02

down I got mixed feelings about these

11:05

[ __ ] rap [ __ ] it's over for that

11:07

cap the official C pill 26 we don't act

11:10

[ __ ] we get that [ __ ] shoot a [ __ ]

11:12

lights out yeah my dog stack filler

11:14

stack stuff triple devil get your ass

11:17

black de body bag body bag body B cold

11:22

world you're instru for Poes class get a

11:24

[ __ ] stretched if I feel a disrespect

11:27

your arms might be too short to box with

11:29

the

11:34

without did he just call this [ __ ] one

11:36

of

11:37

these do not sleep on a [ __ ] he just

11:40

called this [ __ ] one of these you

11:42

remember the

11:43

meme he ain't say my [ __ ] got

11:49

T-Rexes be careful you came with a short

11:51

joke oh you on that I see he went a

11:54

little he went in he did a little

11:56

personal that [ __ ] on that a little Don

11:58

Demarco do he said you ain't got no

12:02

squabble or is he talking punchlines you

12:05

see how we get with this never mind Str

12:08

for Poes class get a [ __ ] stretched if

12:11

I feel a disrespect your arms might be

12:13

too short to box with the GU who live

12:15

his life without the pressures of a

12:17

constant faade I pray for peace but if a

12:19

[ __ ] sees these Positive Vibes a falcon

12:21

inside my pocket [ __ ] this rocket going

12:23

fly now it's popping outside like the

12:26

top of July my text flooded with the

12:28

hunger for a reply I'm I love my brother

12:31

but I'm not going to lie I'm powered up

12:33

for that sh feel like

12:38

fly that [ __ ] said my my phone is full

12:43

of people saying they want me to get

12:45

toxic but I'm chilling but I'm so up I'm

12:49

so [ __ ] I'm so ready for this [ __ ] it's

12:52

going to feel like swatting the

12:54

fly I

12:57

hope Kendrick that's what you you can

12:59

only uh you better come back because man

13:02

they get bad out it get sticky mhm they

13:04

get sticky man Kendrick I expect you I'm

13:08

expecting you in the morning it make it

13:10

even worse it make it even uh crazier

13:12

when everybody feel like everybody is

13:14

the fly thank you like let's be honest

13:18

right now this right now this [ __ ] ain't

13:20

even right now we got a verse and then

13:23

we got hey who you talking to yeah this

13:27

could be some [ __ ] yeah yeah let's stay

13:30

posted but we ain't even done yet bro

13:32

come on you know how we

13:36

get reply I'm hesitant I love my brother

13:39

but I'm not going to lie I'm powered up

13:41

for real that [ __ ] would feel like

13:42

swatting a fly fours in 12 Years [ __ ] I

13:45

can divide [ __ ] if this is what you want

13:48

I'm indulging in violence put pictures

13:50

in my home a the Chrome at your ey F pbl

13:53

at your with a Stone Temple Pilot this

13:56

is merely a warning shot the back [ __ ]

13:58

down back in the town where they

13:59

whipping working traffic and pounds my

14:01

Jack jumping about a r I'm making

14:03

blastous sounds switching sides like the

14:05

tassel on the cap in a gown fully

14:08

loaded that [ __ ] is hard man I'm not

14:12

even gassing it your back is out I'm not

14:16

even casing it that [ __ ] hard [ __ ]

14:19

switching sides like the tassel on a cap

14:21

in a gown like [ __ ] we was coold [ __ ]

14:25

reactors be like man you still

14:30

you still calling this [ __ ] G money

14:33

yeah and then it's funny he keep going

14:35

back to that amount of body of work in

14:37

time oh four albums All These Years

14:40

[ __ ] I can divide he keep talking about

14:42

the amount of

14:44

work you know when people be and they

14:46

come there like Biker Boys One race

14:48

[ __ ] one [ __ ] One race I tell you what

14:52

you get you some legit race get you some

14:54

colors you win you some legit races

14:58

then you can step to me but you better

15:01

be ready kid oh no doubt now

15:05

leave oh no doubt oh no doubt damn this

15:08

[ __ ]

15:10

is see y I love rap I love [ __ ]

15:16

[Music]

15:22

[ __ ] get started man we won't

15:27

stop

15:30

wait

15:35

on [ __ ] down back in the town where

15:38

they whipping work and traffic and

15:40

pounds my Jack jumping about a rap I'm

15:42

making Blasphemous sounds switching

15:44

sides like the tle on a cap and a I'm

15:46

fully loaded [ __ ] I can drop two

15:48

Classics right

15:50

now chill out man

15:53

conductor fall off on the way [ __ ] is

15:55

that it

15:57

yo no [ __ ] at the end damnn you could

16:01

have ended it with a batch b a t c h a

16:06

batch hey man I I don't know what to say

16:10

man I knew jcole would come back first

16:12

if you ask me held his own exactly how

16:15

you expect CLE to and like he said this

16:17

just a warning shot to back [ __ ]

16:20

up no no pinky nail it ain't no gas

16:23

right now but Kendrick you on the Clin

16:25

knock not even with a pinky

16:27

nail no response

16:29

no nothing Kendrick you on the clock

16:33

G yeah this [ __ ] don't just go one way

16:36

hey that [ __ ] said your first one was

16:39

classic your last one

16:43

was we was want some from

16:47

around that life was never easy I love

16:51

this freaky Jason X [ __ ]

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Tags associés
Rap LyricsArtistic ExpressionCultural CommentaryCompetitive RapUrban PoetryMusic IndustryHip Hop CultureWordplay MasteryRap BattlesLyrical Skill
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